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Poems of Pleasure

Chapter 60: NO CLASSES!
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About This Book

The poems collect vivid, rhymed lyrics that alternate fervent love poetry and moral-philosophical reflections. Early pieces celebrate passionate romance and surrender, while later poems offer practical counsel on optimism, resolve, immortality, and consolation in suffering. Language is direct and rhetorical, employing couplets and clear rhythms to convey emotion and ethical instruction. Short miscellaneous pieces broaden the range with domestic observations and compassion for human sorrow. Overall the collection favors an affirming, didactic voice that seeks to comfort readers through moral uplift and emotional candor.

HAVE you heard of the Valley of Babyland,
The realm where the dear little darlings stay,
Till the kind storks go, as all men know,
And, oh, so tenderly bring them away?
The paths are winding and past all finding,
By all save the storks who understand
The gates and the highways and the intricate byways
That lead to Babyland.
All over the Valley of Babyland
Sweet flowers bloom in the soft green moss;
And under the ferns fair, and under the plants there,
Lie little heads like spools of floss.
With a soothing number the river of slumber
Flows o’er a bedway of silver sand;
And angels are keeping watch o’er the sleeping
Babes of Babyland.
The path to the Valley of Babyland
Only the kingly, kind storks know;
If they fly over mountains, or wade through fountains.
No man sees them come or go.
But an angel maybe, who guards some baby,
Or a fairy perhaps, with her magic wand,
Brings them straightway to the wonderful gateway
That leads to Babyland.
And there in the Valley of Babyland,
Under the mosses and leaves and ferns,
Like an unfledged starling, they find the darling,
For whom the heart of a mother yearns;
And they lift him lightly, and snug him tightly
In feathers soft as a lady’s hand;
And off with a rockaway step they walk away
Out of Babyland.
As they go from the Valley of Babyland,
Forth into the world of great unrest,
Sometimes in weeping, he wakes from sleeping
Before he reaches the mother’s breast.
Ah, how she blesses him, how she caresses him,
Bonniest bird in the bright home band
That o’er land and water, the kind stork brought her
From far off Babyland.

A FACE.

BETWEEN the curtains of snowy lace,
Over the way is a baby’s face;
It peeps forth, smiling in merry glee,
And waves its pink little hand at me.
My heart responds with a lonely cry—
But in the wonderful By-and-By—
Out from the window of God’s “To Be,”
That other baby shall beckon to me.
That ever haunting and longed-for face,
That perfect vision of infant grace,
Shall shine on me in a splendor of light,
Never to fade from my eager sight.
All that was taken shall be made good;
All that puzzles me understood;
And the wee white hand that I lost, one day,
Shall lead me into the Better Way.

AN OLD COMRADE.

ALL suddenly between me and the light,
That brightly shone, and warm,
Robed in the pall-like garments of the night,
There rose a shadowy form.
“Stand back,” I said; “you quite obscure the sun;
What do you want with me?”
“Dost thou not know, then?” quoth the mystic one;
“Look on my face and see!”
I looked, and, lo! it was my old despair,
Robed in a new disguise;
In blacker garments than it used to wear,
But with the same sad eyes.
“So long thy feet have trod on sunny heights,
Such joys thy heart has known,
Perchance thou hast forgotten those long nights,
When we two watched alone,
“Though sweet and dear the pleasures thou hast met,
And comely to thine eye,
Has one of them, in all that bright throng yet,
Been half so true as I?
“And that last rapture which ensnared thee so
With pleasure twin to pain,
It was the swiftest of them all to go—
But I—I will remain.
“Again we two will live a thousand years,
In desperate nights of grief,
That shall refuse the bitter balm of tears,
For thy bruised heart’s relief.
“Again we two will watch the hopeless dawn
Creep up a lonely sky—
Again we’ll urge the drear day to be gone,
Yet dread to see it die.
“Nay, shrink not from me, for I am thy friend,
One whom the Master sent;
And I shall help thee, ere we reach the end,
To find a great content.
“And I will give thee courage to attain,
The heights supremely fair,
Wherein thou’lt cry, ‘How blessed was my pain!
How God sent my Despair!’ ”

ENTRE-ACTE REVERIES.

BETWEEN the acts while the orchestra played
That sweet old waltz with the lilting measure,
I drifted away to a dear dead day,
When the dance, for me, was the sum of all pleasure;
When my veins were rife with the fever of life,
When hope ran high as an inswept ocean,
And my heart’s great gladness was almost madness,
As I floated off to the music’s motion.
I knew no weariness, no, not I—
My step was as light as the waving grasses
That flutter with ease on the strong-armed breeze,
As it waltzes over the wild morasses.
Life was all sound and swing; youth was a perfect thing;
Night was the goddess of satisfaction.
Oh, how I tripped away, right to the edge of day!
Joy lay in motion, and rest lay in action.
I dance no more on the music’s wave,
I yield no more to its wildering power,
That time has flown like a rose that is blown,
Yet life is a garden forever in flower.
Though storms of tears have watered the years,
Between to-day and the day departed,
Though trials have met me, and grief’s waves wet me,
And I have been tired and trouble-hearted.
Though under the sod of a wee green grave,
A great, sweet hope in darkness perished,
Yet life, to my thinking, is a cup worth drinking,
A gift to be glad of, and loved, and cherished.
There is deeper pleasure in the slower measure
That Time’s grand orchestra now is playing.
Its mellowed minor is sadder but finer,
And life grows daily more worth the living.

A PLEA.

COLUMBIA, large-hearted and tender,
Too long for the good of your kin
You have shared your home’s comfort and splendor
With all who have asked to come in.
The smile of your true eyes has lighted
The way to your wide-open door.
You have held out full hands, and invited
The beggar to take from your store.
Columbia, you know the devotion
Of those who have sprung from your soil;
Shall aliens, born over the ocean,
Dispute us the fruits of our toil?
Most noble and gracious of mothers,
Your children rise up and demand
That you bring us no more foster brothers,
To breed discontent in the land.
Be prudent before you are zealous,
Not generous only—but just.
Our hearts are grown wrathful and jealous
Toward those who have outraged your trust.
They jostle and crowd in our places,
They sneer at the comforts you gave.
We say, shut the door in their faces—
Until they have learned to behave!
In hearts that are greedy and hateful,
They harbor ill-will and deceit;
They ask for more favors, ungrateful
For those you have poured at their feet.
Rise up in your grandeur, and straightway
Bar out the bold, clamoring mass;
Let sentinels stand at your gateway,
To see who is worthy to pass.
Give first to your own faithful toilers
The freedom our birthright should claim,
And take from these ruthless despoilers
The power which they use to our shame.
Columbia, too long you have dallied
With foes whom you feed from your store;
It is time that your wardens were rallied,
And stationed outside the locked door.

THE ROOM BENEATH THE RAFTERS.

SOMETIMES when I have dropped to sleep,
Draped in a soft luxurious gloom,
Across my drowsing mind will creep
The memory of another room,
Where resinous knots in roof boards made
A frescoing of light and shade,
And sighing poplars brushed their leaves
Against the humbly sloping eaves.
There, summer dawns, in sleep I stirred,
And wove into my fair dream’s woof
The chattering of a martin bird,
Or rain-drops pattering on the roof.
Or half awake, and half in fear,
I saw the spider spinning near
His pretty castle where the fly
Should come to ruin by-and-by.
And there I fashioned from my brain
Youth’s shining structures in the air.
I did not wholly build in vain,
For some were lasting, firm and fair.
And I am one who lives to say
My life has held more gold than gray,
And that the splendor of the real
Surpassed my early dream’s ideal.
But still I love to wander back
To that old time and that old place;
To tread my way o’er memory’s track,
And catch the early morning grace,
In that quaint room beneath the rafter,
That echoed to my childish laughter;
To dream again the dreams that grew
More beautiful as they came true.

THE MOTHER-IN-LAW.

SHE was my dream’s fulfilment and my joy,
This lovely woman whom you call your wife.
You sported at your play, an idle boy,
When I first felt the stirring of her life
Within my startled being. I was thrilled
With such intensity of love, it filled
The very universe! But words are vain—
No man can comprehend that wild, sweet pain.
She was my heart’s loved idle and my pride.
I taught her all those graces which you praise,
I dreamed of coming years, when at my side
She should lend luster to my fading days,
Should cling to me (as she to you clings now),
The young fruit hanging to the withered bough.
But lo! the blossom was so fair a sight,
You plucked it from me—for your own delight.
Well, you are worthy of her—oh, thank God—
And yet I think you do not realize
How burning were the sands o’er which I trod,
To bear and rear this woman you so prize.
It was no easy thing to see her go—
Even into the arms of the one she worshiped so.
How strong, how vast, how awful seems the power
Of this new love which fills a maiden’s heart,
For one who never bore a single hour
Of pain for her; which tears her life apart
From all its moorings, and controls her more
Than all the ties the years have held before;
Which crowns a stranger with a kingly grace—
And give the one who bore her—second place!
She loves me still! and yet, were Death to say,
“Choose now between them!” you would be her choice.
God meant it to be so—it is His way.
But can you wonder if, while I rejoice
In her content, this thought hurts like a knife—
“No longer necessary to her life!”
My pleasure in her joy is bitter sweet.
Your very goodness sometimes hurts my heart,
Because, for her, life’s drama seems complete
Without the mother’s oft-repeated part.
Be patient with me! She was mine so long
Who now is yours. One must indeed be strong,
To meet the loss without the least regret.
And so, forgive me, if my eyes are wet.

AN OLD FAN.

(TO KITTY. HER REVERIE.)

IT is soiled and quite passe,
Broken too, and out of fashion,
But it stirs my heart some way,
As I hold it here to-day,
With a dead year’s grace and passion.
Oh, my pretty fan!
Precious dream and thrilling strain,
Rise up from that vanished season;
Back to heart and nerve and brain
Sweeps the joy as keen as pain,
Joy that asks no cause or reason.
Oh, my dainty fan!
Hopes that perished in a night
Gaze at me like spectral faces;

Grim despair and lost delight,
Sorrow long since gone from sight—
All are hiding in these laces.
Oh, my broken fan!
Let us lay the thing away—
I am sadder now and older;
Fled the ball-room and the play—
You have had your foolish day,
And the night and life are colder.
Exit—little fan!

NO CLASSES!

NO classes here! Why, that is idle talk.
The village beau sneers at the country boor;
The importuning mendicants who walk
Our cities’ streets despise the parish poor.
The daily toiler at some noisy loom
Holds back her garments from the kitchen aid.
Meanwhile the latter leans upon her broom,
Unconscious of the bow the laundress made.
The grocer’s daughter eyes the farmer’s lass
With haughty glances; and the lawyer’s wife
Would pay no visits to the trading class,
If policy were not her creed in life.
The aristocracy of blood looks down
Upon the “nouveau riche;” and in disdain,
The lovers of the intellectual frown
On both, and worship at the shrine of brain.
“No classes here,” the clergyman has said;
“We are one family.” Yet see his rage
And horror when his favorite son would wed
Some pure and pretty player on the stage.
It is the vain but natural human way
Of vaunting our weak selves, our pride, our worth!
Not till the long-delayed millennial day
Shall we behold “no classes” on God’s earth.

A GRAY MOOD.

AS we hurry away to the end, my friend,
Of this sad little farce called existence,
We are sure that the future will bring one thing,
And that is the grave in the distance.
And so when our lives run along all wrong,
And nothing seems real or certain,
We can comfort ourselves with the thought (or not)
Of that specter behind the curtain.
I tell you, if I could go back the track
To my life’s morning hour,
I would not set forth seeking name or fame,
Or that poor bauble called power.
I would be like the sunlight, and live to give;
I would lend but I would not borrow;
Nor would I be blind and complain of pain,
Forgetting the meaning of sorrow.
This world is a vaporous jest at best,
Tossed off by the gods in laughter;
And a cruel attempt at wit were it,
If nothing better came after.
It is reeking with hearts that ache and break,
Which we ought to comfort and strengthen,
As we hurry away to the end, my friend,
And the shadows behind us lengthen.

AT AN OLD DRAWER.

BEFORE this scarf was faded,
What hours of mirth it knew!
How gaily it paraded
For smiling eyes to view!
The days were tinged with glory,
The nights too quickly sped,
And life was like a story
Where all the people wed.
Before this fan was broken,
Behind its lace and pearl
What whispered words were spoken—
What hearts were in a whirl!
What homesteads were selected
In Fancy’s realm of Spain!
What castles were erected,
Without a room for pain!
When this odd glove was mated,
How thrilling seemed the play!
May be our hearts are sated—
They tire so soon to-day.
Oh, shut away those treasures,
They speak the dreary truth—
We have outgrown the pleasures
And keen delights of youth.

THE OLD STAGE QUEEN.

BACK in the box by the curtains shaded,
She sits alone by the house unseen;
Her eye is dim, her cheek is faded,
She who was once the people’s queen.
The curtain rolls up, and she sees before her
A vision of beauty and youth and grace.
Ah! no wonder all hearts adore her,
Silver-throated and fair of face.
Out of her box she leans and listens;
Oh, is it with pleasure or with despair
That her thin cheek pales and her dim eye glistens,
While that fresh young voice sings the grand old air?
It is she herself who stands there singing
To that sea of faces that shines and stirs;
And the cheers on cheers that go up ringing
And rousing the echoes—are hers—all hers.
Just for one moment the sweet delusion
Quickens her pulses and blurs her sight,
And wakes within her that wild confusion
Of joy that is anguish and fierce delight.
Then the curtain goes down and the lights are gleaming
Brightly o’er circle and box and stall.
She starts like a sleeper who wakes from dreaming—
Her past lies under a funeral pall.
Her day is dead and her star descended
Never to rise or shine again;
Her reign is over—her Queenship ended—
A new name is sounded and sung by men.
All the glitter and glow and splendor,
All the glory of that lost day,
With the friends that seemed true, and the love that seemed tender,
Why, what is it all but a dead bouquet?
She rises to go. Has the night turned colder?
The new Queen answers to call and shout;
And the old Queen looks back over her shoulder,
Then all unnoticed she passes out.

FAITH.

I WILL not doubt, though all my ships at sea
Come drifting home with broken masts and sails;
I shall believe the Hand which never fails,
From seeming evil worketh good for me;
And though I weep because those sails are battered,
Still will I cry, while my best hopes lie shattered,
“I trust in thee.”
I will not doubt, though all my prayers return
Unanswered from the still, white Realm above;
I shall believe it is an all-wise Love
Which has refused those things for which I yearn;
And though at times I cannot keep from grieving,
Yet the pure ardor of my fixed believing
Undimmed shall burn.
I will not doubt, though sorrows fall like rain,
And troubles swarm like bees about a hive;

I shall believe the heights for which I strive
Are only reached by anguish and by pain;
And though I groan and tremble with my crosses,
I yet shall see, through my severest losses,
The greater gain.
I will not doubt; well anchored in the faith,
Like some staunch ship, my soul braves every gale,
So strong its courage that it will not fail
To breast the mighty unknown sea of Death.
Oh, may I cry when body parts with spirit,
“I do not doubt,” so listening worlds may hear it,
With my last breath.

THE TRUE KNIGHT.

THE CITY.

WOMAN.

GIVE us that grand word “woman” once again,
And let’s have done with “lady”: one’s a term
Full of fine force, strong, beautiful, and firm,
Fit for the noblest use of tongue or pen;
And one’s a word for lackeys. One suggests
The Mother, Wife, and Sister! One the dame
Whose costly robe, mayhap, gives her the name.
One word upon its own strength leans and rests;
The other minces tiptoe. Who would be
The perfect woman must grow brave of heart
And broad of soul to play her troubled part
Well in life’s drama. While each day we see
The “perfect lady” skilled in what to do
And what to say, grace in each tone and act
(’Tis taught in schools, but needs some native tact),
Yet narrow in her mind as in her shoe.
Give the first place then to the nobler phrase,
And leave the lesser word for lesser praise.

THE SOUL’S FAREWELL TO THE BODY.

THIMBLE ISLANDS.

(OFF LONG ISLAND SOUND.)

BETWEEN the shore and the distant sky-lands,
Where a ship’s dim shape seems etched on space,
There lies this cluster of lovely islands,
Like laughing mermaids grouped in grace.
I look out over the waves and wonder,
Are they not sirens who dwell in the sea?
When the tide runs high they dip down under
Like mirthful bathers who sport in glee.
When the tide runs low they lift their shoulders
Above the billows and gayly spread
Their soft green garments along the boulders
Of grim gray granite that form their bed.
Close by the group, in sheltered places,
Many a ship at anchor lies,

And drinks the charm of their smiling faces,
As lovers drink smiles from maidens’ eyes.
But true to the harsh and stern old ocean,
As maids in a harem are true to one,
They give him all of their hearts’ devotion,
Though wooed forever by moon and sun.
A ship sails on that has bravely waded
Through foaming billows to sue in vain;
A whip-poor-will flies that has serenaded
And sung unanswered his plaintive strain.
In the sea’s great arms I see them lying,
Bright and beaming and fond and fair,
While the jealous July day is dying
In a crimson fury of mad despair.
The desolate moon drifts slowly over,
And covers its face with the lace of a cloud,
While the sea, like a glad triumphant lover,
Clasps close his islands and laughs aloud.

MY GRAVE.