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Poems

Chapter 19: I
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About This Book

A lyrical collection of short poems that moves between domestic intimacy and mythic or maritime imagery, often meditating on motherhood, childhood, sleep, and loss. The pieces range from direct child songs and brief quatrains to sonnets, hymns, odes, and narrative ballads, and include themed sequences such as child songs and a set of Iseult poems. Language favors simple, musical phrasing and quiet introspection, balancing tenderness and elegy with occasional folktale drama. Recurring motifs of nature, the sea, and longing knit the diverse pieces into a cohesive emotional landscape.

SONGS OF ISEULT DESERTED

I

I do not pray for thee, most dear of all,
That ever in soft ways thy feet may fall,
For well I know that wheresoe’er thou art
Thy feet must tread forever on my heart!
I pray thee only to walk gently, sweet,
Nor press too sharply with too cruel feet:
Remember thou how soft the way must be,
How soft—and ah, how sad—and pity me!

II

Should we have loved if we had known
That love would bring one day such pain?
I cannot tell—I only kiss
The pillow where your head has lain.
Should we have loved if we had known
That love would go to come no more?
I cannot tell—I only stand
And sob before a fast-closed door.

III

Since you are gone, all dull my life has grown,
Idle among my empty days I stand:
They pass and pass, and leave me here alone—
Ah, sweet, your hand that burned upon my hand!
Since you are gone, gone are the joys I knew,
Slowly from out the sky the long night slips:
And my arms ache with emptiness of you—
Ah, sweet, your lips that trembled on my lips!
Since you are gone, the world is grown too wide,
With cruel miles that hold us two apart:
I sit and watch the white road weary-eyed—
Ah, sweet, your heart that beat against my heart!