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Poems and Songs of Robert Burns

Chapter 111: Song, Composed In Spring
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About This Book

The collection assembles lyrical songs, narrative poems, satirical pieces, epistles, epitaphs, and fragments that shift between convivial drinking verses, tender laments, and comic storytelling. Many lyrics were shaped to traditional airs and preserve vernacular speech, while longer works portray rural labor, domestic scenes, and compassionate encounters with animals. Satire targets religious hypocrisy and social pretension, and several poems take a direct, personal tone of moral reflection or affectionate address. The selections alternate moods and forms, emphasizing melodic phrasing and a versatile technical range.

Song, Composed In Spring

Tune—“Jockey’s Grey Breeks.”
Again rejoicing Nature sees Her robe assume its vernal hues: Her leafy locks wave in the breeze, All freshly steep’d in morning dews. Chorus.—And maun I still on Menie doat, And bear the scorn that’s in her e’e? For it’s jet, jet black, an’ it’s like a hawk, An’ it winna let a body be. In vain to me the cowslips blaw, In vain to me the vi’lets spring; In vain to me in glen or shaw, The mavis and the lintwhite sing. And maun I still, &c. The merry ploughboy cheers his team, Wi’ joy the tentie seedsman stalks; But life to me’s a weary dream, A dream of ane that never wauks. And maun I still, &c. The wanton coot the water skims, Amang the reeds the ducklings cry, The stately swan majestic swims, And ev’ry thing is blest but I. And maun I still, &c. The sheep-herd steeks his faulding slap, And o’er the moorlands whistles shill: Wi’ wild, unequal, wand’ring step, I meet him on the dewy hill. And maun I still, &c. And when the lark, ’tween light and dark, Blythe waukens by the daisy’s side, And mounts and sings on flittering wings, A woe-worn ghaist I hameward glide. And maun I still, &c. Come winter, with thine angry howl, And raging, bend the naked tree; Thy gloom will soothe my cheerless soul, When nature all is sad like me! And maun I still, &c.