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Poems of Adoration

Chapter 55: AD MORTEM
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About This Book

The collection gathers devotional lyrics and dramatic religious scenes that meditate on Christian mysteries - passion, crucifixion, Eucharist, Virgin Mary, saints, death and resurrection - using vivid sacramental imagery, liturgical language, and intimate contemplations. Poems range from processional and eucharistic pieces to meditations on relics, purgatory, and holy places, alternating solemn ceremonial voice and tender lyricism. Recurrent focuses include sacrifice, adoration, maternal grief, spiritual longing, and the interplay of light, blood, and natural symbols. The sequence loosely moves through worship, suffering, sacrament, and consolation, inviting reflective reading rather than a single narrative.

TWO olive-branches—silver; two candelabra,—gold:
Precious as only tried and precious things
Are of their essence bold,
The Roman John and Paul—young heads together—
Pray on, nor is there any question whether
The image that the Emperor’s Præfect brings
For worship will be worshipped, for already
The service of their ritual is so steady
It is as day moving to noon, and moving to night’s fold.
In one white, empty chamber two brethren, yet as one,
And as a sepulchre their home made bare.
Ye ask what they have done?
And the poor answer, “These would have no treasure
Save this, that they can die.” O solemn pleasure
To see their home a casket everywhere
Wrought for their hour of death! Gone the slow mornings
Through which they wearied out the Emperor’s warnings!
Now they would hold their jewel safe in their white walls, with prayer.
The silence! One can listen how the gold morning sun
Sings through the air, the hush is grown so fine.
Steps!—Thus intrusive run
Rain-storms on solitudes—A white-flashed gleaming!
The brow of Jove, the cloud-white hair, the beaming
Cloud-swirl of beard! A voice that bids, “Incline,
And offer homage!” ... How the silence tingles!
The sun with air in call and echo mingles:
Those brethren of closed senses—peace! they have made no sign.
They had not sought to gather, even for the sick and poor,
The lilies of their garden—head by head,
The older with the newer—
Nor violet-roots from Pæstum, the weaved roses.
And now the garden of their home uncloses
To cover into secrecy the dead:
Deep hidden by the roses they had watered,
Lying together sanctified and slaughtered,
Their blood upon them underground, above the rose-leaves spread.
. . . .
Lured, as the demons wander, demons sore afraid,
Unclean, tormented, and that do not cease
Their rending cries for aid,
The son of him who slew the saints, by daytime
Wandering, by night, that garden in the Maytime,
Is cured of his distraction and at peace:
Then glad Terentius, coming to the garden,
Of which his well-belovèd is the warden,
Plucketh a reed to glorify the martyrs he hath made.

IN MONTE FANNO

MACRINUS AGAINST TREES

PASCHAL’S MASS

THE sheep still in dew, but the sky
In sun, the far river in sun;
And the incense of flowers steeped bright—
Their smell as sweet light;
And the shepherd-boy tethered on high
To his flock and his day’s work begun.
The bees in the wind of the dawn;
The larks not yet climbing aloft
As high as the Aragon Hills ...
What bell-ringing thrills
Through the bell-wether’s pastoral lorn?
From the valley a bell clear and soft.
The shepherd-boy kneeling in dew;
The bell of his wether rung sharp;
Below him the tinkle and sway,
From far, far away,
Of the sacring-bell, clear as a harp
In its chime of God lifted anew.
As an altar of marvellous stone
Before him the mountain hath blazed,
Round the angel, who lifts in the air
A Sun that is there:
To the sheep and the shepherd-boy shown,
With the ringing of larks, God is raised.
O Angel-priest, fragrant with thyme,
Girt with sixfold glorious wings!
O sky of the mountains above
Adventurous Love!
How through air and the larks’ watchful chime
Earth her incense, as thurifer, flings!
O Sacrament, shown to a boy,
More blest than the Shepherds of old,
He is thine for his lifetime, cast
On his mountain vast,
In his joy, his great freshness of joy
From that high, singing daylight of gold!

A SNOW-CAVE

PROPHET

BLESSED with joy, as daybreak under cloud—
Tender light of youth in the old face—
Blessed with joy beneath the weight and shroud
Of the years before this day of Grace,
Simeon blesses God and praises Him,
As a little child and mother slim
With first girlhood come their way
Toward his face, and night becometh day.
Prophet, joy for thee and for thy land!
Wide the welcome and the peace of joy!
But he takes the infant on his hand,
Graciously receives the milking boy
From the mother’s bosom, from her heart,
While she stands in reverence apart.
Lo, the old man’s countenance,
In a wave of anguish breaks from trance!
All the features lift with power, and sink,
As if sudden earthquake heaved and rolled
Through them, from a sudden thought they think.
Can a child of but a few weeks old
So confuse with terror an old man?
Yea, this child, laid on his fingers’ span,
Is for the ruin or the rise
Of the generations, Simeon cries.
Yea, a child, a tender handful, sleek
As a pearl—and the dire earthquake’s power
In his little body set, to wreak

Dread requital on the souls that cower
Mad with desolation, naked, lost,
Or uplifted wild from a dead host:
For the rise and ruin set
Of so many—but not yet, not yet!
Shattered by the Child, the Prophet turns
To the slender Mother, bright and bowed.
Woe again! A flawless lightning burns
Through his eyes and his weak voice rings loud,
How a sword shall pierce her heart alone
That out of many hearts their thoughts be shown.
Simeon, terror masks all joy
In this Mother and her milking Boy!

LOOKING UPON JESUS AS HE WALKED

A DANCE OF DEATH

HOW lovely is a silver winter-day
Of sturdy ice.
That clogs the hidden river’s tiniest bay
With diamond-stone of price
To make an empress cast her dazzling stones
Upon its light as hail—
So little its effulgency condones
Her diamonds’ denser trail
Of radiance on the air!
How strange this ice, so motionless and still,
Yet calling as with music to our feet,
So that they chafe and dare
Their swiftest motion to repeat
These harmonies of challenge, sounds that fill
The floor of ice, as the crystalline sphere
Around the heavens is filled with such a song
That, when they hear,
The stars, each in their heaven, are drawn along!
She dances mid the sumptuous whiteness set
Of winter’s sunniest noon;
She dances as the sun-rays that forget
In winter sunset falleth soon
To sheer sunset:
She dances with a languor through the frost
As she had never lost,
In lands where there is snow,
The Orient’s immeasurable glow.
Who is this dancer white—
A creature slight,
Weaving the East upon a stream of ice,
That in a trice
Might trip the dance and fling the dancer down?
Does she not know deeps under ice can drown?
This is Salome, in a western land,
An exile with Herodias, her mother,
With Herod and Herodias:
And she has sought the river’s icy mass,
Companioned by no other,
To dance upon the ice—each hand
Held, as a snow-bird’s wings,
In heavy poise.
Ecstatic, with no noise,
Athwart the ice her dream, her spell she flings;
And Winter in a rapture of delight
Flings up and down the spangles of her light.
Oh, hearken, hearken!... Ice and frost,
From these cajoling motions freed,
Have straight given heed
To Will more firm. In their obedience
Their masses dense
Are riven as by a sword....
Where is the Vision by the snow adored?
The Vision is no more
Seen from the noontide shore.
Oh, fearful crash of thunder from the stream,
As there were thunder-clouds upon its wave!
Could nothing save
The dancer in the noontide beam?
She is engulphed and all the dance is done.
Bright leaps the noontide sun—
But stay, what leaps beneath it? A gold head,
That twinkles with its jewels bright
As water-drops....
O murdered Baptist of the severed head,
Her head was caught and girded tight,
And severed by the ice-brook sword, and sped
In dance that never stops.
It skims and hops
Across the ice that rasped it. Smooth and gay,
And void of care,
It takes its sunny way:
But underneath the golden hair,
And underneath those jewel-sparks,
Keen noontide marks
A little face as grey as evening ice;
Lips, open in a scream no soul may hear
Eyes fixed as they beheld the silver plate
That they at Macherontis once beheld;
While the hair trails, although so fleet and nice
The motion of the head as subjugate
To its own law: yet in the face what fear,
To what excess compelled!
Salome’s head is dancing on the bright
And silver ice. O holy John, how still
Was laid thy head upon the salver white,
When thou hadst done God’s Will!

OBEDIENCE

GARDENS ENCLOSED

GARDEN-SEED

UNIVERSA COHORS

IN EXTREMIS

A LIGNO

ONE REED

CRYING OUT

AD MORTEM

THIS sin is unto death. Whose death? Fair tomb
Of virgin rock, not for my corse such room!
Where never man hath lain
Shall I by sin attain—
Among the unpolluted crystals lie
In my malignity?
For I have killed my God, and I behold
His burial, behold His Body rolled
In a new sheet with nard,
And in the grotto hard
Lying as hard—O tenderest Love!—as block
Of that new-cloven rock.
As a vile, wandering spectre I must stray,
Now I have quenched the Light, that was my Day,
By wickedness, almost
Against the Holy Ghost,
Laying within His tomb God, laying Him
Wound tight in face and limb.
“Divine One, be not dead and put away!
O Holy Ghost, blow down the stone, I pray,
Though it should crush me there
Outspread, the worst I dare.
Divine One, mid the tombs, with pardoning grace
Unwrap Thy limbs, Thy face!
“Austere come forth upon me as grey dawn!
Well it had been that I had not been born,
Who could Thy burial see!....
What will become of me,
Unless Thou wilt arise and bid me live,
Unless Thou wilt forgive?”
But there is Easter every day and hour
When by the crevice of Thy tomb we cower,
Ghosts from dank night, and call,
And wait for one footfall
Of the arising, awful Love we doomed
Ourselves to lie entombed.

THE FLOWER FADETH

FEAR NOT