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Poems by Currer, Ellis, and Acton Bell

Chapter 75: LAST WORDS.
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About This Book

A collected volume gathers lyric and narrative poems by three sisters, ranging from short contemplative stanzas to longer dramatic monologues. Themes include love, memory, faith, remorse, nature, mortality, and domestic life, often framed by intense feeling and moral reflection. Poems alternate formal restraint with passionate language, deploying pastoral imagery, religious meditation, and psychological observation to examine interpersonal bonds and inner conflict. The sequence presents varied voices and moods, balancing elegiac tenderness, moral seriousness, and occasional Gothic or visionary intensity.

     I have slept upon my couch,
     But my spirit did not rest,
     For the labours of the day
     Yet my weary soul opprest;

     And before my dreaming eyes
     Still the learned volumes lay,
     And I could not close their leaves,
     And I could not turn away.

     But I oped my eyes at last,
     And I heard a muffled sound;
     'Twas the night-breeze, come to say
     That the snow was on the ground.

     Then I knew that there was rest
     On the mountain's bosom free;
     So I left my fevered couch,
     And I flew to waken thee!

     I have flown to waken thee—
     For, if thou wilt not arise,
     Then my soul can drink no peace
     From these holy moonlight skies.

     And this waste of virgin snow
     To my sight will not be fair,
     Unless thou wilt smiling come,
     Love, to wander with me there.

     Then, awake!  Maria, wake!
     For, if thou couldst only know
     How the quiet moonlight sleeps
     On this wilderness of snow,

     And the groves of ancient trees,
     In their snowy garb arrayed,
     Till they stretch into the gloom
     Of the distant valley's shade;

     I know thou wouldst rejoice
     To inhale this bracing air;
     Thou wouldst break thy sweetest sleep
     To behold a scene so fair.

     O'er these wintry wilds, ALONE,
     Thou wouldst joy to wander free;
     And it will not please thee less,
     Though that bliss be shared with me.





THE CAPTIVE DOVE.

     Poor restless dove, I pity thee;
     And when I hear thy plaintive moan,
     I mourn for thy captivity,
     And in thy woes forget mine own.

     To see thee stand prepared to fly,
     And flap those useless wings of thine,
     And gaze into the distant sky,
     Would melt a harder heart than mine.

     In vain—in vain! Thou canst not rise:
     Thy prison roof confines thee there;
     Its slender wires delude thine eyes,
     And quench thy longings with despair.

     Oh, thou wert made to wander free
     In sunny mead and shady grove,
     And far beyond the rolling sea,
     In distant climes, at will to rove!

     Yet, hadst thou but one gentle mate
     Thy little drooping heart to cheer,
     And share with thee thy captive state,
     Thou couldst be happy even there.

     Yes, even there, if, listening by,
     One faithful dear companion stood,
     While gazing on her full bright eye,
     Thou mightst forget thy native wood

     But thou, poor solitary dove,
     Must make, unheard, thy joyless moan;
     The heart that Nature formed to love
     Must pine, neglected, and alone.





SELF-CONGRATULATION.

     Ellen, you were thoughtless once
     Of beauty or of grace,
     Simple and homely in attire,
     Careless of form and face;
     Then whence this change? and wherefore now
     So often smoothe your hair?
     And wherefore deck your youthful form
     With such unwearied care?

     Tell us, and cease to tire our ears
     With that familiar strain;
     Why will you play those simple tunes
     So often o'er again?
     "Indeed, dear friends, I can but say
     That childhood's thoughts are gone;
     Each year its own new feelings brings,
     And years move swiftly on:

     "And for these little simple airs—
     I love to play them o'er
     So much—I dare not promise, now,
     To play them never more."
     I answered—and it was enough;
     They turned them to depart;
     They could not read my secret thoughts,
     Nor see my throbbing heart.

     I've noticed many a youthful form,
     Upon whose changeful face
     The inmost workings of the soul
     The gazer well might trace;
     The speaking eye, the changing lip,
     The ready blushing cheek,
     The smiling, or beclouded brow,
     Their different feelings speak.

     But, thank God! you might gaze on mine
     For hours, and never know
     The secret changes of my soul
     From joy to keenest woe.
     Last night, as we sat round the fire
     Conversing merrily,
     We heard, without, approaching steps
     Of one well known to me!

     There was no trembling in my voice,
     No blush upon my cheek,
     No lustrous sparkle in my eyes,
     Of hope, or joy, to speak;
     But, oh! my spirit burned within,
     My heart beat full and fast!
     He came not nigh—he went away—
     And then my joy was past.

     And yet my comrades marked it not:
     My voice was still the same;
     They saw me smile, and o'er my face
     No signs of sadness came.
     They little knew my hidden thoughts;
     And they will NEVER know
     The aching anguish of my heart,
     The bitter burning woe!





FLUCTUATIONS,

     What though the Sun had left my sky;
     To save me from despair
     The blessed Moon arose on high,
     And shone serenely there.

     I watched her, with a tearful gaze,
     Rise slowly o'er the hill,
     While through the dim horizon's haze
     Her light gleamed faint and chill.

     I thought such wan and lifeless beams
     Could ne'er my heart repay
     For the bright sun's most transient gleams
     That cheered me through the day:

     But, as above that mist's control
     She rose, and brighter shone,
     I felt her light upon my soul;
     But now—that light is gone!

     Thick vapours snatched her from my sight,
     And I was darkling left,
     All in the cold and gloomy night,
     Of light and hope bereft:

     Until, methought, a little star
     Shone forth with trembling ray,
     To cheer me with its light afar—
     But that, too, passed away.

     Anon, an earthly meteor blazed
     The gloomy darkness through;
     I smiled, yet trembled while I gazed—
     But that soon vanished too!

     And darker, drearier fell the night
     Upon my spirit then;—
     But what is that faint struggling light?
     Is it the Moon again?

     Kind Heaven! increase that silvery gleam
     And bid these clouds depart,
     And let her soft celestial beam
     Restore my fainting heart!





SELECTIONS FROM THE LITERARY REMAINS OF ELLIS AND ACTON BELL.

By Currer Bell





SELECTIONS FROM POEMS BY ELLIS BELL.

It would not have been difficult to compile a volume out of the papers left by my sisters, had I, in making the selection, dismissed from my consideration the scruples and the wishes of those whose written thoughts these papers held. But this was impossible: an influence, stronger than could be exercised by any motive of expediency, necessarily regulated the selection. I have, then, culled from the mass only a little poem here and there. The whole makes but a tiny nosegay, and the colour and perfume of the flowers are not such as fit them for festal uses.

It has been already said that my sisters wrote much in childhood and girlhood. Usually, it seems a sort of injustice to expose in print the crude thoughts of the unripe mind, the rude efforts of the unpractised hand; yet I venture to give three little poems of my sister Emily's, written in her sixteenth year, because they illustrate a point in her character.

At that period she was sent to school. Her previous life, with the exception of a single half-year, had been passed in the absolute retirement of a village parsonage, amongst the hills bordering Yorkshire and Lancashire. The scenery of these hills is not grand—it is not romantic it is scarcely striking. Long low moors, dark with heath, shut in little valleys, where a stream waters, here and there, a fringe of stunted copse. Mills and scattered cottages chase romance from these valleys; it is only higher up, deep in amongst the ridges of the moors, that Imagination can find rest for the sole of her foot: and even if she finds it there, she must be a solitude-loving raven—no gentle dove. If she demand beauty to inspire her, she must bring it inborn: these moors are too stern to yield any product so delicate. The eye of the gazer must ITSELF brim with a "purple light," intense enough to perpetuate the brief flower-flush of August on the heather, or the rare sunset-smile of June; out of his heart must well the freshness, that in latter spring and early summer brightens the bracken, nurtures the moss, and cherishes the starry flowers that spangle for a few weeks the pasture of the moor-sheep. Unless that light and freshness are innate and self-sustained, the drear prospect of a Yorkshire moor will be found as barren of poetic as of agricultural interest: where the love of wild nature is strong, the locality will perhaps be clung to with the more passionate constancy, because from the hill-lover's self comes half its charm.

My sister Emily loved the moors. Flowers brighter than the rose bloomed in the blackest of the heath for her; out of a sullen hollow in a livid hill-side her mind could make an Eden. She found in the bleak solitude many and dear delights; and not the least and best loved was—liberty.

Liberty was the breath of Emily's nostrils; without it, she perished. The change from her own home to a school, and from her own very noiseless, very secluded, but unrestricted and inartificial mode of life, to one of disciplined routine (though under the kindliest auspices), was what she failed in enduring. Her nature proved here too strong for her fortitude. Every morning when she woke, the vision of home and the moors rushed on her, and darkened and saddened the day that lay before her. Nobody knew what ailed her but me—I knew only too well. In this struggle her health was quickly broken: her white face, attenuated form, and failing strength, threatened rapid decline. I felt in my heart she would die, if she did not go home, and with this conviction obtained her recall. She had only been three months at school; and it was some years before the experiment of sending her from home was again ventured on. After the age of twenty, having meantime studied alone with diligence and perseverance, she went with me to an establishment on the Continent: the same suffering and conflict ensued, heightened by the strong recoil of her upright, heretic and English spirit from the gentle Jesuitry of the foreign and Romish system. Once more she seemed sinking, but this time she rallied through the mere force of resolution: with inward remorse and shame she looked back on her former failure, and resolved to conquer in this second ordeal. She did conquer: but the victory cost her dear. She was never happy till she carried her hard-won knowledge back to the remote English village, the old parsonage-house, and desolate Yorkshire hills. A very few years more, and she looked her last on those hills, and breathed her last in that house, and under the aisle of that obscure village church found her last lowly resting-place. Merciful was the decree that spared her when she was a stranger in a strange land, and guarded her dying bed with kindred love and congenial constancy.

The following pieces were composed at twilight, in the school-room, when the leisure of the evening play-hour brought back in full tide the thoughts of home.





I.

     A LITTLE while, a little while,
     The weary task is put away,
     And I can sing and I can smile,
     Alike, while I have holiday.

     Where wilt thou go, my harassed heart—
     What thought, what scene invites thee now
     What spot, or near or far apart,
     Has rest for thee, my weary brow?

     There is a spot, 'mid barren hills,
     Where winter howls, and driving rain;
     But, if the dreary tempest chills,
     There is a light that warms again.

     The house is old, the trees are bare,
     Moonless above bends twilight's dome;
     But what on earth is half so dear—
     So longed for—as the hearth of home?

     The mute bird sitting on the stone,
     The dank moss dripping from the wall,
     The thorn-trees gaunt, the walks o'ergrown,
     I love them—how I love them all!

     Still, as I mused, the naked room,
     The alien firelight died away;
     And from the midst of cheerless gloom,
     I passed to bright, unclouded day.

     A little and a lone green lane
     That opened on a common wide;
     A distant, dreamy, dim blue chain
     Of mountains circling every side.

     A heaven so clear, an earth so calm,
     So sweet, so soft, so hushed an air;
     And, deepening still the dream-like charm,
     Wild moor-sheep feeding everywhere.

     THAT was the scene, I knew it well;
     I knew the turfy pathway's sweep,
     That, winding o'er each billowy swell,
     Marked out the tracks of wandering sheep.

     Could I have lingered but an hour,
     It well had paid a week of toil;
     But Truth has banished Fancy's power:
     Restraint and heavy task recoil.

     Even as I stood with raptured eye,
     Absorbed in bliss so deep and dear,
     My hour of rest had fleeted by,
     And back came labour, bondage, care.





II. THE BLUEBELL.

     The Bluebell is the sweetest flower
     That waves in summer air:
     Its blossoms have the mightiest power
     To soothe my spirit's care.

     There is a spell in purple heath
     Too wildly, sadly dear;
     The violet has a fragrant breath,
     But fragrance will not cheer,

     The trees are bare, the sun is cold,
     And seldom, seldom seen;
     The heavens have lost their zone of gold,
     And earth her robe of green.

     And ice upon the glancing stream
     Has cast its sombre shade;
     And distant hills and valleys seem
     In frozen mist arrayed.

     The Bluebell cannot charm me now,
     The heath has lost its bloom;
     The violets in the glen below,
     They yield no sweet perfume.

     But, though I mourn the sweet Bluebell,
     'Tis better far away;
     I know how fast my tears would swell
     To see it smile to-day.

     For, oh! when chill the sunbeams fall
     Adown that dreary sky,
     And gild yon dank and darkened wall
     With transient brilliancy;

     How do I weep, how do I pine
     For the time of flowers to come,
     And turn me from that fading shine,
     To mourn the fields of home!





III.

     Loud without the wind was roaring
     Through th'autumnal sky;
     Drenching wet, the cold rain pouring,
     Spoke of winter nigh.
     All too like that dreary eve,
     Did my exiled spirit grieve.
     Grieved at first, but grieved not long,
     Sweet—how softly sweet!—it came;
     Wild words of an ancient song,
     Undefined, without a name.

     "It was spring, and the skylark was singing:"
     Those words they awakened a spell;
     They unlocked a deep fountain, whose springing,
     Nor absence, nor distance can quell.

     In the gloom of a cloudy November
     They uttered the music of May;
     They kindled the perishing ember
     Into fervour that could not decay.

     Awaken, o'er all my dear moorland,
     West-wind, in thy glory and pride!
     Oh! call me from valley and lowland,
     To walk by the hill-torrent's side!

     It is swelled with the first snowy weather;
     The rocks they are icy and hoar,
     And sullenly waves the long heather,
     And the fern leaves are sunny no more.

     There are no yellow stars on the mountain
     The bluebells have long died away
     From the brink of the moss-bedded fountain—
     From the side of the wintry brae.

     But lovelier than corn-fields all waving
     In emerald, and vermeil, and gold,
     Are the heights where the north-wind is raving,
     And the crags where I wandered of old.

     It was morning: the bright sun was beaming;
     How sweetly it brought back to me
     The time when nor labour nor dreaming
     Broke the sleep of the happy and free!

     But blithely we rose as the dawn-heaven
     Was melting to amber and blue,
     And swift were the wings to our feet given,
     As we traversed the meadows of dew.

     For the moors! For the moors, where the short grass
     Like velvet beneath us should lie!
     For the moors! For the moors, where each high pass
     Rose sunny against the clear sky!

     For the moors, where the linnet was trilling
     Its song on the old granite stone;
     Where the lark, the wild sky-lark, was filling
     Every breast with delight like its own!

     What language can utter the feeling
     Which rose, when in exile afar,
     On the brow of a lonely hill kneeling,
     I saw the brown heath growing there?

     It was scattered and stunted, and told me
     That soon even that would be gone:
     It whispered, "The grim walls enfold me,
     I have bloomed in my last summer's sun."

     But not the loved music, whose waking
     Makes the soul of the Swiss die away,
     Has a spell more adored and heartbreaking
     Than, for me, in that blighted heath lay.

     The spirit which bent 'neath its power,
     How it longed—how it burned to be free!
     If I could have wept in that hour,
     Those tears had been heaven to me.

     Well—well; the sad minutes are moving,
     Though loaded with trouble and pain;
     And some time the loved and the loving
     Shall meet on the mountains again!

The following little piece has no title; but in it the Genius of a solitary region seems to address his wandering and wayward votary, and to recall within his influence the proud mind which rebelled at times even against what it most loved.

     Shall earth no more inspire thee,
     Thou lonely dreamer now?
     Since passion may not fire thee,
     Shall nature cease to bow?

     Thy mind is ever moving,
     In regions dark to thee;
     Recall its useless roving,
     Come back, and dwell with me.

     I know my mountain breezes
     Enchant and soothe thee still,
     I know my sunshine pleases,
     Despite thy wayward will.

     When day with evening blending,
     Sinks from the summer sky,
     I've seen thy spirit bending
     In fond idolatry.

     I've watched thee every hour;
     I know my mighty sway:
     I know my magic power
     To drive thy griefs away.

     Few hearts to mortals given,
     On earth so wildly pine;
     Yet few would ask a heaven
     More like this earth than thine.

     Then let my winds caress thee
     Thy comrade let me be:
     Since nought beside can bless thee,
     Return—and dwell with me.

Here again is the same mind in converse with a like abstraction. "The Night-Wind," breathing through an open window, has visited an ear which discerned language in its whispers.





THE NIGHT-WIND.

     In summer's mellow midnight,
     A cloudless moon shone through
     Our open parlour window,
     And rose-trees wet with dew.

     I sat in silent musing;
     The soft wind waved my hair;
     It told me heaven was glorious,
     And sleeping earth was fair.

     I needed not its breathing
     To bring such thoughts to me;
     But still it whispered lowly,
     How dark the woods will be!

     "The thick leaves in my murmur
     Are rustling like a dream,
     And all their myriad voices
     Instinct with spirit seem."

     I said, "Go, gentle singer,
     Thy wooing voice is kind:
     But do not think its music
     Has power to reach my mind.

     "Play with the scented flower,
     The young tree's supple bough,
     And leave my human feelings
     In their own course to flow."

     The wanderer would not heed me;
     Its kiss grew warmer still.
     "O come!" it sighed so sweetly;
     "I'll win thee 'gainst thy will.

     "Were we not friends from childhood?
     Have I not loved thee long?
     As long as thou, the solemn night,
     Whose silence wakes my song.

     "And when thy heart is resting
     Beneath the church-aisle stone,
     I shall have time for mourning,
     And THOU for being alone."

In these stanzas a louder gale has roused the sleeper on her pillow: the wakened soul struggles to blend with the storm by which it is swayed:—

     Ay—there it is! it wakes to-night
     Deep feelings I thought dead;
     Strong in the blast—quick gathering light—
     The heart's flame kindles red.

     "Now I can tell by thine altered cheek,
     And by thine eyes' full gaze,
     And by the words thou scarce dost speak,
     How wildly fancy plays.

     "Yes—I could swear that glorious wind
     Has swept the world aside,
     Has dashed its memory from thy mind
     Like foam-bells from the tide:

     "And thou art now a spirit pouring
     Thy presence into all:
     The thunder of the tempest's roaring,
     The whisper of its fall:

     "An universal influence,
     From thine own influence free;
     A principle of life—intense—
     Lost to mortality.

     "Thus truly, when that breast is cold,
     Thy prisoned soul shall rise;
     The dungeon mingle with the mould—
     The captive with the skies.
     Nature's deep being, thine shall hold,
     Her spirit all thy spirit fold,
     Her breath absorb thy sighs.
     Mortal! though soon life's tale is told;
     Who once lives, never dies!"





LOVE AND FRIENDSHIP.

     Love is like the wild rose-briar;
     Friendship like the holly-tree.
     The holly is dark when the rose-briar blooms,
     But which will bloom most constantly?

     The wild rose-briar is sweet in spring,
     Its summer blossoms scent the air;
     Yet wait till winter comes again,
     And who will call the wild-briar fair?

     Then, scorn the silly rose-wreath now,
     And deck thee with the holly's sheen,
     That, when December blights thy brow,
     He still may leave thy garland green.





THE ELDER'S REBUKE.

     "Listen!  When your hair, like mine,
     Takes a tint of silver gray;
     When your eyes, with dimmer shine,
     Watch life's bubbles float away:

     When you, young man, have borne like me
     The weary weight of sixty-three,
     Then shall penance sore be paid
     For those hours so wildly squandered;
     And the words that now fall dead
     On your ear, be deeply pondered—
     Pondered and approved at last:
     But their virtue will be past!

     "Glorious is the prize of Duty,
     Though she be 'a serious power';
     Treacherous all the lures of Beauty,
     Thorny bud and poisonous flower!

     "Mirth is but a mad beguiling
     Of the golden-gifted time;
     Love—a demon-meteor, wiling
     Heedless feet to gulfs of crime.

     "Those who follow earthly pleasure,
     Heavenly knowledge will not lead;
     Wisdom hides from them her treasure,
     Virtue bids them evil-speed!

     "Vainly may their hearts repenting.
     Seek for aid in future years;
     Wisdom, scorned, knows no relenting;
     Virtue is not won by fears."

     Thus spake the ice-blooded elder gray;
     The young man scoffed as he turned away,
     Turned to the call of a sweet lute's measure,
     Waked by the lightsome touch of pleasure:
     Had he ne'er met a gentler teacher,
     Woe had been wrought by that pitiless preacher.





THE WANDERER FROM THE FOLD.

     How few, of all the hearts that loved,
     Are grieving for thee now;
     And why should mine to-night be moved
     With such a sense of woe?

     Too often thus, when left alone,
     Where none my thoughts can see,
     Comes back a word, a passing tone
     From thy strange history.

     Sometimes I seem to see thee rise,
     A glorious child again;
     All virtues beaming from thine eyes
     That ever honoured men:

     Courage and truth, a generous breast
     Where sinless sunshine lay:
     A being whose very presence blest
     Like gladsome summer-day.

     O, fairly spread thy early sail,
     And fresh, and pure, and free,
     Was the first impulse of the gale
     Which urged life's wave for thee!

     Why did the pilot, too confiding,
     Dream o'er that ocean's foam,
     And trust in Pleasure's careless guiding
     To bring his vessel home?

     For well he knew what dangers frowned,
     What mists would gather, dim;
     What rocks and shelves, and sands lay round
     Between his port and him.

     The very brightness of the sun
     The splendour of the main,
     The wind which bore him wildly on
     Should not have warned in vain.

     An anxious gazer from the shore—
     I marked the whitening wave,
     And wept above thy fate the more
     Because—I could not save.

     It recks not now, when all is over:
     But yet my heart will be
     A mourner still, though friend and lover
     Have both forgotten thee!





WARNING AND REPLY.

     In the earth—the earth—thou shalt be laid,
     A grey stone standing over thee;
     Black mould beneath thee spread,
     And black mould to cover thee.

     "Well—there is rest there,
     So fast come thy prophecy;
     The time when my sunny hair
     Shall with grass roots entwined be."

     But cold—cold is that resting-place,
     Shut out from joy and liberty,
     And all who loved thy living face
     Will shrink from it shudderingly,

     "Not so. HERE the world is chill,
     And sworn friends fall from me:
     But THERE—they will own me still,
     And prize my memory."

     Farewell, then, all that love,
     All that deep sympathy:
     Sleep on: Heaven laughs above,
     Earth never misses thee.

     Turf-sod and tombstone drear
     Part human company;
     One heart breaks only—here,
     But that heart was worthy thee!





LAST WORDS.

     I knew not 'twas so dire a crime
     To say the word, "Adieu;"
     But this shall be the only time
     My lips or heart shall sue.

     That wild hill-side, the winter morn,
     The gnarled and ancient tree,
     If in your breast they waken scorn,
     Shall wake the same in me.

     I can forget black eyes and brows,
     And lips of falsest charm,
     If you forget the sacred vows
     Those faithless lips could form.

     If hard commands can tame your love,
     Or strongest walls can hold,
     I would not wish to grieve above
     A thing so false and cold.

     And there are bosoms bound to mine
     With links both tried and strong:
     And there are eyes whose lightning shine
     Has warmed and blest me long:

     Those eyes shall make my only day,
     Shall set my spirit free,
     And chase the foolish thoughts away
     That mourn your memory.





THE LADY TO HER GUITAR.

     For him who struck thy foreign string,
     I ween this heart has ceased to care;
     Then why dost thou such feelings bring
     To my sad spirit—old Guitar?

     It is as if the warm sunlight
     In some deep glen should lingering stay,
     When clouds of storm, or shades of night,
     Have wrapt the parent orb away.

     It is as if the glassy brook
     Should image still its willows fair,
     Though years ago the woodman's stroke
     Laid low in dust their Dryad-hair.

     Even so, Guitar, thy magic tone
     Hath moved the tear and waked the sigh:
     Hath bid the ancient torrent moan,
     Although its very source is dry.





THE TWO CHILDREN.

     Heavy hangs the rain-drop
     From the burdened spray;
     Heavy broods the damp mist
     On uplands far away.

     Heavy looms the dull sky,
     Heavy rolls the sea;
     And heavy throbs the young heart
     Beneath that lonely tree.

     Never has a blue streak
     Cleft the clouds since morn;
     Never has his grim fate
     Smiled since he was born.

     Frowning on the infant,
     Shadowing childhood's joy
     Guardian-angel knows not
     That melancholy boy.

     Day is passing swiftly
     Its sad and sombre prime;
     Boyhood sad is merging
     In sadder manhood's time:

     All the flowers are praying
     For sun, before they close,
     And he prays too—unconscious—
     That sunless human rose.

     Blossom—that the west-wind
     Has never wooed to blow,
     Scentless are thy petals,
     Thy dew is cold as snow!

     Soul—where kindred kindness,
     No early promise woke,
     Barren is thy beauty,
     As weed upon a rock.

     Wither—soul and blossom!
     You both were vainly given;
     Earth reserves no blessing
     For the unblest of heaven!

     Child of delight, with sun-bright hair,
     And sea-blue, sea-deep eyes!
     Spirit of bliss!  What brings thee here
     Beneath these sullen skies?

     Thou shouldst live in eternal spring,
     Where endless day is never dim;
     Why, Seraph, has thine erring wing
     Wafted thee down to weep with him?

     "Ah! not from heaven am I descended,
     Nor do I come to mingle tears;
     But sweet is day, though with shadows blended;
     And, though clouded, sweet are youthful years.

     "I—the image of light and gladness—
     Saw and pitied that mournful boy,
     And I vowed—if need were—to share his sadness,
     And give to him my sunny joy.

     "Heavy and dark the night is closing;
     Heavy and dark may its biding be:
     Better for all from grief reposing,
     And better for all who watch like me—

     "Watch in love by a fevered pillow,
     Cooling the fever with pity's balm
     Safe as the petrel on tossing billow,
     Safe in mine own soul's golden calm!

     "Guardian-angel he lacks no longer;
     Evil fortune he need not fear:
     Fate is strong, but love is stronger;
     And MY love is truer than angel-care."





THE VISIONARY.

     Silent is the house: all are laid asleep:
     One alone looks out o'er the snow-wreaths deep,
     Watching every cloud, dreading every breeze
     That whirls the wildering drift, and bends the groaning trees.

     Cheerful is the hearth, soft the matted floor;
     Not one shivering gust creeps through pane or door;
     The little lamp burns straight, its rays shoot strong and far:
     I trim it well, to be the wanderer's guiding-star.

     Frown, my haughty sire! chide, my angry dame!
     Set your slaves to spy; threaten me with shame:
     But neither sire nor dame, nor prying serf shall know,
     What angel nightly tracks that waste of frozen snow.

     What I love shall come like visitant of air,
     Safe in secret power from lurking human snare;
     What loves me, no word of mine shall e'er betray,
     Though for faith unstained my life must forfeit pay

     Burn, then, little lamp; glimmer straight and clear—
     Hush! a rustling wing stirs, methinks, the air:
     He for whom I wait, thus ever comes to me;
     Strange Power! I trust thy might; trust thou my constancy.





ENCOURAGEMENT.

     I do not weep; I would not weep;
     Our mother needs no tears:
     Dry thine eyes, too; 'tis vain to keep
     This causeless grief for years.

     What though her brow be changed and cold,
     Her sweet eyes closed for ever?
     What though the stone—the darksome mould
     Our mortal bodies sever?

     What though her hand smooth ne'er again
     Those silken locks of thine?
     Nor, through long hours of future pain,
     Her kind face o'er thee shine?

     Remember still, she is not dead;
     She sees us, sister, now;
     Laid, where her angel spirit fled,
     'Mid heath and frozen snow.

     And from that world of heavenly light
     Will she not always bend
     To guide us in our lifetime's night,
     And guard us to the end?

     Thou knowest she will; and thou mayst mourn
     That WE are left below:
     But not that she can ne'er return
     To share our earthly woe.





STANZAS.

     Often rebuked, yet always back returning
     To those first feelings that were born with me,
     And leaving busy chase of wealth and learning
     For idle dreams of things which cannot be:

     To-day, I will seek not the shadowy region;
     Its unsustaining vastness waxes drear;
     And visions rising, legion after legion,
     Bring the unreal world too strangely near.

     I'll walk, but not in old heroic traces,
     And not in paths of high morality,
     And not among the half-distinguished faces,
     The clouded forms of long-past history.

     I'll walk where my own nature would be leading:
     It vexes me to choose another guide:
     Where the grey flocks in ferny glens are feeding;
     Where the wild wind blows on the mountain side.

     What have those lonely mountains worth revealing?
     More glory and more grief than I can tell:
     The earth that wakes one human heart to feeling
     Can centre both the worlds of Heaven and Hell.



The following are the last lines my sister Emily ever wrote:—

     No coward soul is mine,
     No trembler in the world's storm-troubled sphere:
     I see Heaven's glories shine,
     And faith shines equal, arming me from fear.

     O God within my breast,
     Almighty, ever-present Deity!
     Life—that in me has rest,
     As I—undying Life—have power in thee!

     Vain are the thousand creeds
     That move men's hearts: unutterably vain;
     Worthless as withered weeds,
     Or idlest froth amid the boundless main,

     To waken doubt in one
     Holding so fast by thine infinity;
     So surely anchored on
     The stedfast rock of immortality.

     With wide-embracing love
     Thy spirit animates eternal years,
     Pervades and broods above,
     Changes, sustains, dissolves, creates, and rears.

     Though earth and man were gone,
     And suns and universes ceased to be,
     And Thou were left alone,
     Every existence would exist in Thee.

     There is not room for Death,
     Nor atom that his might could render void:
     Thou—THOU art Being and Breath,
     And what THOU art may never be destroyed.





SELECTIONS FROM POEMS BY ACTON BELL.

In looking over my sister Anne's papers, I find mournful evidence that religious feeling had been to her but too much like what it was to Cowper; I mean, of course, in a far milder form. Without rendering her a prey to those horrors that defy concealment, it subdued her mood and bearing to a perpetual pensiveness; the pillar of a cloud glided constantly before her eyes; she ever waited at the foot of a secret Sinai, listening in her heart to the voice of a trumpet sounding long and waxing louder. Some, perhaps, would rejoice over these tokens of sincere though sorrowing piety in a deceased relative: I own, to me they seem sad, as if her whole innocent life had been passed under the martyrdom of an unconfessed physical pain: their effect, indeed, would be too distressing, were it not combated by the certain knowledge that in her last moments this tyranny of a too tender conscience was overcome; this pomp of terrors broke up, and passing away, left her dying hour unclouded. Her belief in God did not then bring to her dread, as of a stern Judge,—but hope, as in a Creator and Saviour: and no faltering hope was it, but a sure and stedfast conviction, on which, in the rude passage from Time to Eternity, she threw the weight of her human weakness, and by which she was enabled to bear what was to be borne, patiently—serenely—victoriously.





DESPONDENCY.

     I have gone backward in the work;
     The labour has not sped;
     Drowsy and dark my spirit lies,
     Heavy and dull as lead.

     How can I rouse my sinking soul
     From such a lethargy?
     How can I break these iron chains
     And set my spirit free?

     There have been times when I have mourned!
     In anguish o'er the past,
     And raised my suppliant hands on high,
     While tears fell thick and fast;

     And prayed to have my sins forgiven,
     With such a fervent zeal,
     An earnest grief, a strong desire
     As now I cannot feel.

     And I have felt so full of love,
     So strong in spirit then,
     As if my heart would never cool,
     Or wander back again.

     And yet, alas! how many times
     My feet have gone astray!
     How oft have I forgot my God!
     How greatly fallen away!

     My sins increase—my love grows cold,
     And Hope within me dies:
     Even Faith itself is wavering now;
     Oh, how shall I arise?

     I cannot weep, but I can pray,
     Then let me not despair:
     Lord Jesus, save me, lest I die!
     Christ, hear my humble prayer!