The Project Gutenberg eBook of Poems You Ought to Know
Title: Poems You Ought to Know
Author: Elia Wilkinson Peattie
Release date: October 30, 2016 [eBook #53415]
Language: English
Credits: This etext was transcribed by Les Bowler
This etext was transcribed by Les Bowler.
“Whatever your occupation may be, and however crowded
your hours with affairs, do not fail to secure at least
a few minutes every day for refreshment of your
inner life with a bit of poetry.”
Poems
You Ought to Know
SELECTED
BY
ELIA W. PEATTIE
(Literary Editor of the Chicago Tribune)
ILLUSTRATED
BY
ELLSWORTH YOUNG
CHICAGO NEW
YORK TORONTO
Fleming H. Revell Company
LONDON AND EDINBURGH
Copyright,
1902
By Tribune Company
Each illustration copyrighted separately
Copyright,
1903
Fleming H. Revell Company
INTRODUCTION
Each morning, for several months, The Chicago Tribune has published at the head of its first column, verses under the caption: “Poems You Ought to Know.” It has explained its action by the following quotation from Professor Charles Eliot Norton:
“Whatever your occupation may be, and however crowded your hours with affairs, do not fail to secure at least a few minutes every day for refreshment of your inner life with a bit of poetry.”
By publishing these poems The Tribune hopes to accomplish two things: first, to inspire a love of poetry in the hearts of many of its readers who have never before taken time or thought to read the best poems of this and other centuries and lands; and, secondly, to remind those who once loved song, but forgot it among the louder voices of the world, of the melody that enchanted them in youth.
The title has carried with it its own standard, and the poems have been kept on a plane above jocularity or mere prettiness of versification; rather have they tried to teach the doctrines of courage, of nature-love, of pure and noble melody. It has been the ambition of those selecting the verses to choose something to lift the reader above the “petty round of irritating concerns and duties,” and the object will have been achieved if it has helped anyone to “play the man,” “to go blithely about his business all the day,” with a consciousness of that abounding beauty in the world of thought which is the common property of all men.
No anthology of English verse can be complete, and none can satisfy all. The compiler’s individual taste, tempered and guided by established authority, is almost the only standard. This collection has been compiled not by one but by many thousands, and their selections here appear edited and winnowed as the idea of the series seemed to dictate. The book appears at the wide-spread and almost universal request of those who have watched the bold experiment of a great Twentieth-Century American newspaper giving the place of honor in its columns every day to a selection from the poets.
For permission to reprint certain poems by Longfellow, Lowell, Harte, Hay, Bayard Taylor, Holmes, Whittier, Parsons, and Aldrich, graciously accorded by Houghton, Mifflin & Co., the publishers, thanks are gratefully acknowledged. To Charles Scribner’s Sons, for an extract from Lanier’s poems, and, lastly, to the many thousand readers, who, by their sympathy, appreciation, and help have encouraged the continuance of the daily publication of the poems, similar gratitude is felt.
CONTENTS
Addison, Joseph |
|
The Spacious Firmament on High |
|
Aldrich, Thomas Bailey |
|
An Untimely Thought |
|
Nocturne |
|
Allen, Elizabeth Akers |
|
Rock Me to Sleep |
|
Arnold, Matthew |
|
Requiescat |
|
Self Dependence |
|
Song of Callicles |
|
Barbauld, Mrs. A. L. |
|
Life |
|
Beatty, Pakenham |
|
To Thine Own Self Be True |
|
Begbie, Harold |
|
Grounds of the “Terrible” |
|
Blake, William |
|
The Lamb |
|
The Tiger |
|
Boker, George H. |
|
Dirge for a Soldier |
|
Bourdillon, Francis William |
|
The Night Has a Thousand Eyes |
|
Brontë, Emily |
|
Remembrance |
|
Brown, Brownlee |
|
Thalassa |
|
The Cry of the Children |
|
Browning, Robert |
|
Misconceptions |
|
The Year’s at the Spring |
|
Bryant, William Cullen |
|
Thanatopsis |
|
To a Waterfowl |
|
Bunyan, John |
|
The Shepherd Boy’s Song |
|
Burns, Robert |
|
Banks o’ Doon |
|
Highland Mary |
|
John Anderson My Jo |
|
Scots Wha Hae |
|
Byron, Lord |
|
Destruction of the Sennacherib |
|
Maid of Athens |
|
She Walks in Beauty |
|
The Isles of Greece |
|
Campion, Thomas |
|
Cherry Ripe |
|
Carey, Henry |
|
Sally in Our Alley |
|
Carlyle, Thomas |
|
To-Day |
|
Cary, Phoebe |
|
Nearer Home |
|
Chatterton, Thomas |
|
Faith |
|
Chaucer, Geoffrey |
|
An Emperor’s Daughter Stands Alone |
|
Clarke, Macdonald |
|
In the Graveyard |
|
Kubla Khan |
|
Cunningham, Allan |
|
A Sea Song |
|
David |
|
Psalm XXIV |
|
Psalm XLVIII |
|
Psalm XLVI |
|
Psalm XIX |
|
Psalm LXXXIV |
|
Psalm CXXI |
|
Dickinson, Emily |
|
The Grass |
|
Dobson, Austin |
|
A Lovers’ Quarrel |
|
The Paradox of Time |
|
The Pompadour’s Fan |
|
In Quaque |
|
Durivage, Francis A. |
|
All |
|
Eliot, George |
|
Two Lovers |
|
Finch, Francis Miles |
|
Nathan Hale |
|
Foss, Sam Walter |
|
He’d Had No Show |
|
Garnett, Richard |
|
The Ballad of the Boat |
|
Gillington, Mary C. |
|
Intra Muros |
|
Goethe, Johann Wolfgang |
|
Mignon’s Song |
|
Flynn of Virginia |
|
The Society upon the Stanislaus |
|
Hawker, Robert Stephen |
|
The Song of the Western Men |
|
Hay, John |
|
Jim Bludso |
|
Little Breeches |
|
Henley, W. E. |
|
Invictus |
|
Herbert, George |
|
Virtue |
|
Herrick, Robert |
|
Counsel to Virgins |
|
Delight in Disorder |
|
Holland, Josiah Gilbert |
|
Babyhood |
|
Holmes, Oliver Wendell |
|
The Chambered Nautilus |
|
The Last Leaf |
|
Hood, Thomas |
|
Her Moral from Miss Kilmanseg |
|
Past and Present |
|
Song of the Shirt |
|
The Death-Bed |
|
Hunt, Leigh |
|
Abou Ben Adhem |
|
Ingalls, John James |
|
Opportunity |
|
Jackson, Henry R. |
|
My Wife and Child |
|
jonson, Ben |
|
To Celia |
|
Keats, John |
|
Ode on a Grecian Urn |
|
The Star-Spangled Banner |
|
Kingsley, Charles |
|
The Three Fishers |
|
Knox, William |
|
O Why Should the Spirit of Mortal |
|
Lamb, Charles |
|
The Old Familiar Faces |
|
Lanier, Sidney |
|
Evening Song |
|
Lever, Charles |
|
The Widow Malone |
|
Logan, John |
|
To the Cuckoo |
|
Longfellow, Henry Wadsworth |
|
Arsenal at Springfield |
|
Serenade (“The Spanish Student”) |
|
The Bridge |
|
The Day Is Done |
|
Lovelace, Richard |
|
To Althea from Prison |
|
To Lucasta on Going to the Wars |
|
Lowe, John |
|
Mary’s Dream |
|
Lowell, James Russell |
|
Jonathan to John |
|
June |
|
The Heritage |
|
To the Dandelion |
|
Lytle, William H. |
|
Antony and Cleopatra |
|
Mackay, Charles |
|
A Deed and a Word |
|
Mahony, Francis |
|
The Bells of Shandon |
|
There Is No Death |
|
McPhelim, E. J. |
|
Elia |
|
Meynell, Alice |
|
The Shepherdess |
|
Milton, John |
|
Song on a May Morning |
|
Moore, Thomas |
|
Believe Me if All Those Endearing Young Charms |
|
Oft in the Stilly Night |
|
The Harp that Once |
|
Though Lost to Sight |
|
’Tis the Last Rose of Summer |
|
Mulock, Dinah Maria |
|
Douglas, Douglas, Tender and True |
|
Neale, John M. |
|
Jerusalem the Golden |
|
Newman, John Henry |
|
Lead Kindly Light |
|
O’Connor, Joseph |
|
The Fount of Castaly |
|
Parsons, Thomas W. |
|
On a Bust of Dante |
|
Poe, Edgar A. |
|
Annabel Lee |
|
Pope, Alexander |
|
Ode on Solitude |
|
Read, Thomas Buchanan |
|
Drifting |
|
Realf, Richard |
|
A Holy Nation |
|
The Rose |
|
Rossetti, Christina |
|
Uphill |
|
Ryan, Abram |
|
Song of the Mystic |
|
Scott, Sir Walter |
|
Bonny Dundee |
|
Border Ballad |
|
Breathes there the Man |
|
Where Shall the Lover Rest |
|
Shakespeare, William |
|
One Touch of Nature |
|
Portia’s Speech on Mercy |
|
Ruthless Time |
|
Song from “Cymbeline” |
|
Time Hath, My Lord |
|
To Be or Not to Be |
|
Macbeth’s Soliloquy |
|
When in Disgrace with Fortune |
|
Shelley, Percy Bysshe |
|
Music when Soft Voices Die |
|
An Indian Serenade |
|
Sidney, Sir Philip |
|
A Ditty |
|
Sill, Edward Rowland |
|
The Fool’s Prayer |
|
Spalding, Susan Marr |
|
Fate |
|
Stevenson, Robert Louis |
|
A Requiem |
|
Suckling, Sir John |
|
Ballad upon a Wedding |
|
Why So Pale and Wan |
|
Swinburne, Algernon Charles |
|
A Match |
|
Bedouin Song |
|
The Song of the Camp |
|
Tennyson, Lord |
|
Break, Break, Break |
|
Bugle Song |
|
Crossing the Bar |
|
Moral from “The Day Dream” |
|
From “In Memoriam” |
|
Tears, Idle Tears |
|
Thackeray, William Makepeace |
|
At the Church Gate |
|
The Garret |
|
Tompkins, Juliet Wilbor |
|
For All These |
|
Villon, François |
|
Ballad—Dead Ladies |
|
Waller, Edmund |
|
Go, Lovely Rose |
|
On a Girdle |
|
White, Joseph Blanco |
|
Night |
|
Whitman, Walt |
|
O Captain, My Captain |
|
Warble for Lilac Time |
|
Whittier, John G. |
|
Indian Summer |
|
The Waiting |
|
Willard, Emma |
|
Rocked in the Cradle of the Deep |
|
Wither, George |
|
The Shepherd’s Resolution |
|
The Old Oaken Bucket |
|
Wordsworth, William |
|
The Daffodils |
|
The World Is Too Much with Us |
|
To Sleep |
|
TO
SLEEP.
BY WILLIAM WORDSWORTH.
William Wordsworth was born in 1770 and died at Rydal Mount in 1850. He was educated in Cambridge, where he graduated in 1791. He traveled on the continent before that, but he settled down for several years in Dorset. A visit from Coleridge determined his career in 1796. He was again abroad in 1798, but returned the following year and went to live at Grasmere in the Lake District. He held severai government positions and was poet laureate from 1843 to his death. His chief works are, “The Evening Walk,” “Descriptive Sketches,” “The Excursion,” “White Doe of Rylston,” “Thanksgiving Ode,” “Peter Bell,” “Waggoner,” “River Duddon,” A Series of Sonnets, “The Borderers,” “Yarrow Revisited,” and “The Prelude.”
A flock of sheep that leisurely pass by
One after one; the sound of rain, and bees
Murmuring; the fall of rivers, winds and seas,
Smooth fields, white sheets of water, and pure sky;
I’ve thought of all by turns, and still I
lie
Sleepless; and soon the small birds’
melodies
Must hear, first utter’d from my orchard
trees,
And the first cuckoo’s melancholy cry.
Even thus last night and two nights more I
lay,
And could not win thee, Sleep, by any stealth;
So do not let me wear tonight away;
Without thee what is all the morning’s
wealth?
Come, blessed barrier between day and day,
Dear mother of fresh thoughts and joyous health!
THE
OLD FAMILIAR FACES.
BY CHARLES LAMB.
Charles Lamb was born at London in 1775. His most successful writings are the “Tales from Shakespeare” (written in collaboration with his sister), and his “Essays of Ella.” Lamb died in 1834.
I have had playmates, I have had companions,
In my days of childhood, in my joyful school days—
All, all are gone, the old familiar faces.
I have been laughing, I have been carousing,
Drinking late, sitting late, with my bosom cronies—
All, all are gone, the old familiar faces.
I loved a love once, fairest among women;
Closed are her doors on me, I must not see her—
All, all are gone the old familiar faces.
I have a friend, a kinder friend has no man;
Like an ingrate, I left my friend abruptly;
Left him to muse on the old familiar faces.
Ghost-like I pace round the haunts of my
childhood,
Earth seemed a desert I was bound to traverse,
Seeking to find the old familiar faces.
Friend of my bosom, thou more than a
brother,
Why wert not thou born in my father’s dwelling?
So might we talk of the old familiar faces—
How some they have died, and some they have
left me,
And some are taken from me; all are departed—
All, all are gone, the old familiar faces.
WHEN
IN DISGRACE.
BY WILLIAM SHAKSPEARE.
When in disgrace with fortune and men’s
eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself and curse my fate,
Wishing me like to one more rich in hope,
Featur’d like him, like him with friends
possess’d,
Desiring this man’s art and that man’s scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee and then my state,
(Like to the lark at break of day arising,
From sullen earth), sings hymns at heaven’s
gate;
For thy sweet love remember’d such wealth brings
That then I scorn to change my state with kings.
“THOUGH LOST TO SIGHT, TO MEMORY DEAR.”
THOMAS MOORE.
Sweetheart, good-by! The fluttering
sail
Is spread to waft me far from thee;
And soon before the favoring gale
My ship shall bound across the sea.
Perchance, all desolate and forlorn,
These eyes shall miss thee many a year;
But unforgotten every charm—
Though lost to sight, to memory clear.
Sweetheart, good-by! One last embrace!
Oh, cruel fate, two souls to sever!
Yet in this heart’s most sacred place
Thou, thou alone, shall dwell forever.
And still shall recollection trace
In fancy’s mirror, ever near,
Each smile, each tear, upon that face—
Though lost to sight, to memory dear.
INTRA
MUROS.
BY MARY C. GELLINGTON.
At last ’tis gone, the fever of the
day—
Thank God, there comes an end to
everything;
Under the night cloud’s
deepened shadowing,
The noises of the city drift away
Thro’ sultry streets and alleys, and the gray
Fogs ’round the great
cathedral rise and cling.
I long and long, but no desire
will bring
Against my face the keen wind salt with spray.
O, far away, green waves, your voices call;
Your cool lips kiss the wild and
weedy shore;
And out upon the sea line sails are brown—
White sea birds, crying, hover—soft shades fall—
Deep waters dimple ’round
the dripping oar,
And last rays light the little fishing town.