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Poems

Chapter 14: ROSES ONLY
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About This Book

A collection of concise lyric pieces that employ precise diction, striking imagery, and ironic observation to examine perception, art, and everyday life. Poems shift between playful personifications of machines and animals and sober meditations on aesthetic judgment, moral intention, and human foibles, often using concrete objects as metaphors. The speaker alternates between wit and seriousness, favoring compressed forms, unexpected juxtapositions, and careful detail to probe how language, experience, and power shape understanding.

 

ROSES ONLY

You do not seem to realise that beauty is a liability rather than an asset—that in view of the fact that spirit creates form we are justified in supposing that you must have brains. For you, a symbol of the unit, stiff and sharp, conscious of surpassing by dint of native superiority and liking for everything self-dependent, anything an
ambitious civilisation might produce: for you, unaided to attempt through sheer reserve, to confute presumptions resulting from observation, is idle. You cannot make us think you a delightful happen-so. But rose, if you are brilliant, it is not because your petals are the without-which-nothing of pre-eminence. You would look, minus thorns—like a what-is-this, a mere
peculiarity. They are not proof against a worm, the elements, or mildew but what about the predatory hand? What is brilliance without co-ordination? Guarding the infinitesimal pieces of your mind, compelling audience to the remark that it is better to be forgotten than to be remembered too violently, your thorns are the best part of you.