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Poetical Works of Matthew Arnold

Chapter 63: SONNETS
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About This Book

The collection assembles lyric, narrative, and elegiac verse ranging from mythic and romantic retellings to intimate sonnets and reflective lyrics. It pairs longer dramatic narratives with brief meditations that repeatedly confront spiritual uncertainty, human loneliness, and the search for moral consolation amid social change. Recurring images of landscape, sea, and ruined monuments frame meditations on beauty, loss, faith, and poetic vocation, while a restrained, contemplative voice balances classical allusion with personal feeling and moral seriousness across varied forms and tones.

Saint Brandan sails the northern main;
The brotherhoods of saints are glad.
He greets them once, he sails again;
So late!—such storms!—The Saint is mad!
He heard, across the howling seas,
Chime convent-bells on wintry nights;
He saw, on spray-swept Hebrides,
Twinkle the monastery-lights.
But north, still north, Saint Brandan steer'd—
And now no bells, no convents more!
The hurtling Polar lights are near'd,
The sea without a human shore.
At last—(it was the Christmas night;
Stars shone after a day of storm)—
He sees float past an iceberg white,
And on it—Christ!—a living form.
That furtive mien, that scowling eye,
Of hair that red and tufted fell——
It is—Oh, where shall Brandan fly?—
The traitor Judas, out of hell!
Palsied with terror, Brandan sate;
The moon was bright, the iceberg near.
He hears a voice sigh humbly: "Wait!
By high permission I am here.
"One moment wait, thou holy man!
On earth my crime, my death, they knew;
My name is under all men's ban—
Ah, tell them of my respite too!
"Tell them, one blessed Christmas-night—
(It was the first after I came,
Breathing self-murder, frenzy, spite,
To rue my guilt in endless flame)—
"I felt, as I in torment lay
'Mid the souls plagued by heavenly power,
An angel touch mine arm, and say:
Go hence and cool thyself an hour!
"'Ah, whence this mercy, Lord?' I said.
The Leper recollect, said he,
Who ask'd the passers-by for aid,
In Joppa, and thy charity.
"Then I remember'd how I went,
In Joppa, through the public street,
One morn when the sirocco spent
Its storms of dust with burning heat;
"And in the street a leper sate,
Shivering with fever, naked, old;
Sand raked his sores from heel to pate,
The hot wind fever'd him five-fold.
"He gazed upon me as I pass'd,
And murmur'd: Help me, or I die!
To the poor wretch my cloak I cast,
Saw him look eased, and hurried by.
"Oh, Brandan, think what grace divine,
What blessing must full goodness shower,
When fragment of it small, like mine,
Hath such inestimable power!
"Well-fed, well-clothed, well-friended, I
Did that chance act of good, that one!
Then went my way to kill and lie—
Forgot my good as soon as done.
"That germ of kindness, in the womb
Of mercy caught, did not expire;
Outlives my guilt, outlives my doom,
And friends me in the pit of fire.
"Once every year, when carols wake,
On earth, the Christmas-night's repose,
Arising from the sinners' lake,
I journey to these healing snows.
"I stanch with ice my burning breast,
With silence balm my whirling brain.
O Brandan! to this hour of rest
That Joppan leper's ease was pain."——
Tears started to Saint Brandan's eyes;
He bow'd his head, he breathed a prayer—
Then look'd, and lo, the frosty skies!
The iceberg, and no Judas there!

THE NECKAN

Green rolls beneath the headlands,
Green rolls the Baltic Sea;
And there, below the Neckan's feet,
His wife and children be.
He sings not of the ocean,
Its shells and roses pale;
Of earth, of earth the Neckan sings,
He hath no other tale.
He sits upon the headlands,
And sings a mournful stave
Of all he saw and felt on earth
Far from the kind sea-wave.
Sings how, a knight, he wander'd
By castle, field, and town—
But earthly knights have harder hearts
Than the sea-children own.
Sings of his earthly bridal—
Priest, knights, and ladies gay.
"—And who art thou," the priest began,
"Sir Knight, who wedd'st to-day?"—
"—I am no knight," he answered;
"From the sea-waves I come."—
The knights drew sword, the ladies scream'd,
The surpliced priest stood dumb.
He sings how from the chapel
He vanish'd with his bride,
And bore her down to the sea-halls,
Beneath the salt sea-tide.
He sings how she sits weeping
'Mid shells that round her lie.
"—False Neckan shares my bed," she weeps;
"No Christian mate have I."—
He sings how through the billows
He rose to earth again,
And sought a priest to sign the cross,
That Neckan Heaven might gain.
He sings how, on an evening,
Beneath the birch-trees cool,
He sate and play'd his harp of gold,
Beside the river-pool.
Beside the pool sate Neckan—
Tears fill'd his mild blue eye.
On his white mule, across the bridge,
A cassock'd priest rode by.
"—Why sitt'st thou there, O Neckan,
And play'st thy harp of gold?
Sooner shall this my staff bear leaves,
Than thou shalt Heaven behold."—
But, lo, the staff, it budded!
It green'd, it branch'd, it waved.
"—O ruth of God," the priest cried out,
"This lost sea-creature saved!"
The cassock'd priest rode onwards,
And vanished with his mule;
But Neckan in the twilight grey
Wept by the river-pool.
He wept: "The earth hath kindness,
The sea, the starry poles;
Earth, sea, and sky, and God above—
But, ah, not human souls!"
In summer, on the headlands,
The Baltic Sea along,
Sits Neckan with his harp of gold,
And sings this plaintive song.

THE FORSAKEN MERMAN

Come, dear children, let us away;
Down and away below!
Now my brothers call from the bay,
Now the great winds shoreward blow,
Now the salt tides seaward flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away!
This way, this way!
Call her once before you go—
Call once yet!
In a voice that she will know:
"Margaret! Margaret!"
Children's voices should be dear
(Call once more) to a mother's ear;
Children's voices, wild with pain—
Surely she will come again!
Call her once and come away;
This way, this way!
"Mother dear, we cannot stay!
The wild white horses foam and fret."
Margaret! Margaret!
Come, dear children, come away down;
Call no more!

One last look at the white-wall'd town,
And the little grey church on the windy shore;
Then come down!
She will not come though you call all day;
Come away, come away!
Children dear, was it yesterday
We heard the sweet bells over the bay?
In the caverns where we lay,
Through the surf and through the swell,
The far-off sound of a silver bell?
Sand-strewn caverns, cool and deep,
Where the winds are all asleep;
Where the spent lights quiver and gleam,
Where the salt weed sways in the stream,
Where the sea-beasts, ranged all round,
Feed in the ooze of their pasture-ground;
Where the sea-snakes coil and twine,
Dry their mail and bask in the brine;
Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and aye?
When did music come this way?
Children dear, was it yesterday?
Children dear, was it yesterday
(Call yet once) that she went away?
Once she sate with you and me,
On a red gold throne in the heart of the sea,
And the youngest sate on her knee.
She comb'd its bright hair, and she tended it well,
When down swung the sound of a far-off bell.
She sigh'd, she look'd up through the clear green sea;
She said: "I must go, for my kinsfolk pray
In the little grey church on the shore to-day.
'Twill be Easter-time in the world—ah me!
And I lose my poor soul, Merman! here with thee."
I said: "Go up, dear heart, through the waves;
Say thy prayer, and come back to the kind sea-caves!"
She smiled, she went up through the surf in the bay.
Children dear, was it yesterday?
Children dear, were we long alone?
"The sea grows stormy, the little ones moan;
Long prayers," I said, "in the world they say;
Come!" I said: and we rose through the surf in the bay.
We went up the beach, by the sandy down
Where the sea-stocks bloom, to the white-wall'd town;
Through the narrow paved streets, where all was still,
To the little grey church on the windy hill.
From the church came a murmur of folk at their prayers,
But we stood without in the cold blowing airs.
We climb'd on the graves, on the stones worn with rains,
And we gazed up the aisle through the small leaded panes.
She sate by the pillar; we saw her clear:
"Margaret, hist! come quick, we are here!
Dear heart," I said, "we are long alone;
The sea grows stormy, the little ones moan."
But, ah, she gave me never a look,
For her eyes were seal'd to the holy book!
Loud prays the priest; shut stands the door.
Come away, children, call no more!
Come away, come down, call no more!
Down, down, down!
Down to the depths of the sea!
She sits at her wheel in the humming town,
Singing most joyfully.
Hark what she sings: "O joy, O joy,
For the humming street, and the child with its toy!
For the priest, and the bell, and the holy well;
For the wheel where I spun,
And the blessed light of the sun!"
And so she sings her fill,
Singing most joyfully,
Till the spindle drops from her hand,
And the whizzing wheel stands still.
She steals to the window, and looks at the sand,
And over the sand at the sea;
And her eyes are set in a stare;
And anon there breaks a sigh,
And anon there drops a tear,
From a sorrow-clouded eye,
And a heart sorrow-laden,
A long, long sigh;
For the cold strange eyes of a little Mermaiden
And the gleam of her golden hair.
Come away, away children;
Come children, come down!
The hoarse wind blows coldly;
Lights shine in the town.
She will start from her slumber
When gusts shake the door;
She will hear the winds howling,
Will hear the waves roar.
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
Singing: "Here came a mortal,
But faithless was she!
And alone dwell for ever
The kings of the sea."
But, children, at midnight,
When soft the winds blow,
When clear falls the moonlight,
When spring tides are low;
When sweet airs come seaward
From heaths starr'd with broom,
And high rocks throw mildly
On the blanch'd sands a gloom;
Up the still, glistening beaches,
Up the creeks we will hie,
Over banks of bright seaweed
The ebb-tide leaves dry.
We will gaze, from the sand-hills,
At the white, sleeping town;
At the church on the hill-side—
And then come back down.
Singing: "There dwells a loved one,
But cruel is she!
She left lonely for ever
The kings of the sea."

SONNETS


AUSTERITY OF POETRY

That son of Italy who tried to blow,[9]
Ere Dante came, the trump of sacred song,
In his light youth amid a festal throng
Sate with his bride to see a public show.
Fair was the bride, and on her front did glow
Youth like a star; and what to youth belong—
Gay raiment, sparkling gauds, elation strong.
A prop gave way! crash fell a platform! lo,
'Mid struggling sufferers, hurt to death, she lay!
Shuddering, they drew her garments off—and found
A robe of sackcloth next the smooth, white skin.
Such, poets, is your bride, the Muse! young, gay,
Radiant, adorn'd outside; a hidden ground
Of thought and of austerity within.

A PICTURE AT NEWSTEAD

Who struck, in heat, his child he loved so well,
And his child's reason flicker'd, and did die.
Painted (he will'd it) in the gallery
They hang; the picture doth the story tell.
Behold the stern, mail'd father, staff in hand!
The little fair-hair'd son, with vacant gaze,
Where no more lights of sense or knowledge are!
Methinks the woe, which made that father stand
Baring his dumb remorse to future days,
Was woe than Byron's woe more tragic far.

RACHEL

I
In Paris all look'd hot and like to fade.
Sere, in the garden of the Tuileries,
Sere with September, droop'd the chestnut-trees.
'Twas dawn; a brougham roll'd through the streets and made
Halt at the white and silent colonnade
Of the French Theatre. Worn with disease,
Rachel, with eyes no gazing can appease,
Sate in the brougham and those blank walls survey'd.
She follows the gay world, whose swarms have fled
To Switzerland, to Baden, to the Rhine;
Why stops she by this empty play-house drear?
II
Unto a lonely villa, in a dell
Above the fragrant warm Provençal shore,
The dying Rachel in a chair they bore
Up the steep pine-plumed paths of the Estrelle,
And laid her in a stately room, where fell
The shadow of a marble Muse of yore,
The rose-crown'd queen of legendary lore,
Polymnia, full on her death-bed.—'Twas well!
The fret and misery of our northern towns,
In this her life's last day, our poor, our pain,
Our jangle of false wits, our climate's frowns,
Do for this radiant Greek-soul'd artist cease;
Sole object of her dying eyes remain
The beauty and the glorious art of Greece.
III
Sprung from the blood of Israel's scatter'd race,
At a mean inn in German Aarau born,
To forms from antique Greece and Rome uptorn,
Trick'd out with a Parisian speech and face,
Imparting life renew'd, old classic grace;
Then, soothing with thy Christian strain forlorn,
A-Kempis! her departing soul outworn,
While by her bedside Hebrew rites have place—
Ah, not the radiant spirit of Greece alone
She had—one power, which made her breast its home!
In her, like us, there clash'd, contending powers,
Germany, France, Christ, Moses, Athens, Rome.
The strife, the mixture in her soul, are ours;
Her genius and her glory are her own.

WORLDLY PLACE

Even in a palace, life may be led well!
So spake the imperial sage, purest of men,
Marcus Aurelius. But the stifling den
Of common life, where, crowded up pell-mell,
Our freedom for a little bread we sell,
And drudge under some foolish master's ken
Who rates us if we peer outside our pen—
Match'd with a palace, is not this a hell?
Even in a palace! On his truth sincere,
Who spoke these words, no shadow ever came;
And when my ill-school'd spirit is aflame
Some nobler, ampler stage of life to win,
I'll stop, and say: "There were no succour here!
The aids to noble life are all within."

EAST LONDON

'Twas August, and the fierce sun overhead
Smote on the squalid streets of Bethnal Green,
And the pale weaver, through his windows seen
In Spitalfields, look'd thrice dispirited.
I met a preacher there I knew, and said:
"Ill and o'erwork'd, how fare you in this scene?"

"Bravely!" said he; "for I of late have been
Much cheer'd with thoughts of Christ, the living bread."
O human soul! as long as thou canst so
Set up a mark of everlasting light,
Above the howling senses' ebb and flow,
To cheer thee, and to right thee if thou roam—
Not with lost toil thou labourest through the night!
Thou mak'st the heaven thou hop'st indeed thy home.

WEST LONDON

Crouch'd on the pavement, close by Belgrave Square,
A tramp I saw, ill, moody, and tongue-tied.
A babe was in her arms, and at her side
A girl; their clothes were rags, their feet were bare.
Some labouring men, whose work lay somewhere there,
Pass'd opposite; she touch'd her girl, who hied
Across, and begg'd, and came back satisfied.
The rich she had let pass with frozen stare.
Thought I: "Above her state this spirit towers;
She will not ask of aliens, but of friends,
Of sharers in a common human fate.
"She turns from that cold succour, which attends
The unknown little from the unknowing great,
And points us to a better time than ours."

EAST AND WEST

In the bare midst of Anglesey they show
Two springs which close by one another play;

And, "Thirteen hundred years agone," they say,
"Two saints met often where those waters flow.
"One came from Penmon westward, and a glow
Whiten'd his face from the sun's fronting ray;
Eastward the other, from the dying day,
And he with unsunn'd face did always go."
Seiriol the Bright, Kybi the Dark! men said.
The seër from the East was then in light,
The seër from the West was then in shade.
Ah! now 'tis changed. In conquering sunshine bright
The man of the bold West now comes array'd;
He of the mystic East is touch'd with night.

THE BETTER PART

Long fed on boundless hopes, O race of man,
How angrily thou spurn'st all simpler fare!
"Christ," some one says, "was human as we are;
No judge eyes us from Heaven, our sin to scan;
"We live no more, when we have done our span."—
"Well, then, for Christ," thou answerest, "who can care?
From sin, which Heaven records not, why forbear?
Live we like brutes our life without a plan!"
So answerest thou; but why not rather say:
"Hath man no second life?—Pitch this one high!
Sits there no judge in Heaven, our sin to see?—
"More strictly, then, the inward judge obey!
Was Christ a man like us? Ah! let us try
If we then, too, can be such men as he!"

THE DIVINITY

"Yes, write it in the rock," Saint Bernard said,
"Grave it on brass with adamantine pen!
'Tis God himself becomes apparent, when
God's wisdom and God's goodness are display'd,
God's wisdom and God's goodness!—Ay, but fools
Mis-define these till God knows them no more.
Wisdom and goodness, they are God!—what schools
Have yet so much as heard this simpler lore?
This no Saint preaches, and this no Church rules;
'Tis in the desert, now and heretofore.

IMMORTALITY


THE GOOD SHEPHERD WITH THE KID

"Who sins, once wash'd by the baptismal wave."—
So spake the fierce Tertullian. But she sigh'd,
The infant Church! of love she felt the tide
Stream on her from her Lord's yet recent grave.
And then she smiled; and in the Catacombs,
With eye suffused but heart inspired true,
On those walls subterranean, where she hid
Her head 'mid ignominy, death, and tombs,
She her Good Shepherd's hasty image drew—
And on his shoulders, not a lamb, a kid.

MONICA'S LAST PRAYER[12]

"Ah, could thy grave at home, at Carthage, be!"
Care not for that, and lay me where I fall!
Everywhere heard will be the judgment-call;
But at God's altar, oh! remember me.
Thus Monica, and died in Italy.
Yet fervent had her longing been, through all
Her course, for home at last, and burial
With her own husband, by the Libyan sea.
Had been! but at the end, to her pure soul
All tie with all beside seem'd vain and cheap,
And union before God the only care.
Creeds pass, rites change, no altar standeth whole.
Yet we her memory, as she pray'd, will keep,
Keep by this: Life in God, and union there!

LYRIC POEMS



SWITZERLAND

1. MEETING
I know that graceful figure fair,
That cheek of languid hue;
I know that soft, enkerchief'd hair,
And those sweet eyes of blue.
Again I spring to make my choice;
Again in tones of ire
I hear a God's tremendous voice:
"Be counsell'd, and retire."
Ye guiding Powers who join and part,
What would ye have with me?
Ah, warn some more ambitious heart,
And let the peaceful be!
2. PARTING
Ye storm-winds of Autumn!
Who rush by, who shake
The window, and ruffle
The gleam-lighted lake;
Who cross to the hill-side
Thin-sprinkled with farms,
Where the high woods strip sadly
Their yellowing arms—
Ye are bound for the mountains!
Ah! with you let me go
Where your cold, distant barrier,
The vast range of snow,
Through the loose clouds lifts dimly
Its white peaks in air—
How deep is their stillness!
Ah, would I were there!
But on the stairs what voice is this I hear,
Buoyant as morning, and as morning clear?
Say, has some wet bird-haunted English lawn
Lent it the music of its trees at dawn?
Or was it from some sun-fleck'd mountain-brook
That the sweet voice its upland clearness took?
Ah! it comes nearer—
Sweet notes, this way!
Hark! fast by the window
The rushing winds go,
To the ice-cumber'd gorges,
The vast seas of snow!
There the torrents drive upward
Their rock-strangled hum;
There the avalanche thunders
The hoarse torrent dumb.
—I come, O ye mountains!
Ye torrents, I come!
But who is this, by the half-open'd door,
Whose figure casts a shadow on the floor?
The sweet blue eyes—the soft, ash-colour'd hair—
The cheeks that still their gentle paleness wear—
The lovely lips, with their arch smile that tells
The unconquer'd joy in which her spirit dwells—
Ah! they bend nearer—
Sweet lips, this way!
Hark! the wind rushes past us!
Ah! with that let me go
To the clear, waning hill-side,
Unspotted by snow,
There to watch, o'er the sunk vale,
The frore mountain-wall,
Where the niched snow-bed sprays down
Its powdery fall.
There its dusky blue clusters
The aconite spreads;
There the pines slope, the cloud-strips
Hung soft in their heads.
No life but, at moments,
The mountain-bee's hum.
—I come, O ye mountains!
Ye pine-woods, I come!
Forgive me! forgive me!
Ah, Marguerite, fain
Would these arms reach to clasp thee!
But see! 'tis in vain.
In the void air, towards thee,
My stretch'd arms are cast;
But a sea rolls between us—
Our different past!
To the lips, ah! of others
Those lips have been prest,
And others, ere I was,
Were strain'd to that breast;
Far, far from each other
Our spirits have grown;
And what heart knows another?
Ah! who knows his own?
Blow, ye winds! lift me with you!
I come to the wild.
Fold closely, O Nature!
Thine arms round thy child.
To thee only God granted
A heart ever new—
To all always open,
To all always true.
Ah! calm me, restore me;
And dry up my tears
On thy high mountain-platforms,
Where morn first appears;
Where the white mists, for ever,
Are spread and upfurl'd—
In the stir of the forces
Whence issued the world.
3. A FAREWELL
My horse's feet beside the lake,
Where sweet the unbroken moonbeams lay,
Sent echoes through the night to wake
Each glistening strand, each heath-fringed bay.
The poplar avenue was pass'd,
And the roof'd bridge that spans the stream;
Up the steep street I hurried fast,
Led by thy taper's starlike beam.
I came! I saw thee rise!—the blood
Pour'd flushing to thy languid cheek.
Lock'd in each other's arms we stood,
In tears, with hearts too full to speak.
Days flew;—ah, soon I could discern
A trouble in thine alter'd air!
Thy hand lay languidly in mine,
Thy cheek was grave, thy speech grew rare.
I blame thee not!—this heart, I know,
To be long loved was never framed;
For something in its depths doth glow
Too strange, too restless, too untamed.
And women—things that live and move
Mined by the fever of the soul—
They seek to find in those they love
Stern strength, and promise of control.
They ask not kindness, gentle ways—
These they themselves have tried and known;
They ask a soul which never sways
With the blind gusts that shake their own.
I too have felt the load I bore
In a too strong emotion's sway;
I too have wish'd, no woman more,
This starting, feverish heart away.
I too have long'd for trenchant force,
And will like a dividing spear;
Have praised the keen, unscrupulous course,
Which knows no doubt, which feels no fear.
But in the world I learnt, what there
Thou too wilt surely one day prove,
That will, that energy, though rare,
Are yet far, far less rare than love.
Go, then!—till time and fate impress
This truth on thee, be mine no more!
They will!—for thou, I feel, not less
Than I, wast destined to this lore.
We school our manners, act our parts—
But He, who sees us through and through,
Knows that the bent of both our hearts
Was to be gentle, tranquil, true.
And though we wear out life, alas!
Distracted as a homeless wind,
In beating where we must not pass,
In seeking what we shall not find;
Yet we shall one day gain, life past,
Clear prospect o'er our being's whole;
Shall see ourselves, and learn at last
Our true affinities of soul.
We shall not then deny a course
To every thought the mass ignore;
We shall not then call hardness force,
Nor lightness wisdom any more.
Then, in the eternal Father's smile,
Our soothed, encouraged souls will dare
To seem as free from pride and guile,
As good, as generous, as they are.
Then we shall know our friends!—though much
Will have been lost—the help in strife,
The thousand sweet, still joys of such
As hand in hand face earthly life—
Though these be lost, there will be yet
A sympathy august and pure;
Ennobled by a vast regret,
And by contrition seal'd thrice sure.
And we, whose ways were unlike here,
May then more neighbouring courses ply;
May to each other be brought near,
And greet across infinity.
How sweet, unreach'd by earthly jars,
My sister! to maintain with thee
The hush among the shining stars,
The calm upon the moonlit sea!
How sweet to feel, on the boon air,
All our unquiet pulses cease!
To feel that nothing can impair
The gentleness, the thirst for peace—
The gentleness too rudely hurl'd
On this wild earth of hate and fear;
The thirst for peace a raving world
Would never let us satiate here.
4. ISOLATION. TO MARGUERITE
We were apart; yet, day by day,
I bade my heart more constant be.
I bade it keep the world away,
And grow a home for only thee;
Nor fear'd but thy love likewise grew,
Like mine, each day, more tried, more true.
The fault was grave! I might have known,
What far too soon, alas! I learn'd—
The heart can bind itself alone,
And faith may oft be unreturn'd.
Self-sway'd our feelings ebb and swell—
Thou lov'st no more;—Farewell! Farewell!
Farewell!—and thou, thou lonely heart,
Which never yet without remorse
Even for a moment didst depart
From thy remote and spheréd course
To haunt the place where passions reign—
Back to thy solitude again!
Back! with the conscious thrill of shame
Which Luna felt, that summer-night,
Flash through her pure immortal frame,
When she forsook the starry height
To hang over Endymion's sleep
Upon the pine-grown Latmian steep.
Yet she, chaste queen, had never proved
How vain a thing is mortal love,
Wandering in Heaven, far removed.
But thou hast long had place to prove
This truth—to prove, and make thine own:
"Thou hast been, shalt be, art, alone."
Or, if not quite alone, yet they
Which touch thee are unmating things—
Ocean and clouds and night and day;
Lorn autumns and triumphant springs;
And life, and others' joy and pain,
And love, if love, of happier men.
Of happier men—for they, at least,
Have dream'd two human hearts might blend
In one, and were through faith released
From isolation without end
Prolong'd; nor knew, although not less
Alone than thou, their loneliness.
5. TO MARGUERITE—CONTINUED
Yes! in the sea of life enisled,
With echoing straits between us thrown,
Dotting the shoreless watery wild,
We mortal millions live alone.
The islands feel the enclasping flow,
And then their endless bounds they know.
But when the moon their hollows lights,
And they are swept by balms of spring,
And in their glens, on starry nights,
The nightingales divinely sing;
And lovely notes, from shore to shore,
Across the sounds and channels pour—
Oh! then a longing like despair
Is to their farthest caverns sent;
For surely once, they feel, we were
Parts of a single continent!
Now round us spreads the watery plain—
Oh might our marges meet again!
Who order'd, that their longing's fire
Should be, as soon as kindled, cool'd?
Who renders vain their deep desire?—
God, a God their severance ruled!
And bade betwixt their shores to be
The unplumb'd, salt, estranging sea.
6. ABSENCE
In this fair stranger's eyes of grey
Thine eyes, my love! I see.
I shiver; for the passing day
Had borne me far from thee.
This is the curse of life! that not
A nobler, calmer train
Of wiser thoughts and feelings blot
Our passions from our brain;
But each day brings its petty dust
Our soon-choked souls to fill,
And we forget because we must
And not because we will.
I struggle towards the light; and ye,
Once-long'd-for storms of love!
If with the light ye cannot be,
I bear that ye remove.
I struggle towards the light—but oh,
While yet the night is chill,
Upon time's barren, stormy flow,
Stay with me, Marguerite, still!
7. THE TERRACE AT BERNE
(COMPOSED TEN YEARS AFTER THE PRECEDING)
Ten years!—and to my waking eye
Once more the roofs of Berne appear;
The rocky banks, the terrace high,
The stream!—and do I linger here?
The clouds are on the Oberland,
The Jungfrau snows look faint and far;
But bright are those green fields at hand,
And through those fields comes down the Aar,
And from the blue twin-lakes it comes,
Flows by the town, the churchyard fair;
And 'neath the garden-walk it hums,
The house!—and is my Marguerite there?
Ah, shall I see thee, while a flush
Of startled pleasure floods thy brow,
Quick through the oleanders brush,
And clap thy hands, and cry: 'Tis thou!
Or hast thou long since wander'd back,
Daughter of France! to France, thy home;
And flitted down the flowery track
Where feet like thine too lightly come?
Doth riotous laughter now replace
Thy smile; and rouge, with stony glare,
Thy cheek's soft hue; and fluttering lace
The kerchief that enwound thy hair?
Or is it over? art thou dead?—
Dead!—and no warning shiver ran
Across my heart, to say thy thread
Of life was cut, and closed thy span!
Could from earth's ways that figure slight
Be lost, and I not feel 'twas so?
Of that fresh voice the gay delight
Fail from earth's air, and I not know?
Or shall I find thee still, but changed,
But not the Marguerite of thy prime?
With all thy being re-arranged,
Pass'd through the crucible of time;
With spirit vanish'd, beauty waned,
And hardly yet a glance, a tone,
A gesture—anything—retain'd
Of all that was my Marguerite's own?
I will not know! For wherefore try,
To things by mortal course that live,
A shadowy durability,
For which they were not meant, to give?
Like driftwood spars, which meet and pass
Upon the boundless ocean-plain,
So on the sea of life, alas!
Man meets man—meets, and quits again.
I knew it when my life was young;
I feel it still, now youth is o'er.
—The mists are on the mountain hung,
And Marguerite I shall see no more.