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Poems By The Way & Love Is Enough

Chapter 69: ARGUMENT
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About This Book

A combined volume collects lyrical and narrative poems that range from pastoral meditations and love lyrics to retellings of Northern sagas and a short verse drama arguing that love and art triumph over material greed. The shorter pieces dwell on landscape, seasonal change, intimate feeling, and the rhythms of work and craft; others adapt mythic or saga episodes with robust storytelling. The included drama stages moral dilemmas and allegorical figures in heightened verse, blending medievalist imagery with social concerns about labor, art, and community. Throughout, language emphasizes musical phrasing, decorative detail, and a commitment to beauty in both form and subject.

LOVE IS ENOUGH


ARGUMENT

This story, which is told by way of a morality set before an Emperor and Empress newly wedded, showeth of a King whom nothing but Love might satisfy, who left all to seek Love, and, having found it, found this also, that he had enough, though he lacked all else.



In the streets of a great town where the people are gathered together thronging to see the Emperor and Empress pass.



GILES

Look long, Joan, while I hold you so,
For the silver trumpets come arow.


JOAN

O the sweet sound! the glorious sight!
O Giles, Giles, see this glittering Knight!


GILES

Nay 'tis the Marshalls'-sergeant, sweet—
—Hold, neighbour, let me keep my feet!—
There, now your head is up again;
Thus held up have you aught of pain?


JOAN

Nay, clear I see, and well at ease!
God's body! what fair Kings be these?


GILES

The Emperor's chamberlains, behold
Their silver shoes and staves of gold.
Look, look! how like some heaven come down
The maidens go with girded gown!


JOAN

Yea, yea, and this last row of them
Draw up their kirtles by the hem,
And scatter roses e'en like those
About my father's garden-close.


GILES

Ah! have I hurt you? See the girls
Whose slim hands scatter very pearls.


JOAN

Hold me fast, Giles! here comes one
Whose raiment flashes down the sun.


GILES

O sweet mouth! O fair lids cast down!
O white brow! O the crown, the crown!


JOAN

How near! if nigher I might stand
By one ell, I could touch his hand.


GILES

Look, Joan! if on this side she were
Almost my hand might touch her hair.


JOAN

Ah me! what is she thinking on?


GILES

Is he content now all is won?


JOAN

And does she think as I thought, when
Betwixt the dancing maids and men,
Twixt the porch rose-boughs blossomed red
I saw the roses on my bed?


GILES

Hath he such fear within his heart
As I had, when the wind did part
The jasmine-leaves, and there within
The new-lit taper glimmered thin?



THE MUSIC

(As the EMPEROR and EMPRESS enter.)

LOVE IS ENOUGH; though the World be a-waning
And the woods have no voice but the voice of complaining,
Though the sky be too dark for dim eyes to discover
The gold-cups and daisies fair blooming thereunder;
Though the hills be held shadows, and the sea a dark wonder,
And this day draw a veil over all deeds passed over,
Yet their hands shall not tremble, their feet shall not falter,
The void shall not weary, the fear shall not alter
These lips and these eyes of the loved and the lover.



THE EMPEROR

The spears flashed by me, and the swords swept round,
And in war's hopeless tangle was I bound,
But straw and stubble were the cold points found,
For still thy hands led down the weary way.


THE EMPRESS

Through hall and street they led me as a queen,
They looked to see me proud and cold of mien,
I heeded not though all my tears were seen,
For still I dreamed of thee throughout the day.


THE EMPEROR

Wild over bow and bulwark swept the sea
Unto the iron coast upon our lee,
Like painted cloth its fury was to me,
For still thy hands led down the weary way.


THE EMPRESS

They spoke to me of war within the land,
They bade me sign defiance and command;
I heeded not though thy name left my hand,
For still I dreamed of thee throughout the day.


THE EMPEROR

But now that I am come, and side by side
We go, and men cry gladly on the bride
And tremble at the image of my pride,
Where is thy hand to lead me down the way?


THE EMPRESS

But now that thou art come, and heaven and earth
Are laughing in the fulness of their mirth,
A shame I knew not in my heart has birth—
—Draw me through dreams unto the end of day!


THE EMPEROR

Behold, behold, how weak my heart is grown
Now all the heat of its desire is known!
Pearl beyond price I fear to call mine own,
Where is thy hand to lead me down the way?


THE EMPRESS

Behold, behold, how little I may move!
Think in thy heart how terrible is Love,
O thou who know'st my soul as God above—
—Draw me through dreams unto the end of day!



The stage for the play in another part of the street, and the people thronging all about.



GILES

Here, Joan, this is so good a place
'Tis worth the scramble and the race!
There is the Empress just sat down,
Her white hands on her golden gown,
While yet the Emperor stands to hear
The welcome of the bald-head Mayor
Unto the show; and you shall see
The player-folk come in presently.
The king of whom is e'en that one,
Who wandering but a while agone
Stumbled upon our harvest-home
That August when you might not come.
Betwixt the stubble and the grass
Great mirth indeed he brought to pass.
But liefer were I to have seen
Your nimble feet tread down the green
In threesome dance to pipe and fife.


JOAN

Thou art a dear thing to my life,
And nought good have I far to seek—
But hearken! for the Mayor will speak.


THE MAYOR

Since your grace bids me speak without stint or sparing
A thing little splendid I pray you to see:
Early is the day yet, for we near the dawning
Drew on chains dear-bought, and gowns done with gold;
So may ye high ones hearken an hour
A tale that our hearts hold worthy and good,
Of Pharamond the Freed, who, a king feared and honoured,
Fled away to find love from his crown and his folk.
E'en as I tell of it somewhat I tremble
Lest we, fearful of treason to the love that fulfils you,
Should seem to make little of the love that ye give us,
Of your lives full of glory, of the deeds that your lifetime
Shall gleam with for ever when we are forgotten.
Forgive it for the greatness of that Love who compels us.—
Hark! in the minster-tower minish the joy-bells,
And all men are hushed now these marvels to hear.


THE EMPEROR (to the MAYOR)

We thank your love, that sees our love indeed
Toward you, toward Love, toward life of toil and need:
We shall not falter though your poet sings
Of all defeat, strewing the crowns of kings
About the thorny ways where Love doth wend,
Because we know us faithful to the end
Toward you, toward Love, toward life of war and deed,
And well we deem your tale shall help our need.


(To the EMPRESS)

So many hours to pass before the sun
Shall blush ere sleeping, and the day be done!
How thinkest thou, my sweet, shall such a tale
For lengthening or for shortening them avail?


THE EMPRESS

Nay, dreamland has no clocks the wise ones say,
And while our hands move at the break of day
We dream of years: and I am dreaming still
And need no change my cup of joy to fill:
Let them say on, and I shall hear thy voice
Telling the tale, and in its love rejoice.



THE MUSIC

(As the singers enter and stand before the curtain, the player-king and player-maiden in the midst.)

LOVE IS ENOUGH: have no thought for to-morrow
If ye lie down this even in rest from your pain,
Ye who have paid for your bliss with great sorrow:
For as it was once so it shall be again.
Ye shall cry out for death as ye stretch forth in vain.

Feeble hands to the hands that would help but they may not,
Cry out to deaf ears that would hear if they could;
Till again shall the change come, and words your lips say not
Your hearts make all plain in the best wise they would
And the world ye thought waning is glorious and good:

And no morning now mocks you and no nightfall is weary,
The plains are not empty of song and of deed:
The sea strayeth not, nor the mountains are dreary;
The wind is not helpless for any man's need,
Nor falleth the rain but for thistle and weed.

O surely this morning all sorrow is hidden,
All battle is hushed for this even at least;
And no one this noontide may hunger, unbidden
To the flowers and the singing and the joy of your feast
Where silent ye sit midst the world's tale increased.

Lo, the lovers unloved that draw nigh for your blessing!
For your tale makes the dreaming whereby yet they live
The dreams of the day with their hopes of redressing,
The dreams of the night with the kisses they give,
The dreams of the dawn wherein death and hope strive.

Ah, what shall we say then, but that earth threatened often
Shall live on for ever that such things may be,
That the dry seed shall quicken, the hard earth shall soften,
And the spring-bearing birds flutter north o'er the sea,
That earth's garden may bloom round my love's feet and me?



THE EMPEROR

Lo you, my sweet, fair folk are one and all
And with good grace their broidered robes do fall,
And sweet they sing indeed: but he, the King,
Look but a little how his fingers cling
To her's, his love that shall be in the play—
His love that hath been surely ere to-day:
And see, her wide soft eyes cast down at whiles
Are opened not to note the people's smiles
But her love's lips, and dreamily they stare
As though they sought the happy country, where
They two shall be alone, and the world dead.


THE EMPRESS

Most faithful eyes indeed look from the head
The sun has burnt, and wind and rain has beat,
Well may he find her slim brown fingers sweet.
And he—methinks he trembles, lest he find
That song of his not wholly to her mind.
Note how his grey eyes look askance to see
Her bosom heaving with the melody
His heart loves well: rough with the wind and rain
His cheek is, hollow with some ancient pain;
The sun has burned and blanched his crispy hair,
And over him hath swept a world of care
And left him careless, rugged, and her own;
Still fresh desired, still strange and new, though known.


THE EMPEROR

His eyes seem dreaming of the mysteries
Deep in the depths of her familiar eyes,
Tormenting and alluring; does he dream,
As I ofttime this morn, how they would seem
Loved but unloving?—Nay the world's too sweet
That we the ghost of such a pain should meet—
Behold, she goes, and he too, turning round,
Remembers that his love must yet be found,
That he is King and loveless in this story
Wrought long ago for some dead poet's glory.

[Exeunt players behind the curtain.


Enter before the curtain LOVE crowned as a King.



LOVE

Save you, my Faithful! how your loving eyes
Grow soft and gleam with all these memories!
But on this day my crown is not of death:
My fire-tipped arrows, and my kindling breath
Are all the weapons I shall need to-day.
Nor shall my tale in measured cadence play
About the golden lyre of Gods long gone,
Nor dim and doubtful 'twixt the ocean's moan
Wail out about the Northern fiddle-bow,
Stammering with pride or quivering shrill with woe.
Rather caught up at hazard is the pipe
That mixed with scent of roses over ripe,
And murmur of the summer afternoon,
May charm you somewhat with its wavering tune
'Twixt joy and sadness: whatsoe'er it saith,
I know at least there breathes through it my breath



OF PHARAMOND THE FREED

Scene: In the Kings Chamber of Audience.

MASTER OLIVER and many LORDS and COUNCILLORS.



A COUNCILLOR

Fair Master Oliver, thou who at all times
Mayst open thy heart to our lord and master,
Tell us what tidings thou hast to deliver;
For our hearts are grown heavy, and where shall we turn to
If thus the king's glory, our gain and salvation,
Must go down the wind amid gloom and despairing?


MASTER OLIVER

Little may be looked for, fair lords, in my story,
To lighten your hearts of the load lying on them.
For nine days the king hath slept not an hour,
And taketh no heed of soft words or beseeching.
Yea, look you, my lords, if a body late dead
In the lips and the cheeks should gain some little colour,
And arise and wend forth with no change in the eyes,
And wander about as if seeking its soul—
Lo, e'en so sad is my lord and my master;
Yea, e'en so far hath his soul drifted from us.


A COUNCILLOR

What say the leeches? Is all their skill left them?


MASTER OLIVER

Nay, they bade lead him to hunt and to tilting,
To set him on high in the throne of his honour
To judge heavy deeds: bade him handle the tiller,
And drive through the sea with the wind at its wildest;
All things he was wont to hold kingly and good.
So we led out his steed and he straight leapt upon him
With no word, and no looking to right nor to left,
And into the forest we fared as aforetime:
Fast on the king followed, and cheered without stinting
The hounds to the strife till the bear stood at bay;
Then there he alone by the beech-trees alighted;
Barehanded, unarmoured, he handled the spear-shaft,
And blew up the death on the horn of his father;
Yet still in his eyes was no look of rejoicing,
And no life in his lips; but I likened him rather
To King Nimrod carved fair on the back of the high-seat
When the candles are dying, and the high moon is streaming
Through window and luffer white on the lone pavement
Whence the guests are departed in the hall of the palace.—
—Rode we home heavily, he with his rein loose,
Feet hanging free from the stirrups, and staring
At a clot of the bear's blood that stained his green kirtle;—
Unkingly, unhappy, he rode his ways homeward.


A COUNCILLOR

Was this all ye tried, or have ye more tidings?
For the wall tottereth not at first stroke of the ram.


MASTER OLIVER

Nay, we brought him a-board the Great Dragon one dawning,
When the cold bay was flecked with the crests of white billows
And the clouds lay alow on the earth and the sea;
He looked not aloft as they hoisted the sail,
But with hand on the tiller hallooed to the shipmen
In a voice grown so strange, that it scarce had seemed stranger
If from the ship Argo, in seemly wise woven
On the guard-chamber hangings, some early grey dawning
Great Jason had cried, and his golden locks wavered.
Then e'en as the oars ran outboard, and dashed
In the wind-scattered foam and the sails bellied out,
His hand dropped from the tiller, and with feet all uncertain
And dull eye he wended him down to the midship,
And gazing about for the place of the gangway
Made for the gate of the bulwark half open,
And stood there and stared at the swallowing sea,
Then turned, and uncertain went wandering back sternward,
And sat down on the deck by the side of the helmsman,
Wrapt in dreams of despair; so I bade them turn shoreward,
And slowly he rose as the side grated stoutly
'Gainst the stones of the quay and they cast forth the hawser.—
Unkingly, unhappy, he went his ways homeward.


A COUNCILLOR

But by other ways yet had thy wisdom to travel;
How else did ye work for the winning him peace?


MASTER OLIVER

We bade gather the knights for the goodliest tilting,
There the ladies went lightly in glorious array;
In the old arms we armed him whose dints well he knew
That the night dew had dulled and the sea salt had sullied:
On the old roan yet sturdy we set him astride;
So he stretched forth his hand to lay hold of the spear
Neither laughing nor frowning, as lightly his wont was
When the knights are awaiting the voice of the trumpet.
It awoke, and back beaten from barrier to barrier
Was caught up by knights' cries, by the cry of the king.—
—Such a cry as red Mars in the Council-room window
May awake with some noon when the last horn is winded,
And the bones of the world are dashed grinding together.
So it seemed to my heart, and a horror came o'er me,
As the spears met, and splinters flew high o'er the field,
And I saw the king stay when his course was at swiftest,
His horse straining hard on the bit, and he standing
Stiff and stark in his stirrups, his spear held by the midmost,
His helm cast a-back, his teeth set hard together;
E'en as one might, who, riding to heaven, feels round him
The devils unseen: then he raised up the spear
As to cast it away, but therewith failed his fury,
He dropped it, and faintly sank back in the saddle,
And, turning his horse from the press and the turmoil,
Came sighing to me, and sore grieving I took him
And led him away, while the lists were fallen silent
As a fight in a dream that the light breaketh through.—
To the tune of the clinking of his fight-honoured armour
Unkingly, unhappy, he went his ways homeward.


A COUNCILLOR

What thing worse than the worst in the budget yet lieth?


MASTER OLIVER

A COUNCILLOR

Is all striving over then, fair Master Oliver?


MASTER OLIVER

All mine, lords, for ever! help who may help henceforth
I am but helpless: too surely meseemeth
He seeth me not, and knoweth no more
Me that have loved him. Woe worth the while, Pharamond,
That men should love aught, love always as I loved!
Mother and sister and the sweetling that scorned me,
The wind of the autumn-tide over them sweepeth,
All are departed, but this one, the dear one—
I should die or he died and be no more alone,
But God's hatred hangs round me, and the life and the glory
That grew with my waning life fade now before it,
And leaving no pity depart through the void.


A COUNCILLOR

This is a sight full sorry to see
These tears of an elder! But soft now, one cometh.


MASTER OLIVER

The feet of the king: will ye speak or begone?


A NORTHERN LORD

I will speak at the least, whoever keeps silence,
For well it may be that the voice of a stranger
Shall break through his dreaming better than thine;
And lo now a word in my mouth is a-coming,
That the king well may hearken: how sayst thou, fair master,
Whose name now I mind not, wilt thou have me essay it?


MASTER OLIVER

Try whatso thou wilt, things may not be worser. [Enter KING.
Behold, how he cometh weighed down by his woe!

(To the KING)

All hail, lord and master! wilt thou hearken a little
These lords high in honour whose hearts are full heavy
Because thy heart sickeneth and knoweth no joy?—

(To the COUNCILLORS)

Ah, see you! all silent, his eyes set and dreary,
His lips moving a little—how may I behold it?


THE NORTHERN LORD

KING PHARAMOND

What words are these of lies and love-sickness?
Why am I lonely among all this brawling?
O foster-father, is all faith departed
That this hateful face should be staring upon me?


THE NORTHERN LORD

KING PHARAMOND (sheathing his sword)

Man, if ye have waked me, I bid you be wary
Lest my sword yet should reach you; ye wot in your northland
What hatred he winneth who waketh the shipman
From the sweet rest of death mid the welter of waves;
So with us may it fare; though I know thee full faithful,
Bold in field and in council, most fit for a king.
—Bear with me. I pray you that to none may be meted
Such a measure of pain as my soul is oppressed with.
Depart all for a little, till my spirit grows lighter,
Then come ye with tidings, and hold we fair council,
That my countries may know they have yet got a king.

[Exeunt all but OLIVER and KING.

Come, my foster-father, ere thy visage fade from me,
Come with me mid the flowers some opening to find
In the clouds that cling round me; if thou canst remember
Thine old lovingkindness when I was a king.



THE MUSIC

LOVE IS ENOUGH; it grew up without heeding
In the days when ye knew not its name nor its measure
And its leaflets untrodden by the light feet of pleasure
Had no boast of the blossom, no sign of the seeding,
As the morning and evening passed over its treasure.

And what do ye say then?—that Spring long departed
Has brought forth no child to the softness and showers;
—That we slept and we dreamed through the Summer of flowers;
We dreamed of the Winter, and waking dead-hearted
Found Winter upon us and waste of dull hours.

Nay, Spring was o'er happy and knew not the reason,
And Summer dreamed sadly, for she thought all was ended
In her fulness of wealth that might not be amended;
But this is the harvest and the garnering season,
And the leaf and the blossom in the ripe fruit are blended.

It sprang without sowing, it grew without heeding,
Ye knew not its name and ye knew not its measure,
Ye noted it not mid your hope and your pleasure;
There was pain in its blossom, despair in its seeding,
But daylong your bosom now nurseth its treasure.



Enter before the curtain LOVE clad as an image-maker.


LOVE

How mighty and how fierce a king is here
The stayer of falling folks, the bane of fear!
Fair life he liveth, ruling passing well,
Disdaining praise of Heaven and hate of Hell;
And yet how goodly to us Great in Heaven
Are such as he, the waning world that leaven!
How well it were that such should never die!
How well it were at least that memory
Of such should live, as live their glorious deeds!
—But which of all the Gods think ye it needs
To shape the mist of Rumour's wavering breath
Into a golden dream that fears no death?
Red Mars belike?—since through his field is thrust
The polished plough-share o'er the helmets' rust!—
Apollo's beauty?—surely eld shall spare
Smooth skin, and flashing eyes, and crispy hair!—
Nay, Jove himself?—the pride that holds the low
Apart, despised, to mighty tales must grow!—
Or Pallas?—for the world that knoweth nought,
By that great wisdom to the wicket brought,
Clear through the tangle evermore shall see!
—O Faithful, O Beloved, turn to ME!
I am the Ancient of the Days that were
I am the Newborn that To-day brings here,
I am the Life of all that dieth not;
Through me alone is sorrow unforgot.


My Faithful, knowing that this man should live,
I from the cradle gifts to him did give
Unmeet belike for rulers of the earth;
As sorrowful yearning in the midst of mirth,
Pity midst anger, hope midst scorn and hate.
Languor midst labour, lest the day wax late,
And all be wrong, and all be to begin.
Through these indeed the eager life did win
That was the very body to my soul;
Yet, as the tide of battle back did roll
Before his patience: as he toiled and grieved
O'er fools and folly, was he not deceived,
But ever knew the change was drawing nigh,
And in my mirror gazed with steadfast eye.
Still, O my Faithful, seemed his life so fair
That all Olympus might have left him there
Until to bitter strength that life was grown,
And then have smiled to see him die alone,
Had I not been.—— Ye know me; I have sent
A pain to pierce his last coat of content:
Now must he tear the armour from his breast
And cast aside all things that men deem best,
And single-hearted for his longing strive
That he at last may save his soul alive.

How say ye then, Beloved? Ye have known
The blossom of the seed these hands have sown;
Shall this man starve in sorrow's thorny brake?
Shall Love the faithful of his heart forsake?




In the King's Garden.

KING PHARAMOND, MASTER OLIVER.



MASTER OLIVER

In this quiet place canst thou speak, O my King,
Where nought but the lilies may hearken our counsel?


KING PHARAMOND

What wouldst thou have of me? why came we hither?


MASTER OLIVER

Dear lord, thou wouldst speak of the woe that weighs on thee.


KING PHARAMOND

Wouldst thou bear me aback to the strife and the battle?
Nay, hang up my banner: 'tis all passed and over!


MASTER OLIVER

Speak but a little, lord! have I not loved thee?


KING PHARAMOND

Yea,—thou art Oliver: I saw thee a-lying
A long time ago with the blood on thy face,
When my father wept o'er thee for thy faith and thy valour.


MASTER OLIVER

Years have passed over, but my faith hath not failed me;
Spent is my might, but my love not departed.
Shall not love help—yea, look long in my eyes!
There is no more to see if thou sawest my heart.


KING PHARAMOND

Yea, thou art Oliver, full of all kindness!
Have patience, for now is the cloud passing over—
Have patience and hearken—yet shalt thou be shamed.


MASTER OLIVER

Thou shalt shine through thy shame as the sun through the haze
When the world waiteth gladly the warm day a-coming:
As great as thou seem'st now, I know thee for greater
Than thy deeds done and told of: one day I shall know thee:
Lying dead in my tomb I shall hear the world praising.


KING PHARAMOND