Of fresh tumultuous sea
Holds life within its rhythmic rise
And bursts of harmony;
And storm-clouds chasing down the sky
Empty their hearts as they sweep by.
Such mellowness of tune,
Such drifting airs from wave and shore,
From rock and sand and dune.
I did not know that clouds of spray
Splashed as they fell, a roundelay.
Has raised a magic mood.
Oh! years ago God made the world
And saw that it was good.
And from His ecstasy divine
I borrowed this sweet hour of mine.
Thoughts
He marvelled they could be his own;
He did not dream that they were birds
From heaven flown.
Limpid and golden from the sky.
Most wonderful his song. 'Twas strange
He knew not why.
Then soared again to paradise,
Leaving a trail of limpid notes
For sacrifice.
The Things Unsaid are the Things that Count!
You showed me why;
You said it often, just to prove
Inconstancy!
I never heard—
I only marked—the unsaid word.
My own poor love,
A wider sphere, ambitions fond!
'Fore God above
In rosy bliss
I only felt th' ungiven kiss!
In shining letters, spelling happiness!
I knew that love would one day be mine own,
A tender suppliant for forgiveness won.
I had no fear,
Tho' cold and clear
You gave your answer,—sweet, my dear,
I never heard—your spoken word!
The Song of the Long Ago
Wandering too and fro,
Floating to earth on the hallowed tones
Of a song of long ago.
Steal through the simple lay,
Lifting the silvery veil aside
Of a long lost yesterday.
Raised from the silent past,
In the pregnant chords of a once loved song
Memory speaks at last.
Shrined in the mists of years
And a world of hopes! Dear God, what hopes,
Born to the soul in tears.
Stealing with solemn chime
To a finite grave. They will rise in faith
When Eternity conquers Time.
Sacred and sweet and old,
With the lingering touch of a bygone age,
I have scanned again in thy down-turned page,
A tale that was long since told.
The Sinner's Dreaming
(Bands to the number of seven)
On the limpid sea, we followed the gold
And climbed on our way to Heaven.
Piled high in the regions of thunder,
Till we reached the sky, in its columns of storm,
And God's gates rolled asunder.
With us, pearl and jacinth and beryl,
And it faded away, that pearl-grey mist,
And we clung to the gates in peril.
How we cringed on the floor of Heaven!
And the great sun drew its bands from the pearl.
Bands to the number of seven.
To the shadows, where earth is seeming,
We know that that hazy circling sphere
Was only a sinner's dreaming!
Woman
Fair He made her, as the rose;
Her face upturned to catch His radiant smile;
His sunbeams lurked the while
About her lips; with care He chose
Her hair and glory, and her round white throat,
The pillared keeper of her woman's note.
God filled her eyes with innocence and love,
And glimpsing lights from out His skies above.
The Father knew that she was beautiful.
And yet, to make her nobly dutiful
To Him, within her breast
He set a shrine, all holy and possessed
In shining mystery. And few who know
To enter in. The evading flame aglow
That fills the shrine, is white as unshed snow.
And deep within that casket of her breast
Are secret joys, to God alone confessed.
Christmas
Stars and ice at one together,
Shining frost on cracking branches,
Snow in pale smooth avalanches.
White the weather, wintry weather.
Bloomed in radiant summer weather,
Sparkling icicles moon-lustred
Droop, where once the green leaves clustered.
Life is sleeping, held in tether.
Three Wise Men set forth together;
Once a Star of wondrous glory
Told the Christ's triumphant story.
Wintry weather!—God's own weather!
All the world washed white together!
February
For passion and desire,
I only sing because the sun
Is gold like shining fire;
I only sing because the day
Is blue, the grass is green,
The birds are singing out their hearts,
The waking twigs between!
With buds of folded brown,
Because the snowdrops look so white,
The catkins feather down,
Because the naked elms have bent
To whisper me this thing—
The sap is stirring in their limbs—
How can I choose, but sing!
Oh! 'Tis May
Come and idle, everyone,
Flowering May
Is wholly gay,
Come and idle in the sun.
Fragrant grass, and dew-wet dawn.
Buds unfold,
And leaves grown bold
Spread great shadows on the lawn.
Hear the lark and thrushes thrill!
Come along,
Such a song,
Such a chorus bright and shrill.
Hear the hum,
Hear the hum of tireless bee.
Come with me,
Wilt not idle for a day?
Wilt not shirk
Thy waste of work?
This is life, this radiant play
Nature keeps for flowering May.
Buds and bees and grass and flower
Make a sweeter, holier hour
Than all drab years of labour dour.
Come away,
Come and play,
Come and glory in the sun,
Come and laugh! Come, everyone.
Is fresh and gay,
Come and greet the golden sun.
Come away,
Come and play,
Come, oh! come out, everyone!
To the Wind
Do you whisper eerie sonnets to the moon
As it rises white and sickled? Do you croon
Silver-coloured ditties pale and low
As you rock the cedar branches too and fro?
Do you sing to woo the bat,
Is it that, is it that?
Have you tunes for such a sullen little wraith,
Half dream, swooping high, scarcely seen, chiefly faith?
Would you hold a phantom to your breast
As you murmur gently love-notes from the west?
Every tree is but a harp for your desire,
Every leaf a mellow string to swell your choir,
Every grass a cooing reed
At your need, for your need,
Drums and clashing cymbals of the sea
Boom a pæan, hurl a flood of melody.
Men have snatched an air or two
Of a fantasy from you
And have prisoned them in books to make them stay,
Scattered fragments that your lips have blown this way.
Small and shy and thin and cramped and grave,
They are caged and tied to paper in a stave.
Do you mind,
Oh Wind?
"Keep the fragments, little earth-men, dance and play,
'Tis a dainty roundelay,
Hold it, pray; hold it, pray.
For myself, my breath is fierce, myself am great,
For my tiny fallen airs I dare not wait;
Storms beneath my rushing wings unfurled
Roll the symphonies which dominate the world."
The Grey Wind
With the grey wind:
Far from the gorse and the wet earth scent
I have been.
With the grey wind:
I have cowered down his knees between:
I have seen.
With the grey wind:
The dry leaves crackle and snap at his word
I have heard.
All the wild leaves
In a hustled crowd, to the stormy sky,
At his word.
Churned by his breath,
Out to the windways, where never sun shone,
Forth they swept.
Swung scatterwise;
Eddied and swirled to a swift advance
Till they crept
Leaves of brown-gold
Chittering feebly in masses sere,
Crazed and slow:
Those poor dead leaves
Are the souls of men the grey wind slew—
This I know.
Poeta Nascitur
Tho' all mayn't know it,
Rules only, never made a poet.
He pruned them down to language fixed and terse,
But finding that would give his tricks no play,
Spurned his reserve, and tried another way.
Trimmed them with adjectives and adverbs fair,
And studying every law of form and rhyme,
Pieced up his metre into studious time.
His work remained poor, tortured, unsexed prose.
He felt the leaves a-quiver in the dale—
Stooping, he caught a whisper from the sky
That slipped from out the twilight whimsically.
Quickened his fancies, stirred his heart as well,
In reverent awe he heard its mystic call,
A heaven-born glory permeating all.
To words so peacocked in a flaunting gown,
The forms of metre he had conned so well
Were all inadequate that sigh to tell.
Those simpered rhymes, his petty bandbox mode
Of tight-packed trumpery. No need to pace
The solemn pavements of the commonplace.
Were stones that blocked th' outpourings of his heart.
He looked beyond the great inrushing sea,
Seeing at last the hidden things that be!
Strong as its life, a lilt of rippling feet,
Whilst from the wind that swept the answering trees
He culled the moaning rhythm of the breeze.
Into a poem, soft with melody,
It thrilled the soul in motion strong and free,
Wild as the wave, a break of ecstasy.
Sweet in its passion, holy in its mirth—
And lo! a light gleamed through each noble line,
The wind crooned softly, starways seemed to shine—
That poem—was divine.
Queen Elizabeth
She would dance a Coranto, that the French Ambassador, hidden behind a curtain, might report her sprightliness to his master.—Greene.
And the guest was entranced
As she tripped the Coranto, and curtseyed and swayed
In a robe of rich stuff,
Jewelled slashings and ruff,
And a stomacher stiff, thick with pearlings and braid.
Ho! he peeped round the curtain,
'Tis perfectly certain
Enraptured of mien
At the tiptoeing Queen,
In a courtly way, in a Frenchy way,
In a naughty way, in that Tudor day.
And he sniggered ("I ween,
This is only a woman to flatter and kiss,
A creature of vanity")—"Madam, what bliss
To have witnessed such grace, such elegant——" here
He could find no more words, and emotion 'twas clear
Choked all further utterance,
For never had such a dance
Entered his thought.
Such slippers! and ought
He to mention the hose?
All of silk to suppose?
Had the muse from Olympus stepped down for a while
Terpsichore style?
Then quite without guile
He bowed very low in his Frenchified way,
In that courtly way, of a far-off day,
And the laugh of the lady was merry and gay.
Her frivolous tricks, and the foreigners said
It was only a princess, a slave to her pride,
True child of a mother a king had decried!—
So she thwarted and twisted the world to her whim
As he misunderstood her—she outwitted him!
Incensed at her folly, essayed yet again
To bring her to reason
Just at his own season.
So he sent his Ambassador, Spanish Mendoza,
To this slippery Queen, with a message sub rosa.
Is it truce to my jest? 'Tis a pity I trow.
It were best to be merry!" She yawned very wide,
And the Spaniard furtively smiled at her side.
'Twas only a woman to flatter and kiss,
'Twould be easy to manage a creature like this!
Her words were unyielding, her purse it was mean—
The Spanish Ambassador
Writhed like a matador!
Beaten and wounded, he played to her vanity.
—It was tucked out of sight—and with Spanish profanity
He cursed all the Protestants under his breath,
And committed them gently to burnings and death;
But never an inch did Elizabeth yield,
And the messenger saw that his mission was sealed,
In that far-off day.
And Elizabeth laughed
In a curious way
That was subtle with craft:
"Under favour, you may
Tell your master in Spain, that my country comes first.
I am England, and English, its best and its worst.
Tell him my subjects I love as my children,
Tell him they thirst but their mouths will be filled when
They meet him at sea.
Give that greeting from me."
Broken and bruised like a bull-beaten matador,
And he bowed very low
(It was etiquette so)
And he cried, "Oh, that Queen is the devil in sooth.
A fool, Sire, 'twas thought, for she danced so uncouth!
But her bargains are hard as her heart and her hand,
As her dreary dominions, her men and her land!
And never be gulled by her feminine vanity,
'Tis only a pose, all her vacant inanity!
Let us man an armada to crush her and raid her,
To send her to hell to the demons who made her!"
Heavy ships big and slow
In a lumbering way, in a blundering way
In that Tudor day.
Proudly up channel their galleons swept,
Swiftly our pinnaces hustled and leapt
At their rear. Dogs tracking their prey
And biting and snapping
And snarling and yapping,
Delighted and fierce at the chance of a fray.
When our fire-ships had neared them,
And blazed them, and seared them,
Wrapping their hulks in red flamings Satanic!
God, how they scattered,
Slipped anchor, and shattered,
Sails tattered,
Masts battered,
Up to the north whilst a mighty sou'-wester
Rose wildly and strong, to hinder and pester
Their perilous flight; how they foundered and sank
On that treacherous bank,
Lost, lost evermore
On our alien shore.
And the poisonous breath
Of scurvy and pestilence, hunger, despair,
The struggling remainder of galleons bear
Them back to the port of Corunna again,
All, all that is left to the pride of proud Spain.
Elizabeth waited the chances; and then
"My children are fed
And their enemies dead,"
Cried the frivolous Queen.
Majestic of mien
She towered, her wisdom and high inspiration,
The might of a people, the soul of a nation.
L'Envoie
(And even to-day I will wager that no manCan fathom the mind or the depths of a woman!)
The Death of Queen Elizabeth
So lonely,
Was ever woman quite so lonely?
Clad in a rich bejewelled dress, unchanged
For nigh a week, her stiff ruff disarranged,
Her fierce eyes staring dully at the floor,
Fear on that face, which ne'er knew fear before—
Elizabeth.
That gorgeous England, which was once her own.
Those solemn courtiers pacing to and fro
Outside the palace, neither care nor know
The dying Queen is lonely!
And she, contemptuous victim once of hate
And score of plots, plunges her naked sword
Thrice through the arras, which had never stirred—
Afraid!—Elizabeth?
She shivers, this gay daughter of a gold
Entrancing age. The debonair gallant
Who sang her, now the mocking sycophant.
The ministers she trusted, gone. The throne
She loved with all her passion, left for one
Of stock and seed she loathed. Mere English, she
Shrinks from the new and cold sobriety
Of chill advancing fashion. Only Death
To woo this poor—this great Elizabeth!
Was ever woman quite so lonely?
The Plea of the Antarctic
The best people to judge are those who served under Captain Scott. Had we been in the same place as the victims we should have wished our bodies to remain at rest where we had given our best efforts in the cause we earnestly believed in.—Commander Evans.
"Give me the right to bury my great dead.
No green-girt lands can honour them as I,
Nor wrap them round in such pale purity.
Place England's flag above their cairns unfurled.
I need great souls! Great Hero souls to bless
And consecrate my snowy wilderness."
The Stranger in London
And the clouds that gather the grey skies in
Are frayed by chimneys black and old,
Serried stacks of grime and sin.
And every road and every street
Has a secret tale to guard and hold,
Mid the echoing tones of passing feet.
Oh weary place!
Brimmed up with life, confused in sound,
I have little part in your daily round,
For I wander lonely—stranger bound.
To those they know,
For me they stand in a formal row
Story on story, floor upon floor,
Shielding themselves from the crimson sun,
From the on-rolling mutter
Of traffic and wagon, of footstep and cry,
With curtain and shutter.
Mute houses which shun
All light, sound and me
Inexorably.
When the spluttering rain
Spreads the smuts on the pane,
I dream that those mansions relax their grim pride
And opening wide
Their intimate hearts to me,
Chill taciturnity
Melts in the warmth of rich colour and fire.
Vast halls are alight
With radiant desire
To show hospitality.
Lavish regality
Squanders the staircase in flowers and green.
And I wander unseen
Through the great pillared corridors, kiss the soft red
Of the shimmering hangings; the sensuous glow
Ablaze in the hearth thrills me throughly, I know
There is place for me there, in those homes I thought dead.
Fails with the light,
Forcing the hopes of me
Back into night.
Never to open, never to see
Stern cold houses
Closed to me!
Burst your bonds, for up on high
May I come in?
I have no part in this world, no home,
No love to hold me. Bid me come,
I would warm myself at your great round sun,
I would open your windows one by one.
Your little stars and your crescent moon.
I am tired and thin,
I think I shall come and see you soon.
May I come in, may I come in?
The Transvaal in June
Of a hot relentless sky,
Burns the hot red deep, and the hot red road,
And the choking dust like a rust corrode
Soars up in spirals high.
Of a hot and brazen sky,
Cries the thirsty drift for a summer rain,
Baring its naked stones in vain
And its mud in misery.
Of a wide remorseless sky
Sleeps the patchy scrub of the sweeping veld
And the slim blue gums, and the wattle belt
Where the shrike broods watchfully.
Of the grim unblinking sky
The hot dorp pants, the red roofs daze,
The mule tracks scorch, the iron-stones blaze
In their sun-struck agony.
Johannesburg
Thoughts stupendous to crush the wise,
Buildings monstrous which brush the skies!
Raise your eyes
In awe. Yet pity
This marvellous, golden, mushroom city.
Like the moan of the sea, when the wave curls back
From the granite rock which whirls it back,
A great unceasingly grinding drone
In a heavy unyielding monotone.
'Tis the frenzied wail of the lost in pain,
The shriek of the damned raised in vain,
Again! again!
And the stamping machine with a brutal joy
Wrenches the gold from its quartz alloy,
Crushing the tortured stone to dust
As it yields the ore
To the vast unquenchable thirst for lust.
As it sweeps the veld with its icy breath,
Biting the scrub with its teeth of death,
lifting the dust like a phantom shroud
From the tailing heaps, in a veil of cloud.
Scattering the belching smoke, which flies
From the chimney line that marks the rise
Of the Main Reef ridge.
Some devil's bridge
To bind the town to the broad full plain
Which rolls beyond, like the boundless main.
The forward child of a youthful state
So young in years. So rich, so great
In gilt renown,
And glittering fate!
Oh! ponder deep, all ye! Yet pity
This marvellous, golden, old-young city!
In the Land of the Silences
In thicknesses of canvas, taut and strong,
Burning beneath a sun unreticent,
Raised upon planks, and lashed with rope and thong.
And she was fair, a sprig of English May,
Born for the kiss of merriment and day.
The great veld swept and rolled in curves away,
A shabby patch of God's eternity
Neglected by the angels, bare and grey,
Wind-swept and solitary. Dick and she
Had made this veld their home for seasons three.
Their wedding journey over spruit and land,
The barbed-wire straggling snares, the kopje side,
The crumbling blockhouse dreaming of command,
Holding a loot of empty pot and tin,
Which once had held a soldier guard within.
Twisting in spiral devils, raw as rust,
Those lonely crosses leaning on their dead,
Murmuring Africa was never just.
"She knows no pity," shrieked the fierce South wind,
"She steals your youth and stultifies your mind."
Thorn wacht-een-beetje, fleshy aloe clump,
Through the charred stretches of the high Transvaal,
By meerkat hole, and rounded white-ant hump
Of tunnelled earth. She laughed; the air was wild,
Strong with exhilaration, undefiled.
Dick pointed with his sjambok to the white
Outspreading tent, then to the wattle belt
That marshalled thinly in the shimmering light.
"There lies our home, dear love, for you and me."
She looked up gladly, smiled him tenderly.
Reckless with life, extravagant in bloom,
Mad for the first wild draught of water, which
Burst from the thunder-clouds, whose massive gloom
Blackened the skies, then splitting, ripped and tore
Deep gorges through the tracks, with deafening roar.
Mantled the waking plains; wide star-like flowers
Sprang to their feet; the streams ran strong and clean,
The soft mimosa sprinkled into showers
Of golden balls. The oleander hedge
Swayed to the line of gums with leaves on edge.
Grown arrogant with rains, which lapped her square
Of gorgeous garden, swirling to the spruit
Beyond, in childish hurry. Was he there?
She scanned the far horizon. No, no sign—
Of man or beast to break the distance line.
Only her wishes trembling in the air
And mirage heat. A train sedate and slow
Wheeled round the kopje far away. The glare
Of brazen sun beat in her eyes. Too late!—
He would not come to-night! In lonely state
This th' unspoken horror of her life,
The dread that sapped her strength, and drained her powers,
The guarded secret of a brave man's wife!
Dick would come back to-morrow with the light
Of morn. But fear would be her Lord to-night.
The moonflower drenched the garden in its scent,
Ardent, voluptuous, and white as death
It hung long blossoms, heavy with intent.
The morning glories folded into sleep.
Lay purple in undress, and slumber deep.
Splashing her silver over poort and track.
The boys went chattering to their kraals, and soon
Long shadows ribbed the tent in white and black.
Beth closed the entrance fast, then slowly sped,
A lonely woman, to a lonely bed.
Come away,
Come, come, come away,
For the moon,
For the moon
Wove a shroud in the day,
All of white,
All of white,
Which she flings over all
In the night,
In the night
Like a pall,
In the night, in the night.
Come away,
Come, come, come away,
For the moon,
For the moon
Threw my blossoms a ray,
They are white,
Deadly white,
And their petals are pale,
Wan and light.
Do not fail,
Come away—in the night.
Come away,
Come, come, come away,
For the moon,
For the moon
Wove a shroud in the day,
And my scent,
Oh my scent
Which I waft over all,
Is of death!
Feel its breath!
And the moon made a pall
Which she lent to us all,
To us all!
Come away.... Come away,
Come,
Come,
Come....
Woven with silver cross-stitch into stars.
Was that the moonflower singing from the cloud?
Why were its petals bruised and veined with scars?
"Come!"—It was not the moonflower. Wide awake
Beth started up. That voice!—For pity's sake!
Rang with that urgent summons from the veld,
That startling premonition. Far and near
Cries shivered through her brain. Dick's voice. She felt
It vibrant in her ears. A call, for her.
She sprang up quickly, every sense astir.
She knew the way, she followed to the cry.
No stealthy footpad, sound of howl or hoof
Could scare her in the awful mystery
Of God-begotten knowledge. Dick had called,
Terrestrial things nor checked her, nor appalled.
The moon had spread her splendour, cold and white.
"This is the shining drapery, the pall,
This hoary sheet of clean pellucid light."
Grasping a small revolver in her hand
She hurried on, across the broken land.
The breath of night hung in the soundless air.
A wilderness unknown, unconquered streams
Lay with the Universe, at one, to dare
In majesty of nature, undisturbed
The flux of centuries, untrod, uncurbed.
Of shadowed kopjes struck against the sky.
The vlei gleamed fitfully. With sharp-edged frets
The coarse grass cut the horizon lustily.
The dancing moonway on the swollen drift
Broke into patterns on the current swift.
A frantic river, wild with recent rains,
Largened beyond all daring, barred her way.
Flooding the plains, drunk with illicit gains
It dashed with savage fury, tossing high
Its waters over bank and boundary.
The river widened, shallowing its bed,
Seeming to flow on leisurely and slow.
Above, it narrowed to a ravine, fed
By the Fountains. Three bald-headed rocks
Stood solemnly midstream on thick-set hocks.
The portly rocks as old and grey as time
Offered a bridge. On past the sunken beach
Of unclean ooze, the sea of gathered slime,
Across the hunching boulders, where the course
Of huddled waters broke their angry force.
She threw her weight upon the further bank
Into a clod of mud, whose squelching breast
Received her greedily. She seized the rank
Wild clumps of herbage with her hands, then strove
Until she reached the trusty ridge above.
Soothed every hindrance to a thing of naught.
The billowing veld, its tawny ceaseless roll
Was but the highway to the end she sought.
Love was her pilot, and by love controlled
Its radiance led her, like the Star of old.
Hinted a farm was nestling in their rear,
The scent of flowers floated on the breeze,
The cattle in their kraals, in safety near
Drowsed in the heavy slumber hours of night.
But to the west she hurried, in her flight.
Like shapeless monsters bulging heap on heap,
Crouched the vast ant heaps on the virgin ground.
And winding in and out them, pressed and deep,
Two wheel spoors scarred the earth. She traced the curve
The cart had chiselled in a sudden swerve.
Each deep-hewn rut that carved itself in sand.
Here by the grace of heaven was a sign,
A way to realise her dream's command,
Her instinct's prophecy. God! what was that?
Rending the Silences with tear and scrat.
Calm in the deep placidity of strength
That recks for nothing human. Passive till
Man desecrates its hallowed peace at length.
But to that sound she fled. For Dick lay west,
His wide eyes staring, blood upon his breast.
A scarlet river flowing, flowing—oh!
His lips were red, his hands—the plains were red!
She knelt beside him, spoke him loudly so
He needs must hear. She bound his wounds in vain,
That nerveless heap would never speak again.
Dick was beyond all help, and none would hear.
She clasped him in her full-souled agony,
Feeling the young gold morning, fresh and clear,
Yet seeing nothing. Stunned to outward things,
She only knew the dullness sorrow brings.
Tall grasses swaying as they bowed and bent
Beneath a crawling Kaffir, or his head
Rear up, a cringing caterpillar sent
To rob the great white Baas; for plenty slow
Some white men take to die, as black men know.
Slink could be brave. His belly clave the ground.
Had anybody heard the white man's shout,
Caught by the kopjes, echoed in rebound?
Ach! how he wriggled! Now the cart was Slink's,
The scoff, the silver watch, the fiery drinks.
So was the stolen gun. He reached the pool
Of crimson where the two-wheeled Cape-cart stood.
He slithered nearer, wet in dewdrops cool,
His rough patched trousers soaked, then sneaking round
Peeped from his vantage to the bleeding ground.
Rooted to where he clung, a-sweat with fright,
The cramps of terror gripping at his maw.
Spooks!—Pallid spooks! He shrieked away the sight
Till the wide veld was reeling. Blurred and pale
A spook arose, to follow on his trail.
Tall as the English mysi far away!
His tongue stuck in his throat, and bleeding wet
He saw the master sitting up at bay!
He heard his name, he heard the still air crack,
Then dropped astonished, wondering, on his back,
To make a longer trek, where plains were dim.
And haggard-eyed and worn, stern vengeance done,
Beth huddled by the poor stiff clay of him
She loved, the smoking weapon in her hand
To scare the scavenger of carrion brand.
She kept her vigil, loosening her hair
In shining masses o'er him. Wild refrains
Of piteous croonings and of vague despair
Crept to her lips, then died away, unsung,
Hiding their tunes, her shattered dreams among.
To Cellier's farmstead more. The patient team
Of oxen, plodding slowly on their way,
Bent to the nekstrop. Huick! a thin sharp gleam
Of curling whip flicked at the leader, clean,
Sure as a rapier thrust, and long and lean.
Marched to the rhythm of a sing-song chaunt
To ease their work. The wagon's lumbering noise,
The cheering of the oxen, stormed the haunt
Of nature. 'Neath the awning, broad and square
Sat Rissik's vrouw, worn with maternal care.
The Dutchman whistled as he jogged along
In leisured haste. He licked his thick lips wet
To loose his tune. A heavy winging throng
Of gorging vultures, black as devil's brood,
Rose swearing on the air, with protests crude.
To watch the swart aasvogel[B] in their flight,
Cracking his whip to dissipate the flies
That swarmed in thousands. Pestilential! Right
Where his oxen wended, straight in front!
He clambered from his seat with angry grunt,
The Powers above would note the quoted text,
Nor heed the fact that while he prayed, he swore!
His keen eyes swept the veld, grave and perplexed.
Two mules strayed fettered by the reim, outspanned,
A cart unhitched, stuck in the khaki sand.
The harsh birds croaked, the dingy clotted brown
That stained the earth confirmed the tale he feared.
A woman in the burning dust stooped down
Over a crumpled figure; and a sheen
Of golden tresses veiled it, like a screen.
That might be song, or might be strangled word
Broke from her now and then; but only death
Lay in her arms and answered not, nor heard.
Come, come, come away,
For the moon, for the moon
Made a shroud in the day.
Come away, come away, come, come, the moon,
The flowers are calling, Dick—my love, come soon."
She must have dragged that fearful thing away,
The devil's brood had claimed. The Rooinek
Was safe. Heaven knew how desperate the fray!
The fierce shot spent, the havoc, showed too well
Her awful battle with those fiends from hell.
She scarcely moved, but with a tear-stained smile
Babbled in words he could not understand,
Nodding her head towards the plains the while.
"The other one is dead. He was so black.
He killed my husband, so I killed him back.
They told me he was calling, so I came;
They kept on nodding, nodding to the west,
I want to have those moonflowers, the same
That told me. Dick is dead. So cold and dead
I don't remember all the flowers said.
Of silver cross-stitch, woven star on star,
Will be quite stolen by the thunder-cloud,
It's creeping, creeping, growling from afar."
"Ja, Ja," the old Boer nodded. "Both are dead."
"One must be buried!" so the good vrouw said.
Jan Rissik and his trusty man and boys,
Then laid him gently down. With prayer unsaid
But beating at her throat, no word that cloys
Or mars itself in speech—Beth flung the sod
Over her love—and left him there—with God.
A dream out-dreamed, a tiny buried cross
From off her neck. The Lord had called, who gave
His rich Acceptance that the world deems loss!
Father, forgive us! For our eyes that see
Only our sorrows—when we should see Thee!
The English girl lay sleeping in his cart
Clasped to the Dutch vrouw's breast. No longer torn
By grief and passion, human fears, her heart
Was now at rest; her Christ-soul lulled to peace,
Her hands outstretched, to meet the Great Release.