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Phil May: Sketches from "Punch."

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A curated assortment of pen-and-ink cartoons accompanied by short captions that present witty vignettes of social and urban life. The images use spare, expressive lines and exaggerated posture to dramatize misunderstandings, petty vanities, and everyday absurdities across dining, public gatherings, travel, and artistic circles. Each sketch distills a single comic idea into a visual gag or ironic situation, offering light satire of manners, taste, and human foibles with brisk pacing and visual economy.

The Project Gutenberg eBook of Phil May: Sketches from "Punch."

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Phil May: Sketches from "Punch."

Author: Phil May

Author of introduction, etc.: Owen Seaman

Release date: March 7, 2021 [eBook #64738]
Most recently updated: October 18, 2024

Language: English

Credits: Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK PHIL MAY: SKETCHES FROM "PUNCH." ***

Contents.

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(etext transcriber's note)

Phil May

Sketches from
“P U N C H.”

P h i l   M a y
Sketches from
“PUNCH.”




LONDON:
“Punch” Office, 10, Bouverie Street, E.C.


Bradbury, Agnew & Co., Ltd.,
Printers,
London and Tonbridge.

Phil May.

Born, April 22, 1864. Died, August 5, 1903.

If the death of Phil May is a loss that the world of art may not soon retrieve, to his wide circle of friends it is an irreparable hurt. He had a nature made to love; so great a charm of gentleness and unaffected modesty went with his splendid gifts. The hard times of early life, that helped him in his art, as they helped another Filippo, to “learn the look of things,” left their trace, too, in the almost reckless generosity he showed for the needs of others. Less careful for himself, he suffered as a man must suffer who has a heart too quickly responsive to the claims of good fellowship always to distinguish in others between friendship and mere camaraderie. Among his colleagues at the Table he inspired a personal affection not less frank and sincere than their admiration, never even faintly tinged with envy, for the genius from which they caught a reflected pride. Their only jealousy was of the happy possessor of the latest of those delightfully spontaneous sketches which he used to make on the backs of the Punch Dinner menus. These gifts are treasured still more dearly now, along with many unrecorded memories that linger about his vacant place.

Owen Seaman.

FromPunch,” August 12th, 1903.

Contents

  PAGE. From “Punch.”
“And she ought to know!” 2 October 14th, 1893.
Self-Criticism 3 April 4th, 1896.
The Finishing Touch 4 August 18th, 1894.
Q. E. D. 5 September 1st, 1894.
The Plunger 6 December 15th, 1894.
An Important ’Junction 7 September 22nd, 1894.
Wasted Efforts 8 May 25th, 1895.
A Sunday Dinner 9 July 27th, 1895.
Blasé 10 July 7th, 1894.
Much Ado 11 September 14th, 1895.
A Soft Answer 12 February 23rd, 1895.
Not what he meant 13 X’mas Number, 1894.
Pickings from Picardy 14 September 7th, 1895.
Botany; or, a Day in the Country 15 April 6th, 1895.
A Model 16 December 14th, 1895.
A Lecture in Store 17 February 16th, 1895.
A Sketch from Life 18 September 21st, 1895.
A Gourmand 19 June 1st, 1895.
So that doesn’t count 20 July 13th, 1895.
A Special Pleader 21 April 20th, 1895.
A Natural Query 22 March 21st, 1896.
Inappropriate 23 January 25th, 1896.
A Sketch near Piccadilly 24 October 10th, 1896.
A Threat misplaced 25 April 11th, 1896.
Obvious 26 July 25th, 1896.
An Awkward Admission 27 July 11th, 1896.
A Homely Test 28 July 24th, 1897.
At a Literary and Artistic Banquet 29 May 8th, 1897.
Notes of Travel 30 October 23rd, 1897.
Sending-in-Day at the R.A. 31 April 10th, 1897.
From Dottyville 32 August 21st, 1897.
Another from Dottyville 33 July 2nd, 1898.
Jam satis 34 March 14th, 1900.
Petticoat Lane 35 Almanack, 1898.
Feline Impressions 36 May 21st, 1898.
An Awakening 37 May 7th, 1898.
Poor Letter H 38 February 26th, 1898.
Disadvantages of Performing
at a Country House in
the Wasp Season
39 January 29th, 1898.
Art in Whitechapel 40 May 1st, 1897.
The National Sporting Club, London 41 Almanack, 1898.
Flippancy 42 September 3rd, 1898.
A Rejoinder 43 April 2nd, 1898.
An Injured Innocent 44 June 18th, 1898.
Notes from Mr. Punch’s Foreign
Sketch-book
45 December 3rd, 1898.
Critics from the Quartier Latin 46 January 25th, 1899.
’Arry in ’Olland 47 September 6th, 1899.
Mistrust 48 November 8th, 1899.
An Unexpected Reply 49 March 8th, 1899.
“The Grey Mare” 50 February 15th, 1899.
At a Garden Party 51 August 9th, 1899.
The Very Latest Discovery 52 March 29th, 1899.
Christmas comes but once a year 53 December 27th, 1899.
Malapropos 54 June 7th, 1899.
Overheard at a Country Fair 55 September 27th, 1899.
Convincing 56 September 13th, 1899.
Overheard on the Steps
of the Army and Navy Stores
57 April 19th, 1899.
Eureka! 58 January 10th, 1900.
A Soliloquy 59 January 3rd, 1900.
A Breezy Customer 60 September 5th, 1900.
A Misunderstanding 61 November 21st, 1900.
Graphic 62 March 7th, 1900.
Hard Lines 63 June 6th, 1900.
From Erin’s Isle 64 April 25th, 1900.
Mafeking Night 65 May 30th, 1900.
Another way of putting it 66 December 4th, 1901.
An Artless Query 67 December 25th, 1901.
Not a Water Drinker 68 January 23rd, 1901.
A Connoisseur 69 January 9th, 1901.
On the Village Green 70 September 18th, 1901.
“An Englishman’s House,” &c. 71 October 23rd, 1901.
Self-satisfied 72 February 27th, 1901.
Another Mr. Weller 73 February 13th, 1901.
Another from Ireland 74 September 4th, 1901.
Vanitas 75 November 27th, 1901.
Brothers in Art 76 February 26th, 1902.
The New Play 77 November 19th, 1902.
Quite Another Thing 78 December 10th, 1902.
A Big Order 79 March 19th, 1902.
Indirect Oration 80 April 9th, 1902.
Beginning Early 81 February 12th, 1902.
Candid 82 March 26th, 1902.
A Different View 83 April 23rd, 1902.
Paradoxical 84 August 20th, 1902.
Dottyville again 85 February 19th, 1902.
Awkward 86 January 29th, 1902.
An Unpopular Idol 87 December 24th, 1902.
An Empty Embrace 88 September 17th, 1902.
Overheard outside
a famous Restaurant
89 February 5th, 1902.
Unexpected Effect 90 November 12th, 1902.
Reckoning him up 91 January 8th, 1902.
Shakespeare Illustrated
(Hamlet, Act III., Sc. 1)
92 May 6th, 1903.
Shakespeare Illustrated
(Hamlet, Act I., Sc. 5)
93 October 1st, 1902.
Decisive 94 May 27th, 1903.
Amenities of the Profession 95 May 13th, 1903.
Brown’s Country House—No. 1 96 January 14th, 1903.
Brown’s Country House—No. 2 97 January 21st, 1903.
The New Act again! 98 February 18th, 1903.
!!!! 99 April 8th, 1903.
Ready for the Fray 100 January 7th, 1903.
An Echo from Broadway 101 January 28th, 1903.
Smart 102 February 25th, 1903.
Quite of her Opinion 103 July 8th, 1903.
The Genial Season 104 December 22nd, 1894.
So likely! 105 March 30th, 1895.
A Euphemism 106 October 12th, 1895.
Rather Difficult for him 107 November 14th, 1900.
The Ruling Passion 108 August 7th, 1901.
Tit for Tat 109 April 15th, 1903.
All the Difference 110 November 6th, 1901.
Strong Language 111 July 29th, 1903.
Shakespeare Illustrated
(King John, Act III., Sc. 4)
112 July 22nd, 1903.

Sketches by Phil May

From “PUNCH.”

AND SHE OUGHT TO KNOW!

That’s supposed to be a Portograph of Lady Solsbury But, bless yer, it ain’t like her a bit in Private!

[First contribution to “Punch.“

SELF-CRITICISM.

First Genius to Second Genius.Why on Earth do you do your Hair in that absurd Fashion, Smith?”

THE FINISHING-TOUCH.

Arf a pound er Margarine, please; an’ Mother says will yer put the Cow on it, ’cos she’s got Company!”

Q. E. D.

What’s up wi’ Sal?” “Ain’t yer ’erd? She’s Married agin!

THE PLUNGER.

First Boy (much interested in the game of Buttons).’As ’e lost?

Second Ditto.Yes; ’e lost all them Buttons what ’e won off Tommy Crowther yesterday, an’ then ’e cut all the Buttons off ’is Clothes, and ’e ’s lost them too!”

AN IMPORTANT ’JUNCTION.

You mind your Fader gets my Boots reddy by Four o’clock, ’cos I’m goin’ to a Party”

WASTED EFFORTS.

New Assistant (after hair-cutting, to Jones, who has been away for a couple of weeks).Your ’Air is very thin be’ind, Sir. Try Singeing!Jones (after a pause).Yes, I think I will.

N. A. (after singeing).Shampoo, Sir? Good for the ’Air, Sir.Jones.Thank you. Yes.

N. A.Your Moustaches curled?Jones.Please.

N. A.May I give you a Friction?Jones.Thank you.

N. A.Will you try some of our—

Manager (who has just sighted his man, in Stage whisper).You Idiot! He’s a Subscriber!!”