WeRead Powered by ReaderPub
Poems cover

Poems

Chapter 50: V.
Open in WeRead

Explore more books like this:

About This Book

The collection gathers lyric and occasional verse ranging from early sonnets and youthful lyrics to later, more reflective odes, inscriptions, and eclogues. Poems address personal feeling, domestic scenes, and landscape observation alongside moral and political subjects including anti‑slavery pieces and meditations on womanhood. The volume mixes formal experiments—the sonnet sequence, occasional odes, classical imitations—and narrative pastoral sketches with elegiac laments, hymns, and short inscriptions, moving between intimate confession, satirical portraiture, and public argument, often combining affectionate domestic detail with broader ethical and historical reflection.

JOHN, SAMUEL, & RICHARD.

(Time, Evening.)

JOHN.

  'Tis a calm pleasant evening, the light fades away,
  And the Sun going down has done watch for the day.
  To my mind we live wonderous well when transported,
  It is but to work and we must be supported.
  Fill the cann, Dick! success here to Botany Bay!

RICHARD.

Success if you will,—but God send me away.

JOHN.

  Ah! you lubberly landsmen don't know when you're well;
  Hadst thou known half the hardships of which I can tell!
  The sailor has no place of safety in store—
  From the tempest at sea, to the press-gang on shore!
  When Roguery rules all the rest of the earth,
  God be thanked in this corner I've got a good birth.
  Talk of hardships! what these are the sailor don't know!
  'Tis the soldier my friend that's acquainted with woe,
  Long journeys, short halting, hard work and small pay,
  To be popt at like pidgeons for sixpence a day!—
  Thank God! I'm safe quarter'd at Botany Bay.

JOHN:

  Ah! you know but little! I'll wager a pot
  I have suffer'd more evils than fell to your lot.
  Come we'll have it all fairly and properly tried,
  Tell story for story, and Dick shall decide.

SAMUEL:

Done.

JOHN:

         Done. 'Tis a wager and I shall be winner;
  Thou wilt go without grog Sam to-morrow at dinner.

SAMUEL:

  I was trapp'd by the Serjeant's palavering pretences,
  He listed me when I was out of my senses.
  So I took leave to-day of all care and all sorrow
  And was drill'd to repentance and reason to-morrow.

JOHN:

  I would be a sailor and plough the wide ocean,
  And was soon sick and sad with the billow's commotion.
  So the Captain he sent me aloft on the mast,
  And curs'd me, and bid me cry there—and hold fast!

SAMUEL:

  After marching all day, faint and hungry and sore,
  I have lain down at night on the swamps of the moor,
  Unshelter'd and forced by fatigue to remain.
  All chill'd by the wind and benumb'd by the rain.

JOHN:

  I have rode out the storm when the billows beat high
  And the red gleaming lightnings flash'd thro' the dark sky,
  When the tempest of night the black sea overcast
  Wet and weary I labour'd, yet sung to the blast.

SAMUEL:

  I have march'd, trumpets sounding—drums beating—flags flying,
  Where the music of war drown'd the shrieks of the dying,
  When the shots whizz'd around me all dangers defied,
  Push'd on when my comrades fell dead at my side,
  Drove the foe from the mouth of the Cannon away,
  Fought, conquer'd and bled, all for sixpence a day.

JOHN:

  And I too friend Samuel! have heard the shots rattle,
  But we seamen rejoice in the play of the battle;
  Tho' the chain and the grape-shot roll splintering around,
  With the blood of our messmates tho' slippery the ground,
  The fiercer the fight, still the fiercer we grow,
  We heed not our loss so we conquer the foe.
  And the hard battle won, so the prize be not sunk,
  The Captain gets rich, and the Sailors get drunk.

SAMUEL:

  God help the poor soldier when backward he goes
  In disgraceful retreat thro' a country of foes!
  No respite from danger by day or by night
  He is still forced to fly, still o'ertaken to fight,
  Every step that he takes he must battle his way,
  He must force his hard meal from the peasant away;
  No rest—and no hope, from all succour afar,
  God forgive the poor Soldier for going to the war!

JOHN:

  But what are these dangers to those I have past
  When the dark billows roar'd to the roar of the blast?
  When we work'd at the pumps worn with labour and weak
  And with dread still beheld the increase of the leak,
  Sometimes as we rose on the wave could our sight
  From the rocks of the shore catch the light-houses light;
  In vain to the beach to assist us they press,
  We fire faster and faster our guns of distress,
  Still with rage unabating the wind and waves roar—
  How the giddy wreck reels—as the billows burst o'er—
  Leap—leap—for she yawns—for she sinks in the wave—
  Call on God to preserve—for God only can save!

SAMUEL:

  There's an end of all troubles however at last!
  And when I in the waggon of wounded was cast,
  When my wounds with the chilly night-wind smarted sore
  And I thought of the friends I should never see more,
  No hand to relieve—scarce a morsel of bread—
  Sick at heart I have envied the peace of the dead!
  Left to rot in a jail till by treaty set free,
  Old England's white cliffs with what joy did I see!
  I had gain'd enough glory, some wounds, but no good,
  And was turn'd on the public to shift how I could.
  When I think what I've suffer'd and where I am now
  I curse him who snared me away from the plough.

JOHN:

  When I was discharged I went home to my wife,
  There in comfort to spend all the rest of my life.
  My wife was industrious, we earn'd what we spent,
  And tho' little we had, were with little content;
  And whenever I listen'd and heard the wind roar,
  I bless'd God for my little snug cabin on shore.
  At midnight they seiz'd me, they dragg'd me away,
  They wounded me sore when I would not obey,
  And because for my country I'd ventur'd my life,
  I was dragg'd like a thief from my home and my wife.
  Then the fair wind of Fortune chopp'd round in my face
  And Want at length drove me to guilt and disgrace—
  But all's for the best;—on the world's wide sea cast,
  I am haven'd in peace in this corner at last.

SAMUEL:

Come Dick! we have done—and for judgment we call.

RICHARD:

  And in faith I can give ye no judgment at all.
  I've been listening to all the hard labours you've past
  And think in plain troth, you're two blockheads at last.
  My lads where the Deuce was the wit which God gave ye
  When you sold yourselves first to the army or navy?
  By land and by sea hunting dangers to roam,
  When you might have been hang'd so much easier at home!
  But you're now snug and settled and safe from foul weather,
  So drink up your grog and be merry together.

FREDERIC.

(Time Night. Scene the woods.)

  Where shall I turn me? whither shall I bend
  My weary way? thus worn with toil and faint
  How thro' the thorny mazes of this wood
  Attain my distant dwelling? that deep cry
  That rings along the forest seems to sound
  My parting knell: it is the midnight howl
  Of hungry monsters prowling for their prey!
  Again! oh save me—save me gracious Heaven!
  I am not fit to die!
                       Thou coward wretch
  Why heaves thy trembling heart? why shake thy limbs
  Beneath their palsied burden? is there ought
  So lovely in existence? would'st thou drain
  Even to its dregs the bitter draught of life?
  Dash down the loathly bowl! poor outcast slave
  Stamp'd with the brand of Vice and Infamy
  Why should the villain Frederic shrink from Death?

  Death! where the magic in that empty name
  That chills my inmost heart? why at the thought
  Starts the cold dew of fear on every limb?
  There are no terrors to surround the Grave,
  When the calm Mind collected in itself
  Surveys that narrow house: the ghastly train
  That haunt the midnight of delirious Guilt
  Then vanish; in that home of endless rest
  All sorrows cease.—Would I might slumber there!

  Why then this panting of the fearful heart?
  This miser love of Life that dreads to lose
  Its cherish'd torment? shall the diseased man
  Yield up his members to the surgeon's knife,
  Doubtful of succour, but to ease his frame
  Of fleshly anguish, and the coward wretch,
  Whose ulcered soul can know no human help
  Shrink from the best Physician's certain aid?
  Oh it were better far to lay me down
  Here on this cold damp earth, till some wild beast
  Seize on his willing victim!

                               If to die
  Were all, it were most sweet to rest my head
  On the cold clod, and sleep the sleep of Death.
  But if the Archangel's trump at the last hour
  Startle the ear of Death and wake the soul
  To frenzy!—dreams of infancy! fit tales
  For garrulous beldames to affrighten babes!
  I have been guilty, yet my mind can bear
  The retrospect of guilt, yet in the hour
  Of deep contrition to THE ETERNAL look
  For mercy! for the child of Poverty,
  And "disinherited of happiness,"

  What if I warr'd upon the world? the world
  Had wrong'd me first: I had endur'd the ills
  Of hard injustice; all this goodly earth
  Was but to me one wild waste wilderness;
  I had no share in Nature's patrimony,
  Blasted were all my morning hopes of Youth,
  Dark DISAPPOINTMENT follow'd on my ways,
  CARE was my bosom inmate, and keen WANT
  Gnaw'd at my heart. ETERNAL ONE thou know'st
  How that poor heart even in the bitter hour
  Of lewdest revelry has inly yearn'd
  For peace!

            My FATHER! I will call on thee,
  Pour to thy mercy seat my earnest prayer,
  And wait thy peace in bowedness of soul.
  Oh thoughts of comfort! how the afflicted heart,
  Tired with the tempest of its passions, rests
  On you with holy hope! the hollow howl
  Of yonder harmless tenant of the woods
  Bursts not with terror on the sober'd sense.
  If I have sinn'd against mankind, on them
  Be that past sin; they made me what I was.
  In these extremest climes can Want no more
  Urge to the deeds of darkness, and at length
  Here shall I rest. What tho' my hut be poor—
  The rains descend not thro' its humble roof:
  Would I were there again! the night is cold;
  And what if in my wanderings I should rouse
  The savage from his thicket!

                                Hark! the gun!
  And lo—the fire of safety! I shall reach
  My little hut again! again by toil
  Force from the stubborn earth my sustenance,
  And quick-ear'd guilt will never start alarm'd
  Amid the well-earn'd meal. This felon's garb—
  Will it not shield me from the winds of Heaven?
  And what could purple more? Oh strengthen me
  Eternal One in this serener state!
  Cleanse thou mine heart, so PENITENCE and FAITH
  Shall heal my soul and my last days be peace.

Sonnets

SONNET I.

  Go Valentine and tell that lovely maid
    Whom Fancy still will pourtray to my sight,
  How her Bard lingers in this sullen shade,
    This dreary gloom of dull monastic night.
  Say that from every joy of life remote
    At evening's closing hour he quits the throng,
  Listening alone the ring-dove's plaintive note
    Who pours like him her solitary song.
  Say that her absence calls the sorrowing sigh,
    Say that of all her charms he loves to speak,
  In fancy feels the magic of her eye,
    In fancy views the smile illume her cheek,
  Courts the lone hour when Silence stills the grove
  And heaves the sigh of Memory and of Love.

SONNET II.

    Think Valentine, as speeding on thy way
      Homeward thou hastest light of heart along,
    If heavily creep on one little day
      The medley crew of travellers among,
    Think on thine absent friend: reflect that here
      On Life's sad journey comfortless he roves,
    Remote from every scene his heart holds dear,
      From him he values, and from her he loves.
    And when disgusted with the vain and dull
      Whom chance companions of thy way may doom,
    Thy mind, of each domestic comfort full,
      Turns to itself and meditates on home,
    Ah think what Cares must ache within his breast
  Who loaths the lingering road, yet has no home of rest!

SONNET III.

    Not to thee Bedford mournful is the tale
      Of days departed. Time in his career
      Arraigns not thee that the neglected year
    Has past unheeded onward. To the vale
    Of years thou journeyest. May the future road
      Be pleasant as the past! and on my friend
      Friendship and Love, best blessings! still attend,
    'Till full of days he reach the calm abode
    Where Nature slumbers. Lovely is the age
      Of Virtue. With such reverence we behold
      The silver hairs, as some grey oak grown old
    That whilome mock'd the rushing tempest's rage
    Now like the monument of strength decayed
  With rarely-sprinkled leaves casting a trembling shade.

SONNET IV.

  What tho' no sculptur'd monument proclaim
    Thy fate-yet Albert in my breast I bear
  Inshrin'd the sad remembrance; yet thy name
    Will fill my throbbing bosom. When DESPAIR
  The child of murdered HOPE, fed on thy heart,
    Loved honored friend, I saw thee sink forlorn
  Pierced to the soul by cold Neglect's keen dart,
    And Penury's hard ills, and pitying Scorn,
  And the dark spectre of departed JOY
    Inhuman MEMORY. Often on thy grave
  Love I the solitary hour to employ
  Thinking on other days; and heave the sigh
    Responsive, when I mark the high grass wave
  Sad sounding as the cold breeze rustles by.

SONNET V.

  Hard by the road, where on that little mound
    The high grass rustles to the passing breeze,
    The child of Misery rests her head in peace.
  Pause there in sadness. That unhallowed ground
  Inshrines what once was Isabel. Sleep on
    Sleep on, poor Outcast! lovely was thy cheek,
    And thy mild eye was eloquent to speak
  The soul of Pity. Pale and woe-begone
  Soon did thy fair cheek fade, and thine eye weep
    The tear of anguish for the babe unborn,
    The helpless heir of Poverty and Scorn.
  She drank the draught that chill'd her soul to sleep.
  I pause and wipe the big drop from mine eye,
  Whilst the proud Levite scowls and passes by.

  SONNET VI
            to a brook near the village of Corston.

    As thus I bend me o'er thy babbling stream
      And watch thy current, Memory's hand pourtrays
      The faint form'd scenes of the departed days,
    Like the far forest by the moon's pale beam
    Dimly descried yet lovely. I have worn
      Upon thy banks the live-long hour away,
      When sportive Childhood wantoned thro' the day,
    Joy'd at the opening splendour of the morn,
    Or as the twilight darken'd, heaved the sigh
      Thinking of distant home; as down my cheek
      At the fond thought slow stealing on, would speak
    The silent eloquence of the full eye.
    Dim are the long past days, yet still they please
  As thy soft sounds half heard, borne on the inconstant breeze.

  SONNET VII
             to the evening rainbow.

  Mild arch of promise! on the evening sky
    Thou shinest fair with many a lovely ray
  Each in the other melting. Much mine eye
    Delights to linger on thee; for the day,
  Changeful and many-weather'd, seem'd to smile
  Flashing brief splendor thro' its clouds awhile,
    That deepen'd dark anon and fell in rain:
  But pleasant is it now to pause, and view
  Thy various tints of frail and watery hue,
    And think the storm shall not return again.
  Such is the smile that Piety bestows
    On the good man's pale cheek, when he in peace
  Departing gently from a world of woes,
    Anticipates the realm where sorrows cease.

SONNET VIII.

  With many a weary step, at length I gain
    Thy summit, Lansdown; and the cool breeze plays,
    Gratefully round my brow, as hence the gaze
  Returns to dwell upon the journeyed plain.
    'Twas a long way and tedious! to the eye
  Tho fair the extended vale, and fair to view
  The falling leaves of many a faded hue,
    That eddy in the wild gust moaning by.
  Even so it fared with Life! in discontent
  Restless thro' Fortune's mingled scenes I went,
    Yet wept to think they would return no more!
  But cease fond heart in such sad thoughts to roam,
  For surely thou ere long shall reach thy home,
    And pleasant is the way that lies before.

SONNET IX.

  Fair is the rising morn when o'er the sky
    The orient sun expands his roseate ray,
  And lovely to the Bard's enthusiast eye
    Fades the meek radiance of departing day;
  But fairer is the smile of one we love,
    Than all the scenes in Nature's ample sway.
  And sweeter than the music of the grove,
    The voice that bids us welcome. Such delight
    EDITH! is mine, escaping to thy sight
  From the hard durance of the empty throng.
    Too swiftly then towards the silent night
  Ye Hours of happiness! ye speed along,
    Whilst I, from all the World's cold cares apart,
    Pour out the feelings of my burthen'd heart.

SONNET X.

  How darkly o'er yon far-off mountain frowns
    The gather'd tempest! from that lurid cloud
    The deep-voiced thunders roll, aweful and loud
  Tho' distant; while upon the misty downs
  Fast falls in shadowy streaks the pelting rain.
    I never saw so terrible a storm!
  Perhaps some way-worn traveller in vain
    Wraps his torn raiment round his shivering form
  Cold even as Hope within him! I the while
  Pause me in sadness tho' the sunbeams smile
    Cheerily round me. Ah that thus my lot
  Might be with Peace and Solitude assign'd,
    Where I might from some little quiet cot,
  Sigh for the crimes and miseries of mankind!

Sappho.

A MONODRAMA.

Argument.

To leap from the promontory of LEUCADIA was believed by the Greeks to be a remedy for hopeless love, if the self-devoted victim escaped with life. Artemisia lost her life in the dangerous experiment: and Sappho is said thus to have perished, in attempting to cure her passion for Phaon.

SAPPHO

(Scene the promontory of Leucadia.)

  This is the spot:—'tis here Tradition says
  That hopeless Love from this high towering rock
  Leaps headlong to Oblivion or to Death.
  Oh 'tis a giddy height! my dizzy head
  Swims at the precipice—'tis death to fall!

  Lie still, thou coward heart! this is no time
  To shake with thy strong throbs the frame convuls'd.
  To die,—to be at rest—oh pleasant thought!
  Perchance to leap and live; the soul all still,
  And the wild tempest of the passions husht
  In one deep calm; the heart, no more diseas'd
  By the quick ague fits of hope and fear,
  Quietly cold!
                 Presiding Powers look down!
  In vain to you I pour'd my earnest prayers,
  In vain I sung your praises: chiefly thou
  VENUS! ungrateful Goddess, whom my lyre
  Hymn'd with such full devotion! Lesbian groves,
  Witness how often at the languid hour
  Of summer twilight, to the melting song
  Ye gave your choral echoes! Grecian Maids
  Who hear with downcast look and flushing cheek
  That lay of love bear witness! and ye Youths,
  Who hang enraptur'd on the empassion'd strain
  Gazing with eloquent eye, even till the heart
  Sinks in the deep delirium! and ye too
  Shall witness, unborn Ages! to that song
  Of warmest zeal; ah witness ye, how hard,
  Her fate who hymn'd the votive hymn in vain!
  Ungrateful Goddess! I have hung my lute
  In yonder holy pile: my hand no more
  Shall wake the melodies that fail'd to move
  The heart of Phaon—yet when Rumour tells
  How from Leucadia Sappho hurl'd her down
  A self-devoted victim—he may melt
  Too late in pity, obstinate to love.

  Oh haunt his midnight dreams, black NEMESIS!
  Whom,[1] self-conceiving in the inmost depths
  Of CHAOS, blackest NIGHT long-labouring bore,
  When the stern DESTINIES, her elder brood.
  And shapeless DEATH, from that more monstrous birth
  Leapt shuddering! haunt his slumbers, Nemesis,
  Scorch with the fires of Phlegethon his heart,
  Till helpless, hopeless, heaven-abandon'd wretch
  He too shall seek beneath the unfathom'd deep
  To hide him from thy fury.

                              How the sea
  Far distant glitters as the sun-beams smile,
  And gayly wanton o'er its heaving breast
  Phoebus shines forth, nor wears one cloud to mourn
  His votary's sorrows! God of Day shine on—
  By Man despis'd, forsaken by the Gods,
  I supplicate no more.

                           How many a day,
  O pleasant Lesbos! in thy secret streams
  Delighted have I plung'd, from the hot sun
  Screen'd by the o'er-arching groves delightful shade,
  And pillowed on the waters: now the waves
  Shall chill me to repose.

                             Tremendous height!
  Scarce to the brink will these rebellious limbs
  Support me. Hark! how the rude deep below
  Roars round the rugged base, as if it called
  Its long-reluctant victim! I will come.
  One leap, and all is over! The deep rest
  Of Death, or tranquil Apathy's dead calm
  Welcome alike to me. Away vain fears!
  Phaon is cold, and why should Sappho live?
  Phaon is cold, or with some fairer one—
  Thought worse than death!

(She throws herself from the precipice.)

[Footnote A: [Greek (transliterated)]:
  Ou tini choimaetheisa thea teche NUTH erezennae. HESIOD]

ODE

(Written on the FIRST of DECEMBER, 1793.)

  Tho' now no more the musing ear
  Delights to listen to the breeze
  That lingers o'er the green wood shade,
    I love thee Winter! well.

  Sweet are the harmonies of Spring,
  Sweet is the summer's evening gale,
  Pleasant the autumnal winds that shake
    The many-colour'd grove.

  And pleasant to the sober'd soul
  The silence of the wintry scene,
  When Nature shrouds her in her trance

  Not undelightful now to roam
  The wild heath sparkling on the sight;
  Not undelightful now to pace
    The forest's ample rounds;

  And see the spangled branches shine,
  And mark the moss of many a hue
  That varies the old tree's brown bark,
    Or o'er the grey stone spreads.

  The cluster'd berries claim the eye
  O'er the bright hollies gay green leaves,
  The ivy round the leafless oak
    Clasps its full foliage close.

  So VIRTUE diffident of strength
  Clings to RELIGION'S firmer aid,
  And by RELIGION'S aid upheld
    Endures calamity.

  Nor void of beauties now the spring,
  Whose waters hid from summer sun
  Have sooth'd the thirsty pilgrim's ear
    With more than melody.

  The green moss shines with icey glare,
  The long grass bends its spear-like form,
  And lovely is the silvery scene
    When faint the sunbeams smile.

  Reflection too may love the hour
  When Nature, hid in Winter's grave,
  No more expands the bursting bud
    Or bids the flowret bloom.

  For Nature soon in Spring's best charms
  Shall rise reviv'd from Winter's grave.
  Again expand the bursting bud,
    And bid the flowret bloom.

Written on SUNDAY MORNING.

    Go thou and seek the House of Prayer!
    I to the Woodlands wend, and there
  In lovely Nature see the GOD OF LOVE.
    The swelling organ's peal
    Wakes not my soul to zeal,
  Like the wild music of the wind-swept grove.
  The gorgeous altar and the mystic vest
  Rouse not such ardor in my breast,
    As where the noon-tide beam
    Flash'd from the broken stream,
  Quick vibrates on the dazzled sight;
    Or where the cloud-suspended rain
    Sweeps in shadows o'er the plain;
  Or when reclining on the clift's huge height
  I mark the billows burst in silver light.

    Go thou and seek the House of Prayer!
    I to the Woodlands shall repair,
    Feed with all Natures charms mine eyes,
    And hear all Natures melodies.
    The primrose bank shall there dispense
    Faint fragrance to the awaken'd sense,
    The morning beams that life and joy impart
    Shall with their influence warm my heart.
    And the full tear that down my cheek will steal,
    Shall speak the prayer of praise I feel!

    Go thou and seek the House of Prayer!
  I to the woodlands bend my way
    And meet RELIGION there.
  She needs not haunt the high-arch'd dome to pray
  Where storied windows dim the doubtful day:
  With LIBERTY she loves to rove.
    Wide o'er the heathy hill or cowslip'd dale;
  Or seek the shelter of the embowering grove,
  Sweet are these scenes to her, and when the night
  Pours in the north her silver streams of light,
  She woos Reflexion in the silent gloom,
  And ponders on the world to come.

  ON THE DEATH
  Of a Favourite Old SPANIEL.

  And they have drown'd thee then at last! poor Phillis!
  The burthen of old age was heavy on thee.
  And yet thou should'st have lived! what tho' thine eye
  Was dim, and watch'd no more with eager joy
  The wonted call that on thy dull sense sunk
  With fruitless repetition, the warm Sun
  Would still have cheer'd thy slumber, thou didst love
  To lick the hand that fed thee, and tho' past
  Youth's active season, even Life itself
  Was comfort. Poor old friend! most earnestly
  Would I have pleaded for thee: thou hadst been
  Still the companion of my childish sports,
  And, as I roam'd o'er Avon's woody clifts,
  From many a day-dream has thy short quick bark
  Recall'd my wandering soul. I have beguil'd
  Often the melancholy hours at school,
  Sour'd by some little tyrant, with the thought
  Of distant home, and I remember'd then
  Thy faithful fondness: for not mean the joy,
  Returning at the pleasant holydays,
  I felt from thy dumb welcome. Pensively
  Sometimes have I remark'd thy slow decay,
  Feeling myself changed too, and musing much
  On many a sad vicissitude of Life!
  Ah poor companion! when thou followedst last
  Thy master's parting footsteps to the gate
  That clos'd for ever on him, thou didst lose
  Thy truest friend, and none was left to plead
  For the old age of brute fidelity!
  But fare thee well! mine is no narrow creed,
  And HE who gave thee being did not frame
  The mystery of life to be the sport
  Of merciless man! there is another world
  For all that live and move—a better one!
  Where the proud bipeds, who would fain confine
  INFINITE GOODNESS to the little bounds
  Of their own charity, may envy thee!

To CONTEMPLATION.

  [Greek (transliterated):
                 Kai pagas fileoimi ton enguthen aechon achthein,
                 A terpei psopheoisa ton agrikon, thchi tarassei.

MOSCHOS.]

  Faint gleams the evening radiance thro' the sky,
    The sober twilight dimly darkens round;
  In short quick circles the shrill bat flits by,
    And the slow vapour curls along the ground.

  Now the pleas'd eye from yon lone cottage sees
    On the green mead the smoke long-shadowing play;
    The Red-breast on the blossom'd spray
    Warbles wild her latest lay,
  And sleeps along the dale the silent breeze.
  Calm CONTEMPLATION,'tis thy favorite hour!
  Come fill my bosom, tranquillizing Power.

  Meek Power! I view thee on the calmy shore
      When Ocean stills his waves to rest;
    Or when slow-moving on the surge's hoar
    Meet with deep hollow roar
      And whiten o'er his breast;
    For lo! the Moon with softer radiance gleams,
    And lovelier heave the billows in her beams.

    When the low gales of evening moan along,
      I love with thee to feel the calm cool breeze,
    And roam the pathless forest wilds among,
      Listening the mellow murmur of the trees
    Full-foliaged as they lift their arms on high
  And wave their shadowy heads in wildest melody.

  Or lead me where amid the tranquil vale
    The broken stream flows on in silver light,
  And I will linger where the gale
    O'er the bank of violets sighs,
  Listening to hear its soften'd sounds arise;
    And hearken the dull beetle's drowsy flight,
    And watch the horn-eyed snail
    Creep o'er his long moon-glittering trail,
    And mark where radiant thro' the night
  Moves in the grass-green hedge the glow-worms living light.

    Thee meekest Power! I love to meet,
    As oft with even solitary pace
    The scatter'd Abbeys hallowed rounds I trace
  And listen to the echoings of my feet.
    Or on the half demolished tomb,
    Whole warning texts anticipate my doom:
    Mark the clear orb of night
  Cast thro' the storying glass a faintly-varied light.

  Nor will I not in some more gloomy hour
  Invoke with fearless awe thine holier power,
  Wandering beneath the sainted pile
  When the blast moans along the darksome aisle,
  And clattering patters all around
  The midnight shower with dreary sound.

      But sweeter 'tis to wander wild
      By melancholy dreams beguil'd,
      While the summer moon's pale ray
      Faintly guides me on my way
      To the lone romantic glen
      Far from all the haunts of men,
      Where no noise of uproar rude
      Breaks the calm of solitude.
      But soothing Silence sleeps in all
      Save the neighbouring waterfall,
      Whose hoarse waters falling near
      Load with hollow sounds the ear,
      And with down-dasht torrent white
      Gleam hoary thro' the shades of night.

  Thus wandering silent on and slow
  I'll nurse Reflection's sacred woe,
  And muse upon the perish'd day
  When Hope would weave her visions gay,
  Ere FANCY chill'd by adverse fate
  Left sad REALITY my mate.

  O CONTEMPLATION! when to Memory's eyes
  The visions of the long-past days arise,
  Thy holy power imparts the best relief,
  And the calm'd Spirit loves the joy of grief.

To HORROR.

  [GREEK (transliterated):
                  Tin gar potaeisomai
                  tan chai schuliches tromeonti
                  Erchomenan nechuon ana t'aeria, chai melan aima.
                                                          Theocritos]

  Dark HORROR, hear my call!
    Stern Genius hear from thy retreat
    On some old sepulchre's moss-cankered seat,
  Beneath the Abbey's ivied wall
    That trembles o'er its shade;
  Where wrapt in midnight gloom, alone,
    Thou lovest to lie and hear
    The roar of waters near,
  And listen to the deep dull groan
    Of some perturbed sprite
  Borne fitful on the heavy gales of night.

  Or whether o'er some wide waste hill
    Thou mark'st the traveller stray,
    Bewilder'd on his lonely way,
  When, loud and keen and chill,
  The evening winds of winter blow
  Drifting deep the dismal snow.

  Or if thou followest now on Greenland's shore,
    With all thy terrors, on the lonely way
  Of some wrecked mariner, when to the roar
    Of herded bears the floating ice-hills round
    Pour their deep echoing sound,
    And by the dim drear Boreal light
  Givest half his dangers to the wretches sight.

    Or if thy fury form,
      When o'er the midnight deep
      The dark-wing'd tempests sweep
    Watches from some high cliff the encreasing storm,
      Listening with strange delight
    As the black billows to the thunder rave
      When by the lightnings light
    Thou seest the tall ship sink beneath the wave.

    Dark HORROR! bear me where the field of fight
      Scatters contagion on the tainted gale,
      When to the Moon's faint beam,
    On many a carcase shine the dews of night
      And a dead silence stills the vale
  Save when at times is heard the glutted Raven's scream.

  Where some wreck'd army from the Conquerors might
  Speed their disastrous flight,
    With thee fierce Genius! let me trace their way,
  And hear at times the deep heart-groan
  Of some poor sufferer left to die alone,
    His sore wounds smarting with the winds of night;
  And we will pause, where, on the wild,
    The [1] Mother to her frozen breast,
  On the heap'd snows reclining clasps her child
    And with him sleeps, chill'd to eternal rest!

  Black HORROR! speed we to the bed of Death,
    Where he whose murderous power afar
    Blasts with the myriad plagues of war,
  Struggles with his last breath,
    Then to his wildly-starting eyes
    The phantoms of the murder'd rise,
    Then on his frenzied ear
  Their groans for vengeance and the Demon's yell
  In one heart-maddening chorus swell.
  Cold on his brow convulsing stands the dew,
  And night eternal darkens on his view.

  HORROR! I call thee yet once more!
  Bear me to that accursed shore
  Where round the stake the impaled Negro writhes.
  Assume thy sacred terrors then! dispense
  The blasting gales of Pestilence!
  Arouse the race of Afric! holy Power,
  Lead them to vengeance! and in that dread hour
  When Ruin rages wide
  I will behold and smile by MERCY'S side.

[Footnote 1: I extract the following picture of consummate horror, from the notes to a Poem written in twelve syllable verse upon the campaign of 1794 and 1795; it was during the retreat to Deventer. "We could not proceed a hundred yards without perceiving the dead bodies of men, women, children and horses in every direction. One scene made an impression upon my memory which time will never be able to efface. Near another cart we perceived a stout looking man, and a beautiful young woman with an infant, about seven months old, at the breast, all three frozen and dead. The mother had most certainly expired in the act of suckling her child, as with one breast exposed, she lay upon the drifted snow, the milk to all appearance in a stream drawn from the nipple by the babe, and instantly congealed. The infant seemed as if its lips had but just then been disengaged, and it reposed its little head upon the mother's bosom, with, an overflow of milk, frozen as it trickled from the mouth; their countenances were perfectly composed and fresh, resembling those of persons in a sound and tranquil slumber."]

The SOLDIER'S WIFE.

DACTYLICS.

  Weary way-wanderer languid and sick at heart
  Travelling painfully over the rugged road,
  Wild-visag'd Wanderer! ah for thy heavy chance!

  Sorely thy little one drags by thee bare-footed,
  Cold is the baby that hangs at thy bending back
  Meagre and livid and screaming its wretchedness.

  [1] Woe-begone mother, half anger, half agony,
  As over thy shoulder thou lookest to hush the babe,
  Bleakly the blinding snow beats in thy hagged face.

  Thy husband will never return from the war again,
  Cold is thy hopeless heart even as Charity—
  Cold are thy famish'd babes—God help thee, widow'd One!

[Footnote 1: This stanza was supplied by S.T. COLERIDGE.]

The WIDOW.

SAPPHICs.

  Cold was the night wind, drifting fast the snows fell,
  Wide were the downs and shelterless and naked,
  When a poor Wanderer struggled on her journey
          Weary and way-sore.

  Drear were the downs, more dreary her reflexions;
  Cold was the night wind, colder was her bosom!
  She had no home, the world was all before her,
          She had no shelter.

  Fast o'er the bleak heath rattling drove a chariot,
  "Pity me!" feebly cried the poor night wanderer.
  "Pity me Strangers! lest with cold and hunger
          Here I should perish.

  "Once I had friends,—but they have all forsook me!
  "Once I had parents,—they are now in Heaven!
  "I had a home once—I had once a husband—
          "Pity me Strangers!

  "I had a home once—I had once a husband—
  "I am a Widow poor and broken-hearted!"
  Loud blew the wind, unheard was her complaining.
          On drove the chariot.

  On the cold snows she laid her down to rest her;
  She heard a horseman, "pity me!" she groan'd out;
  Loud blew the wind, unheard was her complaining,
          On went the horseman.

  Worn out with anguish, toil and cold and hunger,
  Down sunk the Wanderer, sleep had seiz'd her senses;
  There, did the Traveller find her in the morning,
          GOD had releast her.

To the CHAPEL BELL.

    "Lo I, the man who erst the Muse did ask
      Her deepest notes to swell the Patriot's meeds,
    Am now enforst a far unfitter task
      For cap and gown to leave my minstrel weeds,"
    For yon dull noise that tinkles on the air
  Bids me lay by the lyre and go to morning prayer.

    Oh how I hate the sound! it is the Knell,
      That still a requiem tolls to Comfort's hour;
    And loth am I, at Superstition's bell,
      To quit or Morpheus or the Muses bower.
    Better to lie and dose, than gape amain,
  Hearing still mumbled o'er, the same eternal strain.

    Thou tedious herald of more tedious prayers
      Say hast thou ever summoned from his rest,
    One being awakening to religious awe?
      Or rous'd one pious transport in the breast?
    Or rather, do not all reluctant creep
  To linger out the hour, in listlessness or sleep?

    I love the bell, that calls the poor to pray
      Chiming from village church its chearful sound,
    When the sun smiles on Labour's holy day,
      And all the rustic train are gathered round,
    Each deftly dizen'd in his Sunday's best
  And pleas'd to hail the day of piety and rest.

    Or when, dim-shadowing o'er the face of day,
      The mantling mists of even-tide rise slow,
    As thro' the forest gloom I wend my way,
      The minster curfew's sullen roar I know;
    I pause and love its solemn toll to hear,
  As made by distance soft, it dies upon the ear.

    Nor not to me the unfrequent midnight knell
      Tolls sternly harmonizing; on mine ear
    As the deep death-fraught sounds long lingering dwell
      Sick to the heart of Love and Hope and Fear
    Soul-jaundiced, I do loathe Life's upland steep
  And with strange envy muse the dead man's dreamless sleep.

    But thou, memorial of monastic gall!
      What Fancy sad or lightsome hast thou given?
    Thy vision-scaring sounds alone recall
      The prayer that trembles on a yawn to heaven;
    And this Dean's gape, and that Dean's nosal tone,
  And Roman rites retain'd, tho' Roman faith be flown.

The RACE of BANQUO.

  Fly, son of Banquo! Fleance, fly!
  Leave thy guilty sire to die.
  O'er the heath the stripling fled,
  The wild storm howling round his head.
  Fear mightier thro' the shades of night
  Urged his feet, and wing'd his flight;
  And still he heard his father cry
  Fly, son of Banquo! Fleance, fly.

  Fly, son of Banquo! Fleance, fly
  Leave thy guilty sire to die.
  On every blast was heard the moan
  The anguish'd shriek, the death-fraught groan;
  Loathly night-hags join the yell
  And see—the midnight rites of Hell.

  Forms of magic! spare my life!
  Shield me from the murderer's knife!
  Before me dim in lurid light
  Float the phantoms of the night—
  Behind I hear my Father cry,
  Fly, son of Banquo—Fleance, fly!

  Parent of the sceptred race,
  Fearless tread the circled space:
  Fearless Fleance venture near—
  Sire of monarchs—spurn at fear.

  Sisters with prophetic breath
  Pour we now the dirge of Death!

MUSINGS on a LANDSCAPE

of

GASPAR POUSSIN.

  Poussin! most pleasantly thy pictur'd scenes
  Beguile the lonely hour; I sit and gaze
  With lingering eye, till charmed FANCY makes
  The lovely landscape live, and the rapt soul
  From the foul haunts of herded humankind
  Flies far away with spirit speed, and tastes
  The untainted air, that with the lively hue
  Of health and happiness illumes the cheek
  Of mountain LIBERTY. My willing soul
  All eager follows on thy faery flights
  FANCY! best friend; whose blessed witcheries
  With loveliest prospects cheat the traveller
  O'er the long wearying desart of the world.
  Nor dost thou FANCY with such magic mock
  My heart, as, demon-born, old Merlin knew,
  Or Alquif, or Zarzafiel's sister sage,
  Whose vengeful anguish for so many a year
  Held in the jacinth sepulchre entranced
  Lisvart and Perion, pride of chivalry.
  Friend of my lonely hours! thou leadest me
  To such calm joys as Nature wise and good
  Proffers in vain to all her wretched sons;
  Her wretched sons who pine with want amid
  The abundant earth, and blindly bow them down
  Before the Moloch shrines of WEALTH and POWER,
  AUTHORS of EVIL. Oh it is most sweet
  To medicine with thy wiles the wearied heart,
  Sick of reality. The little pile
  That tops the summit of that craggy hill
  Shall be my dwelling; craggy is the hill
  And steep, yet thro' yon hazels upward leads
  The easy path, along whose winding way
  Now close embowered I hear the unseen stream
  Dash down, anon behold its sparkling foam
  Gleam thro' the thicket; and ascending on
  Now pause me to survey the goodly vale
  That opens on my vision. Half way up
  Pleasant it were upon some broad smooth rock
  To sit and sun me, and look down below
  And watch the goatherd down that high-bank'd path
  Urging his flock grotesque; and bidding now
  His lean rough dog from some near cliff to drive
  The straggler; while his barkings loud and quick
  Amid their trembling bleat arising oft,
  Fainter and fainter from the hollow road
  Send their far echoes, till the waterfall,
  Hoarse bursting from the cavern'd cliff beneath,
  Their dying murmurs drown. A little yet
  Onward, and I have gain'd the upmost height.
  Fair spreads the vale below: I see the stream
  Stream radiant on beneath the noontide sky.
  Where the town-spires behind the castle towers
  Rise graceful; brown the mountain in its shade,
  Whose circling grandeur, part by mists conceal'd,
  Part with white rocks resplendant in the sun,
  Should bound mine eyes; aye and my wishes too,
  For I would have no hope or fear beyond.
  The empty turmoil of the worthless world,
  Its vanities and vices would not vex
  My quiet heart. The traveller, who beheld
  The low tower of the little pile, might deem
  It were the house of GOD: nor would he err
  So deeming, for that home would be the home
  Of PEACE and LOVE, and they would hallow it
  To HIM. Oh life of blessedness! to reap
  The fruit of honorable toil, and bound
  Our wishes with our wants! delightful Thoughts
  That sooth the solitude of maniac HOPE,
  Ye leave her to reality awak'd,
  Like the poor captive, from some fleeting dream
  Of friends and liberty and home restor'd,
  Startled, and listening as the midnight storm
  Beats hard and heavy thro' his dungeon bars.

Mary.

The story of the following ballad was related to me, when a school boy, as a fact which had really happened in the North of England. I have adopted the metre of Mr. Lewis's Alonzo and Imogene—a poem deservedly popular.

MARY.

I.

  Who is she, the poor Maniac, whose wildly-fix'd eyes
    Seem a heart overcharged to express?
  She weeps not, yet often and deeply she sighs,
  She never complains, but her silence implies
    The composure of settled distress.

II.

  No aid, no compassion the Maniac will seek,
    Cold and hunger awake not her care:
  Thro' her rags do the winds of the winter blow bleak
  On her poor withered bosom half bare, and her cheek
    Has the deathy pale hue of despair.

III.

  Yet chearful and happy, nor distant the day,
    Poor Mary the Maniac has been;
  The Traveller remembers who journeyed this way
  No damsel so lovely, no damsel so gay
    As Mary the Maid of the Inn.

IV.

  Her chearful address fill'd the guests with delight
    As she welcomed them in with a smile:
  Her heart was a stranger to childish affright,
  And Mary would walk by the Abbey at night
    When the wind whistled down the dark aisle.

V.

  She loved, and young Richard had settled the day,
    And she hoped to be happy for life;
  But Richard was idle and worthless, and they
  Who knew him would pity poor Mary and say
    That she was too good for his wife.

VI.

  'Twas in autumn, and stormy and dark was the night,
    And fast were the windows and door;
  Two guests sat enjoying the fire that burnt bright,
  And smoking in silence with tranquil delight
    They listen'd to hear the wind roar.

VII.

  "Tis pleasant," cried one, "seated by the fire side
    "To hear the wind whistle without."
  "A fine night for the Abbey!" his comrade replied,
  "Methinks a man's courage would now be well tried
    "Who should wander the ruins about.

VIII.

  "I myself, like a school-boy, should tremble to hear
    "The hoarse ivy shake over my head;
  "And could fancy I saw, half persuaded by fear,
  "Some ugly old Abbot's white spirit appear,
    "For this wind might awaken the dead!"

IX.

  "I'll wager a dinner," the other one cried,
    "That Mary would venture there now."
  "Then wager and lose!" with a sneer he replied,
  "I'll warrant she'd fancy a ghost by her side,
    "And faint if she saw a white cow."

X.

  "Will Mary this charge on her courage allow?"
    His companion exclaim'd with a smile;
  "I shall win, for I know she will venture there now,
  "And earn a new bonnet by bringing a bough
    "From the elder that grows in the aisle."

XI.

  With fearless good humour did Mary comply,
    And her way to the Abbey she bent;
  The night it was dark, and the wind it was high
  And as hollowly howling it swept thro' the sky
    She shiver'd with cold as she went.

XII.

  O'er the path so well known still proceeded the Maid
    Where the Abbey rose dim on the sight,
  Thro' the gate-way she entered, she felt not afraid
  Yet the ruins were lonely and wild, and their shade
    Seem'd to deepen the gloom of the night.

XIII.

  All around her was silent, save when the rude blast
    Howl'd dismally round the old pile;
  Over weed-cover'd fragments still fearless she past,
  And arrived in the innermost ruin at last
    Where the elder tree grew in the aisle.

XIV.

  Well-pleas'd did she reach it, and quickly drew near
    And hastily gather'd the bough:
  When the sound of a voice seem'd to rise on her ear,
  She paus'd, and she listen'd, all eager to hear,
    Aud her heart panted fearfully now.

XV.

  The wind blew, the hoarse ivy shook over her head,
    She listen'd,—nought else could she hear.
  The wind ceas'd, her heart sunk in her bosom with dread
  For she heard in the ruins distinctly the tread
    Of footsteps approaching her near.

XVI.

  Behind a wide column half breathless with fear
    She crept to conceal herself there:
  That instant the moon o'er a dark cloud shone clear,
  And she saw in the moon-light two ruffians appear
    And between them a corpse did they bear.

XVII.

  Then Mary could feel her heart-blood curdle cold!
    Again the rough wind hurried by,—
  It blew off the hat of the one, and behold
  Even close to the feet of poor Mary it roll'd,—
    She felt, and expected to die.

XVIII.

  "Curse the hat!" he exclaims. "Nay come on and first hide
    "The dead body," his comrade replies.
  She beheld them in safety pass on by her side,
  She seizes the hat, fear her courage supplied,
    And fast thro' the Abbey she flies.

XIX.

  She ran with wild speed, she rush'd in at the door,
    She gazed horribly eager around,
  Then her limbs could support their faint burthen no more,
  And exhausted and breathless she sunk on the floor
    Unable to utter a sound.

XX.

  Ere yet her pale lips could the story impart,
    For a moment the hat met her view;—
  Her eyes from that object convulsively start,
  For—oh God what cold horror then thrill'd thro' her heart,
    When the name of her Richard she knew!

XXI.

  Where the old Abbey stands, on the common hard by
    His gibbet is now to be seen.
  Not far from the road it engages the eye,
  The Traveller beholds it, and thinks with a sigh
    Of poor Mary the Maid of the Inn.

Donica.

In Finland there is a Castle which is called the New Rock, moated about with a river of unfounded depth, the water black and the fish therein very distateful to the palate. In this are spectres often seen, which foreshew either the death of the Governor, or some prime officer belonging to the place; and most commonly it appeareth in the shape of an harper, sweetly singing and dallying and playing under the water.

It is reported of one Donica, that after she was dead, the Devil walked in her body for the space of two years, so that none suspected but that she was still alive; for she did both speak and eat, though very sparingly; only she had a deep paleness on her countenance, which was the only sign of death. At length a Magician coming by where she was then in the company of many other virgins, as soon as he beheld her he said, "fair Maids, why keep you company with the dead Virgin whom you suppose to be alive?" when taking away the magic charm which was tied under her arm, the body fell down lifeless and without motion.

The following Ballad is founded on these stories. They are to be found in the notes to The Hierarchies of the blessed Angels; a Poem by Thomas Heywood, printed in folio by Adam Islip, 1635.

DONICA.

  High on a rock, whose castled shade
    Darken'd the lake below,
  In ancient strength majestic stood
    The towers of Arlinkow.

  The fisher in the lake below
    Durst never cast his net,
  Nor ever swallow in its waves
    Her passing wings would wet.

  The cattle from its ominous banks
    In wild alarm would run,
  Tho' parched with thirst and faint beneath
    The summer's scorching sun.

  For sometimes when no passing breeze
    The long lank sedges waved,
  All white with foam and heaving high
    Its deafening billows raved;

  And when the tempest from its base
    The rooted pine would shake,
  The powerless storm unruffling swept
    Across the calm dead lake.

  And ever then when Death drew near
    The house of Arlinkow,
  Its dark unfathom'd depths did send
    Strange music from below.

  The Lord of Arlinkow was old,
    One only child had he,
  Donica was the Maiden's name
    As fair as fair might be.

  A bloom as bright as opening morn
    Flush'd o'er her clear white cheek,
  The music of her voice was mild,
    Her full dark eyes were meek.

  Far was her beauty known, for none
    So fair could Finland boast,
  Her parents loved the Maiden much,
    Young EBERHARD loved her most.

  Together did they hope to tread
    The pleasant path of life,
  For now the day drew near to make
    Donica Eberhard's wife.

  The eve was fair and mild the air,
    Along the lake they stray;
  The eastern hill reflected bright
    The fading tints of day.

  And brightly o'er the water stream'd
    The liquid radiance wide;
  Donica's little dog ran on
    And gambol'd at her side.

  Youth, Health, and Love bloom'd on her cheek,
    Her full dark eyes express
  In many a glance to Eberhard
    Her soul's meek tenderness.

  Nor sound was heard, nor passing gale
    Sigh'd thro' the long lank sedge,
  The air was hushed, no little wave
    Dimpled the water's edge.

  Sudden the unfathom'd lake sent forth
    Strange music from beneath,
  And slowly o'er the waters sail'd
    The solemn sounds of Death.

  As the deep sounds of Death arose,
    Donica's cheek grew pale,
  And in the arms of Eberhard
    The senseless Maiden fell.

  Loudly the youth in terror shriek'd,
    And loud he call'd for aid,
  And with a wild and eager look
    Gaz'd on the death-pale Maid.

  But soon again did better thoughts
    In Eberhard arise,
  And he with trembling hope beheld
    The Maiden raise her eyes.

  And on his arm reclin'd she moved
    With feeble pace and slow,
  And soon with strength recover'd reach'd

  Yet never to Donica's cheek
    Return'd the lively hue,
  Her cheeks were deathy, white, and wan,
    Her lips a livid blue.

  Her eyes so bright and black of yore
    Were now more black and bright,
  And beam'd strange lustre in her face
    So deadly wan and white.

  The dog that gambol'd by her side,
    And lov'd with her to stray,
  Now at his alter'd mistress howl'd
    And fled in fear away.

  Yet did the faithful Eberhard
    Not love the Maid the less;
  He gaz'd with sorrow, but he gaz'd
    With deeper tenderness.

  And when he found her health unharm'd
    He would not brook delay,
  But press'd the not unwilling Maid
    To fix the bridal day.

  And when at length it came, with joy
    They hail'd the bridal day,
  And onward to the house of God
    They went their willing way.

  And as they at the altar stood
    And heard the sacred rite,
  The hallowed tapers dimly stream'd
    A pale sulphureous light.

  And as the Youth with holy warmth
    Her hand in his did hold,
  Sudden he felt Donica's hand
    Grow deadly damp and cold.

  And loudly did he shriek, for lo!
    A Spirit met his view,
  And Eberhard in the angel form
    His own Donica knew.

  That instant from her earthly frame
    Howling the Daemon fled,
  And at the side of Eberhard
    The livid form fell dead.

Rudiger.

Divers Princes and Noblemen being assembled in a beautiful and fair Palace, which was situate upon the river Rhine, they beheld a boat or small barge make toward the shore, drawn by a Swan in a silver chain, the one end fastened about her neck, the other to the vessel; and in it an unknown soldier, a man of a comely personage and graceful presence, who stept upon the shore; which done, the boat guided by the Swan left him, and floated down the river. This man fell afterward in league with a fair gentlewoman, married her, and by her had many children. After some years, the same Swan came with the same barge into the same place; the soldier entering into it, was carried thence the way he came, left wife, children and family, and was never seen amongst them after.

Now who can judge this to be other than one of those spirits that are named Incubi? says Thomas Heywood. I have adopted his story, but not his solution, making the unknown soldier not an evil spirit, but one who had purchased happiness of a malevolent being, by the promised sacrifice of his first-born child.

RUDIGER.

  Bright on the mountain's heathy slope
    The day's last splendors shine
  And rich with many a radiant hue
    Gleam gayly on the Rhine.

  And many a one from Waldhurst's walls
    Along the river stroll'd,
  As ruffling o'er the pleasant stream
    The evening gales came cold.

  So as they stray'd a swan they saw
    Sail stately up and strong,
  And by a silver chain she drew
    A little boat along,

  Whose streamer to the gentle breeze
    Long floating fluttered light,
  Beneath whose crimson canopy
    There lay reclin'd a knight.

  With arching crest and swelling breast
    On sail'd the stately swan
  And lightly up the parting tide
    The little boat came on.

  And onward to the shore they drew
    And leapt to land the knight,
  And down the stream the swan-drawn boat
    Fell soon beyond the sight.

  Was never a Maid in Waldhurst's walls
    Might match with Margaret,
  Her cheek was fair, her eyes were dark,
    Her silken locks like jet.

  And many a rich and noble youth
    Had strove to win the fair,
  But never a rich or noble youth
    Could rival Rudiger.

  At every tilt and turney he
    Still bore away the prize,
  For knightly feats superior still
    And knightly courtesies.

  His gallant feats, his looks, his love,
    Soon won the willing fair,
  And soon did Margaret become
    The wife of Rudiger.

  Like morning dreams of happiness
    Fast roll'd the months away,
  For he was kind and she was kind
    And who so blest as they?

  Yet Rudiger would sometimes sit
    Absorb'd in silent thought
  And his dark downward eye would seem
    With anxious meaning fraught;

  But soon he rais'd his looks again
    And smil'd his cares eway,
  And mid the hall of gaiety
    Was none like him so gay.

  And onward roll'd the waining months,
    The hour appointed came,
  And Margaret her Rudiger
    Hail'd with a father's name.

  But silently did Rudiger
    The little infant see,
  And darkly on the babe he gaz'd
    And very sad was he.

  And when to bless the little babe
    The holy Father came,
  To cleanse the stains of sin away
    In Christ's redeeming name,