About This Book
This collection of critical and theoretical essays examines the nature and practice of theatre and music, arguing for an aesthetic approach that balances art's particular laws with universal principles of beauty. It ranges from reflections on marionettes, acting technique, stagecraft, realism, censorship, and the speaking of verse to profiles and judgments of prominent performers, and to music criticism that considers pianists, orchestras, and opera. Practical observations and programmatic remarks are woven with broader meditations on the relations among different arts and a developing system of aesthetics.
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