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Poems of Arthur Hugh Clough

Chapter 23: τὸ καλόν.
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About This Book

A wide-ranging collection of verse that moves from brief lyric and pastoral pieces to extended narrative and dramatic sequences. The poems examine religious doubt and biblical subjects alongside intimate scenes of nature, domestic life, and urban encounter, alternating tenderness with ironic distance. Several long compositions employ dialogue and shifting voices to probe conscience and belief, while other pieces experiment with classical metres and translations. The sequence balances meditative reflection, social observation, and travel sketches, offering a mixture of formal experimentation and plainspoken narrative that foregrounds moral questioning, emotional restraint, and the search for truth.

EARLY POEMS.

AN EVENING WALK IN SPRING.

It was but some few nights ago
I wandered down this quiet lane;
I pray that I may never know
The feelings then I felt, again.
The leaves were shining all about,
You might almost have seen them springing;
I heard the cuckoo’s simple shout,
And all the little birds were singing.
It was not dull, the air was clear,
All lovely sights and sounds to deal,
My eyes could see, my ears could hear,
Only my heart, it would not feel;
And yet that it should not be so,
My mind kept telling me within;
Though nought was wrong that I did know,
I thought I must have done some sin.
For I am sure as I can be,
That they who have been wont to look
On all in Nature’s face they see,
Even as in the Holy Book;
They who with pure and humble eyes
Have gazed and read her lessons high,
And taught their spirits to be wise
In love and human sympathy,—
That they can soon and surely tell
When aught has gone amiss within,
When the mind is not sound and well,
Nor the soul free from taint of sin.
For as God’s Spirit from above,
So Beauty is to them below,
And when they slight that holy love,
Their hearts that presence may not know.
So I turned home the way I came,
With downcast looks and heavy heart,
A guilty thing and full of shame,
With a dull grief that had no smart.
It chanced when I was nearly there
That all at once I raised my eyes—
Was it a dream, or vision rare,
That then they saw before them rise?
I see it now, before me here,
As often, often I have done,
As bright as it could then appear,
All shining in the setting sun.
Elms, with their mantling foliage spread,
And tall dark poplars rising out,
And blossomed orchards, white and red,
Cast, like a long low fence, about;
And in the midst the grey church-tower,
With one slight turret at its side,
Bringing to mind with silent power
Those thousand homes the elm-trees hide.
And then there came the thought of one
Who on his bed of sickness lay,
Whilst I beneath the setting sun
Was dreaming this sweet hour away.
I thought of hearts for him that beat,
Of aching eyes their watch that kept;
The sister’s and the mother’s seat—
And oh! I thought I should have wept.
And oh! my spirit melted then,
The weight fell off me that I bore,
And now I felt in truth again
The lovely things that stood before.
O blessed, blessed scene, to thee,
For that thy sweet and softening power,
I could have fallen upon my knee,
Thy stately elms, thy grey church-tower.
So then I took my homeward way,
My heart in sweet and holy frame,
With spirit, I may dare to say,
More good and soft than when I came.
1836

AN INCIDENT.

’Twas on a sunny summer day
I trod a mighty city’s street,
And when I started on my way
My heart was full of fancies sweet;
But soon, as nothing could be seen,
But countenances sharp and keen,
Nought heard or seen around but told
Of something bought or something sold,
And none that seemed to think or care
That any save himself was there,—
Full soon my heart began to sink
With a strange shame and inward pain,
For I was sad within to think
Of this absorbing love of gain,
And various thoughts my bosom tost;
When suddenly my path there crossed,
Locked hand in hand with one another,
A little maiden and her brother—
A little maiden, and she wore
Around her waist a pinafore.
And hand in hand along the street
This pretty pair did softly go,
And as they went, their little feet
Moved in short even steps and slow:
It was a sight to see and bless,
That little sister’s tenderness;
One hand a tidy basket bore
Of flowers and fruit—a chosen store,
Such as kind friends oft send to others—
And one was fastened in her brother’s.
It was a voice of meaning sweet,
And spake amid that scene of strife
Of home and homely duties meet,
And charities of daily life;
And often, should my spirit fail,
And under cold strange glances quail,
’Mid busy shops and busier throng,
That speed upon their ways along
The thick and crowded thoroughfare,
I’ll call to mind that little pair.
1836

THE THREAD OF TRUTH.

Truth is a golden thread, seen here and there
In small bright specks upon the visible side
Of our strange being’s party-coloured web.
How rich the converse! ’Tis a vein of ore
Emerging now and then on Earth’s rude breast,
But flowing full below. Like islands set
At distant intervals on Ocean’s face,
We see it on our course; but in the depths
The mystic colonnade unbroken keeps
Its faithful way, invisible but sure.
Oh, if it be so, wherefore do we men
Pass by so many marks, so little heeding?
1839

REVIVAL.

So I went wrong,
Grievously wrong, but folly crushed itself,
And vanity o’ertoppling fell, and time
And healthy discipline and some neglect,
Labour and solitary hours revived
Somewhat, at least, of that original frame.
Oh, well do I remember then the days
When on some grassy slope (what time the sun
Was sinking, and the solemn eve came down
With its blue vapour upon field and wood
And elm-embosomed spire) once more again
I fed on sweet emotion, and my heart
With love o’erflowed, or hushed itself in fear
Unearthly, yea celestial. Once again
My heart was hot within me, and, me seemed,
I too had in my body breath to wind
The magic horn of song; I too possessed
Up-welling in my being’s depths a fount
Of the true poet-nectar whence to fill
The golden urns of verse.
1839

THE SHADY LANE.

Whence comest thou, shady lane? and why and how?
Thou, where with idle heart, ten years ago,
I wandered, and with childhood’s paces slow
So long unthought of, and remembered now!
Again in vision clear thy pathwayed side
I tread, and view thy orchard plots again
With yellow fruitage hung,—and glimmering grain
Standing or shocked through the thick hedge espied.
This hot still noon of August brings the sight;
This quelling silence as of eve or night,
Wherein Earth (feeling as a mother may
After her travail’s latest bitterest throes)
Looks up, so seemeth it, one half repose,
One half in effort, straining, suffering still.
1839

THE HIGHER COURAGE.[1]

Come back again, my olden heart!—
Ah, fickle spirit and untrue,
I bade the only guide depart
Whose faithfulness I surely knew:
I said, my heart is all too soft;
He who would climb and soar aloft
Must needs keep ever at his side
The tonic of a wholesome pride.
Come back again, my olden heart!—
Alas, I called not then for thee;
I called for Courage, and apart
From Pride if Courage could not be,
Then welcome, Pride! and I shall find
In thee a power to lift the mind
This low and grovelling joy above—
’Tis but the proud can truly love.
Come back again, my olden heart!—
With incrustations of the years
Uncased as yet,—as then thou wert,
Full-filled with shame and coward fears:
Wherewith amidst a jostling throng
Of deeds, that each and all were wrong,
The doubting soul, from day to day,
Uneasy paralytic lay.
Come back again, my olden heart!
I said, Perceptions contradict,
Convictions come, anon depart,
And but themselves as false convict.
Assumptions, hasty, crude and vain,
Full oft to use will Science deign;
The corks the novice plies to-day
The swimmer soon shall cast away.
Come back again, my olden heart!
I said, Behold, I perish quite,
Unless to give me strength to start,
I make myself my rule of right:
It must be, if I act at all,
To save my shame I have at call
The plea of all men understood,—
Because I willed it, it is good.
Come back again, my olden heart!
I know not if in very deed
This means alone could aid impart
To serve my sickly spirit’s need;
But clear alike of wild self-will,
And fear that faltered, paltered still,
Remorseful thoughts of after days
A way espy betwixt the ways.
Come back again, old heart! Ah me!
Methinks in those thy coward fears
There might, perchance, a courage be,
That fails in these the manlier years;
Courage to let the courage sink,
Itself a coward base to think,
Rather than not for heavenly light
Wait on to show the truly right.
1840

WRITTEN ON A BRIDGE.

When soft September brings again
To yonder gorse its golden glow,
And Snowdon sends its autumn rain
To bid thy current livelier flow;
Amid that ashen foliage light
When scarlet beads are glistering bright,
While alder boughs unchanged are seen
In summer livery of green;
When clouds before the cooler breeze
Are flying, white and large; with these
Returning, so may I return,
And find thee changeless, Pont-y-wern.
1840

A RIVER POOL.

Sweet streamlet bason! at thy side
Weary and faint within me cried
My longing heart,—In such pure deep
How sweet it were to sit and sleep;
To feel each passage from without
Close up,—above me and about,
Those circling waters crystal clear,
That calm impervious atmosphere!
There on thy pearly pavement pure,
To lean, and feel myself secure,
Or through the dim-lit inter-space,
Afar at whiles upgazing trace
The dimpling bubbles dance around
Upon thy smooth exterior face;
Or idly list the dreamy sound
Of ripples lightly flung, above
That home, of peace, if not of love.
1840

IN A LECTURE-ROOM.

Away, haunt thou not me,
Thou vain Philosophy!
Little hast thou bestead,
Save to perplex the head,
And leave the spirit dead.
Unto thy broken cisterns wherefore go,
While from the secret treasure-depths below,
Fed by the skiey shower,
And clouds that sink and rest on hill-tops high,
Wisdom at once, and Power,
Are welling, bubbling forth, unseen, incessantly?
Why labour at the dull mechanic oar,
When the fresh breeze is blowing,
And the strong current flowing,
Right onward to the Eternal Shore?
1840

Blank Misgivings of a Creature moving about in Worlds not realised.

I

Here am I yet, another twelvemonth spent,
One-third departed of the mortal span,
Carrying on the child into the man,
Nothing into reality. Sails rent,
And rudder broken,—reason impotent,—
Affections all unfixed; so forth I fare
On the mid seas unheedingly, so dare
To do and to be done by, well content.
So was it from the first, so is it yet;
Yea, the first kiss that by these lips was set
On any human lips, methinks was sin—
Sin, cowardice, and falsehood; for the will
Into a deed e’en then advanced, wherein
God, unidentified, was thought-of still.

II

Though to the vilest things beneath the moon
For poor Ease’ sake I give away my heart,
And for the moment’s sympathy let part
My sight and sense of truth, Thy precious boon,
My painful earnings, lost, all lost, as soon,
Almost, as gained; and though aside I start,
Belie Thee daily, hourly,—still Thou art,
Art surely as in heaven the sun at noon;
How much so e’er I sin, whate’er I do
Of evil, still the sky above is blue,
The stars look down in beauty as before:
It is enough to walk as best we may,
To walk, and, sighing, dream of that blest day
When ill we cannot quell shall be no more.

III

Well, well,—Heaven bless you all from day to day!
Forgiveness too, or e’er we part, from each,
As I do give it, so must I beseech:
I owe all much, much more than I can pay;
Therefore it is I go; how could I stay
Where every look commits me to fresh debt,
And to pay little I must borrow yet?
Enough of this already, now away!
With silent woods and hills untenanted
Let me go commune; under thy sweet gloom,
O kind maternal Darkness, hide my head:
The day may come I yet may re-assume
My place, and, these tired limbs recruited, seek
The task for which I now am all too weak.

IV

Yes, I have lied, and so must walk my way,
Bearing the liar’s curse upon my head;
Letting my weak and sickly heart be fed
On food which does the present craving stay,
But may be clean-denied me e’en to-day,
And tho’ ’twere certain, yet were ought but bread;
Letting—for so they say, it seems, I said,
And I am all too weak to disobey!
Therefore for me sweet Nature’s scenes reveal not
Their charm; sweet Music greets me and I feel not
Sweet eyes pass off me uninspired; yea, more,
The golden tide of opportunity
Flows wafting-in friendships and better,—I
Unseeing, listless, pace along the shore.

V

How often sit I, poring o’er
My strange distorted youth,
Seeking in vain, in all my store,
One feeling based on truth;
Amid the maze of petty life
A clue whereby to move,
A spot whereon in toil and strife
To dare to rest and love.
So constant as my heart would be,
So fickle as it must,
’Twere well for others as for me
’Twere dry as summer dust.
Excitements come, and act and speech
Flow freely forth;—but no,
Nor they, nor ought beside can reach
The buried world below.
1841

VI

——Like a child
In some strange garden left awhile alone,
I pace about the pathways of the world,
Plucking light hopes and joys from every stem
With qualms of vague misgiving in my heart
That payment at the last will be required,
Payment I cannot make, or guilt incurred,
And shame to be endured.
1841

VII

——Roused by importunate knocks
I rose, I turned the key, and let them in,
First one, anon another, and at length
In troops they came; for how could I, who once
Had let in one, nor looked him in the face,
Show scruples e’er again? So in they came,
A noisy band of revellers,—vain hopes,
Wild fancies, fitful joys; and there they sit
In my heart’s holy place, and through the night
Carouse, to leave it when the cold grey dawn
Gleams from the East, to tell me that the time
For watching and for thought bestowed is gone.
1841

VIII

O kind protecting Darkness! as a child
Flies back to bury in its mother’s lap
His shame and his confusion, so to thee,
O Mother Night, come I! within the folds
Of thy dark robe hide thou me close; for I
So long, so heedless, with external things
Have played the liar, that whate’er I see,
E’en these white glimmering curtains, yon bright stars,
Which to the rest rain comfort down, for me
Smiling those smiles, which I may not return,
Or frowning frowns of fierce triumphant malice,
As angry claimants or expectants sure
Of that I promised and may not perform,
Look me in the face! O hide me, Mother Night!
1841

IX

Once more the wonted road I tread,
Once more dark heavens above me spread,
Upon the windy down I stand,
My station whence the circling land
Lies mapped and pictured wide below;—
Such as it was, such e’en again,
Long dreary bank, and breadth of plain
By hedge or tree unbroken;—lo!
A few grey woods can only show
How vain their aid, and in the sense
Of one unaltering impotence,
Relieving not, meseems enhance
The sovereign dulness of the expanse.
Yet marks where human hand hath been,
Bare house, unsheltered village, space
Of ploughed and fenceless tilth between
(Such aspect as methinks may be
In some half-settled colony),
From Nature vindicate the scene;
A wide, and yet disheartening view,
A melancholy world.
’Tis true,
Most true; and yet, like those strange smiles
By fervent hope or tender thought
From distant happy regions brought,
Which upon some sick bed are seen
To glorify a pale worn face
With sudden beauty,—so at whiles
Lights have descended, hues have been,
To clothe with half-celestial grace
The bareness of the desert place.
Since so it is, so be it still!
Could only thou, my heart, be taught
To treasure, and in act fulfil
The lesson which the sight has brought:
In thine own dull and dreary state
To work and patiently to wait:
Little thou think’st in thy despair
How soon the o’ershaded sun may shine,
And e’en the dulling clouds combine
To bless with lights and hues divine
That region desolate and bare,
Those sad and sinful thoughts of thine!
Still doth the coward heart complain;
The hour may come, and come in vain;
The branch that withered lies and dead
No suns can force to lift its head.
True!—yet how little thou canst tell
How much in thee is ill or well;
Nor for thy neighbour nor for thee,
Be sure, was life designed to be
A draught of dull complacency.
One Power too is it, who doth give
The food without us, and within
The strength that makes it nutritive;
He bids the dry bones rise and live,
And e’en in hearts depraved to sin
Some sudden, gracious influence,
May give the long-lost good again,
And wake within the dormant sense
And love of good;—for mortal men,
So but thou strive, thou soon shalt see
Defeat itself is victory.
So be it: yet, O Good and Great,
In whom in this bedarkened state
I fain am struggling to believe,
Let me not ever cease to grieve,
Nor lose the consciousness of ill
Within me;—and refusing still
To recognise in things around
What cannot truly there be found,
Let me not feel, nor be it true,
That, while each daily task I do,
I still am giving day by day
My precious things within away
(Those thou didst give to keep as thine)
And casting, do whate’er I may,
My heavenly pearls to earthly swine.
1841

A SONG OF AUTUMN.

My wind is turned to bitter north,
That was so soft a south before;
My sky, that shone so sunny bright,
With foggy gloom is clouded o’er:
My gay green leaves are yellow-black,
Upon the dank autumnal floor;
For love, departed once, comes back
No more again, no more.
A roofless ruin lies my home,
For winds to blow and rains to pour;
One frosty night befell, and lo!
I find my summer days are o’er:
The heart bereaved, of why and how
Unknowing, knows that yet before
It had what e’en to Memory now
Returns no more, no more.

τὸ καλόν.

I have seen higher, holier things than these,
And therefore must to these refuse my heart,
Yet am I panting for a little ease;
I’ll take, and so depart.
Ah, hold! the heart is prone to fall away,
Her high and cherished visions to forget,
And if thou takest, how wilt thou repay
So vast, so dread a debt?
How will the heart, which now thou trustest, then
Corrupt, yet in corruption mindful yet,
Turn with sharp stings upon itself! Again,
Bethink thee of the debt!
—Hast thou seen higher, holier things than these,
And therefore must to these thy heart refuse?
With the true best, alack, how ill agrees
That best that thou would’st choose!
The Summum Pulchrum rests in heaven above;
Do thou, as best thou may’st, thy duty do:
Amid the things allowed thee live and love;
Some day thou shalt it view.
1841

Χρυσέα κλῄς ἐπὶ γλώσσᾳ.

If, when in cheerless wanderings, dull and cold,
A sense of human kindliness hath found us,
We seem to have around us
An atmosphere all gold,
’Midst darkest shades a halo rich of shine,
An element, that while the bleak wind bloweth,
On the rich heart bestoweth
Imbreathèd draughts of wine;
Heaven guide, the cup be not, as chance may be,
To some vain mate given up as soon as tasted!
No, nor on thee be wasted,
Thou trifler, Poesy!
Heaven grant the manlier heart, that timely, ere
Youth fly, with life’s real tempest would be coping;
The fruit of dreamy hoping
Is, waking, blank despair.
1841

THE SILVER WEDDING.[2]

The Silver Wedding! on some pensive ear
From towers remote as sound the silvery bells,
To-day from one far unforgotten year
A silvery faint memorial music swells.
And silver-pale the dim memorial light
Of musing age on youthful joys is shed,
The golden joys of fancy’s dawning bright,
The golden bliss of, Woo’d, and won, and wed.
Ah, golden then, but silver now! In sooth,
The years that pale the cheek, that dim the eyes,
And silver o’er the golden hairs of youth,
Less prized can make its only priceless prize.
Not so; the voice this silver name that gave
To this, the ripe and unenfeebled date,
For steps together tottering to the grave,
Hath bid the perfect golden title wait.
Rather, if silver this, if that be gold,
From good to better changed on age’s track,
Must it as baser metal be enrolled,
That day of days, a quarter-century back.
Yet ah, its hopes, its joys were golden too,
But golden of the fairy gold of dreams:
To feel is but to dream; until we do,
There’s nought that is, and all we see but seems.
What was or seemed it needed cares and tears,
And deeds together done, and trials past,
And all the subtlest alchemy of years,
To change to genuine substance here at last.
Your fairy gold is silver sure to-day;
Your ore by crosses many, many a loss,
As in refiners’ fires, hath purged away
What erst it had of earthy human dross.
Come years as many yet, and as they go,
In human life’s great crucible shall they
Transmute, so potent are the spells they know,
Into pure gold the silver of to-day.
Strange metallurge is human life! ’Tis true;
And Use and Wont in many a gorgeous case
Full specious fair for casual outward view
Electrotype the sordid and the base.
Nor lack who praise, avowed, the spurious ware,
Who bid young hearts the one true love forego,
Conceit to feed, or fancy light as air,
Or greed of pelf and precedence and show.
True, false, as one to casual eyes appear,
To read men truly men may hardly learn;
Yet doubt it not that wariest glance would here
Faith, Hope and Love, the true Tower-stamp discern.
Come years again! as many yet! and purge
Less precious earthier elements away,
And gently changed at life’s extremest verge,
Bring bright in gold your perfect fiftieth day!
That sight may children see and parents show!
If not—yet earthly chains of metal true,
By love and duty wrought and fixed below,
Elsewhere will shine, transformed, celestial-new;
Will shine of gold, whose essence, heavenly bright,
No doubt-damps tarnish, worldly passions fray;
Gold into gold there mirrored, light in light,
Shall gleam in glories of a deathless day.
1845

THE MUSIC OF THE WORLD AND OF THE SOUL.

I

Why should I say I see the things I see not?
Why be and be not?
Show love for that I love not, and fear for what I fear not?
And dance about to music that I hear not?
Who standeth still i’ the street
Shall be hustled and justled about;
And he that stops i’ the dance shall be spurned by the dancers’ feet,—
Shall be shoved and be twisted by all he shall meet,
And shall raise up an outcry and rout;
And the partner, too,—
What’s the partner to do?
While all the while ’tis but, perchance, an humming in mine ear,
That yet anon shall hear,
And I anon, the music in my soul,
In a moment read the whole;
The music in my heart,
Joyously take my part,
And hand in hand, and heart with heart, with these retreat, advance;
And borne on wings of wavy sound,
Whirl with these around, around,
Who here are living in the living dance!
Why forfeit that fair chance?
Till that arrive, till thou awake,
Of these, my soul, thy music make,
And keep amid the throng,
And turn as they shall turn, and bound as they are bounding,—
Alas! alas! alas! and what if all along
The music is not sounding?

II

Are there not, then, two musics unto men?—
One loud and bold and coarse,
And overpowering still perforce
All tone and tune beside;
Yet in despite its pride
Only of fumes of foolish fancy bred,
And sounding solely in the sounding head:
The other, soft and low,
Stealing whence we not know,
Painfully heard, and easily forgot,
With pauses oft and many a silence strange
(And silent oft it seems, when silent it is not),
Revivals too of unexpected change:
Haply thou think’st ’twill never be begun,
Or that ’t has come, and been, and passed away:
Yet turn to other none,—
Turn not, oh, turn not thou!
But listen, listen, listen,—if haply be heard it may;
Listen, listen, listen,—is it not sounding now?

III