V

An hour passed, and then Galbraith and Pierre appeared. Jen noticed that her father went over to Sergeant Tom and rather anxiously felt his pulse. Once in the night the old man had come down and done the same thing. Pierre said something in an undertone. Did they think he was ill? That was Jon's thought. She watched them closely; but the half-breed knew that she was watching, and the two said nothing more to each other. But Pierre said, in a careless way: "It is good he have that sleep. He was played out, quite."

Jon replied, a secret triumph at her heart: "But what about his orders, the papers he was to carry to Archangel's Rise? What about his being back at Fort Desire in the time given him?"

"It is not much matter about the papers. The poor devil that Inspector Jules would arrest—well, he will get off, perhaps, but that does no one harm. Eh, Galbraith? The law is sometimes unkind. And as for obeying orders, why, the prairie is wide, it is a hard ride, horses go wrong; —a little tale of trouble to Inspector Jules, another at Fort Desire, and who is to know except Pete Galbraith, Jen Galbraith, and Pierre? Poor Sergeant Tom. It was good he sleep so."

Jen felt there was irony behind the smooth words of the gambler. He had a habit of saying things, as they express it in that country, between his teeth. That signifies what is animal-like and cruel. Galbraith stood silent during Pierre's remarks, but, when he had finished, said:

"Yes, it's all right if he doesn't sleep too long; but there's the trouble—too long!"

Pierre frowned a warning, and then added, with unconcern: "I remember when you sleep thirty hours, Galbraith—after the prairie fire, three years ago, eh!"

"Well, that's so; that's so as you say it. We'll let him sleep till noon, or longer—or longer, won't we, Pierre?"

"Yes, till noon is good, or longer."

"But he shall not sleep longer if I can wake him," said Jen. "You do not think of the trouble all this sleeping may make for him."

"But then—but then, there is the trouble he will make for others, if he wakes. Think. A poor devil trying to escape the law!"

"But we have nothing to do with that, and justice is justice, Pierre."

"Eh, well, perhaps, perhaps!" Galbraith was silent.

Jen felt that so far as Sergeant Tom's papers were concerned he was safe; but she felt also that by noon he ought to be on his way back to Fort Desire—after she had told him what she had done. She was anxious for his honour. That her lover shall appear well before the world, is a thing deep in the heart of every woman. It is a pride for which she will deny herself, even of the presence of that lover.

"Till noon," Jen said, "and then he must go."

VI

Jen watched to see if her father or Pierre would notice that the horse was changed, had been travelled during the night, or that it was a different one altogether. As the morning wore away she saw that they did not notice the fact. This ignorance was perhaps owing largely to the appearance of several ranchmen from near the American border. They spent their time in the bar-room, and when they left it was nearly noon. Still Sergeant Tom slept. Jen now went to him and tried to wake him. She lifted him to a sitting position, but his head fell on her shoulder. Disheartened, she laid him down again. But now at last an undefined suspicion began to take possession of her. It made her uneasy; it filled her with a vague sense of alarm. Was this sleep natural? She remembered that, when her father and others had slept so long after the prairie fire, she had waked them once to give them drink and a little food, and they did not breathe so heavily as he was doing. Yet what could be done? What was the matter? There was not a doctor nearer than a hundred miles. She thought of bleeding,—the old-fashioned remedy still used on the prairies—but she decided to wait a little. Somehow she felt that she would receive no help from her father or Pierre. Had they anything to do with this sleep? Was it connected with the papers? No, not that, for they had not sought to take them, and had not made any remark about their being gone. This showed their unconcern on that point. She could not fathom the mystery, but the suspicion of something irregular deepened. Her father could have no reason for injuring Sergeant Tom; but Pretty Pierre—that was another matter. Yet she remembered too that her father had appeared the more anxious of the two about the Sergeant's sleep. She recalled that he said: "Yes, it's all right, if he doesn't sleep too long."

But Pierre could play a part, she knew, and could involve others in trouble, and escape himself. He was a man with a reputation for occasional wickednesses of a naked, decided type. She knew that he was possessed of a devil, of a very reserved devil, but liable to bold action on occasions. She knew that he valued the chances of life or death no more than he valued the thousand and one other chances of small importance, which occur in daily experience. It was his creed that one doesn't go till the game is done and all the cards are played. He had a stoic indifference to events.

He might be capable of poisoning—poisoning! ah, that thought! of poisoning Sergeant Tom for some cause. But her father? The two seemed to act alike in the matter. Could her father approve of any harm happening to Tom? She thought of the meal he had eaten, of the coffee he had drunk. The coffee-was that the key? But she said to herself that she was foolish, that her love had made her so. No, it could not be.

But a fear grew upon her, strive as she would against it. She waited silently and watched, and twice or thrice made ineffectual efforts to rouse him. Her father came in once. He showed anxiety; that was unmistakable, but was it the anxiety of guilt of any kind? She said nothing. At five o'clock matters abruptly came to a climax. Jen was in the kitchen, but, hearing footsteps in the sitting-room, she opened the door quietly. Her father was bending over Sergeant Tom, and Pierre was speaking: "No, no, Galbraith, it is all right. You are a fool. It could not kill him."

"Kill him—kill him," she repeated gaspingly to herself.

"You see he was exhausted; he may sleep for hours yet. Yes, he is safe,
I think."

"But Jen, she suspects something, she—"

"Hush!" said Pretty Pierre. He saw her standing near. She had glided forward and stood with flashing eyes turned, now upon the one, and now upon the other. Finally they rested on Galbraith.

"Tell me what you have done to him; what you and Pretty Pierre have done to him. You have some secret. I will know." She leaned forward, something of the tigress in the poise of her body. "I tell you, I will know." Her voice was low, and vibrated with fierceness and determination. Her eyes glowed, and her nostrils trembled with disdain and indignation. As they drew back,—the old man sullenly, the gambler with a slight gesture of impatience,—she came a step nearer to them and waited, the cords of her shapely throat swelling with excitement. A moment so, and then she said in a tone that suggested menace, determination:

"You have poisoned him. Tell me the truth. Do you hear, father—the truth, or I will hate you. I will make you repent it till you die."

"But—" Pierre began.

She interrupted him. "Do not speak, Pretty Pierre. You are a devil. You will lie. Father—!" She waited. "What difference does it make to you, Jen?" "What difference—what difference to me? That you should be a murderer?"

"But that is not so, that is a dream of yours, Ma'm'selle," said Pierre.

She turned to her father again. "Father, will you tell the truth to me?
I warn you it will be better for you both."

The old man's brow was sullen, and his lips were twitching nervously.
"You care more for him than you do for your own flesh and blood, Jen.
There's nothing to get mad about like that. I'll tell you when he's
gone. . . . Let's—let's wake him," he added, nervously.

He stooped down and lifted the sleeping man to a sitting posture. Pierre assisted him.

Jen saw that the half-breed believed Sergeant Tom could be wakened, and her fear diminished slightly, if her indignation did not. They lifted the soldier to his feet. Pierre pressed the point of a pin deep into his arm. Jen started forward, woman-like, to check the action, but drew back, for she saw heroic measures might be necessary to bring him to consciousness. But, nevertheless, her anger broke bounds, and she said: "Cowards—cowards! What spite made you do this?"

"Damnation, Jen," said the father, "you'll hector me till I make you sorry. What's this Irish policeman to you? What's he beside your own flesh and blood, I say again."

"Why does my own flesh and blood do such wicked tricks to an Irish soldier? Why does it give poison to an Irish soldier?"

"Poison, Jen? You needn't speak so ghost-like. It was only a dose of laudanum; not enough to kill him. Ask Pierre."

Inwardly she believed him, and said a Thank-God to herself, but to the half-breed she remarked: "Yes, ask Pierre—you are behind all this! It is some evil scheme of yours. Why did you do it? Tell the truth for once." Her eyes swam angrily with Pierre's.

Pierre was complacent; he admired her wild attacks. He smiled, and replied: "My dear, it was a whim of mine; but you need not tell him, all the same, when he wakes. You see this is your father's house, though the whim is mine. But look: he is waking-the pin is good. Some cold water, quick!"

The cold water was brought and dashed into the face of the soldier. He showed signs of returning consciousness. The effect of the laudanum had been intensified by the thoroughly exhausted condition of the body.

But the man was perfectly healthy, and this helped to resist the danger of a fatal result.

Pierre kept up an intermittent speech. "Yes, it was a mere whim of mine. Eh, he will think he has been an ass to sleep so long, and on duty, and orders to carry to Archangel's Rise!" Here he showed his teeth again, white and regular like a dog's. That was the impression they gave, his lips were so red, and the contrast was so great. One almost expected to find that the roof of his mouth was black, like that of a well-bred hound; but there is no evidence available on the point.

"There, that is good," he said. "Now set him down, Pete Galbraith. Yes—so, so! Sergeant Tom, ah, you will wake well, soon. Now the eyes a little wider. Good. Eh, Sergeant Tom, what is the matter? It is breakfast time—quite."

Sergeant Tom's eyes opened slowly and looked dazedly before him for a minute. Then they fell on Pierre. At first there was no recognition, then they became consciously clearer. "Pretty Pierre, you here in the barracks!" he said. He put his hand to his head, then rubbed his eyes roughly and looked up again. This time he saw Jen and her father. His bewilderment increased. Then he added: "What is the matter? Have I been asleep? What—!" He remembered. He staggered to his feet and felt his pockets quickly and anxiously for his letter. It was gone.

"The letter!" he said. "My orders! Who has robbed me? Faith, I remember. I could not keep awake after I drank the coffee. My papers are gone, I tell you, Galbraith," he said, fiercely.

Then he turned to Jen: "You are not in this, Jen. Tell me."

She was silent for a moment, then was about to answer, when he turned to the gambler and said: "You are at the bottom of this. Give me my papers." But Pierre and Galbraith were as dumbfounded as the Sergeant himself to know that the letter was gone. They were stunned beyond speech when Jen said, flushing: "No, Sergeant Tom, I am the thief. When I could not wake you, I took the letter from your pocket and carried it to Inspector Jules last night,—or, rather, Sergeant Gellatly carried them. I wore his cap and cloak and passed for him."

"You carried that letter to Inspector Jules last night, Jen?" said the soldier, all his heart in his voice.

Jen saw her father blanch, his mouth open blankly, and his lips refuse to utter the words on them. For the first time she comprehended some danger to him, to herself—to Val!

"Father, father," she said,—" what is it?"

Pierre shrugged his shoulders and rejoined: "Eh, the devil! Such mistakes of women. They are fools—all." The old man put out a shaking hand and caught his daughter's arm. His look was of mingled wonder and despair, as he said, in a gasping whisper, "You carried that letter to Archangel's Rise?"

"Yes," she answered, faltering now; "Sergeant Tom had said how important it was, you remember. That it was his duty to take it to Inspector Jules, and be back within forty-eight hours. He fell asleep. I could not wake him. I thought, what if he were my brother—our Val. So, when you and Pretty Pierre went to bed, I put on Val's clothes, took Sergeant Tom's cloak and hat, carried the orders to Jules, and was back here by six o'clock this morning."

Sergeant Tom's eyes told his tale of gratitude. He made a step towards her; but the old man, with a strange ferocity, motioned him back, saying,

"Go away from this house. Go quick. Go now, I tell you, or by God,—
I'll—"

Here Pretty Pierre touched his arm.

Sergeant Tom drew back, not because he feared but as if to get a mental perspective of the situation. Galbraith again said to his daughter,— "Jen, you carried them papers? You! for him—for the Law!" Then he turned from her, and with hand clenched and teeth set spoke to the soldier: "Haven't you heard enough? Curse you, why don't you go?"

Sergeant Tom replied coolly: "Not so fast, Galbraith. There's some mystery in all this. There's my sleep to be accounted for yet. You had some reason, some"—he caught the eyes of Pierre. He paused. A light began to dawn on his mind, and he looked at Jen, who stood rigidly pale, her eyes fixed fearfully, anxiously, upon him. She too was beginning to frame in her mind a possible horror; the thing that had so changed her father, the cause for drugging the soldier. There was a silence in which Pierre first, and then all, detected the sound of horses' hoofs. Pierre went to the door and looked out. He turned round again, and shrugged his shoulders with an expression of helplessness. But as he saw Jen was about to speak, and Sergeant Tom to move towards the door, he put up his hand to stay them both, and said: "A little—wait!"

Then all were silent. Jen's fingers nervously clasped and unclasped, and her eyes were strained towards the door. Sergeant Tom stood watching her pityingly; the old man's head was bowed. The sound of galloping grew plainer. It stopped. An instant and then three horsemen appeared before the door. One was Inspector Jules, one was Private Waugh, and the other between them was—let Jen tell who he was. With an agonised cry she rushed from the house and threw herself against the saddle, and with her arms about the prisoner, cried: "Oh, Val, Val, it was you! It was you they were after. It was you that—oh no, no, no! My poor Val, and I can't tell you—I can't tell you!"

Great as was her grief and self-reproach, she felt it would be cruel to tell him the part she had taken in placing him in this position. She hated herself, but why deepen his misery? His face was pale, but it had its old, open, fearless look, which dissipation had not greatly marred. His eyelids quivered, but he smiled, and touching her with his steel- bound hands, gently said:

"Never mind, Jen. It isn't so bad. You see it was this way: Snow Devil said something about someone that belonged to me, that cares more about me than I deserve. Well, he died sudden, and I was there at the time. That's all. I was trying with the help of Pretty Pierre to get out of the country"—and he waved his hand towards the half-breed.

"With Pretty Pierre—Pierre?" she said.

"Yes, he isn't all gambler. But they were too quick for me, and here I am. Jules is a hustler on the march. But he said he'd stop here and let me see you and dad as we go up to Fort Desire, and—there, don't mind, Sis—don't mind it so!"

Her sobs had ceased, but she clung to him as if she could never let him go. Her father stood near her, all the lines in his face deepened into bitterness. To him Val said: "Why, dad, what's the matter? Your hand is shaky. Don't you get this thing eatin' at your heart.

"It isn't worth it. That Injin would have died if you'd been in my place, I guess. Between you and me, I expect to give Jules the slip before we get there." And he laughed at the Inspector, who laughed a little austerely too, and in his heart wished that it was anyone else he had as a prisoner than Val Galbraith, who was a favourite with the Riders of the Plains.

Sergeant Tom had been standing in the doorway regarding this scene, and working out in his mind the complications that had led to it. At this point he came forward, and Inspector Jules said to him, after a curt salutation:

"You were in a hurry last night, Sergeant Gellatly. You don't seem so pushed for time now. Usual thing. When a man seems over-zealous—drink, cards, or women behind it. But your taste is good, even if, under present circumstances"—He stopped, for he saw a threatening look in the eyes of the other, and that other said: "We won't discuss that matter, Inspector, if you please. I'm going on to Fort Desire now. I couldn't have seen you if I'd wanted to last night."

"That's nonsense. If you had waited one minute longer at the barracks you could have done so. I called to you as you were leaving, but you didn't turn back."

"No. I didn't hear you."

All were listening to this conversation, and none more curiously than Private Waugh. Many a time in days to come he pictured the scene for the benefit of his comrades. Pretty Pierre, leaning against the hitching- post near the bar-room, said languidly:

"But, Inspector, he speaks the truth—quite: that is a virtue of the Riders of the Plains." Val had his eyes on the half-breed, and a look of understanding passed between them. While Val and his father and sister were saying their farewells in few words, but with homely demonstrations, Sergeant Tom brought his horse round and mounted it. Inspector Jules gave the word to move on. As they started, Gellatly, who fell behind the others slightly, leaned down and whispered: "Forgive me, Jen. You did a noble act for me, and the life of me would prove to you that I'm grateful. It's sorry, sorry I am. But I'll do what I can for Val, as sure as the heart's in me. Good-bye, Jen."

She looked up with a faint hope in her eyes. "Goodbye!" she said.
"I believe you . . . Good-bye!"

In a few minutes there was only a cloud of dust on the prairie to tell where the Law and its quarry were. And of those left behind, one was a broken-spirited old man with sorrow melting away the sinister look in his face; one, a girl hovering between the tempest of bitterness and a storm of self-reproach; and one a half-breed gambler, who again sat on the bar- counter smoking a cigarette and singing to himself, as indolently as if he were not in the presence of a painful drama of life, perhaps a tragedy. But was the song so pointless to the occasion, after all, and was the man so abstracted and indifferent as he seemed? For thus the song ran:

         "Oh, the bird in a cage and the bird on a tree
               Voila! 'tis a different fear!
          The maiden weeps and she bends the knee
               Oh, the sweet Saint Gabrielle hear!
          But the bird in a cage has a friend in the tree,
               And the maiden she dries her tear:
          And the night is dark and no moon you see
               Oh, the sweet Saint Gabrielle hear!
          When the doors are open the bird is free
               Oh, the sweet Saint Gabrielle hear!"

VII

These words kept ringing in Jen's ears as she stood again in the doorway that night with her face turned to the beacon. How different it seemed now! When she saw it last night it was a cheerful spirit of light—a something suggesting comfort, companionship, aspiration, a friend to the traveller, and a mysterious, but delightful, association. In the morning when she returned from that fortunate, yet most unfortunate, ride, it was still burning, but its warm flame was exhausted in the glow of the life- giving sun; the dream and delight of the night robbed of its glamour by the garish morning; like her own body, its task done, sinking before the unrelieved scrutiny of the day. To-night it burned with a different radiance. It came in fiery palpitations from the earth. It made a sound that was now like the moan of pine trees, now like the rumble of far-off artillery. The slight wind that blew spread the topmost crest of flame into strands of ruddy hair, and, looking at it, Jen saw herself rocked to and fro by tumultuous emotions, yet fuller of strength and larger of life than ever she had been. Her hot veins beat with determination, with a love which she drove back by another, cherished now more than it had ever been, because danger threatened the boy to whom she had been as a mother. In twenty-four hours she had grown to the full stature of love and suffering.

There were shadows that betrayed less roundness to her face; there were lines that told of weariness; but in her eyes there was a glowing light of hope. She raised her face to the stars and unconsciously paraphrasing Pierre's song said: "Oh, the God that dost save us, hear!"

A hand touched her arm, and a voice said, huskily, "Jen, I wanted to save him and—and not let you know of it; that's all. You're not keepin' a grudge agin me, my girl?"

She did not move nor turn her head. "I've no grudge, father; but—if— if you had told me, 'twouldn't be on my mind that I had made it worse for Val."

The kindness in the voice reassured him, and he ventured to say: "I didn't think you'd be carin' for one of the Riders of the Plains, Jen."

Then the old man trembled lest she should resent his words. She seemed about to do so, but the flush faded from her brow, and she said, simply: "I care for Val most, father. But he didn't know he was getting Val into trouble."

She suddenly quivered as a wave of emotion passed through her; and she said, with a sob in her voice: "Oh, it's all scrub country, father, and no paths, and—and I wish I had a mother!"

The old man sat down in the doorway and bowed his grey head in his arms.
Then, after a moment, he whispered:

"She's been dead twenty-two years, Jen. The day Val was born she went away. I'd a-been a better man if she'd a-lived, Jen; and a better father."

This was an unusual demonstration between these two. She watched him sadly for a moment, and then, leaning over and touching him gently on the shoulder, said: "It's worse for you than it is for me, father. Don't feel so bad. Perhaps we shall save him yet."

He caught a gleam of hope in her words: "Mebbe, Jen, mebbe!" and he raised his face to the light.

This ritual of affection was crude and unadorned; but it was real. They sat there for half-an-hour, silent.

Then a figure came out of the shadows behind the house and stood before them. It was Pierre.

"I go to-morrow morning, Galbraith," he said. The old man nodded, but did not reply.

"I go to Fort Desire," the gambler added.

Jen faced him. "What do you go there for, Pretty Pierre?"

"It is my whim. Besides, there is Val. He might want a horse some dark night."

"Pierre, do you mean that?"

"As much as Sergeant Tom means what he says. Every man has his friends. Pretty Pierre has a fancy for Val Galbraith—a little. It suits him to go to Fort Desire. Jen Galbraith, you make a grand ride last night. You do a bold thing—all for a man. We shall see what he will do for you. And if he does nothing—ah! you can trust the tongue of Pretty Pierre. He will wish he could die, instead of—Eh, bien, good-night!" He moved away. Jen followed him. She held out her hand. It was the first time she had ever done so to this man.

"I believe you," she said. "I believe that you mean well to our Val. I am sorry that I called you a devil." He smiled. "Ma'm'selle, that is nothing. You spoke true. But devils have their friends—and their whims. So you see, good-night."

"Mebbe it will come out all right, Jen—mebbe!" said the old man.

But Jen did not reply. She was thinking hard, her eyes upon the Prairie
Star. Living life to the hilt greatly illumines the outlook of the mind.
She was beginning to understand that evil is not absolute, and that good
is often an occasion more than a condition.

There was a long silence again. At last the old man rose to go and reduce the volume of flame for the night; but Jen stopped him. "No, father, let it burn all it can to-night. It's comforting."

"Mebbe so—mebbe!" he said.

A faint refrain came to them from within the house:

              "When doors are open the bird is free
               Oh, the sweet Saint Gabrielle hear!"

VIII

It was a lovely morning. The prairie billowed away endlessly to the south, and heaved away in vastness to the north; and the fresh, sharp air sent the blood beating through the veins. In the bar-room some early traveller was talking to Peter Galbraith. A wandering band of Indians was camped about a mile away, the only sign of humanity in the waste. Jen sat in the doorway culling dried apples. Though tragedies occur in lives of the humble, they must still do the dull and ordinary task. They cannot stop to cherish morbidness, to feed upon their sorrow; they must care for themselves and labour for others. And well is it for them that it is so.

The Indian camp brings unpleasant memories to Jen's mind. She knows it belongs to old Sun-in-the-North, and that he will not come to see her now, nor could she, or would she, go to him. Between her and that race there can never again be kindly communion. And now she sees, for the first time, two horsemen riding slowly in the track from Fort Desire towards Galbraith's Place. She notices that one sits upright, and one seems leaning forward on his horse's neck. She shades her eyes with her hand, but she cannot distinguish who they are. But she has seen men tied to their horses ride as that man is riding, when stricken with fever, bruised by falling timber, lacerated by a grizzly, wounded by a bullet, or crushed by a herd of buffaloes. She remembered at that moment the time that a horse had struck Val with its forefeet, and torn the flesh from his chest, and how he had been brought home tied to a broncho's back.

The thought of this drove her into the house, to have Val's bed prepared for the sufferer, whoever he was. Almost unconsciously she put on the little table beside the bed a bunch of everlasting prairie flowers, and shaded the light to the point of quiet and comfort.

Then she went outside again. The travellers now were not far away. She recognised the upright rider. It was Pretty Pierre. The other—she could not tell. She called to her father. She had a fear which she did not care to face alone. "See, see, father," she said, "Pretty Pierre and—and can it be Val?" For the moment she seemed unable to stir. But the old man shook his head, and said: "No, Jen, it can't be. It ain't Val."

Then another thought possessed her. Her lips trembled, and, throwing her head back as does a deer when it starts to shake off its pursuers by flight, she ran swiftly towards the riders. The traveller standing beside Galbraith said: "That man is hurt, wounded probably. I didn't expect to have a patient in the middle of the plains. I'm a doctor. Perhaps I can be of use here?" When a hundred yards away Jen recognised the recumbent rider. A thousand thoughts flashed through her brain. What had happened? Why was he dressed in civilian's clothes? A moment, and she was at his horse's head. Another, and her warm hand clasped the pale, moist, and wrinkled one which hung by the horse's neck. His coat at the shoulder was stained with blood, and there was a handkerchief about his head. This—this was Sergeant Tom Gellatly!

She looked up at Pierre, an agony of inquiry in her eyes, and pointing mutely to the wounded man. Pierre spoke with a tone of seriousness not common to his voice: "You see, Jen Galbraith, it was brave. Sergeant Tom one day resigns the Mounted Police. He leaves the Riders of the Plains. That is not easy to understand, for he is in much favour with the officers. But he buys himself out, and there is the end of the Sergeant and his triple chevron. That is one day. That night, two men on a ferry are crossing the Saskatchewan at Fort Desire. They are fired at from the shore behind. One man is hit twice. But they get across, cut the ferry loose, mount horses, and ride away together. The man that was hit—yes, Sergeant Tom. The other that was not hit was Val Galbraith."

Jen gave a cry of mingled joy and pain, and said, with Tom Gellatly's cold hand clasped to her bosom: "Val, our Val, is free, is safe."

"Yes, Val is free and safe-quite. The Riders of the Plains could not cross the river. It was too high. And so Tom Gellatly and Val got away. Val rides straight for the American border, and the other rides here." They were now near the house, but Jen said, eagerly: "Go on. Tell me all."

"I knew what had happened soon, and I rode away, too, and last night I found Tom Gellatly lying beside his horse on the prairie. I have brought him here to you. You two are even now, Jen Galbraith."

They were at the tavern door. The traveller and Pierre lifted, down the wounded and unconscious man, and brought him and laid him on Val Galbraith's bed.

The traveller examined the wounds in the shoulder and the head, and said: "The head is all right. If I can get the bullet out of the shoulder he'll be safe enough—in time."

The surgery was skilful but rude, for proper instruments were not at hand; and in a few hours he, whom we shall still call Sergeant Tom, lay quietly sleeping, the pallor gone from his face and the feeling of death from his hand.

It was near midnight when he waked. Jen was sitting beside him. He looked round and saw her. Her face was touched with the light that shone from the Prairie Star. "Jen," he said, and held out his hand.

She turned from the window and stood beside his bed. She took his outstretched hand. "You are better, Sergeant Tom?" she said, gently.

"Yes, I'm better; but it's not Sergeant Tom I am any longer, Jen."

"I forgot that."

"I owed you a great debt, Jen. I couldn't remain one of the Riders of the Plains and try to pay it. I left them. Then I tried to save Val, and I did. I knew how to do it without getting anyone else into trouble. It is well to know the trick of a lock and the hour that guard is changed. I had left, but I relieved guard that night just the same. It was a new man on watch. It's only a minute I had; for the regular relief watch was almost at my heels. I got Val out just in time. They discovered us, and we had a run for it. Pretty Pierre has told you. That's right. Val is safe now—"

In a low strained voice, interrupting him, she said, "Did Val leave you wounded so on the prairie?"

"Don't let that ate at your heart. No, he didn't. I hurried him off, and he didn't know how bad I was hit. But I—I've paid my debt, haven't I, Jen?" With eyes that could not see for tears, she touched pityingly, lovingly, the wounds on his head and shoulder, and said: "These pay a greater debt than you ever owed me. You risked your life for me—yes, for me. You have given up everything to do it. I can't pay you the great difference. No, never!"

"Yes—yes, you can, if you will, Jen. It's as aisy! If you'll say what I say, I'll give you quit of that difference, as you call it, forever and ever."

"First, tell me. Is Val quite, quite safe?"

"Yes, he's safe over the border by this time; and to tell you the truth, the Riders of the Plains wouldn't be dyin' to arrest him again if he was in Canada, which he isn't. It's little they wanted to fire at us, I know, when we were crossin' the river, but it had to be done, you see, and us within sight. Will you say what I ask you, Jen?"

She did not speak, but pressed his hand ever so slightly.

"Tom Gellatly, I promise," he said.

"Tom Gellatly, I promise—"

"To give you as much—"

"To give you as much—"

"Love—"

There was a pause, and then she falteringly said, "Love—"

"As you give to me-"

"As you give to me—"

"And I'll take you poor as you are—"

"And I'll take you poor as you are—"

"To be my husband as long as you live—"

"To be my husband as long as you live—"

"So help me, God."

"So help me, God."

She stooped with dropping tears, and he kissed her once. Then what was girl in her timidly drew back, while what was woman in her, and therefore maternal, yearned over the sufferer.

They had not seen the figure of an old man at the door. They did not hear him enter. They only knew of Peter Galbraith's presence when he said: "Mebbe—mebbe I might say Amen!"

THREE OUTLAWS

The missionary at Fort Anne of the H. B. C. was violently in earnest. Before he piously followed the latest and most amply endowed batch of settlers, who had in turn preceded the new railway to the Fort, the word scandal had no place in the vocabulary of the citizens. The H. B. C. had never imported it into the Chinook language, the common meeting-ground of all the tribes of the North; and the British men and native-born, who made the Fort their home, or place of sojourn, had never found need for its use. Justice was so quickly distributed, men were so open in their conduct, good and bad, that none looked askance, nor put their actions in ambush, nor studied innuendo. But this was not according to the new dispensation—that is, the dispensation which shrewdly followed the settlers, who as shrewdly preceded the railway. And, the dispensation and the missionary were known also as the Reverend Ezra Badgley, who, on his own declaration, in times past had "a call" to preach, and in the far East had served as local preacher, then probationer, then went on circuit, and now was missionary in a district of which the choice did credit to his astuteness, and gave room for his piety and for his holy rage against the Philistines. He loved a word for righteous mouthing, and in a moment of inspiration pagan and scandal came to him. Upon these two words he stamped, through them he perspired mightily, and with them he clenched his stubby fingers—such fingers as dug trenches, or snatched lewdly at soft flesh, in days of barbarian battle. To him all men were Pagans who loved not the sound of his voice, nor wrestled with him in prayer before the Lord, nor fed him with rich food, nor gave him much strong green tea to drink. But these men were of opaque stuff, and were not dismayed, and they called him St. Anthony, and with a prophetic and deadly patience waited. The time came when the missionary shook his denouncing finger mostly at Pretty Pierre, who carefully nursed his silent wrath until the occasion should arrive for a delicate revenge which hath its hour with every man, if, hating, he knows how to bide the will of Fate.

The hour came. A girl had been found dying on the roadside beyond the Fort by the drunken doctor of the place and Pierre. Pierre was with her when she died.

"An' who's to bury her, the poor colleen?" said Shon McGann afterwards.

Pierre musingly replied: "She is a Protestant. There is but one man."

After many pertinent and vigorous remarks, Shon added, "A Pagan is it, he calls you, Pierre, you that's had the holy water on y'r forehead, and the cross on the water, and that knows the book o' the Mass like the cards in a pack? Sinner y' are, and so are we all, God save us! say I; and weavin' the stripes for our backs He may be, and little I'd think of Him failin' in that: but Pagan—faith, it's black should be the white of the eyes of that preachin' sneak, and a rattle of teeth in his throat—divils go round me!"

The half-breed, still musing, replied: "An eye for an eye, and a tooth for a tooth—is that it, Shon?" "Nivir a word truer by song or by book, and stand by the text, say I. For Papist I am, and Papist are you; and the imps from below in y'r fingers whip poker is the game; and outlaws as they call us both—you for what it doesn't concern me, and I for a wild night in ould Donegal—but Pagan, wurra! whin shall it be, Pierre?"

"When shall it to be?"

"True for you. The teeth in his throat and a lump to his eye, and what more be the will o' God. Fightin' there'll be, av coorse; but by you I'll stand, and sorra inch will I give, if they'll do it with sticks or with guns, and not with the blisterin' tongue that's lied of me and me frinds—for frind I call you, Pierre, that loved me little in days gone by. And proud I am not of you, nor you of me; but we've tasted the bitter of avil days together, and divils surround me, if I don't go down with you or come up with you, whichever it be! For there's dirt, as I say on their tongues, and over their shoulder they look at you, and not with an eye full front."

Pierre was cool, even pensive. His lips parted slightly once or twice, and showed a row of white, malicious teeth. For the rest, he looked as if he were politely interested but not moved by the excitement of the other. He slowly rolled a cigarette and replied: "He says it is a scandal that I live at Fort Anne. Well, I was here before he came, and I shall be here after he goes—yes. A scandal—tsh! what is that? You know the word 'Raca' of the Book? Well, there shall be more 'Raca; soon —perhaps. No, there shall not be fighting as you think, Shon; but—" here Pierre rose, came over, and spread his fingers lightly on Shon's breast "but this thing is between this man and me, Shon McGann, and you shall see a great matter. Perhaps there will be blood, perhaps not— perhaps only an end." And the half-breed looked up at the Irishman from under his dark brows so covertly and meaningly that Shon saw visions of a trouble as silent as a plague, as resistless as a great flood. This noiseless vengeance was not after his own heart. He almost shivered as the delicate fingers drummed on his breast.

"Angels begird me, Pretty Pierre, but it's little I'd like you for enemy o' mine; for I know that you'd wait for y'r foe with death in y'r hand, and pity far from y'r heart; and y'd smile as you pulled the black-cap on y'r head, and laugh as you drew the life out of him, God knows how! Arrah, give me, sez I, the crack of a stick, the bite of a gun, or the clip of a sabre's edge, with a shout in y'r mouth the while!"

Though Pierre still listened lazily, there was a wicked fire in his eyes. His words now came from his teeth with cutting precision. "I have a great thought tonight, Shon McGann. I will tell you when we meet again. But, my friend, one must not be too rash—no, not too brutal. Even the sabre should fall at the right time, and then swift and still. Noise is not battle. Well, 'au revoir!' To-morrow I shall tell you many things." He caught Shon's hand quickly, as quickly dropped it, and went out indolently singing a favourite song,—"Voici le sabre de mon Pere!"

It was dark. Pretty Pierre stood still, and thought for a while. At last he spoke aloud: "Well, I shall do it, now I have him—so!" And he opened and shut his hand swiftly and firmly. He moved on, avoiding the more habited parts of the place, and by a roundabout came to a house standing very close to the bank of the river. He went softly to the door and listened. Light shone through the curtain of a window. He went to the window and looked beneath the curtain. Then he came back to the door, opened it very gently, stepped inside, and closed it behind him.

A man seated at a table, eating, rose; a man on whom greed had set its mark—greed of the flesh, greed of men's praise, greed of money. His frame was thick-set, his body was heavily nourished, his eye was shifty but intelligent; and a close observer would have seen something elusive, something furtive and sinister, in his face. His lips were greasy with meat as he stood up, and a fear sprang to his face, so that its fat looked sickly. But he said hoarsely, and with an attempt at being brave —"How dare you enter my house with out knocking? What do you want?"

The half-breed waved a hand protestingly towards him. "Pardon!" he said. "Be seated, and finish your meal. Do you know me?"

"Yes, I know you."

"Well, as I said, do not stop your meal. I have come to speak with you very quietly about a scandal—a scandal, you understand. This is Sunday night, a good time to talk of such things." Pierre seated himself at the table, opposite the man.

But the man replied: "I have nothing to say to you. You are—"

The half-breed interrupted: "Yes, I know, a Pagan fattening—" here he smiled, and looked at his thin hands—"fattening for the shambles of the damned, as you have said from the pulpit, Reverend Ezra Badgley. But you will permit me—a sinner as you say—to speak to you like this while you sit down and eat. I regret to disturb you, but you will sit, eh?"

Pierre's tone was smooth and low, almost deferential, and his eyes, wide open now, and hot with some hidden purpose, were fixed compellingly on the man. The missionary sat, and, having recovered slightly, fumbled with a knife and fork. A napkin was still beneath his greasy chin. He did not take it away.

Pierre then spoke slowly: "Yes, it is a scandal concerning a sinner—and
a Pagan. . . . Will you permit me to light a cigarette? Thank you
. . . . You have said many harsh things about me: well, as you see,
I am amiable. I lived at Fort Anne before you came. They call me Pretty
Pierre. Why is my cheek so? Because I drink no wine; I eat not much.
Pardon, pork like that on your plate—no! no! I do not take green tea
as there in your cup; I do not love women, one or many. Again, pardon,
I say."

The other drew his brows together with an attempt at pious frowning and indignation; but there was a cold, sneering smile now turned upon him, and it changed the frown to anxiety, and made his lips twitch, and the food he had eaten grow heavy within him.

"I come to the scandal slowly. The woman? She was a young girl travelling from the far East, to search for a man who had—spoiled her. She was found by me and another. Ah, you start so! . . . Will you not listen? . . . Well, she died to-night."

Here the missionary gasped, and caught with both hands at the table.

"But before she died she gave two things into my hands: a packet of letters—a man is a fool to write such letters—and a small bottle of poison—laudanum, old-fashioned but sure. The letters were from the man at Fort Anne—the man, you hear! The other was for her death, if he would not take her to his arms again. Women are mad when they love. And so she came to Fort Anne, but not in time. The scandal is great, because the man is holy—sit down!"

The half-breed said the last two words sharply, but not loudly. They both sat down slowly again, looking each other in the eyes. Then Pierre drew from his pocket a small bottle and a packet of letters, and held them before him. "I have this to say: there are citizens of Fort Anne who stand for justice more than law; who have no love for the ways of St. Anthony. There is a Pagan, too, an outlaw, who knows when it is time to give blow for blow with the holy man. Well, we understand each other, 'hein?'"

The elusive, sinister look in the missionary's face was etched in strong lines now. A dogged sullenness hung about his lips. He noticed that one hand only of Pretty Pierre was occupied with the relics of the dead girl; the other was free to act suddenly on a hip pocket. "What do you want me to do?" he said, not whiningly, for beneath the selfish flesh and shallow outworks there were the elements of a warrior—all pulpy now, but they were there.

"This," was the reply: "for you to make one more outlaw at Fort Anne by drinking what is in this bottle—sit down, quick, by God!" He placed the bottle within reach of the other. "Then you shall have these letters; and there is the fire. After? Well, you will have a great sleep, the good people will find you, they will bury you, weeping much, and no one knows here but me. Refuse that, and there is the other, the Law—ah, the poor girl was so very young!—and the wild Justice which is sometimes quicker than Law. Well? well?"

The missionary sat as if paralysed, his face all grey, his eyes fixed on the half-breed. "Are you man or devil?" he groaned at length.

With a slight, fantastic gesture Pierre replied: "It was said that a devil entered into me at birth, but that was mere scandal—'peut-etre.' You shall think as you will."

There was silence. The sullenness about the missionary's lips became charged with a contempt more animal than human. The Reverend Ezra Badgley knew that the man before him was absolute in his determination, and that the Pagans of Fort Anne would show him little mercy, while his flock would leave him to his fate. He looked at the bottle. The silence grew, so that the ticking of the watch in the missionary's pocket could be heard plainly, having for its background of sound the continuous swish of the river. Pretty Pierre's eyes were never taken off the other, whose gaze, again, was fixed upon the bottle with a terrible fascination. An hour, two hours, passed. The fire burned lower. It was midnight; and now the watch no longer ticked; it had fulfilled its day's work. The missionary shuddered slightly at this. He looked up to see the resolute gloom of the half-breed's eyes, and that sneering smile, fixed upon him still. Then he turned once more to the bottle. . . . His heavy hand moved slowly towards it. His stubby fingers perspired and showed sickly in the light. . . . They closed about the bottle. Then suddenly he raised it, and drained it at a draught. He sighed once heavily and as if a great inward pain was over. Rising he took the letters silently pushed towards him, and dropped them into the fire. He went to the window, raised it, and threw the bottle into the river. The cork was left: Pierre pointed to it. He took it up with a strange smile and thrust it into the coals. Then he sat down by the table, leaning his arms upon it, his eyes staring painfully before him, and the forgotten napkin still about his neck. Soon the eyes closed, and, with a moan on his lips, his head dropped forward on his arms. . . . Pierre rose, and, looking at the figure soon to be breathless as the baked meats about it, said: "'Bien,' he was not all coward. No."

Then he turned and went out into the night.

ETEXT EDITOR'S BOOKMARKS:

Delicate revenge which hath its hour with every man
Good is often an occasion more than a condition
He does not love Pierre; but he does not pretend to love him
It is not Justice that fills the gaols, but Law
It is not much to kill or to die—that is in the game
Men and women are unwittingly their own executioners
Noise is not battle
She was beginning to understand that evil is not absolute
The Government cherish the Injin much in these days