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Poems

Chapter 2: PREFACE
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A gathered selection of lyrical and devotional poems composed at different stages of the author's life, ranging from youthful verses to mature hymns and occasional pieces. The collection moves between nature portraiture and domestic scenes, personal and maternal reflection, moral exhortation, and direct addresses to the divine, often framed for consolation or worship. Short forms, dedicatory poems, and congregational hymns appear alongside meditative lyrics that emphasize faith, constancy, love, and spiritual healing.

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Title: Poems

Author: Mary Baker Eddy

Release date: November 30, 2008 [eBook #27370]

Language: English

Credits: E-text prepared by Juliet Sutherland, Leonard Johnson, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net)

*** START OF THE PROJECT GUTENBERG EBOOK POEMS ***

 

E-text prepared by Juliet Sutherland, Leonard Johnson,
and the Project Gutenberg Online Distributed Proofreading Team
(http://www.pgdp.net)

 


 

POEMS

BY
MARY BAKER EDDY

AUTHOR OF "SCIENCE AND HEALTH WITH KEY
TO THE SCRIPTURES"

Published by The
Trustees under the Will of Mary Baker G. Eddy
BOSTON, U.S.A.

Authorized Literature of
The First Church of Christ, Scientist
in Boston, Massachusetts

Copyright, 1910
By Mary Baker Eddy

ALL RIGHTS RESERVED

PRINTED IN THE UNITED STATES OF AMERICA


PREFACE

The poems garnered up in this little volume were written at different periods in the life of the author, dating from her early girlhood up to recent years. They were not written with a view of making a book, each poem being the spontaneous outpouring of a deeply poetic nature and called forth by some experience that claimed her attention.

The "Old Man of the Mountain," for instance, was written while the author was contemplating this lofty New Hampshire crag, whose rugged outlines resemble the profile of a human face. Inspired by the grandeur of this masterpiece of nature's handiwork, and looking "up through nature, unto nature's God," the poem began to take form in her thought, and alighting from her carriage, she seated herself by the roadside and began to write. Some tourists who were passing, and who made her acquaintance, asked her what she was writing, and she replied by reading the poem to them. They were so pleased with it that each requested a copy, which was subsequently mailed to them. Similar requests continued to reach the author for years afterward, until the poem finally found its way into print, appearing, together with "The Valley Cemetery," in a book "Gems for You," published in Manchester, N. H., in 1850, and again in Boston, in 1856.

The poem on the "Dedication of a Temperance Hall," in Lynn, Mass., in 1866, was written for that occasion, and was sung by the audience as a dedicatory hymn. "The Liberty Bells" appeared in a Lynn, Mass., newspaper, under the date of February 3, 1865. A note from the author, which was published with the poem, read as follows:

"Mr. Editor:—In 1835 a mob in Boston (although Boston has since been the pioneer of anti-slavery) dispersed a meeting of the Female Anti-Slavery Society, and assailed the person of William Lloyd Garrison with such fury that the city authorities could protect him nowhere but in the walls of a jail. To-day, by order of Governor Andrew, the bells are ringing to celebrate the passing of a resolution in Congress prohibiting slavery in the United States."

All of the author's best-known hymns are included in this collection, as well as many poems written in girlhood and during the years she resided in Lynn, Mass., and which appeared in various publications of that day. Among her earliest poems are "Upward," "Resolutions for the Day," "Autumn" (written in a maple grove), "Alphabet and Bayonet," and "The Country-Seat" (written while visiting a family friend in the beautiful suburbs of Boston); yet, even these are characterized by the same lofty trend of thought that reached its fulness in her later productions.

In May, 1910, Mrs. Eddy requested her publisher to prepare a few bound volumes of her poems, for private distribution. When this became known to her friends, they urged her to allow a popular edition to be issued, to which she assented. With grateful acknowledgment, therefore, of this permission, this little volume is presented to the public, in the hope that these gems of purest thought from this spiritually-minded author will prove a joy to the heavy laden and a balm to the weary heart.

Adam H. Dickey.

Chestnut Hill, Mass., September 24, 1910.


CONTENTS


POEMS


OLD MAN OF THE MOUNTAIN

Gigantic sire, unfallen still thy crest!
Primeval dweller where the wild winds rest,
Beyond the ken of mortal e'er to tell
What power sustains thee in thy rock-bound cell.
Or if, when first creation vast began,
And far the universal fiat ran,
"Let there be light"—from chaos dark set free,
Ye rose, a monument of Deity,
Stern, passionless, no soul those looks betray;
Though kindred rocks, to sport at mortal clay—
Much as the chisel of the sculptor's art
"Plays round the head, but comes not to the heart."
Ah, who can fathom thee! Ambitious man,
Like a trained falcon in the Gallic van,
Guided and led, can never reach to thee
With all the strength of weakness—vanity!
Great as thou art, and paralleled by none,
Admired by all, still art thou drear and lone!
The moon looks down upon thine exiled height;
The stars, so cold, so glitteringly bright,
On wings of morning gladly flit away,
Yield to the sun's more genial, mighty ray;
The white waves kiss the murmuring rill—
But thy deep silence is unbroken still.

CONSTANCY

When starlight blends with morning's hue,
I miss thee as the flower the dew!
When noonday's length'ning shadows flee,
I think of thee, I think of thee!
With evening, memories reappear—
I watch thy chair, and wish thee here;
Till sleep sets drooping fancy free
To dream of thee, to dream of thee!
Since first we met, in weal or woe
It hath been thus; and must be so
Till bursting bonds our spirits part
And Love divine doth fill my heart.

Written many years ago.


MOTHER'S EVENING PRAYER


LOVE


I'M SITTING ALONE


THE UNITED STATES TO GREAT BRITAIN


CHRIST MY REFUGE


"FEED MY SHEEP"

Shepherd, show me how to go
O'er the hillside steep,
How to gather, how to sow,—
How to feed Thy sheep;
I will listen for Thy voice,
Lest my footsteps stray;
I will follow and rejoice
All the rugged way.
Thou wilt bind the stubborn will,
Wound the callous breast,
Make self-righteousness be still,
Break earth's stupid rest.
Strangers on a barren shore,
Lab'ring long and lone,
We would enter by the door,
And Thou know'st Thine own;
So, when day grows dark and cold,
Tear or triumph harms,
Lead Thy lambkins to the fold,
Take them in Thine arms;
Feed the hungry, heal the heart,
Till the morning's beam;
White as wool, ere they depart,
Shepherd, wash them clean.

THE VALLEY CEMETERY

Ye soft sighing zephyrs through foliage and vine!
Ye echoing moans from the footsteps of time!
Break not on the silence, unless thou canst bear
A message from heaven—"No partings are there."
Here gloom hath enchantment in beauty's array,
And whispering voices are calling away—
Their wooings are soft as the vision more vain—
I would live in their empire, or die in their chain.
And thou, gentle cypress, in evergreen tears,
Art constant and hopeful though winter appears.
My heart hath thy verdure, it blossoms above;
Like thee, it endureth and liveth in love.
Ambition, come hither! These vaults will unfold
The sequel of power, of glory, or gold;
Then rush into life, and roll on with its tide,
And bustle and toil for its pomp and its pride.
The tired wings flitting through far crimson glow,
Which steepeth the trees when the day-god is low;
The voice of the night-bird must here send a thrill
To the heart of the leaves when the winds are all still.
'Mid graves do I hear the glad voices that swell,
And call to my spirit with seraphs to dwell;
They come with a breath from the verdant springtime,
And waken my joy, as in earliest prime.
Blest beings departed! Ye echoes at dawn!
O tell of their radiant home and its morn!
Then I'll think of its glory, and rest till I see
My loved ones in glory still waiting for me.

UPWARD


THE OAK ON THE MOUNTAIN'S SUMMIT

Oh, mountain monarch, at whose feet I stand,—
Clouds to adorn thy brow, skies clasp thy hand,—
Nature divine, in harmony profound,
With peaceful presence hath begirt thee round.
And thou, majestic oak, from yon high place
Guard'st thou the earth, asleep in night's embrace,—
And from thy lofty summit, pouring down
Thy sheltering shade, her noonday glories crown?
Whate'er thy mission, mountain sentinel,
To my lone heart thou art a power and spell;
A lesson grave, of life, that teacheth me
To love the Hebrew figure of a tree.
Faithful and patient be my life as thine;
As strong to wrestle with the storms of time;
As deeply rooted in a soil of love;
As grandly rising to the heavens above.

WOMAN'S RIGHTS

Grave on her monumental pile;
She won from vice, by virtue's smile,
Her dazzling crown, her sceptered throne,
Affection's wreath, a happy home;
The right to worship deep and pure,
To bless the orphan, feed the poor;
Last at the cross to mourn her Lord,
First at the tomb to hear his word;
To fold an angel's wings below;
And hover o'er the couch of woe;
To nurse the Bethlehem babe so sweet,
The right to sit at Jesus' feet;
To form the bud for bursting bloom,
The hoary head with joy to crown;
In short, the right to work and pray,
"To point to heaven and lead the way."

Lynn, Mass., May 6, 1876.


THE NEW CENTURY

Thou God-crowned, patient century,
Thine hour hath come! Eternity
Draws nigh—and, beckoning from above,
One hundred years, aflame with Love,
Again shall bid old earth good-by—
And, lo, the light! far heaven is nigh!
New themes seraphic, Life divine,
And bliss that wipes the tears of time
Away, will enter, when they may,
And bask in one eternal day.
'Tis writ on earth, on leaf and flower:
Love hath one race, one realm, one power.
Dear God! how great, how good Thou art
To heal humanity's sore heart;
To probe the wound, then pour the balm—
A life perfected, strong and calm.
The dark domain of pain and sin
Surrenders—Love doth enter in,
And peace is won, and lost is vice:
Right reigns, and blood was not its price.

Pleasant View, Concord, N. H., January, 1901.


TO MY ABSENT BROTHER