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Provença

Chapter 53: EPILOGUE
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About This Book

A compact sequence of lyrics and narrative poems reimagines medieval troubadour and classical voices through a modernist lens. The collection mixes stylized adaptations and persona pieces, ranging from jaunty ballads to mournful elegies, and tests forms such as sestina, sonnet, and canzone. Themes of love, loss, memory, exile, and the craft of song recur amid dense, allusive imagery. Shifts in diction and perspective create a chorus of historical and mythic echoes, prioritizing formal experimentation and vocal variety over linear narrative while inviting attentive, cross-temporal reading.

EPILOGUE

TO GUIDO CAVALCANTI

DANTE and I are come to learn of thee,
O Messire Guido, master of us all,
Love, who hath set his hand upon us three,
Bidding us twain upon thy glory call.
Harsh light hath rent from us the golden pall
Of that frail sleep, His first light seigniory,
And we are come through all the modes that fall
Unto their lot who meet him constantly.
Wherefore, by right, in this lord’s name we greet thee,
Seeing we labour at his labour daily.
Thou, who dost know what way swift words are crossed
O thou, who hast sung till none at song defeat thee,
Grant! by thy might and hers of San Michele,
Thy risen voice send flames this pentecost.

Note. This poem foreruns a translation of
“The Sonnets and Ballate of Guido”
now in preparation—E. P.