Ere Dante came, the trump of sacred song,
In his light youth amid a festal throng
Sate with his bride to see a public show.
Youth like a star; and what to youth belong,—
Gay raiment sparkling gauds, elation strong.
A prop gave way! crash fell a platform! Lo,
Shuddering, they drew her garments off—and found
A robe of sackcloth next the smooth, white skin.
Radiant, adorned outside; a hidden ground
Of thought and of austerity within.
A PICTURE AT NEWSTEAD.
’Twas not the thought of Byron, of his cry
Stormily sweet, his Titan-agony;
It was the sight of that Lord Arundel
Who struck, in heat, his child he loved so well,
And his child’s reason flickered, and did die.
Painted (he willed it) in the gallery
They hang; the picture doth the story tell.
The little fair-haired son, with vacant gaze,
Where no more lights of sense or knowledge are!
Baring his dumb remorse to future days,
Was woe than Byron’s woe more tragic far.
RACHEL.
I.
Sere, in the garden of the Tuileries,
Sere with September, drooped the chestnut-trees; was dawn, a brougham rolled through the streets, and made
Of the French Theatre. Worn with disease,
Rachel, with eyes no gazing can appease,
Sate in the brougham, and those blank walls surveyed.
To Switzerland, to Baden, to the Rhine;
Why stops she by this empty playhouse drear?
All spots, matched with that spot, are less divine;
And Rachel’s Switzerland, her Rhine, is here!
II.
Above the fragrant warm Provençal shore,
The dying Rachel in a chair they bore
Up the steep pine-plumed paths of the Estrelle,
The shadow of a marble Muse of yore,—
The rose-crowned queen of legendary lore,
Polymnia,—full on her death-bed. ’Twas well!
In this her life’s last day, our poor, our pain,
Our jangle of false wits, our climate’s frowns,
Sole object of her dying eyes remain
The beauty and the glorious art of Greece.
III.
At a mean inn in German Aarau born,
To forms from antique Greece and Rome uptorn,
Tricked out with a Parisian speech and face,
Then soothing with thy Christian strain forlorn,
A-Kempis! her departing soul outworn,
While by her bedside Hebrew rites have place,—
She had—one power, which made her breast its home.
In her, like us, there clashed, contending powers,
The strife, the mixture in her soul, are ours;
Her genius and her glory are her own.
WORLDLY PLACE.
So spake the imperial sage, purest of men,
Marcus Aurelius. But the stifling den
Of common life, where, crowded up pell-mell,
And drudge under some foolish master’s ken
Who rates us if we peer outside our pen,—
Matched with a palace, is not this a hell?
Who spoke these words, no shadow ever came;
And when my ill-schooled spirit is aflame
I’ll stop, and say, “There were no succor here!
The aids to noble life are all within.”
EAST LONDON.
Smote on the squalid streets of Bethnal Green,
And the pale weaver, through his windows seen
In Spitalfields, looked thrice dispirited.
“Ill and o’erworked, how fare you in this scene?”
“Bravely!” said he; “for I of late have been
Much cheered with thoughts of Christ, the living bread.”
Set up a mark of everlasting light,
Above the howling senses’ ebb and flow,
Not with lost toil thou laborest through the night!
Thou mak’st the heaven thou hop’st indeed thy home.
WEST LONDON.
A tramp I saw, ill, moody, and tongue-tied;
A babe was in her arms, and at her side
A girl; their clothes were rags, their feet were bare.
Passed opposite; she touched her girl, who hied
Across, and begged, and came back satisfied.
The rich she had let pass with frozen stare.
She will not ask of aliens, but of friends,
Of sharers in a common human fate.
The unknown little from the unknowing great,
And points us to a better time than ours.”
EAST AND WEST.
Two springs which close by one another play;
And, “Thirteen hundred years agone,” they say,
“Two saints met often where those waters flow.
Whitened his face from the sun’s fronting ray;
Eastward the other, from the dying day,
And he with unsunned face did always go.”
THE BETTER PART.
How angrily thou spurn’st all simpler fare!
“Christ,” some one says, “was human as we are;
No judge eyes us from heaven, our sin to scan;
“Well, then, for Christ,” thou answerest, “who can care?
From sin which Heaven records not, why forbear?
Live we like brutes our life without a plan!”
“Hath man no second life? Pitch this one high!
Sits there no judge in heaven, our sin to see?
Was Christ a man like us? Ah! let us try
If we then, too, can be such men as he!”
THE DIVINITY.
“Grave it on brass with adamantine pen!
’Tis God himself becomes apparent, when
God’s wisdom and God’s goodness are displayed;
Well spake the impetuous saint, and bore of men
The suffrage captive: now not one in ten
Recalls the obscure opposer he outweighed.[9]
Mis-define these till God knows them no more.
Wisdom and goodness, they are God!—what schools
This no saint preaches, and this no Church rules;
’Tis in the desert, now and heretofore.
IMMORTALITY.
We leave the brutal world to take its way,
And, Patience! in another life, we say,
The world shall be thrust down, and we upborne.
The world’s poor, routed leavings? or will they
Who failed under the heat of this life’s day
Support the fervors of the heavenly morn?
Kept on after the grave, but not begun;
And he who flagged not in the earthly strife,
His soul well-knit, and all his battles won,
Mounts, and that hardly, to eternal life.
THE GOOD SHEPHERD WITH THE KID.
So rang Tertullian’s sentence, on the side
Of that unpitying Phrygian sect which cried,[10]
“Him can no fount of fresh forgiveness lave,
Who sins, once washed by the baptismal wave.”
So spake the fierce Tertullian. But she sighed,
The infant Church! of love she felt the tide
Stream on her from her Lord’s yet recent grave.
With eye suffused but heart inspired true,
On those walls subterranean, where she hid
She her Good Shepherd’s hasty image drew—
And on his shoulders, not a lamb, a kid.
MONICA’S LAST PRAYER.[11]
Care not for that, and lay me where I fall!
Everywhere heard will be the judgment-call;
But at God’s altar, oh! remember me.
Yet fervent had her longing been, through all
Her course, for home at last, and burial
With her own husband, by the Libyan sea.
All tie with all beside seemed vain and cheap,
And union before God the only care.
Yet we her memory, as she prayed, will keep,
Keep by this: Life in God, and union there!
LYRIC AND DRAMATIC POEMS.
SWITZERLAND.
I. MEETING.
The town, the lake, are here;
My Marguerite smiles upon the strand,[12]
Unaltered with the year.
That cheek of languid hue;
I know that soft, enkerchiefed hair,
And those sweet eyes of blue.
Again in tones of ire
I hear a God’s tremendous voice,—
“Be counselled, and retire.”
What would ye have with me?
Ah, warn some more ambitious heart,
And let the peaceful be!
II. PARTING.
Who rush by, who shake
The window, and ruffle
The gleam-lighted lake;
Who cross to the hillside
Thin-sprinkled with farms,
Where the high woods strip sadly
Their yellowing arms,—
Ye are bound for the mountains!
Ah! with you let me go
Where your cold, distant barrier,
The vast range of snow,
Through the loose clouds lifts dimly
Its white peaks in air.
How deep is their stillness!
Ah! would I were there!
Buoyant as morning, and as morning clear?
Say, has some wet bird-haunted English lawn
Lent it the music of its trees at dawn?
Or was it from some sun-flecked mountain brook
That the sweet voice its upland clearness took?
Ah! it comes nearer—
Sweet notes, this way!
The rushing winds go,
To the ice-cumbered gorges,
The vast seas of snow!
There the torrents drive upward
Their rock-strangled hum;
There the avalanche thunders
The hoarse torrent dumb.
—I come, O ye mountains!
Ye torrents, I come!
Whose figure casts a shadow on the floor?
The sweet blue eyes—the soft, ash-colored hair—
The cheeks that still their gentle paleness wear—
The lovely lips, with their arched smile that tells
The unconquered joy in which her spirit dwells—
Ah! they bend nearer—
Sweet lips, this way!
Ah! with that let me go
To the clear, waning hill-side,
Unspotted by snow,
There to watch, o’er the sunk vale,
The frore mountain wall,
Where the niched snow-bed sprays down
Its powdery fall.
There its dusky blue clusters
The aconite spreads;
There the pines slope, the cloud-strips
Hung soft in their heads.
No life but, at moments,
The mountain bee’s hum.
—I come, O ye mountains!
Ye pine-woods, I come!
Ah, Marguerite, fain
Would these arms reach to clasp thee!
But see! ’tis in vain.
My stretched arms are cast;
But a sea rolls between us,—
Our different past!
Those lips have been prest,
And others, ere I was,
Were strained to that breast.
Our spirits have grown.
And what heart knows another?
Ah! who knows his own?
I come to the wild.
Fold closely, O Nature!
Thine arms round thy child.
A heart ever new,—
To all always open,
To all always true.
And dry up my tears
On thy high mountain platforms,
Where morn first appears;
Are spread and upfurled,—
In the stir of the forces
Whence issued the world.
III. A FAREWELL.
Where sweet the unbroken moonbeams lay,
Sent echoes through the night to wake
Each glistening strand, each heath-fringed bay.
And the roofed bridge that spans the stream;
Up the steep street I hurried fast,
Led by thy taper’s starlike beam.
Poured flushing to thy languid cheek.
Locked in each other’s arms we stood,
In tears, with hearts too full to speak.
A trouble in thine altered air!
Thy hand lay languidly in mine,
Thy cheek was grave, thy speech grew rare.
To be long loved was never framed;
For something in its depths doth glow
Too strange, too restless, too untamed.
Mined by the fever of the soul,—
They seek to find in those they love
Stern strength, and promise of control.
These they themselves have tried and known:
They ask a soul which never sways
With the blind gusts that shake their own.
In a too strong emotion’s sway;
I too have wished, no woman more,
This starting, feverish heart away.
And will like a dividing spear;
Have praised the keen, unscrupulous course,
Which knows no doubt, which feels no fear.
Thou too wilt surely one day prove,—
That will, that energy, though rare,
Are yet far, far less rare than love.
This truth on thee, be mine no more!
They will! for thou, I feel, not less
Than I, wast destined to this lore.
But He, who sees us through and through,
Knows that the bent of both our hearts
Was to be gentle, tranquil, true.
Distracted as a homeless wind,
In beating where we must not pass,
In seeking what we shall not find;
Clear prospect o’er our being’s whole;
Shall see ourselves, and learn at last
Our true affinities of soul.
To every thought the mass ignore;
We shall not then call hardness force,
Nor lightness wisdom any more.
Our soothed, encouraged souls will dare
To seem as free from pride and guile,
As good, as generous, as they are.
Will have been lost,—the help in strife,
The thousand sweet, still joys of such
As hand in hand face earthly life,—
A sympathy august and pure;
Ennobled by a vast regret,
And by contrition sealed thrice sure.
May then more neighboring courses ply;
May to each other be brought near,
And greet across infinity.
My sister! to maintain with thee
The hush among the shining stars,
The calm upon the moonlit sea!
All our unquiet pulses cease!
To feel that nothing can impair
The gentleness, the thirst for peace,—
On this wild earth of hate and fear;
The thirst for peace, a raving world
Would never let us satiate here.
IV. ISOLATION. TO MARGUERITE.
I bade my heart more constant be.
I bade it keep the world away,
And grow a home for only thee;
Nor feared but thy love likewise grew,
Like mine, each day, more tried, more true.
What far too soon, alas! I learned,—
The heart can bind itself alone,
And faith may oft be unreturned.
Self-swayed our feelings ebb and swell.
Thou lov’st no more. Farewell! Farewell!
Which never yet without remorse
Even for a moment didst depart
From thy remote and spherèd course
To haunt the place where passions reign,—
Back to thy solitude again!
Which Luna felt, that summer-night,
Flash through her pure immortal frame,
When she forsook the starry height
To hang o’er Endymion’s sleep
Upon the pine-grown Latmian steep.
How vain a thing is mortal love,
Wandering in heaven, far removed;
But thou hast long had place to prove
This truth,—to prove, and make thine own:
“Thou hast been, shalt be, art, alone.”
Which touch thee are unmating things,—
Ocean and clouds and night and day;
Lorn autumns and triumphant springs;
And life, and others’ joy and pain,
And love, if love, of happier men.
Have dreamed two human hearts might blend
In one, and were through faith released
From isolation without end
Prolonged; nor knew, although not less
Alone than thou, their loneliness.
V. TO MARGUERITE. CONTINUED.
With echoing straits between us thrown,
Dotting the shoreless watery wild,
We mortal millions live alone.
The islands feel the enclasping flow,
And then their endless bounds they know.
And they are swept by balms of spring,
And in their glens, on starry nights,
The nightingales divinely sing;
And lovely notes, from shore to shore,
Across the sounds and channels pour,—
Is to their farthest caverns sent;
For surely once, they feel, we were
Parts of a single continent!
Now round us spreads the watery plain:
Oh, might our marges meet again!
Should be, as soon as kindled, cooled?
Who renders vain their deep desire?—
A God, a God their severance ruled!
And bade betwixt their shores to be
The unplumbed, salt, estranging sea.
VI. ABSENCE.
Thine eyes, my love! I see.
I shiver; for the passing day
Had borne me far from thee.
A nobler, calmer train
Of wiser thoughts and feelings blot
Our passions from our brain;
Our soon-choked souls to fill;
And we forget because we must,
And not because we will.
Once-longed-for storms of love!
If with the light ye cannot be,
I bear that ye remove.
While yet the night is chill,
Upon time’s barren, stormy flow,
Stay with me, Marguerite, still!
VII. THE TERRACE AT BERNE.
(COMPOSED TEN YEARS AFTER THE PRECEDING.)
Once more the roofs of Berne appear;
The rocky banks, the terrace high,
The stream! and do I linger here?
The Jungfrau snows look faint and far;
But bright are those green fields at hand,
And through those fields comes down the Aar,
Flows by the town, the churchyard fair;
And ’neath the garden-walk it hums,
The house! and is my Marguerite there
Of startled pleasure floods thy brow,
Quick through the oleanders brush,
And clap thy hands, and cry, ’Tis thou!
Daughter of France! to France, thy home;
And flitted down the flowery track
Where feet like thine too lightly come?
Thy smile, and rouge, with stony glare,
Thy cheek’s soft hue, and fluttering lace
The kerchief that inwound thy hair?
Dead!—and no warning shiver ran
Across my heart, to say thy thread
Of life was cut, and closed thy span!
Be lost, and I not feel ’twas so?
Of that fresh voice the gay delight
Fail from earth’s air, and I not know?
But not the Marguerite of thy prime?
With all thy being re-arranged,—
Passed through the crucible of time;
And hardly yet a glance, a tone,
A gesture—any thing—retained
Of all that was my Marguerite’s own?
To things by mortal course that live,
A shadowy durability,
For which they were not meant, to give?
Upon the boundless ocean-plain,
So on the sea of life, alas!
Man meets man,—meets, and quits again.
I feel it still now youth is o’er.
—The mists are on the mountain hung,
And Marguerite I shall see no more.
THE STRAYED REVELLER.
THE PORTICO OF CIRCE’S PALACE. EVENING.
A Youth.
Circe.
O Circe, goddess,
Let the wild, thronging train,
The bright procession
Of eddying forms,
Sweep through my soul!
Down on me! thy right arm,
Leaned up against the column there,
Props thy soft cheek;
Thy left holds, hanging loosely,
The deep cup, ivy-cinctured,
I held but now.
So soon? I see, the night-dews,
Clustered in thick beads, dim
The agate brooch-stones
On thy white shoulder;
The cool night-wind, too,
Blows through the portico,
Stirs thy hair, goddess,
Waves thy white robe!
Through the rough fir-planks
Of my hut, by the chestnuts,
Up at the valley-head,
Came breaking, goddess!
I sprang up, I threw round me
My dappled fawn-skin;
Passing out, from the wet turf,
Where they lay, by the hut door,
I snatched up my vine-crown, my fir-staff,
All drenched in dew,—
Came swift down to join
The rout early gathered
In the town, round the temple,
Iacchus’ white fane
On yonder hill.
The woodcutters’ cart-track
Down the dark valley. I saw
On my left, through the beeches,
Thy palace, goddess,
Smokeless, empty!
Trembling, I entered; beheld
The court all silent,
The lions sleeping,
On the altar this bowl.
I drank, goddess!
And sank down here, sleeping,
On the steps of thy portico.
Thou lovest it, then, my wine?
Wouldst more of it? See how glows,
Through the delicate, flushed marble,
The red creaming liquor,
Strewn with dark seeds!
Drink, then! I chide thee not,
Deny thee not my bowl.
Come, stretch forth thy hand, then—so!
Drink—drink again!
Ah, the sweet fumes again!
More soft, ah me!
More subtle-winding,
Than Pan’s flute-music!
Faint—faint! Ah me,
Again the sweet sleep!
Come forth, Ulysses!
Art tired with hunting?
While we range the woodland,
See what the day brings.
Hast thou then lured hither,
Wonderful goddess, by thy art,
The young, languid-eyed Ampelus,
Iacchus’ darling,
Or some youth beloved of Pan,
Of Pan and the nymphs;
That he sits, bending downward
His white, delicate neck
To the ivy-wreathed marge
Of thy cup; the bright, glancing vine-leaves
That crown his hair,
Falling forward, mingling
With the dark ivy-plants;
His fawn-skin, half untied,
Smeared with red wine-stains? Who is he,
That he sits, overweighed
By fumes of wine and sleep,
So late, in thy portico?
What youth, goddess,—what guest
Of gods or mortals?
I lured him not hither, Ulysses.
Nay, ask him!
To thy side, goddess, from within?
How shall I name him,—
This spare, dark-featured,
Quick-eyed stranger?
Ah! and I see too
His sailor’s bonnet,
His short coat, travel-tarnished,
With one arm bare!—
Art thou not he, whom fame
This long time rumors
The favored guest of Circe, brought by the waves?
Art thou he, stranger,—
The wise Ulysses,
Laertes’ son?
And thou too, sleeper?
Thy voice is sweet.
It may be thou hast followed
Through the islands some divine bard,
By age taught many things,—
Age, and the Muses;
And heard him delighting
The chiefs and people
In the banquet, and learned his songs,
Of gods and heroes,
Of war and arts,
And peopled cities,
Inland, or built
By the gray sea. If so, then hail!
I honor and welcome thee.
They turn on all sides
Their shining eyes,
And see below them
The earth and men.
Sitting, staff in hand,
On the warm, grassy
Asopus bank,
His robe drawn over
His old sightless head,
Revolving inly
The doom of Thebes.
In the upper glens
Of Pelion, in the streams
Where red-berried ashes fringe
The clear-brown shallow pools,
With streaming flanks, and heads
Reared proudly, snuffing
The mountain wind.
Drifting, knife in hand,
His frail boat moored to
A floating isle thick-matted
With large-leaved, low-creeping melon-plants,
And the dark cucumber.
He reaps and stows them,
Drifting—drifting; round him,
Round his green harvest-plot,
Flow the cool lake-waves,
The mountains ring them.
On the wide steppe, unharnessing
His wheeled house at noon.
He tethers his beast down, and makes his meal,—
Mares’ milk, and bread
Baked on the embers. All around,
The boundless, waving grass-plains stretch, thick-starred
With saffron and the yellow hollyhock
And flag-leaved iris-flowers.
Sitting in his cart
He makes his meal; before him, for long miles,
Alive with bright green lizards,
And the springing bustard-fowl,
The track, a straight black line,
Furrows the rich soil; here and there
Clusters of lonely mounds
Topped with rough-hewn,
Gray, rain-bleared statues, overpeer
The sunny waste.
On the broad, clay-laden
Lone Chorasmian stream; thereon,
With snort and strain,
Two horses, strongly swimming, tow
The ferry-boat, with woven ropes
To either bow
Firm-harnessed by the mane; a chief,
With shout and shaken spear,
Stands at the prow, and guides them; but astern
The cowering merchants in long robes
Sit pale beside their wealth
Of silk-bales and of balsam-drops,
Of gold and ivory,
Of turquoise-earth, and amethyst,
Jasper and chalcedony,
And milk-barred onyx-stones.
The loaded boat swings groaning
In the yellow eddies;
The gods behold them.
Sitting in the dark ship
On the foamless, long-heaving,
Violet sea,
At sunset nearing
The Happy Islands.
The wise bards also
Behold, and sing.
But oh, what labor!
O prince, what pain!
Tiresias; but the gods,
Who gave them vision,
Added this law:
That they should bear too
His groping blindness,
His dark foreboding,
His scorned white hairs;
Bear Hera’s anger
Through a life lengthened
To seven ages.
On Pelion: then they feel,
They too, the maddening wine
Swell their large veins to bursting; in wild pain
They feel the biting spears
Of the grim Lapithæ, and Theseus, drive,
Drive crashing through their bones; they feel,
High on a jutting rock in the red stream,
Alcmena’s dreadful son
Ply his bow. Such a price
The gods exact for song:
To become what we sing.
On his mountain lake; but squalls
Make their skiff reel, and worms
In the unkind spring have gnawn
Their melon-harvest to the heart. They see
The Scythian; but long frosts
Parch them in winter-time on the bare steppe,
Till they too fade like grass; they crawl
Like shadows forth in spring.
On the Oxus-stream; but care
Must visit first them too, and make them pale:
Whether, through whirling sand,
A cloud of desert robber-horse have burst
Upon their caravan; or greedy kings,
In the walled cities the way passes through,
Crushed them with tolls; or fever-airs,
On some great river’s marge,
Mown them down, far from home.
Near harbor; but they share
Their lives, and former violent toil in Thebes,—
Seven-gated Thebes, or Troy;
Or where the echoing oars
Of Argo first
Startled the unknown sea.
Came, lolling in the sunshine,
From the dewy forest-coverts,
This way, at noon.
Sitting by me, while his fauns
Down at the water-side
Sprinkled and smoothed
His drooping garland,
He told me these things.
Sitting on the warm steps,
Looking over the valley,
All day long, have seen,
Without pain, without labor,
Sometimes a wild-haired mænad,
Sometimes a faun with torches,
And sometimes, for a moment,
Passing through the dark stems
Flowing-robed, the beloved,
The desired, the divine,
Beloved Iacchus.
Ah, glimmering water,
Fitful earth-murmur,
Dreaming woods!
Ah, golden-haired, strangely smiling goddess,
And thou, proved, much-enduring,
Wave-tossed wanderer!
Who can stand still?
Ye fade, ye swim, ye waver before me—
The cup again!
O Circe, goddess,
Let the wild, thronging train,
The bright procession
Of eddying forms,
Sweep through my soul!
FRAGMENT OF AN “ANTIGONE.”
THE CHORUS.