XX
VISITOR
Her little face is
like a walnut shell
With wrinkling lines; her soft, white hair adorns
Her withered brows in quaint, straight curls, like horns;
And all about her clings an old, sweet smell.
Prim is her gown and quakerlike her shawl.
Well might her bonnets have been born on her.
Can you conceive a Fairy Godmother
The subject of a strong religious call?
In snow or shine, from bed to bed she runs,
All twinkling smiles and texts and pious tales,
Her mittened hands, that ever give or pray,
Bearing a sheaf of tracts, a bag of buns:
A wee old maid that sweeps the Bridegroom’s way,
Strong in a cheerful trust that never fails.
XXI
ROMANCE
‘Talk of
pluck!’ pursued the Sailor,
Set at euchre on his elbow,
‘I was on the wharf at Charleston,
Just ashore from off the runner.
‘It was grey and dirty weather,
And I heard a drum go rolling,
Rub-a-dubbing in the distance,
Awful dour-like and defiant.
‘In and out among the cotton,
Mud, and chains, and stores, and anchors,
Tramped a squad of battered scarecrows—
Poor old Dixie’s bottom dollar!
‘Some had shoes, but all had rifles,
Them that wasn’t bald was beardless,
And the drum was rolling Dixie,
And they stepped to it like men, sir!
‘Rags and tatters, belts and bayonets,
On they swung, the drum a-rolling,
Mum and sour. It looked like fighting,
And they meant it too, by thunder!’
XXII
PASTORAL
It’s the
Spring.
Earth has conceived, and her bosom,
Teeming with summer, is glad.
Vistas of change and adventure,
Thro’ the green land
The grey roads go beckoning and winding,
Peopled with wains, and melodious
With harness-bells jangling:
Jangling and twangling rough rhythms
To the slow march of the stately, great horses
Whistled and shouted along.
White fleets of cloud,
Argosies heavy with fruitfulness,
Sail the blue peacefully. Green flame the hedgerows.
Blackbirds are bugling, and white in wet winds
Sway the tall poplars.
Pageants
of colour and fragrance,
Pass the sweet meadows, and viewless
Walks the mild spirit of May,
Visibly blessing the world.
O, the brilliance of blossoming orchards!
O, the savour and thrill of the woods,
When their leafage is stirred
By the flight of the Angel of Rain!
Loud lows the steer; in the fallows
Rooks are alert; and the brooks
Gurgle and tinkle and trill. Thro’ the gloamings,
Under the rare, shy stars,
Boy and girl wander,
Dreaming in darkness and dew.
It’s the Spring.
A sprightliness feeble and squalid
Wakes in the ward, and I sicken,
Impotent, winter at heart.
XXIII
MUSIC
Down the quiet
eve,
Thro’ my window with the sunset
Pipes to me a distant organ
Foolish ditties;
And, as when you change
Pictures in a magic lantern,
Books, beds, bottles, floor, and ceiling
Fade and vanish,
And I’m well once more . . .
August flares adust and torrid,
But my heart is full of April
Sap and sweetness.
In the quiet eve
I am loitering, longing, dreaming . . .
Dreaming, and a distant organ
Pipes me ditties.
I can see the shop,
I can smell the sprinkled pavement,
Where she serves—her chestnut chignon
Thrills my senses!
O, the sight and scent,
Wistful eve and perfumed pavement!
In the distance pipes an organ . . .
The sensation
Comes to me anew,
And my spirit for a moment
Thro’ the music breathes the blessèd
Airs of London.
XXIV
SUICIDE
Staring corpselike
at the ceiling,
See his harsh, unrazored features,
Ghastly brown against the pillow,
And his throat—so strangely bandaged!
Lack of work and lack of victuals,
A debauch of smuggled whisky,
And his children in the workhouse
Made the world so black a riddle
That he plunged for a solution;
And, although his knife was edgeless,
He was sinking fast towards one,
When they came, and found, and saved him.
Stupid now with shame and sorrow,
In the night I hear him sobbing.
But sometimes he talks a little.
He has told me all his troubles.
In his broad face, tanned and bloodless,
White and wild his eyeballs glisten;
And his smile, occult and tragic,
Yet so slavish, makes you shudder!
XXV
APPARITION
Thin-legged,
thin-chested, slight unspeakably,
Neat-footed and weak-fingered: in his face—
Lean, large-boned, curved of beak, and touched with race,
Bold-lipped, rich-tinted, mutable as the sea,
The brown eyes radiant with vivacity—
There shines a brilliant and romantic grace,
A spirit intense and rare, with trace on trace
Of passion and impudence and energy.
Valiant in velvet, light in ragged luck,
Most vain, most generous, sternly critical,
Buffoon and poet, lover and sensualist:
A deal of Ariel, just a streak of Puck,
Much Antony, of Hamlet most of all,
And something of the Shorter-Catechist.
XXVI
ANTEROTICS
Laughs the happy
April morn
Thro’ my grimy, little window,
And a shaft of sunshine pushes
Thro’ the shadows in the square.
Dogs are tracing thro’ the grass,
Crows are cawing round the chimneys,
In and out among the washing
Goes the West at hide-and-seek.
Loud and cheerful clangs the bell.
Here the nurses troop to breakfast.
Handsome, ugly, all are women . . .
O, the Spring—the Spring—the Spring!
XXVII
NOCTURN
At the barren heart
of midnight,
When the shadow shuts and opens
As the loud flames pulse and flutter,
I can hear a cistern leaking.
Dripping, dropping, in a rhythm,
Rough, unequal, half-melodious,
Like the measures aped from nature
In the infancy of music;
Like the buzzing of an insect,
Still, irrational, persistent . . .
I must listen, listen, listen
In a passion of attention;
Till it taps upon my heartstrings,
And my very life goes dripping,
Dropping, dripping, drip-drip-dropping,
In the drip-drop of the cistern.
XXVIII
DISCHARGED
Carry me out
Into the wind and the sunshine,
Into the beautiful world.
O, the wonder, the spell of the streets!
The stature and strength of the horses,
The rustle and echo of footfalls,
The flat roar and rattle of wheels!
A swift tram floats huge on us . . .
It’s a dream?
The smell of the mud in my nostrils
Blows brave—like a breath of the sea!
As of old,
Ambulant, undulant drapery,
Vaguery and strangely provocative,
Fluttersd and beckons. O, yonder—
Is it?—the gleam of a stocking!
Sudden, a spire
Wedged in
the mist! O, the houses,
The long lines of lofty, grey houses,
Cross-hatched with shadow and light!
These are the streets . . .
Each is an avenue leading
Whither I will!
Free . . . !
Dizzy, hysterical, faint,
I sit, and the carriage rolls on with me
Into the wonderful world.
The Old Infirmary, Edinburgh, 1873–75
ENVOY
To Charles Baxter
Do you remember
That afternoon—that Sunday afternoon!—
When, as the kirks were ringing in,
And the grey city teemed
With Sabbath feelings and aspects,
Lewis—our Lewis then,
Now the whole world’s—and you,
Young, yet in shape most like an elder, came,
Laden with Balzacs
(Big, yellow books, quite impudently French),
The first of many times
To that transformed back-kitchen where I lay
So long, so many centuries—
Or years is it!—ago?
Dear Charles, since
then
We have been friends, Lewis and you
and I,
(How good it sounds, ‘Lewis and
you and I!’):
Such friends, I like to think,
That in us
three, Lewis and me and you,
Is something of that gallant dream
Which old Dumas—the generous,
the humane,
The seven-and-seventy times to be forgiven!—
Dreamed for a blessing to the race,
The immortal Musketeers.
Our Athos
rests—the wise, the kind,
The liberal and august, his fault atoned,
Rests in the crowded yard
There at the west of Princes Street. We three—
You, I, and Lewis!—still
afoot,
Are still together, and our lives,
In chime so long, may keep
(God bless the thought!)
Unjangled till the end.
W. E. H.
Chiswick, March 1888
THE
SONG
OF THE SWORD
(To Rudyard Kipling)
1890
The Sword
Singing—
The voice of the Sword from the heart of the Sword
Clanging imperious
Forth from Time’s battlements
His ancient and triumphing Song.
In the beginning,
Ere God inspired Himself
Into the clay thing
Thumbed to His image,
The vacant, the naked shell
Soon to be Man:
Thoughtful He pondered it,
Prone there and impotent,
Fragile,
inviting
Attack and discomfiture;
Then, with a smile—
As He heard in the Thunder
That laughed over Eden
The voice of the Trumpet,
The iron Beneficence,
Calling his dooms
To the Winds of the world—
Stooping, He drew
On the sand with His finger
A shape for a sign
Of his way to the eyes
That in wonder should waken,
For a proof of His will
To the breaking intelligence.
That was the birth of me:
I am the Sword.
Bleak and lean, grey and cruel,
Short-hilted, long shafted,
I froze into steel;
And the blood of my elder,
His hand on the hafts of me,
Sprang like a wave
In the
wind, as the sense
Of his strength grew to ecstasy;
Glowed like a coal
In the throat of the furnace;
As he knew me and named me
The War-Thing, the Comrade,
Father of honour
And giver of kingship,
The fame-smith, the song-master,
Bringer of women
On fire at his hands
For the pride of fulfilment,
Priest (saith the Lord)
Of his marriage with victory
Ho! then, the Trumpet,
Handmaid of heroes,
Calling the peers
To the place of espousals!
Ho! then, the splendour
And glare of my ministry,
Clothing the earth
With a livery of lightnings!
Ho! then, the music
Of battles in onset,
And ruining armours,
And
God’s gift returning
In fury to God!
Thrilling and keen
As the song of the winter stars,
Ho! then, the sound
Of my voice, the implacable
Angel of Destiny!—
I am the Sword.
Heroes, my children,
Follow, O, follow me!
Follow, exulting
In the great light that breaks
From the sacred Companionship!
Thrust through the fatuous,
Thrust through the fungous brood,
Spawned in my shadow
And gross with my gift!
Thrust through, and hearken
O, hark, to the Trumpet,
The Virgin of Battles,
Calling, still calling you
Into the Presence,
Sons of the Judgment,
Pure wafts of the Will!
Edged to
annihilate,
Hilted with government,
Follow, O, follow me,
Till the waste places
All the grey globe over
Ooze, as the honeycomb
Drips, with the sweetness
Distilled of my strength,
And, teeming in peace
Through the wrath of my coming,
They give back in beauty
The dread and the anguish
They had of me visitant!
Follow, O follow, then,
Heroes, my harvesters!
Where the tall grain is ripe
Thrust in your sickles!
Stripped and adust
In a stubble of empire,
Scything and binding
The full sheaves of sovranty:
Thus, O, thus gloriously,
Shall you fulfil yourselves!
Thus, O, thus mightily,
Show yourselves sons of mine—
Yea, and
win grace of me:
I am the Sword!
I am the feast-maker:
Hark, through a noise
Of the screaming of eagles,
Hark how the Trumpet,
The mistress of mistresses,
Calls, silver-throated
And stern, where the tables
Are spread, and the meal
Of the Lord is in hand!
Driving the darkness,
Even as the banners
And spears of the Morning;
Sifting the nations,
The slag from the metal,
The waste and the weak
From the fit and the strong;
Fighting the brute,
The abysmal Fecundity;
Checking the gross,
Multitudinous blunders,
The groping, the purblind
Excesses
in service
Of the Womb universal,
The absolute drudge;
Firing the charactry
Carved on the World,
The miraculous gem
In the seal-ring that burns
On the hand of the Master—
Yea! and authority
Flames through the dim,
Unappeasable Grisliness
Prone down the nethermost
Chasms of the Void!—
Clear singing, clean slicing;
Sweet spoken, soft finishing;
Making death beautiful,
Life but a coin
To be staked in the pastime
Whose playing is more
Than the transfer of being;
Arch-anarch, chief builder,
Prince and evangelist,
I am the Will of God:
I am the Sword.
The Sword
Singing—
The voice of the Sword from the heart of the Sword
Clanging majestical,
As from the starry-staired
Courts of the primal Supremacy,
His high, irresistible song.
ARABIAN NIGHTS’
ENTERTAINMENTS
(To Elizabeth Robins Pennell)
1893
Once on a time
There was a little boy: a master-mage
By virtue of a Book
Of magic—O, so magical it filled
His life with visionary pomps
Processional! And Powers
Passed with him where he passed. And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.—
I shut mine eyes . . . And lo!
A flickering snatch of memory that floats
Upon the
face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael’s: in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies—O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk—
Ice-ribbed, fiend-visited, isled in spells and storms—
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!
Old friends I had a-many—kindly and
grim
Familiars, cronies quaint
And goblin! Never a Wood but housed
Some morrice of dainty dapperlings. No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents. Every lone Hillside
Might open upon Elf-Land. Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faëry Harp. And in it flew,
And,
perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan’s own whistle, savage and rich and lewd,
And mocked him call for call!
I
could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows. In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
’Twas good to follow the Miller’s Youngest
Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, Puss-in-Boots!
Or Bluebeard’s Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases—
Odd-fangled, most a butcher’s, part
A faëry chamber hazily seen
And hazily figured—on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip
Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.
But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba’s Cave
Just for the saying ‘Open Sesame,’
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler’s? . . . Or one time
Made you Aladdin’s friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white breasts
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black Bitch of all
Your
consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labé, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .
I was—how many a time!—
That Second Calendar, Son of a King,
On whom ’twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty. Yet I could not rest
For idleness and ungovernable Fate.
And the
Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might. But there
I met with Merry Ladies. O you three—
Safie, Amine, Zobëidé—when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons. And Haroun
Laughed out of his lordly beard
On Giaffar
and Mesrour (I knew the Three
For all their Mossoul habits). And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris’ plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness: or a prodigy in scales
Worth in the Caliph’s Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .
Then, as the Book was glassed
In Life as in some olden mirror’s quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed. Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were
filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring—staring. Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door: and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes—all slain,
All in their nightgowns, all with Painted Eyes
Staring—still staring; so that I turned and ran
As for my neck, but in the street
Took breath. The same, it seemed,
And yet not all the same, I was to find,
As I went up! For afterwards,
Whenas I went my round alone—
All day alone—in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would: still there were Shapes of Stone,
Motionless, lifelike, frightening—for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-belovéd quest,
Thrilled with a novel and delicious fear.
So the night fell—with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice! And in a little while
Two tapers burning! And the Voice,
Heard in the wondrous Word of God, was—whose?
Whose but Zobëidé’s,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .
Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly .
. . and grew. Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman’s hand,
And, turning broadside on,
As the most iron would, was haled and sucked
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown. All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands! And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled
on an iron ring—
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood. And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock! The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist’s jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives! And far, O, far away,
The Princess of China languished! Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play—unkenned, majestical, secure—
Where the old, brown, friendly river shaped
Like Tigris shore for shore! Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady: she who took
Her rice with tweezers grain by grain.
Or you
might stumble—there by the iron gates
Of the Pump Room—underneath the limes—
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery’s, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You’d not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc’s claw,
Disguised like Sindbad—but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian: yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.—
Thus cried, thus called aloud, to the child
heart
The magian East: thus the child eyes
Spelled
out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn’s arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships—
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters—brought
To her very doorsteps and geraniums
The scents of the World’s End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked
with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet—(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)—
As on the amorous nightingales
And roses of Shíraz, or the walls and towers
Of Samarcand—the Ineffable—whence you espy
The splendour of Ginnistan’s embattled spears,
Like listed lightnings.
Samarcand!
That name of names! That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might
overtake you: for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable—isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills—
The shining, shifting Sovranties of Dream.
BRIC-À-BRAC
1877–1888
BALLADE OF A TOYOKUNI COLOUR-PRINT
To W. A.
Was I a Samurai
renowned,
Two-sworded, fierce, immense of bow?
A histrion angular and profound?
A priest? a porter?—Child, although
I have forgotten clean, I know
That in the shade of Fujisan,
What time the cherry-orchards blow,
I loved you once in old Japan.
As here you loiter, flowing-gowned
And hugely sashed, with pins a-row
Your quaint head as with flamelets crowned,
Demure, inviting—even so,
When merry maids in Miyako
To feel the sweet o’ the year began,
And green gardens to overflow,
I loved you once in old Japan.
Clear shine the hills; the rice-fields round
Two cranes are circling; sleepy and slow,
A blue canal the lake’s blue bound
Breaks at the bamboo bridge; and lo!
Touched with the sundown’s spirit and glow,
I see you turn, with flirted fan,
Against the plum-tree’s bloomy snow . . .
I loved you once in old Japan!
Envoy
Dear, ’twas a dozen lives ago;
But that I was a lucky man
The Toyokuni here will show:
I loved you—once—in old Japan.
BALLADE
(DOUBLE REFRAIN)
OF YOUTH AND AGE
I.
M.
Thomas Edward Brown
(1829–1896)
Spring at her height
on a morn at prime,
Sails that laugh from a flying squall,
Pomp of harmony, rapture of rhyme—
Youth is the sign of them, one and all.
Winter sunsets and leaves that fall,
An empty flagon, a folded page,
A tumble-down wheel, a tattered ball—
These are a type of the world of Age.
Bells that clash in a gaudy chime,
Swords that clatter in onsets tall,
The words that ring and the fames that climb—
Youth is the sign of them, one and all.
Hymnals old in a dusty stall,
A bald, blind bird in a crazy cage,
The scene of a faded festival—
These are a type of the world of Age.
Hours that strut as the heirs of time,
Deeds whose rumour’s a clarion-call,
Songs where the singers their souls sublime—
Youth is the sign of them, one and all.
A staff that rests in a nook of wall,
A reeling battle, a rusted gage,
The chant of a nearing funeral—
These are a type of the world of Age.
Envoy
Struggle and turmoil, revel and brawl—
Youth is the sign of them, one and all.
A smouldering hearth and a silent stage—
These are a type of the world of Age.
BALLADE
(DOUBLE REFRAIN)
OF MIDSUMMER DAYS AND NIGHTS
To W. H.
With a ripple of
leaves and a tinkle of streams
The full world rolls in a rhythm of praise,
And the winds are one with the clouds and beams—
Midsummer days! Midsummer days!
The dusk grows vast; in a purple haze,
While the West from a rapture of sunset rights,
Faint stars their exquisite lamps upraise—
Midsummer nights! O midsummer nights!
The wood’s green heart is a nest of
dreams,
The lush grass thickens and springs and sways,
The rathe wheat rustles, the landscape gleams—
Midsummer days! Midsummer days!
In the stilly fields, in the stilly ways,
All secret shadows and mystic lights,
Late lovers murmur and linger and gaze—
Midsummer nights! O midsummer nights!
There’s a music of bells from the trampling
teams,
Wild skylarks hover, the gorses blaze,
The rich, ripe rose as with incense steams—
Midsummer days! Midsummer days!
A soul from the honeysuckle strays,
And the nightingale as from prophet heights
Sings to the Earth of her million Mays—
Midsummer nights! O midsummer nights!
Envoy
And it’s O, for my dear and the charm
that stays—
Midsummer days! Midsummer days!
It’s O, for my Love and the dark that plights—
Midsummer nights! O midsummer nights!
BALLADE
OF DEAD ACTORS
I.
M.
Edward John Henley
(1861–1898)
Where are the
passions they essayed,
And where the tears they made to flow?
Where the wild humours they portrayed
For laughing worlds to see and know?
Othello’s wrath and Juliet’s woe?
Sir Peter’s whims and Timon’s gall?
And Millamant and Romeo?
Into the night go one and all.
Where are the braveries, fresh or frayed?
The plumes, the armours—friend and foe?
The cloth of gold, the rare brocade,
The mantles glittering to and fro?
The pomp, the pride, the royal show?
The cries of war and festival?
The youth, the grace, the charm, the glow?
Into the night go one and all.
The curtain falls, the play is played:
The Beggar packs beside the Beau;
The Monarch troops, and troops the Maid;
The Thunder huddles with the Snow.
Where are the revellers high and low?
The clashing swords? The lover’s call?
The dancers gleaming row on row?
Into the night go one and all.
Envoy
Prince, in one common
overthrow
The Hero tumbles with the Thrall:
As dust that drives, as straws that blow,
Into the night go one and all.
BALLADE
MADE IN THE HOT WEATHER
To C. M.
Fountains that frisk
and sprinkle
The moss they overspill;
Pools that the breezes crinkle;
The wheel beside the mill,
With its wet, weedy frill;
Wind-shadows in the wheat;
A water-cart in the street;
The fringe of foam that girds
An islet’s ferneries;
A green sky’s minor thirds—
To live, I think of these!
Of ice and glass the tinkle,
Pellucid, silver-shrill;
Peaches without a wrinkle;
Cherries and snow at will,
From china bowls that fill
The senses with a sweet
Incuriousness of heat;
A melon’s dripping sherds;
Cream-clotted strawberries;
Dusk dairies set with curds—
To live, I think of these!
Vale-lily and periwinkle;
Wet stone-crop on the sill;
The look of leaves a-twinkle
With windlets clear and still;
The feel of a forest rill
That wimples fresh and fleet
About one’s naked feet;
The muzzles of drinking herds;
Lush flags and bulrushes;
The chirp of rain-bound birds—
To live, I think of these!
Envoy
Dark aisles, new packs of cards,
Mermaidens’ tails, cool swards,
Dawn dews and starlit seas,
White marbles, whiter words—
To live, I think of these!
BALLADE OF TRUISMS
Gold or silver,
every day,
Dies to gray.
There are knots in every skein.
Hours of work and hours of play
Fade away
Into one immense Inane.
Shadow and substance, chaff and grain,
Are as vain
As the foam or as the spray.
Life goes crooning, faint and fain,
One refrain:
‘If it could be always May!’
Though the earth be green and gay,
Though, they
say,
Man the cup of heaven may drain;
Though, his little world to sway,
He display
Hoard on hoard of pith and brain:
Autumn brings a mist and rain
That
constrain
Him and
his to know decay,
Where undimmed the lights that wane
Would remain,
If it could be always May.
Yea, alas, must turn to Nay,
Flesh to
clay.
Chance and Time are ever twain.
Men may scoff, and men may pray,
But they pay
Every pleasure with a pain.
Life may soar, and Fortune deign
To explain
Where her prizes hide and stay;
But we lack the lusty train
We should
gain,
If it could be always May.
Envoy
Time, the pedagogue, his cane
Might retain,
But his charges all would stray
Truanting in every lane—
Jack with
Jane—
If it could be always May.
DOUBLE
BALLADE
OF LIFE AND FATE
Fools may pine, and
sots may swill,
Cynics gibe, and prophets rail,
Moralists may scourge and drill,
Preachers prose, and fainthearts quail.
Let them whine, or threat, or wail!
Till the touch of Circumstance
Down to darkness sink the scale,
Fate’s a fiddler, Life’s a dance.
What if skies be wan and chill?
What if winds be harsh and stale?
Presently the east will thrill,
And the sad and shrunken sail,
Bellying with a kindly gale,
Bear you sunwards, while your chance
Sends you back the hopeful hail:—
‘Fate’s a fiddler, Life’s a dance.’
Idle shot or coming bill,
Hapless love or broken bail,
Gulp it (never chew your pill!),
And, if Burgundy should fail,
Try the humbler pot of ale!
Over all is heaven’s expanse.
Gold’s to find among the shale.
Fate’s a fiddler, Life’s a dance.
Dull Sir Joskin sleeps his fill,
Good Sir Galahad seeks the Grail,
Proud Sir Pertinax flaunts his frill,
Hard Sir Æger dints his mail;
And the while by hill and dale
Tristram’s braveries gleam and glance,
And his blithe horn tells its tale:—
‘Fate’s a fiddler, Life’s a dance.’
Araminta’s grand and shrill,
Delia’s passionate and frail,
Doris drives an earnest quill,
Athanasia takes the veil:
Wiser Phyllis o’er her pail,
At the heart of all romance
Reading,
sings to Strephon’s flail:—
‘Fate’s a fiddler, Life’s a dance.’
Every Jack must have his Jill
(Even Johnson had his Thrale!):
Forward, couples—with a will!
This, the world, is not a jail.
Hear the music, sprat and whale!
Hands across, retire, advance!
Though the doomsman’s on your trail,
Fate’s a fiddler, Life’s a dance.
Envoy
Boys and girls, at slug and snail
And their kindred look askance.
Pay your footing on the nail:
Fate’s a fiddler, Life’s a dance.
DOUBLE
BALLADE
OF THE NOTHINGNESS OF THINGS
The big teetotum
twirls,
And epochs wax and wane
As chance subsides or swirls;
But of the loss and gain
The sum is always plain.
Read on the mighty pall,
The weed of funeral
That covers praise and blame,
The —isms and the —anities,
Magnificence and shame:—
‘O Vanity of Vanities!’
The Fates are subtile girls!
They give us chaff for grain.
And Time, the Thunderer, hurls,
Like bolted death, disdain
At all that heart and brain
Conceive, or great or small,
Upon this
earthly ball.
Would you be knight and dame?
Or woo the sweet humanities?
Or illustrate a name?
O Vanity of Vanities!
We sound the sea for pearls,
Or drown them in a drain;
We flute it with the merles,
Or tug and sweat and strain;
We grovel, or we reign;
We saunter, or we brawl;
We answer, or we call;
We search the stars for Fame,
Or sink her subterranities;
The legend’s still the same:—
‘O Vanity of Vanities!’
Here at the wine one birls,
There some one clanks a chain.
The flag that this man furls
That man to float is fain.
Pleasure gives place to pain:
These in the kennel crawl,
While
others take the wall.
She has a glorious aim,
He lives for the inanities.
What comes of every claim?
O Vanity of Vanities!
Alike are clods and earls.
For sot, and seer, and swain,
For emperors and for churls,
For antidote and bane,
There is but one refrain:
But one for king and thrall,
For David and for Saul,
For fleet of foot and lame,
For pieties and profanities,
The picture and the frame:—
‘O Vanity of Vanities!’
Life is a smoke that curls—
Curls in a flickering skein,
That winds and whisks and whirls
A figment thin and vain,
Into the vast Inane.
One end for hut and hall!
One end
for cell and stall!
Burned in one common flame
Are wisdoms and insanities.
For this alone we came:—
‘O Vanity of Vanities!’
Envoy
Prince, pride must have a fall.
What is the worth of all
Your state’s supreme urbanities?
Bad at the best’s the game.
Well might the Sage exclaim:—
‘O Vanity of Vanities!’
AT QUEENSFERRY
To W. G. S.
The blackbird sang,
the skies were clear and clean
We bowled along a road that curved a spine
Superbly sinuous and serpentine
Thro’ silent symphonies of summer green.
Sudden the Forth came on us—sad of mien,
No cloud to colour it, no breeze to line:
A sheet of dark, dull glass, without a sign
Of life or death, two spits of sand between.
Water and sky merged blank in mist together,
The Fort loomed spectral, and the Guardship’s spars
Traced vague, black shadows on the shimmery glaze:
We felt the dim, strange years, the grey, strange weather,
The still, strange land, unvexed of sun or stars,
Where Lancelot rides clanking thro’ the haze.
ORIENTALE
She’s an
enchanting little Israelite,
A world of hidden dimples!—Dusky-eyed,
A starry-glancing daughter of the Bride,
With hair escaped from some Arabian Night,
Her lip is red, her cheek is golden-white,
Her nose a scimitar; and, set aside
The bamboo hat she cocks with so much pride,
Her dress a dream of daintiness and delight.
And when she passes with the dreadful boys
And romping girls, the cockneys loud and crude,
My thought, to the Minories tied yet moved to range
The Land o’ the Sun, commingles with the noise
Of magian drums and scents of sandalwood
A touch Sidonian—modern—taking—strange!
IN FISHERROW
A hard north-easter
fifty winters long
Has bronzed and shrivelled sere her face and neck;
Her locks are wild and grey, her teeth a wreck;
Her foot is vast, her bowed leg spare and strong.
A wide blue cloak, a squat and sturdy throng
Of curt blue coats, a mutch without a speck,
A white vest broidered black, her person deck,
Nor seems their picked, stern, old-world quaintness wrong.
Her great creel forehead-slung, she wanders nigh,
Easing the heavy strap with gnarled, brown fingers,
The spirit of traffic watchful in her eye,
Ever and anon imploring you to buy,
As looking down the street she onward lingers,
Reproachful, with a strange and doleful cry.
BACK-VIEW
To D. F.
I watched you
saunter down the sand:
Serene and large, the golden weather
Flowed radiant round your peacock feather,
And glistered from your jewelled hand.
Your tawny hair, turned strand on strand
And bound with blue ribands together,
Streaked the rough tartan, green like heather,
That round your lissome shoulder spanned.
Your grace was quick my sense to seize:
The quaint looped hat, the twisted tresses,
The close-drawn scarf, and under these
The flowing, flapping draperies—
My thought an outline still caresses,
Enchanting, comic, Japanese!
CROLUIS
To G. W.
The beach was
crowded. Pausing now and then,
He groped and fiddled doggedly along,
His worn face glaring on the thoughtless throng
The stony peevishness of sightless men.
He seemed scarce older than his clothes. Again,
Grotesquing thinly many an old sweet song,
So cracked his fiddle, his hand so frail and wrong,
You hardly could distinguish one in ten.
He stopped at last, and sat him on the sand,
And, grasping wearily his bread-winner,
Stared dim towards the blue immensity,
Then leaned his head upon his poor old hand.
He may have slept: he did not speak nor stir:
His gesture spoke a vast despondency.
ATTADALE WEST HIGHLANDS
To A. J.
A black and glassy
float, opaque and still,
The loch, at furthest ebb supine in sleep,
Reversing, mirrored in its luminous deep
The calm grey skies; the solemn spurs of hill;
Heather, and corn, and wisps of loitering haze;
The wee white cots, black-hatted, plumed with smoke;
The braes beyond—and when the ripple awoke,
They wavered with the jarred and wavering glaze.
The air was hushed and dreamy. Evermore
A noise of running water whispered near.
A straggling crow called high and thin. A bird
Trilled from the birch-leaves. Round the shingled shore,
Yellow with weed, there wandered, vague and clear,
Strange vowels, mysterious gutturals, idly heard.
FROM A WINDOW IN PRINCES STREET
To M. M. M‘B.
Above the Crags that
fade and gloom
Starts the bare knee of Arthur’s Seat;
Ridged high against the evening bloom,
The Old Town rises, street on street;
With lamps bejewelled, straight ahead,
Like rampired walls the houses lean,
All spired and domed and turreted,
Sheer to the valley’s darkling green;
Ranged in mysterious disarray,
The Castle, menacing and austere,
Looms through the lingering last of day;
And in the silver dusk you hear,
Reverberated from crag and scar,
Bold bugles blowing points of war.
IN THE DIALS
To Garryowen
upon an organ ground
Two girls are jigging. Riotously they trip,
With eyes aflame, quick bosoms, hand on hip,
As in the tumult of a witches’ round.
Youngsters and youngsters round them prance and bound.
Two solemn babes twirl ponderously, and skip.
The artist’s teeth gleam from his bearded lip.
High from the kennel howls a tortured hound.
The music reels and hurtles, and the night
Is full of stinks and cries; a naphtha-light
Flares from a barrow; battered and obtused
With vices, wrinkles, life and work and rags,
Each with her inch of clay, two loitering hags
Look on dispassionate—critical—something
’mused.
THE GODS ARE DEAD
The gods are
dead? Perhaps they are! Who knows?
Living at least in Lemprière undeleted,
The wise, the fair, the awful, the jocose,
Are one and all, I like to think, retreated
In some still land of lilacs and the rose.
Once higeh they sat, and high o’er
earthly shows
With sacrificial dance and song were greeted.
Once . . . long ago. But now, the story goes,
The gods are dead.
It must be true. The world, a world of
prose,
Full-crammed with facts, in science swathed and sheeted,
Nods in a stertorous after-dinner doze!
Plangent and sad, in every wind that blows
Who will may hear the sorry words repeated:—
‘The Gods are Dead!’
To F. W.
Let us be drunk, and
for a while forget,
Forget, and, ceasing even from regret,
Live without reason and despite of rhyme,
As in a dream preposterous and sublime,
Where place and hour and means for once are met.
Where is the use of effort? Love and
debt
And disappointment have us in a net.
Let us break out, and taste the morning prime . . .
Let us be drunk.
In vain our little hour we strut and fret,
And mouth our wretched parts as for a bet:
We cannot please the tragicaster Time.
To gain the crystal sphere, the silver dime,
Where Sympathy sits dimpling on us yet,
Let us be drunk!
WHEN YOU ARE OLD
When you are old,
and I am passed away—
Passed, and your face, your golden face, is gray—
I think, whate’er the end, this dream of mine,
Comforting you, a friendly star will shine
Down the dim slope where still you stumble and stray.
So may it be: that so dead Yesterday,
No sad-eyed ghost but generous and gay,
May serve you memories like almighty wine,
When you are old!
Dear Heart, it shall be so. Under the
sway
Of death the past’s enormous disarray
Lies hushed and dark. Yet though there come no sign,
Live on well pleased: immortal and divine
Love shall still tend you, as God’s angels may,
When you are old.
BESIDE THE IDLE SUMMER SEA
Beside the idle
summer sea
And in the vacant summer days,
Light Love came fluting down the ways,
Where you were loitering with me.
Who has not welcomed, even as we,
That jocund minstrel and his lays
Beside the idle summer sea
And in the vacant summer days?
We listened, we were fancy-free;
And lo! in terror and amaze
We stood alone—alone at gaze
With an implacable memory
Beside the idle summer sea.
I.
M.
R. G. C. B.
1878
The ways of Death
are soothing and serene,
And all the words of Death are grave and sweet.
From camp and church, the fireside and the street,
She beckons forth—and strife and song have been.
A summer night descending cool and green
And dark on daytime’s dust and stress and heat,
The ways of Death are soothing and serene,
And all the words of Death are grave and sweet.
O glad and sorrowful, with triumphant mien
And radiant faces look upon, and greet
This last of all your lovers, and to meet
Her kiss, the Comforter’s, your spirit lean . . .
The ways of Death are soothing and serene.
WE SHALL SURELY DIE
We shall surely
die:
Must we needs grow old?
Grow old and cold,
And we know not why?
O, the By-and-By,
And the tale that’s told!
We shall surely die:
Must we needs grow old?
Grow old and sigh,
Grudge and withhold,
Resent and scold? . . .
Not you and I?
We shall surely die!
WHAT IS TO COME
What is to come we
know not. But we know
That what has been was good—was good to show,
Better to hide, and best of all to bear.
We are the masters of the days that were:
We have lived, we have loved, we have suffered . . . even so.
Shall we not take the ebb who had the flow?
Life was our friend. Now, if it be our foe—
Dear, though it spoil and break us!—need we care
What is to come?
Let the great winds their worst and wildest
blow,
Or the gold weather round us mellow slow:
We have fulfilled ourselves, and we can dare
And we can conquer, though we may not share
In the rich quiet of the afterglow
What is to come.