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Poems

Chapter 43: LINES
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About This Book

A varied collection of lyrical and occasional poems encompassing light social verse, pastoral descriptions, travel pieces gathered from earlier fugitive publication, and personal elegies. Pieces range from tranquil nature scenes and grotto meditations to expressions of romantic longing and formal dedications; a prominent elegy mourns a beloved brother and traces grief and memory. The preface frames the poems as modest divertissements written across youth and maturity, and some material derives from the author's tours. The tone alternates between playful, reflective, and mournful, favoring accessible meters and conventional poetic imagery rather than experimental forms.

LINES

WRITTEN AT BRIGHTON.

From Mirth’s bright circle, from the giddy throng,
    How sweet it is to steal away at eve,
To listen to the homeward fisher’s song,
    Whilst dark the waters of the ocean heave;—

And on the sloping beach to hear the spray
    Dash ’gainst some hoary vessel’s broken side;
Whilst, far illumin’d by the parting ray,
    The distant sail is faintly seen to glide.

Yes, ’tis Reflection’s chosen hour; for then,
    With pensive pleasure mingling o’er the scene,
Th’ erratic mind treads over life again,
    And gazes on the past with eye serene.

Those stormy passions which bedimm’d the soul,
    That oft have bid the joys it treasur’d fly,
Now, like th’ unruffled waves of Ocean, roll
    With gentle lapse—their only sound a sigh.

The galling wrong no longer knits the brow,
    Ambition feels the folly of her aim;
And Pity, from the heart expanding, now
    Pants to extend relief to ev’ry claim.

Thus, as I sit beside the murm’ring sea,
    And o’er its darkness trace light’s parting streak,
I feel, O Nature! that serenity
    Which vainly poetry like mine can speak!

O’er the drear tract of Time, Remembrance views
    Some dear, some long-departed, pleasure gleam;—
So o’er the dark expanse the eye pursues
    Upon the wat’ry edge a transient beam.

The spot fraternal love has sacred made,
    Solemn, yet sweet, like groves in twilight gloom,
Mem’ry revisits, and beneath its shade
    Faintly it sees each faded joy re-bloom.

By Fancy led, from Death’s cold bed of stone,
    Lovely, tho’ wan, what cherish’d form appears?
Oh! gentle Anna[5]! at thy name alone,
    Genius, and Grace, and Virtue, smile in tears.

Half-wrapp’d in mist I see thy figure move,
    O’er thy pale cheek appears its wonted smile;
With lunar lustre beam those looks of love,
    That once could life of ev’ry care beguile:

Faintly I hear thy angel-voice again;
    There’s music in the sweet and dying sound;
Like Philomela’s soft and echo’d strain,
    It spreads a soothing consolation round.

Adieu, bless’d shade!—Imagination roves
    To distant regions, o’er th’ Atlantic wave;
Ah! not to genial skies, or fragrant groves,
    To drop a tear upon a kindred grave.

Hard was thy fate, Eliza[6]!—It was thine,
    Tho’ wit thy mind, tho’ beauty grac’d thy form,
Behind Affliction’s weeping cloud to shine,
    With star-like radiance, in a night of storm.

Fierce from the sun the fiery fever flew,
    And bade the burning sand become thy tomb!
O’er thee no willow drops its mourning dew,
    Nor spotless lilies o’er thy bosom bloom!

Oh! when we stood around our brother’s bier,
    And wept in life’s full bloom to see him torn,
Ah! little did ye think that such a tear
    As then ye shed so soon your fate would mourn.

Farewell, dear shades! accept this mournful song,
    At once the tribute of my grief and love;
Fain would it try your virtues to prolong,
    Here priz’d and honour’d, and now bless’d above.

[5] Mrs. Hodges, a sister of the author.

[6] Mrs Fountaine, another sister of the author, who accompanied her husband to Africa, and died at the Government-house, in one of the British settlements on that coast, where she survived but a short time the death of three of her children.