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Proserpine and Midas

Chapter 14: MIDAS.
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About This Book

Two short mythological dramas retell classical legends: one follows the descent of a springtime goddess and the emotional aftermath for those left behind, framing seasonal change as a meditation on loss, return, and maternal longing; the other dramatizes a ruler whose wish produces an unsettling transformation, prompting moral and satiric reflection on desire, perception, and consequence. Both combine dramatic scenes and choral lyrics in a lyrical, classically inflected style that emphasizes elegiac emotion, contemplative lyricism, and theatrical compression rather than extended narrative or elaborate spectacle.

MIDAS.

A DRAMA IN TWO ACTS.

DRAMATIS PERSONAE

Immortals.
APOLLO.
BACCHUS.
PAN.
SILENUS.
TMOLUS, God of a Hill.
FAUNS, &c.

Mortals.
MIDAS, King of Phrygia.
ZOPYRION, his Prime-Minister.
ASPHALION, LACON, Courtiers.
COURTIERS, Attendants, Priests, &c.

Scene, Phrygia.