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Poems

Chapter 70: To a Poet that Died Young
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About This Book

This collection gathers lyrical poems that move between expansive meditations and concentrated sonnets, exploring awe, longing, and the burdens of compassion. Recurring subjects include nature, seasonal change, mortality, and desire, with vivid images of orchards, sea, and city life anchoring philosophical reflection. The volume alternates long narrative-lyric pieces with brief, tightly crafted songs and sonnets, shifting from exuberant, declarative lines to quiet elegiac tones. Organized in sections that vary in mood and form, the work emphasizes emotional immediacy, formal variety, and an attentive speaker negotiating self, other, and the natural world.

To a Poet that Died Young

Minstrel, what have you to do
With this man that, after you,
Sharing not your happy fate,
Sat as England’s Laureate?
Vainly, in these iron days,
Strives the poet in your praise,
Minstrel, by whose singing side
Beauty walked, until you died.
Still, though none should hark again,
Drones the blue-fly in the pane,
Thickly crusts the blackest moss,
Blows the rose its musk across,
Floats the boat that is forgot
None the less to Camelot.
Many a bard’s untimely death
Lends unto his verses breath;
Here’s a song was never sung:
Growing old is dying young.
Minstrel, what is this to you:
That a man you never knew,
When your grave was far and green,
Sat and gossipped with a queen?
Thalia knows how rare a thing
Is it, to grow old and sing;
When the brown and tepid tide
Closes in on every side.
Who shall say if Shelley’s gold
Had withstood it to grow old?