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Poems from Eastern Sources: The Steadfast Prince; and Other Poems cover

Poems from Eastern Sources: The Steadfast Prince; and Other Poems

Chapter 20: THE PANTHEIST; OR, THE ORIGIN OF EVIL.
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About This Book

A varied poetic collection draws on Eastern legends, scriptural and European sources to present translations, adaptations, and original pieces that retell myths, parables, and ballads. Narrative poems render tales such as Alexander's quest and other legendary or folkloric episodes; lyric sequences explore seasons, love, faith, mortality, and moral aphorisms; additional pieces adapt German and Latin sources and include sonnets, ballads, and short fragments. The tone alternates between descriptive narrative, reflective meditation, and moral reflection, often framing Eastern imagery—gardens, fountains, courts, and deserts—to examine desire, righteousness, steadfastness, and the relationship between life and death. Notes clarify sources and degrees of translation.

THE PANTHEIST;
OR,
THE ORIGIN OF EVIL.

One who in subtle questions took delight
Came running to my lodging late one night,
And straight began:—“Wilt thou affirm that sin
Had in man’s will its root and origin,
When that will did itself from God proceed?
Whate’er then followed, he must have decreed.
If evil, then, be not against God’s will,
’Tis wrongly named, it is not truly ill.
Rather the world a chess-board we should name,
And God both sides is playing of the game:
Moses and Pharaoh seem opposed, for they
Do thus God’s greatness on two sides display;
They seem opposed, but at the root are one,
And each his part allotted has well done;
And that which men so blindly evil call,
And hate and fear and shun, is, after all,
Only as those discordant notes whereby
Well-skilled musicians heighten melody;—
But as the dark ground cunning painters lay,
To bring the bright hues into clearer day:
’Tis good, as yet imperfect, incomplete—
Fruit that is sour, while passing on to sweet.”
Then I, who knew the world had travelled o’er
This line of thought a thousand times before,
Would all debate have willingly put by,
Yet with this tale at last must make reply:—
“The head of Seid his comrade struck one day—
Seid meant the blow in earnest to repay;
But then the striker—‘Pardon, friend, the blow—
I am inquiring, and two things would know:
See, when my hand did on your head alight,
Straight various bruises there appeared in sight.
Now, prithee, give me a reply to this,
If head or hand their ultimate cause is?
And if you really do with them agree
Who but in pain a lesser pleasure see?’
Seid then—‘O fool! my agony is great,
And think’st thou I can idly speculate?’”
“The same I say;—let him display his skill
On the world’s woe, who does not feel its ill;
Let speculate the man who feels no pain,
To whom the world is all a pageant vain—
An empty show, stretched out that he may sit,
And crying ‘Fie!’ or ‘Bravo!’ show his wit.
Me the deep feeling of its mighty woe
Robs of all wish herein my skill to show;
I only know that evil is no dream—
A thing that is, and does not merely seem:
Nor ask I now who open left the well,
Whereinto, walking carelessly, I fell;
Not how I stumbled in the well, but how
I may get out, is all my question now.”