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Poor Folk in Spain

Chapter 19: FOOTNOTES:
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About This Book

The narrator traces episodic journeys through towns and regions, recording everyday scenes, local customs, festivals, dances, markets, domestic interiors and architecture. Vignettes alternate observational sketches and anecdote-driven encounters with residents, interspersed with practical notes on travel logistics. Descriptions emphasize sensory detail—food, gestures, clothing and public spaces—and recurring themes of hospitality, poverty and the persistence of regional traditions. Chapters are organized by place, combining travel narrative with artistic reflection and illustrations that translate immediate impressions into concise studies of community life and landscape.

One late afternoon we were in our bedroom, having taken advantage of the quiet which reigns from one p.m. till five, (for we got no other sleep during out stay), we heard a faint strange murmur which seemed to be drawing nearer. We went to the balcony and looked out. The sound was coming from the direction of the Puerto del Sol, the sun's gate, the torrid centre of Madrid so well named. The sound drew nearer. Soon it shaped itself into a word murmur from thousands of throats:

"Agua, agua, agua."

The word passed us and fled down the streets, sweeping before the hesitating trickle which crept along the gutters. With the word a communal shiver of delight ran through the town, like a sort of physical earthquake. Before six o'clock the road men were dragging their hoses about the street, and the rising damp was dragging the dust out of the air


CHAPTER VII

A HOT NIGHT

(This Chapter should be omitted by Prudes)

The expense of an omnibus is not necessary to the experienced traveller. A Spanish friend took us to a bureau of town porters in Madrid, and we gave instructions to a dark-faced man in a shabby uniform, who promised to see all our baggage to the station in good time for the evening train to Murcia. Señor Don Mateo Bartolommeo was the name of the porter, for he gave us his visiting card, on which was his professional and private address, and a deep black mourning border like that on one's grandmother's envelopes.

The preliminaries to travelling in Spain are lengthy. The ticket office opens fifteen or twenty minutes before the train leaves, but the passengers arrive an hour before, so that there is always a long queue waiting at the ticket office. One can buy either tickets for the journey or tickets for the thousand or more kilometres. The latter are a great saving if one does much travelling, but they entail further delay at the booking office, for verifying, tearing off, stamping, and so forth. Then with one's tickets one goes to the luggage bureau, where the van luggage is weighed, overweight charged, and a long slip receipt given. The luggage is then presumed to travel to the journey's end and should be forthcoming on the production by the passenger of the receipt. This is not invariably the case; but of that we will tell in its place. The wealthy traveller does not undergo all this fatigue. He shows a porter the luggage for the van, tells him the station to which he wishes to travel, gives him the money to pay for ticket and luggage, and bothers his head no more about it. The Spanish porter is unusually honest. You can give him two or three hundred pesetas to buy tickets with, and a few minutes before the train starts up he runs with the tickets, the luggage receipt, and the exact change.

We, however, wanted to experience everything; we did not wish to spend our small capital on exorbitant tips, so I, leaving Jan to see to the tickets and heavy luggage, argued my way past the ticket collector, who is supposed to let nobody on to the platform without a ticket, found an empty carriage, appropriated seats, and sat on the step waiting for the porter to bring up the smaller luggage. An old lady in black, with a huge bandbox and a birdcage, accompanied by three hatless girls dressed in purple silk, all carrying at least four parcels apiece, filled up my compartment, and I thought: "We are going to have a stuffy time of it."

The train was full of talk. In the corridors the people chattered at the top of their voices like a rookery. Presently, conversing in shrill tones, the old lady and her three daughters swooped back into the carriage, and with much rustling of silk dragged all their parcels to some other part of the train. A young officer, carrying about six packages, took one of the vacated places, and marked his seat by unbuckling his sword, which he placed in the corner. An old man, rather run to stomach, took the seat opposite the soldier. He then stood in the doorway, wedging his stomach into the opening, so that nobody else should enter. The time drew closer to the departure of the train.

The noise increased a hundredfold. Three girls rushed along the corridor and unceremoniously butted the old gentleman in the waistcoat. The corridor was filled with a confused crowd of people, who handed in large hat-boxes, brightly striped, square cardboard boxes, small suit-cases with gilt locks, and a huge doll. The carriage was filled with a strong smell of scent. There was giggling and the kissing of adieux. The escort then retreated down the corridor and the three girls set to arranging themselves for the journey. One of the girls was very dark, her face like old ivory, her eyes large caverns of gloom, and her mouth painted a brilliant scarlet; one was fair with a long face and grey eyes, very excitable in manner, talking a high-pitched Spanish with a queer intonation; the third was bigger than either of her companions, yet less remarkable. One could easily have imagined her dressed in cowgirl's costume, performing in a travelling Buffalo Bill show. All three had bobbed hair, though that of the second girl was an elaborate coiffure of short hair rather than a mere bob.

The dark girl picked up the soldier's sword and tossed it into the luggage rack. The cowgirl pushed the stout old man's suit-case out of his corner and took his seat. The old man but grinned and guffawed, seeming pleased rather than angry. The soldier stood in the corridor and glowered at the dark girl through the glass. He offered no objection to the robbery of his seat, but it was evident what were his thoughts. The second girl flung herself down on the seat next to Jan, blew out a long sigh and exclaimed: "Aie, que calor, que calor."

It was indeed hot. All day long the sun had been beating down into Madrid. The Puerto del Sol had been more like the "Puerto del Infierno." The little trickles of water which the repaired aqueduct had afforded to Madrid had done little to mitigate the dull reverberant heat of the still air. Even now that the night had come the air was yet quivering, and came into the lungs like half-warmed water.

The girls got down their dainty suit-cases from the rack, opened them, burrowing amongst tawdry finery, manicure sets, powder-boxes and other articles of toilet use, found boxes of cigarettes. To do this, the cowgirl placed her suit-case on the seat and, standing, bent over it. The stout old man, with a giggle, leant forward and gave the girl a resounding smack with his open palm upon that part of her which was nearest to him. The officer, through the glass, frowned and pursed up his lips. The girl next to Jan caught my eye, smiled at me, and winked.

"Aie, que calor!" she exclaimed, blowing cigarette smoke into the air.

The train dragged itself out of the station and started southward through the night.

The girl who was sitting next to Jan broke out into unexpected French.

"Mon Dieu! Qu'il fait chaud!" she exclaimed, as though Spanish would not properly express the quality of the heat.

"But," said Jan to her, "you speak French very well."

"Well," she retorted, "I ought to, seeing that I am French."

Suddenly she came to a resolution. She stood up and again took down her suit-case. She took from it a wrapper of tinted muslin. Slowly then she began to take off her clothes. Her silk dress she folded up very neatly and laid along the little rack which is set just below the ordinary one. Then she slipped off her petticoat and camisole, and put on the muslin wrapper.

"That is better," she exclaimed; folded up her discarded underwear, put it into the suit-case, which she then replaced on the rack.

She then began on her coiffure. She detached a series of little curls from over her ears, and twisting the wires on which they were made into hooks, she suspended them from the netting of the rack, where over her head they swung to and fro with the movement of the train.

"Maintenant," she said, "on est plus à son aise. Besides," she added, with the instinct of true French economy, "it does so spoil one's clothes if one takes a long railway journey in them."

The act had been performed with naturalness, and in view of the heat of the night we could not help envying the French girl for her good sense in making the long journey as comfortable as possible.

She began to tell Jan the story of her life. "Mother was a nuisance," she said; "she made life a little bit of hell at home. Well, one day we had a fine old flare-up. I told mother that she could go to the devil if she liked, and I just packed up and ran away. I came down to Madrid, and on the whole I haven't done so badly. I send mother about eight hundred pesetas a month. Most of that she'll keep for me, and I'll have a nice little sum to start business with when I get back. Of course one can't keep up a quarrel with one's mother for ever. Hein!"

Jan asked her how long she had been in Spain.

"Four months," she answered.

"You speak very good Spanish," said Jan.

"Oh," she answered, with a touch of desperation in her voice, "one can't be all day doing nothing. It's a distraction learning something new."

"Where are you going now?" asked Jan.

"We are all going to Carthagena," said the French girl. "We'll be down there all the summer. There are English there too, I have heard—sailors. I like sailors. You see, I had to get away from Madrid. I had a friend, and one day while I was out he stole all my spare money, and all my clothes, which he took to the pawnshop. And that left me stranded. Then I heard these two girls were going to Carthagena, to a place, so I said, 'I'll come too,' and here I am. Anyway one has to be somewhere, and I adore knocking about. It's life, isn't it?"

The dark girl was merely a selfish, pretty animal. She curled up on the officer's seat like a black cat. She then slyly prodded the poor little stout man with her high heels, so that he gradually moved up towards me, leaving me little room in which to sit, while the dark girl could stretch out at her ease. The other girl sat in her corner, saying little, smoking cigarette after cigarette. She seemed to be one of those stolid creatures who drop through life, taking good and bad without change of face or of manner. She might have been rather South German than Spanish. In contrast with these two the French girl was simple and attractive. One noted, too, that she had a fine streak of unselfishness in her character; she even talked without bitterness of the man who had robbed her.

Young men drifted along the corridors and stared in at the girls. One man, who looked well off, dressed in a tweed sporting coat, came in and made friends. He gave them cigarettes and drinks of brandy from a flask. At about one o'clock in the morning, one of the cardboard boxes was opened and disclosed a large pie, which was divided. The stout old gentleman had a piece, so did "Tweeds." Some was offered to us, but we had dined well at Madrid and did not feel hungry. But to refuse in Spain is a delicate matter, so we gave them cigarettes to indicate goodwill.

We stopped at a dark station. The door was flung open and a tall sunburned man clambered into the carriage. He had around his waist a broad leather belt which was stuck full of knives. These implements were clasp knives, and varied from small pocket knives and pruning knives to veritable weapons a foot in length. He was not a famous brigand, though he looked one, but a salesman. The larger knives had a circular ratchet and a strong spring at the back, so that upon opening they made a blood-curdling noise, which in itself would be enough to induce any angry man to finish the matter by burying the blade in his enemy's gizzard. He did no business in our carriage, and went off down the platform opening and shutting a sample of his murderous wares, crying out: "Navajos! Navajos!"

The train went on, and as we reached southward the night became warmer. The stout old man left us, and the black girl stretched out at full length, occasionally prodding me with her French heels. Presently the darkness became less opaque. A faint silhouette of low hills, and then a dim reflection from flat lands, appeared.

We stopped at another station; an unimportant wayside station with a small house for booking-office and a drinking-booth in a lean-to alongside.

"I must have a drink," exclaimed "Tweeds." "Who will come with me?"

Neither the black girl nor the cowgirl would move. We had still lemonade in our Thermos flasks. So the French girl, in her muslin peignoir, and "Tweeds" clambered down the carriage steps and disappeared through the door of the fonda.

Disappeared is the right word. Without warning, the train began to move. It gathered speed and clattered away southward. We never saw "Tweeds" or the French girl again. In the thinnest of négligés she was left stranded upon the wayside station, to which no other train would come for at least twelve hours, and possibly not for twenty-four.

The day broke, and we pounded along through a dusty arid country. There was green in the bottom of the valley, but from the roads rose high columns of dust, while the plastered villages of box-like houses near the railroad were dried up and dust-coated. Dust blew in through the carriage windows and settled thick upon the curls which, still swinging and bobbing from the netting of the rack, were fast leaving their mistress behind. At first her companions had been anxious; now they were laughing.

"But," they said, "we wonder if she knows where to come for her things when she does arrive?"

The train became more crowded. Soon people were running up and down, looking angrily for places. Third-class passengers began to fill the corridor of our second-class carriage. A boy of about nineteen, with the half-angry intense face characteristic of some Latins, came into the carriage and demanded a seat from the dark girl who was still stretched at full length. This seat "Darkey," with her habitual selfishness, refused to give up. Suddenly, we were in the middle of a full-fledged Spanish row.

To us it had a comic side. It was not what we would have called a row, as much as a furious debate. Of course with our slight acquaintance with Spanish we missed the finer points of the varied arguments.

"Darkey" began by saying that she was keeping the seat for a friend who was somewhere else. This was to some extent true; the French girl was somewhere else, though there was little likelihood of her claiming the seat.

The boy retorted that if she was somewhere else she probably had another seat.

This argument went to and fro, increasing in acerbity. Each of the quarrellers listened in silence to what the other had to say, making no attempt to interrupt, though the voices grew hoarse with anger.

Presently "Darkey" was telling the boy that he was a wretched third-class passenger anyhow, and that he had no right in a second-class carriage, and even if the seat were free he wasn't going to have it.

The boy retorted by saying that anybody could see what she was, and that her mother was probably sorry that she had ever been born, etc., etc.

No English quarrel could have gone to half the length that this proceeded. We were waiting to see either the boy jump into the carriage and shake the life out of "Darkey," or to see "Darkey" spring, like the young tiger-cat she was, at the boy and scratch his face. But nothing happened. The crowded corridor listened with delight to the progress of the quarrel.

The train stopped at a station. "Darkey" had sat up to pulverize the impertinent youth with some evil retort. The carriage door on the opposite side opened, and a placid, middle-aged peasant woman, followed by an ancient peasant man, stepped into the carriage, and before "Darkey" had well discovered what was happening had squashed down in the disputed seat, left vacant by the removal of "Darkey's" feet. The woman grinned at us all and sat nursing a large basket on her lap.

Then the quarrel slowly died down. After a while the boy went away. However, he came back again whenever he had thought of something good, and barked it round the corner of the door at "Darkey," who, usually taken by surprise, could find nothing to retort before he had lost himself again in the crowd.

The peasant woman smiled at us all, and, opening her basket, handed to each of us a large peach. She selected one especially big for "Darkey," presumably as refreshment after the tiring argument.

The day became hotter and hotter. The dust gathered more thickly on to the French girl's poor little curls. When the train stopped, children ran up and down beside the carriages, selling water at the price of "one little bitch" the glass. We were now in the province of Murcia, and the scenery put on the characteristic appearance of that province, tall bare hills of an ochreous mauve, sloping down into a flat, irrigated, fertile valley. The division between mountain and valley, between the "desert and the strown" was as sharp as though drawn with the full brush of a Japanese. On the mountains were dead remnants of Saracen castles, of dismantled Spanish robber fortresses, and the white or coloured buildings of monasteries which still lived sparkling in the sun


CHAPTER VIII

MURCIA—FIRST IMPRESSIONS

One has a right to expect that the station which is the finish of a long and tiring journey should be both a terminus and have a quality all of its own. Our egoism makes it seem at that moment the most important place in the world. But Murcia (pronounced locally Mouthia) had only a big ugly barn of a station like many through which we had already passed, and even lacked a Precia Fijo jewellery shop. All we could see of the town, on emerging, was a few houses and a line of small trees which appeared as though they had been in a blizzard of whole-meal flour, so thick was the dust. Over this buff landscape quivered the blue sky.

In front of us were one or two cranky omnibuses and many green-hooded two-wheeled carts. These carts were Oriental in appearance and had the most distinctive appearance we had yet noted in Spain. They were gaily painted, and the hoods bulged with the generous curves of a Russian cupola. Inside they were lined with soiled red velvet, and the driver sat outside of this magnificence on a seat hanging over one of the tall wheels. Into one of these we were squeezed in company with two grinning travellers, and started off, soon plunging into the shadow of an avenue of lime trees, behind the grey trunks of which cowered insignificant little houses painted in colours which once had been bright.






The more communicative of our fellow travellers said it was indeed the hottest day of the year. It was hot, but we were not oppressed by it, and found out in time that the Spaniard always seemed to suffer from the heat more than we did. Our endeavours to be agreeable in imperfect Spanish worked up the traveller to a discussion on languages, and to a eulogy on ourselves for taking the trouble to learn. We said that we were artists. He answered:

"Ah, yes, that explains it. Poor people, of course, are forced to learn languages."

We drove across a stone bridge, almost in collision with a bright blue tram-car. A momentary glimpse was given to us of a muddy river running between deep embankments; and we drew up before a square barrack of red brick pierced by a regiment of balconied windows. The proprietor, oily like a cheerful slug, waved his fingers close to us, and drew back his hand in delicate jerks as though we were rare and brittle china. He preceded us into an Alhambra-like central hall, led us carefully up a stone staircase to a wide balcony, opened a door into a palatial bedroom with a flourish; and demanded fifteen pesetas "sin extraordinario." Intuition told us that this was not a case of "Precio Fijo," and we reduced him gently to eleven pesetas before we accepted the bargain. Then, to take off the raw edge left by the chaffering, Jan said:

"I don't suppose you get many foreigners here, Señor?"

"Si, si!" returned the hotelkeeper, anxious for the reputation of his caravanserai. "We get quite a lot. Oh, yes, quite a lot. Why, only last year we had two French people, un matrimonio; and this year you have come."

The maid was in appearance and behaviour like an india-rubber ball, and the conviction was firmly fixed in her mind either that we couldn't speak Spanish or that she could not understand if we did. So she grunted, bounced at us and smiled with her mouth wide open like a dog, hoping that by this means she was translating a Spanish welcome into an English one. With difficulty we dissuaded her from these antics and persuaded her to speak, but she turned her words—which were already dialect—into baby talk; and the less we understood the louder she shouted.

However, she was a kindly creature and succeeded in cheering our spirits, which were flagging, for we were very tired and almost ill, having barely recovered from a severe attack of influenza before leaving London. We washed off the thick dust and went downstairs into the large cool hall. The central quadrangle had once probably been open to the sky, but now was covered, five stories up, by a glass roof, beneath which sackcloth curtains stretched on wires shut out the sun. There were comfortable wicker chairs all about, and the hall was decorated with four solemn plaster busts, one in each corner. We were curious to find out who were thus honoured in a southern Spanish hotel. One was of Sorolla, a popular Valencian painter, one was of a woman, a poetess. The other two we did not know, but think they represented contemporary literature and architecture. Imagine finding in an English hotel hall busts of Brangwyn, Mrs. Meynell, Conan Doyle and Lutyens.

The hall was cool. We ordered coffee and buttered toast. But the butter was rancid, for we had crossed the geographical line, almost as important as the equator, below which butter is not, and oil must take its place.

Four children, making a lot of noise over it, were in the hall, playing a game peculiarly Spanish. The smallest boy, who always had the dirty work to do, carried flat in front of him a board, to the end of which were fixed a pair of bull's horns. He dashed these at his comrades in short straight rushes. Two of the other boys carried pieces of red cloth which they waved in front of the bull. The fourth boy carried a pair of toy banderillas, straight sticks, covered with tinted paper and pointed with a nail. As the bull rushed the "banarillero" dabbed his sticks into a piece of cork. Then they decided that the bull was to die. One of the cloak-wavers took a toy sword which he triumphantly stuck into the cork. With a moan the small boy sank on to the floor. His companions seized his heels and dragged him round the tiled floor of the hall. The game seemed to us a little tedious; later on we were to learn how like to actual bullfighting it was.

The hotel interpreter, for whom we had inquired, now came in. He spoke in French:

"What can I do for you?"

We wished to find a gipsy guitar-player named Blas, and we had been told that the interpreter knew his house. We feared that he might be in Madrid, where he sometimes played in the Flamenco cafés; but the interpreter said that he was in Murcia, and that we could look for him at once.

From the cool hall we stepped into the blazing sun of midday Spain, crossed an open space so dazzling that it hurt the eyes, and entered a maze of narrow, tall streets. Jan and I moved along in single file, clinging to the narrow margins of shadow which edged the houses, while the interpreter with a mere uniform cap on his head stalked imperturbably in the sunlight. Across squares we hurried as rapidly as possible to the shadow on the opposite side. The houses were orange, pink, blue or a neutral grey which set off the hue of the tinted buildings. The squares were planted with feathery trees of a green so vivid that it appeared due to paint rather than to nature.

It was a clear and windless day, and soon we remarked a characteristic which Murcia exhibited more strongly than any other Spanish town we have visited. Each house had exuded its own smell across the pavement, so as one went along one sampled a variety of Spanish household odours. Some people find an intimate connection between colour and smell. We might say that we passed successfully through a pink smell, a purple smell, a citron green smell, a terra verte smell (very nasty), a cobalt smell, a raw sienna smell, and so on. This characteristic clung to Murcia during the greater part of our stay.

About fifteen minutes' walk through these variegated odoriferous layers brought us into a street of mean appearance. The interpreter stopped before a large gateway door, pushed it open and ushered us into a courtyard in the corner of which was a black earthenware pot astew over an open fire. A brown-faced crone, withered with dirt and age, her clothes ragged, her feet shod in burst alpagatas, asked us what had brought us there.

"Where is Blas?" said the interpreter.

With an unctuous gesture the old gipsy crone spread out her hands, and turning to a doorway shouted out some words. Gipsy women young and old came from the house. They were dark, dirty and tousled, clad in draggled greys or vermilions, many carrying brown babies astraddle on the hip. With gestures, almost Indian in subservience, they crowded about us, looking at us with ill-disguised curiosity. The interpreter repeated his question.

"Blas," said a young, beautiful, though depressed-looking woman, "is not in the house."

"The English Señor will speak to him," commanded the interpreter. "Send him to the hotel when he comes home."

Then our friend the interpreter determined to earn a large tip, and calculating on our ignorance brought us back by the longest route, past all the principal buildings of the town; thereby quadrupling the journey through the baking streets. Our desires, however, were fixed on home. We were staggering beneath the heat. Had the interpreter but known it, his tip would have been increased by celerity; but, stung by our apathy over public monuments, he took us into a courtyard to look at some gigantic tomatoes gleaming in the shade, and ran us across the street to examine a skein of fine white catgut, dyed orange at the tips, which a workman was carrying. He explained that this was for medical operations and for fishing lines, which was a local industry.

Lunch was ready when we got back, a prolonged and delicious lunch for those in health, but we could eat little of it. Black olives were in a dish on the table; and the fruit included large ripe figs, peaches, pears and apricots. A curious fact we had noted was that much of the fruit did not ripen properly. Either it was unripe or else had begun to rot in the centre. The sun was too strong to allow it to reach the stage of exquisite ripeness which the more temperate climate of England encourages. The waiter was dismayed by our lack of appetite. He urged us repeatedly to further gastronomic efforts, and holding dishes beneath our noses stirred up the contents with a fork. At last he made us a special salad which was not on the menu. The other occupants of the long white restaurant were all fat men who swallowed course after course in spite of the heat. We looked at them and thought: "No wonder there are so many plump people in Spain."

After coffee in the large hall, we went to our bedroom for a rest. The windows of our room looked southwards, over the muddy river. Immediately beneath was a road on which was a wayside stall of bottles and old ironwork, an ice-cream vendor, a boy roasting coffee on a stove, turning a handle round and round while the coffee beans rustled in the heated iron globe, sending up a delicious smell to our windows. A row of covered carriages, tartanas, waited beneath the shadows of the riverside trees. All along the opposite bank were two-storied mills, and beyond them the town stretched out in a wedge of flat roofs bursting up into church towers. Green market gardens came up to the edge of the town, and covered the valley to the base of the hills with a dense growth of flat and flourishing green which one had not expected thus far south in Spain.

We were awakened from our siesta by the spherical maid who mouthed and pantomimed that a Señor was waiting for us in the hall. Luis Garay, a young painter and lithographer to whom our friend had written about us, had come at the earliest opportunity. He was slim, sallow, almost dapper, with dark frank eyes, and we took a liking to him at once. Together we went outside the hotel and sat at a table in the open place facing the principal promenade of Murcia. The river was on the right-hand side, and on the left was a line of tall buildings, some cafés, others municipal. The heat attacked one in waves, it seemed as palpable as though it possessed substance. When we took our seats the plaza was empty because the siesta was not yet over, but after four o'clock had passed gradually the life of the town blossomed out.

The army of beggars attacked us; in monotonous undertones they moaned their woes.

"Hermanito, una limosna qui Dios se la pagara,"[5] they whined.

To those who seemed unworthy Luis answered, "Dios le ayude."[6]

How exquisite is the courtesy of the Spaniard even to a beggar. Our manners have not this fine habitual touch—after the international occupation of Scutari the beggars of the town had learned two English phrases; one was "G'arn," the other "Git away." It is true that under this harsh exterior the Englishman may hide a soft heart; he may be like the schoolmaster who feels the caning more poignantly than does the schoolboy; indeed many a man puts a deliberately rough exterior on to mask the flabbiness of his sentimental nature; and the Spaniard, for all his courtesy, may have the harder nature. Yet the courtesy which recognizes a common level of humanity is a precious thing. It may be that by refusing alms with respect one may be preserving in the beggar finer qualities than would be generated by giving with contempt. A Spaniard once said, "I like a beggar to say 'Hermanito, alms which God will repay.' It is naïf and simple. It has a beauty for which one willingly pays a copper. But when a beggar whines that he has eaten nothing for three days, it is offensive. It is an insult to give a man a halfpenny who has eaten nothing for three days; and one cannot afford to give him the price of a square meal; and anyhow one knows that he is lying."

As well as the pitiful beggars there were the musical beggars. Two men came playing the guitar and laud. Another followed with a gramophone which he carried from his shoulder by a strap. Then came the barrel-organ. We had not noted its arrival. Suddenly the most appalling din broke out. Awhile ago in Paris M. Marinetti organized a futurist orchestra; one could imagine that it had been transported in miniature to Murcia. There were bangs and thumps and crashes of cymbals, and tattoos of drums, and tinkles of treble notes, and plonkings of base notes intermixed apparently without order, rhythm or tune. What a state the barrel must have been in! Once we presume that it played a tune, but now it was so decrepit that nothing as such was recognizable. It was dragged by a donkey and a cart and shepherded by a fat white dog which had been shaved, partly because of the heat, partly because of vermin. It was an indecent-looking dog, and the flesh stood out in rolls all round its joints. No sooner had this musical horror disappeared round the corner than another organ in an equal state of disrepair took its place.

A MURCIAN BEGGAR-WOMAN





"It is all right," Luis reassured us; "you have suffered the worst. There are only two in the town."

A crowd of urchins carrying home-made boot-blacking boxes pestered us with offers of "Limpia botas." A man and a woman sauntered between the tables bellowing and screaming "Les numeros"; these were state lottery sellers.

Also there were sellers of local lotteries, which were promoted by the Church in aid of the disabled whom they employed to sell the tickets. Nuns, too, were amongst the beggars. There were boys selling newspapers; men selling meringues and pastry, others hawking fried almonds, very salt to excite thirst; children hunting between the legs of the tables and chairs for cast cigarette ends or straws discarded by the drinkers; a man peddling minor toilet articles—toothpicks, scent, powder, buttonhooks—and another with a basket of very odorous dried fish.

The smell of the fish banished our new-won universal brotherhood and we waved the fish vender away without courtesy. But an elegantly dressed young man sitting near accosted him and began to chaff him. But what was pretence to the dude was earnest to the salesman. He had some talent for selling and he pestered the dude for nearly half an hour, at the end of which the latter in self-defence and for the sake of peace bought a portion of the smelly commerce. Probably the fishmonger's total gain out of the transaction was a fraction of a penny. But the Spanish is not a wasteful nation. When the dude walked off home he took with him the fish wrapped in his newspaper.

At last we called the waiter by the Spanish custom of clapping the hands, paid for the drinks, and guided by Luis set out to visit the house which our friend had lent us for the summer. Habits of cleanliness were shown in the streets. Young girls were hard at work, each industriously brushing the dust from the sidewalk in front of her house, even though that sidewalk were itself of dried mud. To us it seemed that the story was being repeated of the old woman who tried to besom the tide out of her front door.

Many of the householders had spread their sphere of influence even beyond the sidewalk, and had soaked their patch of road, turning the dust into viscous mud. The pavements were already beginning to be encumbered by chairs, and by groups of people sitting out in the cooling day.

The Paseo de Corveras is a one-sided street darkened by tall trees. On the other side stretch maize fields surrounding a small farm, and walled-in gardens filled with tall feathery date palms. The dates were already hanging in orange clusters beneath the sprouting heads of fronds. Luis took us to the house of Antonio Garrigos, who lived at No. 12.

Antonio was a handsome man of pure Spanish type, giving an impression of nervous vitality. He produced three keys, each of about a pound in weight and large as any key of a theatrical gaoler. The house key was of monstrous size, and he assured us that we would have to carry it with us wherever we went. Our friend's apartment at No. 26 was on the first floor and spread right across two humbler dwellings below. It was cool and roomy, filled with specimens of Spanish draperies, pottery and furniture, which he had collected during several years in Spain. At the back was a kitchen, with large earthen vessels for water, and Spanish grids for cooking on charcoal. The bed was big for one, but very small for two, so we suggested taking off the spring mattress and laying planks in its place. Antonio at once said that to-morrow he would get the planks in time for the night.

Then, feeling very tired but thoroughly pleased with our prospective house, and with the new acquaintances we had found, we walked back to the hotel, had a supper as liberal as the lunch, and went to bed

FOOTNOTES:

[5] "Little brother, alms which God Himself will repay."

[6] "God will help you."


CHAPTER IX

MURCIA—SETTLING DOWN

By the time we left the hotel, which we did on the second day, the maid had reviewed her decision as to the state of our mentality. Receiving her tips she shook our hands warmly, asked where we were going and said that she would without fail call upon us. The tatterdemalion bootblack at the hotel door, who could never quite make up his mind whether he were bootblack or lottery-ticket seller—neglecting each business in favour of the other—helped us with our luggage. He also on receipt of a tip inquired our future address and assured us that he would call upon us. The driver of the tartana told us that he would look us up one day to see how we were getting on; and another visit was promised by a ragged lounger whom we called in to aid us in getting our luggage upstairs.

"Spain," we said, "seems to be a sociable country."

Don Antonio was waiting for us at his house, which was but a few doors away from our own. He introduced us to his wife, a buxom, jolly woman of about twenty-five; his sister, tall, elegant and dark, perhaps the most complete type of Spanish woman we had yet met; and his brother-in-law. Don Thomas, for such was the brother-in-law's name, was able to speak a portion of the American language, and often by his imperfect knowledge he would deepen our ignorance of what others were saying in Spanish.

Don Antonio had a small box factory. His house was two-storied, as were most of the houses in the Paseo. On the ground floor the front room, or entrada, was filled with wood, wood-working benches, and stacks of unfinished boxes; the kitchen behind was not exempt from business, for here Antonio made up his glues and pastes, while the whole top story was occupied by girls who covered the crude shells of the boxes with velvet and looking-glass and papier mâché adornments. Antonio and his wife were crowded into two small rooms, a bedroom in the front alongside of the entrada and a dining-room at the back parallel with the kitchen.

Our planks were ready for us, but Antonio refused to be paid for them. He said that when we had finished with them he could make boxes out of them. We spent the afternoon in our flat unpacking and arranging the plank bed. The mattress was not broad enough to cover the planks which we put down, but we managed to find a padded sofa-covering which, laid alongside of the mattress, supplemented the inefficient breadth. As we had met neither mosquitoes nor net in the hotel, we left the mosquito-net in the trunk.

In the evening Luis Garay called for us. He led us through a maze of darkened streets, at one time skirting the tall, over-decorated rococo front of the cathedral, and brought us to a large doorway within which was a smaller door. Two sharp raps and the door swung wide mechanically, though a long rope tied to the latch and looping its way upstairs showed how it had been opened. Up wide white stone stairs we went, watched by an old, old man hanging over the balcony of the second floor. Luis said no word to him, nor he to Luis.

The chief keynote of Spanish interiors is whiteness. The room into which we came was white, and out of it was another white room set with dining-tables and decorated with a huge white filter. This was "Elias," where we could dine excellently for the sum of one peseta fifty centimos apiece.

Elias himself looked like a cheery monk painted by Dendy Sadler. Clad in a long white overall, he stood in the midst of his snowy tables and greeted us merrily.

Luis went away, having said good night, for he had an engagement. We ate omelet, beefsteak and fried potatoes, finishing with a plate of fruit, fixed by the multiple stare of the young men dining there. I was the only woman at Elias while we dined there, for Spanish women are home clinging folk, and even to the cafés they never go in large numbers.

As the young men finished their meals, they went out. Each one as he passed through the door bowed and said something. It sounded like "Dobro Vetche," but "Dobro Vetche" is Serbian for good evening. We could not make out what the words were, so, as the Serbian seemed to be appropriate, we boldly answered it in return. Later on we discovered that they said "Buen Aproveche" with the first part of the sentence slurred over by habit. It means "May it do you good," and the customary sentence to say to any one who is dining. The correct answer is "Gracias."

We left Elias' very satisfied with our cheap discovery. Jan, who generally has a good head for locality, engaged to find his way back without a guide. But he turned the wrong way out of Elias' door. We wandered amongst deep darkened streets till suddenly we came out into one as narrow as the others, but laid with flat pavements, instead of rugged cobbles, and blazing with light. Through this we ran the gauntlet of Murcia. The street was crowded with hotels and cafés, both sides being lined with tables at which the evening drinkers were sitting. The street itself was filled with a flux and reflux of the youth and beauty, the "Hooventud, Bellitza and Looho,"[7] of the town.

We came, especially I, upon them as a catastrophe. The light died out of their eyes, the smiles disappeared from their faces, mouths dropped open, fingers pointed, people grasped each other. It was similar to the moment when an elephant comes along in the village circus procession, and I was the elephant.

During our first weeks in Murcia our appearance in the streets invariably caused excitement and shrieks of laughter among young girls and gossips. If we entered a shop the children crowded in with us to listen to our attempts at Spanish. This was not done with deliberate rudeness, but was more the result of unrestrained curiosity. This attitude was not very evident when we went for strolls with Luis: the presence of a fellow-townsman seemed to have a calming influence. At last I found an effective weapon. With mock horror I stared at the feet and ankles of any young woman too malicious. Self-consciousness at once gripped her—almost invariably she hurried away to examine her shoes and wonder what was wrong with them.

Curiously enough we never became conscious of a case of incivility among the men. Even groups of lads at the difficult age which breeds larrikins in Australia were on the whole less offensive than in other countries. It seemed to us that if a Spanish woman were kind-hearted—and the majority are so—she was the most kindly and charming of women, but if of a spiteful nature she took less pains to hide or curb it than do the women of more sophisticated countries.

The narrow street which we had discovered by accident was perhaps the most disconcerting part of the town, as it was full of cafés, and therefore of loungers; but we often had to go there for small necessities. There we had to go for smoked glasses because of the brilliance of the sun, for a parasol, and for a hatpin. The first two objects were easily found, but the last was difficult. Hats, even in Southern Spain, are worn only by the crème de la crème for great ceremonies, and the hatpins sold by the jewellers were intended for such occasions. They were decorated affairs with huge heads of complicated workmanship set with garish stones. Probably no other woman in the town wore a hat for normal use, so we gave up the search and Jan made out of hairpins something which served.

We ran the gauntlet of the quizzing street and made our way home.

All along the streets the people had brought their chairs out of doors and were sitting on the pavements in the cool of the night. At Antonio's door we found a group of his family, almost invisible in the dark. We sat down with them. Presently Antonio said:

"I will go and fetch Don Luis, and he will play for us."

What then could be seen of Don Luis was a large nose, a check cap and a pair of gnarled hands which grasped his guitar in a capable manner. He sat down on a chair on the sidewalk and began to play.

"Curse it!" he exclaimed. "Do you know I used to play very well, but all this factory work ruins the fingers for playing. Mine are getting as stiff as if they had no joints in them."

Presently he was playing a jota and demanded that somebody should dance.

"Dance, dance!" he shouted. "Curse it! What's the good of playing if nobody dances?"

By this time most of the inhabitants of the houses near had gathered round, although almost hidden; but there were no young men. Antonio's sister danced a jota with a pretty girl. The jota is the most common of Spanish dances, as the waltz used to be with us. It has a tempo which fluctuates between three-four and two-four, the phrases being divided into two beats each or three bars of two beats each at the will of the player. The jota that evening appeared to be a very sedate kind of dance. When it was over the crowd urged us to dance something English. We asked Don Luis to play the jota again, and to it we danced a rather mad waltz which we had invented. The path upon which we danced was of dried mud, which is pounded into unusual shapes in the winter and dries in whatever shape it happens to be when the heat comes. It was full of lumps and holes, and the light was dim. In a moment we partially understood why Antonio's sister had been so sedate. But the brother-in-law informed us:

"Say," he said, "my girl can dance wonderful. But 't'aint proper, in de town. Say, you see 'er in de country. Den she hop. She kick de window in wid 'er toe. Sure. Show you one day."

Murcia is a town of about 100,000 inhabitants and is the capital of its province, but it is hardly more than an overgrown village in spite of its cathedral, its bullring, its theatre and its cinema palace. Both at Avila and at Madrid they had said to us: "Aha, you are going to the town of the beautiful women!"

But the women of Murcia, with the exception of some lovely and filthy gipsies, were not unusually beautiful. They were thick-set and useful looking with muscular necks and ankles, and their eyes had a domesticated expression. Their clothes emphasized their defects. They indulged in pastel shades and frills which were used in fantastic ways. We have seen frills in spiral twisting around the frock from neck to hem, or a series of jaunty inverted frills round the hips, which gave to the wearer something of the appearance of one of those oleographs of a maiden half emerging from the calyx of a flower: or perpendicular frills which made the wearer resemble a cog-wheel.

We had ample opportunities of observing them from the windows of our house, at which we started our experimental sketches in Spain, but we had to sit back from the balcony because small crowds began to gather, and boys to shout. Antonio then said that he would take us to one of the big walled-in gardens where we could paint at our ease.

A huge gateway led into a courtyard which was completely covered by a vine pergola. The grapes hung in large bunches, though yet green. At one side of the courtyard was a low stall on which fruit and vegetables were for sale, and near an arched door a woman was washing clothes in a large basin of antique pattern. The garden was a rich mass of green. Huge trees of magnolia were covered with waxy white flowers and gave out a strong odour which scented the wide garden. Lemon trees and orange trees were ranged in rows; the lemons yellow on the trees or lying on the ground as thick as fallen apples after an autumn storm, the oranges still hard spheres of dark green. Along the edges of the paths stood up the tall palm trees with their golden clusters of unripe dates, or with their fronds tied up in a stiff spike, some mystery of palm cultivation. Fronds of palm, hacked from off the trees, lay about the ground, and we were surprised to find by experience that they possessed long, piercing and painful thorns.

We painted for several days in this small paradise, but our conscience was accusing us. We had not come to Spain to paint gardens. One day we took our courage in our hands.

"It is market day," said we; "we will go and paint the market."

Peasant carts loaded with fruit and vegetables were crowding into the town; men clad in black cottons were dragging donkeys, upon the backs of which were panniers filled with saleable provisions; women with umbrellas aloft against the sun carried baskets in their arms or heavy packages upon their hips. The market was spread in the sunlight behind the Hôtel Reina Victoria. Grain was for sale in broad, flat baskets, cheap cottons were on stalls; fruits—peaches, plums, and lemons—were mixed with tomatoes, berenginas, and red or green peppers. To one side of the market place was the fonda which had once been a monastery. This was for the travellers by road as the hotels were for travellers by rail. In a huge arched entrada carters and villagers were sitting at their ease. To one side was a kitchen in which could be seen large red earthen vessels which made one think of the last scene in "The Forty Thieves," and beyond the entrada was an open courtyard in which the high tilted road waggons were drawn up in rows.

Skirting the fonda wall I found a corner which seemed secluded, and sitting down I began to paint an old woman and her fruit stall. One by one a few people gathered behind me. Blas, the gipsy musician, came up, greeted me, and added his solid presence to the spectators. A baker came out of his shop and watched. The crowd began to increase. Soon they were pressing all round, even in front, so that I could see nothing.

"I cannot paint if I cannot see," I exclaimed to Blas.

He and the baker set themselves one on each side and hustled an opening in the crowd.

"Atras, atras!" they shouted. "En la cola, en la cola."[8]

But more and more people hurried up to see what was happening. Soon the crowd, despite the strenuous efforts of Blas and the baker, closed up again in front, and no efforts could keep an open vista.

Jan, who had been drawing in another part of the market, came up. He saw in the midst of a maelstrom of heads the extreme tip of my hat and worked his way through, to speaking distance. Brown-faced old women, with market baskets, men with turkeys hung in braces over their shoulders, young women with babies, gipsy men with tall hats and gig-whips, noisy boys, all smiling, friendly and curious, were peeping under my hat discussing the phenomenon.

We left the disappointed maelstrom, which changed its shape and followed us like a rivulet to a café, where they stood for a while gazing solemnly while we sipped iced coffee.

We then decided that sketching in the streets of Murcia was not to be thought of. Luis, to whom we confided this, said that he would find us balconies and roofs from which we could work, but we wanted to settle in some small village where we could know everybody in a day, and sketch where we liked, so Luis made arrangements to take us across the plain at the foot of the mountains to see some villages that might suit us