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Provença

Chapter 31: GREEK EPIGRAM
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About This Book

A compact sequence of lyrics and narrative poems reimagines medieval troubadour and classical voices through a modernist lens. The collection mixes stylized adaptations and persona pieces, ranging from jaunty ballads to mournful elegies, and tests forms such as sestina, sonnet, and canzone. Themes of love, loss, memory, exile, and the craft of song recur amid dense, allusive imagery. Shifts in diction and perspective create a chorus of historical and mythic echoes, prioritizing formal experimentation and vocal variety over linear narrative while inviting attentive, cross-temporal reading.

“FAIR HELENA” BY RACKHAM

What I love best in all the world?

WHEN the purple twilight is unbound,
To watch her slow, tall grace
and its wistful loveliness,
And to know her face
is in the shadow there,
Just by two stars beneath that cloud—
The soft, dim cloud of her hair,
And to think my voice
can reach to her
As but the rumour of some tree-bound stream,
Heard just beyond the forest’s edge,
Until she all forgets I am,
And knows of me
Naught but my dream’s felicity.

GREEK EPIGRAM

DAY and night are never weary,
Nor yet is God of creating
For day and night their torch-bearers,
The aube and the crepuscule.
So, when I weary of praising the dawn and the sunset,
Let me be no more counted among the immortals;
But number me amid the wearying ones,
Let me be a man as the herd,
And as the slave that is given in barter.