A Pict Song
Rome never looks where she treads,
Always her heavy hooves fall
On our stomachs, our hearts or our heads;
And Rome never heeds when we bawl.
Her sentries pass on—that is all,
And we gather behind them in hordes,
And plot to reconquer the Wall,
With only our tongues for our swords.
We are the Little Folk—we!
Too little to love or to hate.
Leave us alone and you'll see
How we can drag down the Great!
We are the worm in the wood!
We are the rot in the root!
We are the germ in the blood!
We are the thorn in the foot!
Mistletoe killing an oak—
Rats gnawing cables in two—
Moths making holes in a cloak—
How they must love what they do!
Yes—and we Little Folk too,
We are as busy as they—
Working our works out of view—
Watch, and you'll see it some day!
No indeed! We are not strong,
But we know Peoples that are.
Yes, and we'll guide them along,
To smash and destroy you in War!
We shall be slaves just the same?
Yes, we have always been slaves,
But you—you will die of the shame,
And then we shall dance on your graves!
We are the Little Folk, we, etc.
HAL O' THE DRAFT
Prophets have honour all over the Earth,
Except in the village where they were born,
Where such as knew them boys from birth
Nature-ally hold 'em in scorn.
When Prophets are naughty and young and vain,
They make a won'erful grievance of it;
(You can see by their writings how they complain),
But Oh, 'tis won'erful good for the Prophet!
There's nothing Nineveh Town can give
(Nor being swallowed by whales between),
Makes up for the place where a man's folk live,
That don't care nothing what he has been.
He might ha' been that, or he might ha' been this,
But they love and they hate him for what he is.
A rainy afternoon drove Dan and Una over to play pirates in the Little Mill. If you don't mind rats on the rafters and oats in your shoes, the mill-attic, with its trap-doors and inscriptions on beams about floods and sweethearts, is a splendid place. It is lighted by a foot-square window, called Duck Window, that looks across to Little Lindens Farm, and the spot where Jack Cade was killed.
When they had climbed the attic ladder (they called it 'the mainmast tree', out of the ballad of Sir Andrew Barton, and Dan 'swarved it with might and main', as the ballad says) they saw a man sitting on Duck Window-sill. He was dressed in a plum-coloured doublet and tight plum-coloured hose, and he drew busily in a red-edged book.
'Sit ye! Sit ye!' Puck cried from a rafter overhead. 'See what it is to be beautiful! Sir Harry Dawe—pardon, Hal—says I am the very image of a head for a gargoyle.'
The man laughed and raised his dark velvet cap to the children, and his grizzled hair bristled out in a stormy fringe. He was old—forty at least—but his eyes were young, with funny little wrinkles all round them. A satchel of embroidered leather hung from his broad belt, which looked interesting.
'May we see?' said Una, coming forward.
'Surely—sure-ly!' he said, moving up on the window-seat, and returned to his work with a silver-pointed pencil. Puck sat as though the grin were fixed for ever on his broad face, while they watched the quick, certain fingers that copied it. Presently the man took a reed pen from his satchel, and trimmed it with a little ivory knife, carved in the semblance of a fish. 'Oh, what a beauty!' cried Dan.
''Ware fingers! That blade is perilous sharp. I made it myself of the best Low Country cross-bow steel. And so, too, this fish. When his back-fin travels to his tail—so—he swallows up the blade, even as the whale swallowed Gaffer Jonah ... Yes, and that's my inkhorn. I made the four silver saints round it. Press Barnabas's head. It opens, and then—'He dipped the trimmed pen, and with careful boldness began to put in the essential lines of Puck's rugged face, that had been but faintly revealed by the silver-point.
The children gasped, for it fairly leaped from the page.
As he worked, and the rain fell on the tiles, he talked—now clearly, now muttering, now breaking off to frown or smile at his work. He told them he was born at Little Lindens Farm, and his father used to beat him for drawing things instead of doing things, till an old priest called Father Roger, who drew illuminated letters in rich people's books, coaxed the parents to let him take the boy as a sort of painter's apprentice. Then he went with Father Roger to Oxford, where he cleaned plates and carried cloaks and shoes for the scholars of a College called Merton.
'Didn't you hate that?' said Dan after a great many other questions.
'I never thought on't. Half Oxford was building new colleges or beautifying the old, and she had called to her aid the master-craftsmen of all Christendie—kings in their trade and honoured of Kings. I knew them. I worked for them: that was enough. No wonder—' He stopped and laughed.
'You became a great man, Hal,' said Puck.
'They said so, Robin. Even Bramante said so.'
'Why? What did you do?' Dan asked.
The artist looked at him queerly. 'Things in stone and such, up and down England. You would not have heard of 'em. To come nearer home, I rebuilded this little St Barnabas' church of ours. It cost me more trouble and sorrow than aught I've touched in my life. But 'twas a sound lesson.'
'Um,' said Dan. 'We've had lessons this morning.'
'I'll not afflict ye, lad,' said Hal, while Puck roared. 'Only 'tis strange to think how that little church was rebuilt, re-roofed, and made glorious, thanks to some few godly Sussex ironmasters, a Bristow sailor lad, a proud ass called Hal o' the Draft because, d'you see, he was always drawing and drafting; and'—he dragged the words slowly—'and a Scotch pirate.'
'Pirate?' said Dan. He wriggled like a hooked fish.
'Even that Andrew Barton you were singing of on the stair just now.' He dipped again in the inkwell, and held his breath over a sweeping line, as though he had forgotten everything else.
'Pirates don't build churches, do they?' said Dan. 'Or do they?'
'They help mightily,' Hal laughed. 'But you were at your lessons this morn, Jack Scholar.'
'Oh, pirates aren't lessons. It was only Bruce and his silly old spider,' said Una. 'Why did Sir Andrew Barton help you?' 'I question if he ever knew it,' said Hal, twinkling. 'Robin, how a' mischief's name am I to tell these innocents what comes of sinful pride?'
'Oh, we know all about that,' said Una pertly. 'If you get too beany—that's cheeky—you get sat upon, of course.'
Hal considered a moment, pen in air, and Puck said some long words.
'Aha! that was my case too,' he cried. 'Beany—you say—but certainly I did not conduct myself well. I was proud of—of such things as porches—a Galilee porch at Lincoln for choice—proud of one Torrigiano's arm on my shoulder, proud of my knighthood when I made the gilt scroll-work for the Sovereign—our King's ship. But Father Roger sitting in Merton College Library, he did not forget me. At the top of my pride, when I and no other should have builded the porch at Lincoln, he laid it on me with a terrible forefinger to go back to my Sussex clays and rebuild, at my own charges, my own church, where us Dawes have been buried for six generations. "Out! Son of my Art!" said he. "Fight the Devil at home ere you call yourself a man and a craftsman." And I quaked, and I went... How's yon, Robin?' He flourished the finished sketch before Puck.
'Me! Me past peradventure,' said Puck, smirking like a man at a mirror. 'Ah, see! The rain has took off! I hate housen in daylight.'
'Whoop! Holiday!' cried Hal, leaping up. 'Who's for my Little Lindens? We can talk there.'
They tumbled downstairs, and turned past the dripping willows by the sunny mill-dam.
'Body o' me,' said Hal, staring at the hop-garden, where the hops were just ready to blossom. 'What are these? Vines? No, not vines, and they twine the wrong way to beans.' He began to draw in his ready book.
'Hops. New since your day,' said Puck. 'They're an herb of Mars, and their flowers dried flavour ale. We say—
'Turkeys, Heresy, Hops, and Beer
Came into England all in one year.'
'Heresy I know. I've seen Hops—God be praised for their beauty! What is your Turkis?'
The children laughed. They knew the Lindens turkeys, and as soon as they reached Lindens orchard on the hill the full flock charged at them.
Out came Hal's book at once. 'Hoity-toity!' he cried. 'Here's Pride in purple feathers! Here's wrathy contempt and the Pomps of the Flesh! How d'you call them?'
'Turkeys! Turkeys!' the children shouted, as the old gobbler raved and flamed against Hal's plum-coloured hose.
'Save Your Magnificence!' he said. 'I've drafted two good new things today.' And he doffed his cap to the bubbling bird.
Then they walked through the grass to the knoll where Little Lindens stands. The old farmhouse, weather-tiled to the ground, took almost the colour of a blood-ruby in the afternoon light. The pigeons pecked at the mortar in the chimney-stacks; the bees that had lived under the tiles since it was built filled the hot August air with their booming; and the smell of the box-tree by the dairy-window mixed with the smell of earth after rain, bread after baking, and a tickle of wood-smoke.
The farmer's wife came to the door, baby on arm, shaded her brows against the sun, stooped to pluck a sprig of rosemary, and turned down the orchard. The old spaniel in his barrel barked once or twice to show he was in charge of the empty house. Puck clicked back the garden-gate.
'D'you marvel that I love it?' said Hal, in a whisper. 'What can town folk know of the nature of housen—or land?' They perched themselves arow on the old hacked oak bench in Lindens garden, looking across the valley of the brook at the fern-covered dimples and hollows of the Forge behind Hobden's cottage. The old man was cutting a faggot in his garden by the hives. It was quite a second after his chopper fell that the chump of the blow reached their lazy ears.
'Eh—yeh!' said Hal. 'I mind when where that old gaffer stands was Nether Forge—Master John Collins's foundry. Many a night has his big trip-hammer shook me in my bed here. Boom-bitty! Boom-bitty! If the wind was east, I could hear Master Tom Collins's forge at Stockens answering his brother, Boom-oop! Boom-oop! and midway between, Sir John Pelham's sledgehammers at Brightling would strike in like a pack o' scholars, and "Hic-haec-hoc" they'd say, "Hic-haec-hoc," till I fell asleep. Yes. The valley was as full o' forges and fineries as a May shaw o' cuckoos. All gone to grass now!'
'What did they make?' said Dan. 'Guns for the King's ships—and for others. Serpentines and cannon mostly. When the guns were cast, down would come the King's Officers, and take our plough-oxen to haul them to the coast. Look! Here's one of the first and finest craftsmen of the Sea!'
He fluttered back a page of his book, and showed them a young man's head. Underneath was written: 'Sebastianus.'
'He came down with a King's Order on Master John Collins for twenty serpentines (wicked little cannon they be!) to furnish a venture of ships. I drafted him thus sitting by our fire telling Mother of the new lands he'd find the far side the world. And he found them, too! There's a nose to cleave through unknown seas! Cabot was his name—a Bristol lad—half a foreigner. I set a heap by him. He helped me to my church-building.'
'I thought that was Sir Andrew Barton,' said Dan.
'Ay, but foundations before roofs,' Hal answered. 'Sebastian first put me in the way of it. I had come down here, not to serve God as a craftsman should, but to show my people how great a craftsman I was. They cared not, and it served me right, one split straw for my craft or my greatness. What a murrain call had I, they said, to mell with old St Barnabas'? Ruinous the church had been since the Black Death, and ruinous she would remain; and I could hang myself in my new scaffold-ropes! Gentle and simple, high and low—the Hayes, the Fowles, the Fenners, the Collinses—they were all in a tale against me. Only Sir John Pelham up yonder at Brightling bade me heart-up and go on. Yet how could I? Did I ask Master Collins for his timber-tug to haul beams? The oxen had gone to Lewes after lime. Did he promise me a set of iron cramps or ties for the roof? They never came to hand, or else they were spaulty or cracked. So with everything. Nothing said, but naught done except I stood by them, and then done amiss. I thought the countryside was fair bewitched.'
'It was, sure-ly,' said Puck, knees under chin. 'Did you never suspect ary one?'
'Not till Sebastian came for his guns, and John Collins played him the same dog's tricks as he'd played me with my ironwork. Week in, week out, two of three serpentines would be flawed in the casting, and only fit, they said, to be re-melted. Then John Collins would shake his head, and vow he could pass no cannon for the King's service that were not perfect. Saints! How Sebastian stormed! I know, for we sat on this bench sharing our sorrows inter-common.
'When Sebastian had fumed away six weeks at Lindens and gotten just six serpentines, Dirk Brenzett, Master of the Cygnet hoy, sends me word that the block of stone he was fetching me from France for our new font he'd hove overboard to lighten his ship, chased by Andrew Barton up to Rye Port.'
'Ah! The pirate!' said Dan.
'Yes. And while I am tearing my hair over this, Ticehurst Will, my best mason, comes to me shaking, and vowing that the Devil, horned, tailed, and chained, has run out on him from the church-tower, and the men would work there no more. So I took 'em off the foundations, which we were strengthening, and went into the Bell Tavern for a cup of ale. Says Master John Collins: "Have it your own way, lad; but if I was you, I'd take the sinnification o' the sign, and leave old Barnabas' Church alone!" And they all wagged their sinful heads, and agreed. Less afraid of the Devil than of me—as I saw later.
'When I brought my sweet news to Lindens, Sebastian was limewashing the kitchen-beams for Mother. He loved her like a son.
"'Cheer up, lad," he says. "God's where He was. Only you and I chance to be pure pute asses. We've been tricked, Hal, and more shame to me, a sailor, that I did not guess it before! You must leave your belfry alone, forsooth, because the Devil is adrift there; and I cannot get my serpentines because John Collins cannot cast them aright. Meantime Andrew Barton hawks off the Port of Rye. And why? To take those very serpentines which poor Cabot must whistle for; the said serpentines, I'll wager my share of new continents, being now hid away in St Barnabas' church-tower. Clear as the Irish coast at noonday!"
"They'd sure never dare to do it," I said; "and, for another thing, selling cannon to the King's enemies is black treason—hanging and fine."
"'It is sure, large profit. Men'll dare any gallows for that. I have been a trader myself," says he. "We must be upsides with 'em for the honour of Bristol."
'Then he hatched a plot, sitting on the limewash bucket. We gave out to ride o' Tuesday to London and made a show of taking farewells of our friends—especially of Master John Collins. But at Wadhurst Woods we turned; rode home to the water-meadows; hid our horses in a willow-tot at the foot of the glebe, and, come night, stole a-tiptoe uphill to Barnabas' church again. A thick mist, and a moon striking through. 'I had no sooner locked the tower-door behind us than over goes Sebastian full length in the dark.
"'Pest!" he says. "Step high and feel low, Hal. I've stumbled over guns before."
'I groped, and one by one—the tower was pitchy dark—I counted the lither barrels of twenty serpentines laid out on pease straw. No conceal at all!
"'There's two demi-cannon my end," says Sebastian, slapping metal. "They'll be for Andrew Barton's lower deck. Honest—honest John Collins! So this is his ware-house, his arsenal, his armoury! Now see you why your pokings and pryings have raised the Devil in Sussex? You've hindered John's lawful trade for months," and he laughed where he lay.
'A clay-cold tower is no fireside at midnight, so we climbed the belfry stairs, and there Sebastian trips over a cow-hide with its horns and tail.
"'Aha! Your Devil has left his doublet! Does it become me, Hal?" He draws it on and capers in the shafts of window-moonlight—won'erful devilish-like. Then he sits on the stairs, rapping with his tail on a board, and his back-aspect was dreader than his front, and a howlet lit in, and screeched at the horns of him.
"'If you'd keep out the Devil, shut the door," he whispered. "And that's another false proverb, Hal, for I can hear your tower-door opening."
"'I locked it. Who a-plague has another key, then?" I said.
"'All the congregation, to judge by their feet," he says, and peers into the blackness. "Still! Still, Hal! Hear 'em grunt! That's more o' my serpentines, I'll be bound. One—two—three—four they bear in! Faith, Andrew equips himself like an Admiral! Twenty-four serpentines in all!"
'As if it had been an echo, we heard John Collins's voice come up all hollow: "Twenty-four serpentines and two demi-cannon. That's the full tally for Sir Andrew Barton."
"'Courtesy costs naught," whispers Sebastian. "Shall I drop my dagger on his head?"
"'They go over to Rye o' Thursday in the wool-wains, hid under the wool-packs. Dirk Brenzett meets them at Udimore, as before," says John.
"'Lord! What a worn, handsmooth trade it is!" says Sebastian. "I lay we are the sole two babes in the village that have not our lawful share in the venture."
'There was a full score folk below, talking like all Robertsbridge Market. We counted them by voice.
'Master John Collins pipes: "The guns for the French carrack must lie here next month. Will, when does your young fool" (me, so please you!) "come back from Lunnon?"
"'No odds," I heard Ticehurst Will answer. "Lay 'em just where you've a mind, Mus' Collins. We're all too afraid o' the Devil to mell with the tower now." And the long knave laughed.
"'Ah! 'tis easy enow for you to raise the Devil, Will," says another—Ralph Hobden of the Forge.
"'Aaa-men!" roars Sebastian, and ere I could hold him, he leaps down the stairs—won'erful devilish-like howling no bounds. He had scarce time to lay out for the nearest than they ran. Saints, how they ran! We heard them pound on the door of the Bell Tavern, and then we ran too.
"'What's next?" says Sebastian, looping up his cow-tail as he leaped the briars. "I've broke honest John's face."
"'Ride to Sir John Pelham's," I said. "He is the only one that ever stood by me."
'We rode to Brightling, and past Sir John's lodges, where the keepers would have shot at us for deer-stealers, and we had Sir John down into his Justice's chair, and when we had told him our tale and showed him the cow-hide which Sebastian wore still girt about him, he laughed till the tears ran.
"'Wel-a-well!" he says. "I'll see justice done before daylight. What's your complaint? Master Collins is my old friend."
"'He's none of mine," I cried. "When I think how he and his likes have baulked and dozened and cozened me at every turn over the church"—and I choked at the thought.
"'Ah, but ye see now they needed it for another use," says he smoothly.
"Also they did my serpentines," Sebastian cries. "I should be half across the Western Ocean by now if my guns had been ready. But they're sold to a Scotch pirate by your old friend—"
"'Where's your proof?" says Sir John, stroking his beard.
"'I broke my shins over them not an hour since, and I heard John give order where they were to be taken," says Sebastian.
"'Words! Words only," says Sir John. "Master Collins is somewhat of a liar at best."
'He carried it so gravely that, for the moment, I thought he was dipped in this secret traffick too, and that there was not an honest ironmaster in Sussex.
"'Name o' Reason!" says Sebastian, and raps with his cow-tail on the table, "whose guns are they, then?"
"'Yours, manifestly," says Sir John. "You come with the King's Order for 'em, and Master Collins casts them in his foundry. If he chooses to bring them up from Nether Forge and lay 'em out in the church-tower, why, they are e'en so much the nearer to the main road and you are saved a day's hauling. What a coil to make of a mere act of neighbourly kindness, lad!"
"'I fear I have requited him very scurvily," says Sebastian, looking at his knuckles. "But what of the demi-cannon? I could do with 'em well, but they are not in the King's Order."
"'Kindness—loving-kindness," says Sir John. "Questionless, in his zeal for the King and his love for you, John adds those two cannon as a gift. 'Tis plain as this coming daylight, ye stockfish!"
"'So it is," says Sebastian. "Oh, Sir John, Sir John, why did you never use the sea? You are lost ashore." And he looked on him with great love.
"'I do my best in my station." Sir John strokes his beard again and rolls forth his deep drumming Justice's voice thus: "But—suffer me!—-you two lads, on some midnight frolic into which I probe not, roystering around the taverns, surprise Master Collins at his"—he thinks a moment—"at his good deeds done by stealth. Ye surprise him, I say, cruelly."
"'Truth, Sir John. If you had seen him run!" says Sebastian.
"'On this you ride breakneck to me with a tale of pirates, and wool-wains, and cow-hides, which, though it hath moved my mirth as a man, offendeth my reason as a magistrate. So I will e'en accompany you back to the tower with, perhaps, some few of my own people, and three-four wagons, and I'll be your warrant that Master John Collins will freely give you your guns and your demi-cannon, Master Sebastian." He breaks into his proper voice—"I warned the old tod and his neighbours long ago that they'd come to trouble with their side-sellings and bye-dealings; but we cannot have half Sussex hanged for a little gun-running. Are ye content, lads?"
"'I'd commit any treason for two demi-cannon,' said Sebastian, and rubs his hands.
"Ye have just compounded with rank treason-felony for the same bribe," says Sir John. "Wherefore to horse, and get the guns."'
'But Master Collins meant the guns for Sir Andrew Barton all along, didn't he?' said Dan.
'Questionless, that he did,' said Hal. 'But he lost them. We poured into the village on the red edge of dawn, Sir John horsed, in half-armour, his pennon flying; behind him thirty stout Brightling knaves, five abreast; behind them four wool-wains, and behind them four trumpets to triumph over the jest, blowing: Our King went forth to Normandie. When we halted and rolled the ringing guns out of the tower, 'twas for all the world like Friar Roger's picture of the French siege in the Queen's Missal-book.'
'And what did we—I mean, what did our village do?' said Dan.
'Oh! Bore it nobly—nobly,' cried Hal. 'Though they had tricked me, I was proud of them. They came out of their housen, looked at that little army as though it had been a post, and went their shut-mouthed way. Never a sign! Never a word! They'd ha' perished sooner than let Brightling overcrow us. Even that villain, Ticehurst Will, coming out of the Bell for his morning ale, he all but runs under Sir John's horse.
"''Ware, Sirrah Devil!" cries Sir John, reining back.
"'Oh!" says Will. "Market-day, is it? And all the bullocks from Brightling here?"
'I spared him his belting for that—the brazen knave!
'But John Collins was our masterpiece! He happened along-street (his jaw tied up where Sebastian had clouted him) when we were trundling the first demi-cannon through the lych-gate.
"'I reckon you'll find her middlin' heavy," he says. "If you've a mind to pay, I'll loan ye my timber-tug. She won't lie easy on ary wool-wain."
'That was the one time I ever saw Sebastian taken flat aback. He opened and shut his mouth, fishy-like.
"'No offence," says Master John. "You've got her reasonable good cheap. I thought ye might not grudge me a groat if I helped move her." Ah, he was a masterpiece! They say that morning's work cost our John two hundred pounds, and he never winked an eyelid, not even when he saw the guns all carted off to Lewes.'
'Neither then nor later?' said Puck.
'Once. 'Twas after he gave St Barnabas' the new chime of bells. (Oh, there was nothing the Collinses, or the Hayes, or the Fowles, or the Fenners would not do for the church then! "Ask and have" was their song.) We had rung 'em in, and he was in the tower with Black Nick Fowle, that gave us our rood-screen. The old man pinches the bell-rope one hand and scratches his neck with t'other. "Sooner she was pulling yon clapper than my neck, he says. That was all! That was Sussex seely Sussex for everlasting.'
'And what happened after?' said Una.
'I went back into England,' said Hal, slowly. 'I'd had my lesson against pride. But they tell me I left St Barnabas' a jewel—just about a jewel! Wel-a-well! 'Twas done for and among my own people, and—Father Roger was right—I never knew such trouble or such triumph since. That's the nature o' things. A dear—dear land.' He dropped his chin on his chest.
'There's your Father at the Forge. What's he talking to old Hobden about?' said Puck, opening his hand with three leaves in it.
Dan looked towards the cottage.
'Oh, I know. It's that old oak lying across the brook. Pater always wants it grubbed.'
In the still valley they could hear old Hobden's deep tones.
'Have it as you've a mind to,' he was saying. 'But the vivers of her roots they hold the bank together. If you grub her out, the bank she'll all come tearin' down, an' next floods the brook'll swarve up. But have it as you've a mind. The Mistuss she sets a heap by the ferns on her trunk.
'Oh! I'll think it over,' said the Pater.
Una laughed a little bubbling chuckle.
'What Devil's in that belfry?' said Hal, with a lazy laugh. 'That should be a Hobden by his voice.'
'Why, the oak is the regular bridge for all the rabbits between the Three Acre and our meadow. The best place for wires on the farm, Hobden says. He's got two there now,' Una answered. 'He won't ever let it be grubbed!'
'Ah, Sussex! Seely Sussex for everlastin',' murmured Hal; and the next moment their Father's voice calling across to Little Lindens broke the spell as little St Barnabas' clock struck five.
A Smugglers' Song
If You wake at midnight, and hear a horse's feet,
Don't go drawing back the blind, or looking in the street,
Them that asks no questions isn't told a lie.
Watch the wall, my darling, while the Gentlemen go by!
Five-and-twenty ponies,
Trotting through the dark—
Brandy for the Parson,
'Baccy for the Clerk;
Laces for a lady; letters for a spy,
And watch the wall, my darling, while the Gentlemen go by!
Running round the woodlump if you chance to find
Little barrels, roped and tarred, all full of brandy-wine;
Don't you shout to come and look, nor take 'em for your play;
Put the brushwood back again,—and they'll be gone next day!
If you see the stable-door setting open wide;
If you see a tired horse lying down inside;
If your mother mends a coat cut about and tore;
If the lining's wet and warm—don't you ask no more!
If you meet King George's men, dressed in blue and red,
You be careful what you say, and mindful what is said.
If they call you 'pretty maid,' and chuck you 'neath the chin,
Don't you tell where no one is, nor yet where no one's been!
Knocks and footsteps round the house—whistles after dark—
You've no call for running out till the house-dogs bark.
Trusty's here, and Pincher's here, and see how dumb they lie—
They don't fret to follow when the Gentlemen go by!
If you do as you've been told, likely there's a chance
You'll be give a dainty doll, all the way from France,
With a cap of Valenciennes, and a velvet hood—
A present from the Gentlemen, along o' being good!
Five-and-twenty ponies,
Trotting through the dark—
Brandy for the Parson,
'Baccy for the Clerk.
Them that asks no questions isn't told a lie—
Watch the wall, my darling, while the Gentlemen go by!
'DYMCHURCH FLIT'
The Bee Boy's Song
Bees! Bees! Hark to your bees!
'Hide from your neighbours as much as you please,
But all that has happened, to us you must tell,
Or else we will give you no honey to sell!'
A Maiden in her glory,
Upon her wedding-day,
Must tell her Bees the story,
Or else they'll fly away.
Fly away—die away—
Dwindle down and leave you!
But if you don't deceive your Bees,
Your Bees will not deceive you.
Marriage, birth or buryin',
News across the seas,
All you're sad or merry in,
You must tell the Bees.
Tell 'em coming in an' out,
Where the Fanners fan,
'Cause the Bees are justabout
As curious as a man!
Don't you wait where trees are,
When the lightnings play;
Nor don't you hate where Bees are,
Or else they'll pine away.
Pine away—dwine away—
Anything to leave you!
But if you never grieve your Bees,
Your Bees'll never grieve you!
Just at dusk, a soft September rain began to fall on the hop-pickers. The mothers wheeled the bouncing perambulators out of the gardens; bins were put away, and tally-books made up. The young couples strolled home, two to each umbrella, and the single men walked behind them laughing. Dan and Una, who had been picking after their lessons, marched off to roast potatoes at the oast-house, where old Hobden, with Blue-eyed Bess, his lurcher dog, lived all the month through, drying the hops.
They settled themselves, as usual, on the sack-strewn cot in front of the fires, and, when Hobden drew up the shutter, stared, as usual, at the flameless bed of coals spouting its heat up the dark well of the old-fashioned roundel. Slowly he cracked off a few fresh pieces of coal, packed them, with fingers that never flinched, exactly where they would do most good; slowly he reached behind him till Dan tilted the potatoes into his iron scoop of a hand; carefully he arranged them round the fire, and then stood for a moment, black against the glare. As he closed the shutter, the oast-house seemed dark before the day's end, and he lit the candle in the lanthorn. The children liked all these things because they knew them so well.
The Bee Boy, Hobden's son, who is not quite right in his head, though he can do anything with bees, slipped in like a shadow. They only guessed it when Bess's stump-tail wagged against them.
A big voice began singing outside in the drizzle:
'Old Mother Laidinwool had nigh twelve months been dead,
She heard the hops were doin' well, and then popped up her head.'
'There can't be two people made to holler like that!' cried old Hobden, wheeling round.
'For, says she, "The boys I've picked with when I was young and fair,
They're bound to be at hoppin', and I'm—'
A man showed at the doorway.
'Well, well! They do say hoppin' 'll draw the very deadest, and now I belieft 'em. You, Tom? Tom Shoesmith?' Hobden lowered his lanthorn.
'You're a hem of a time makin' your mind to it, Ralph!' The stranger strode in—three full inches taller than Hobden, a grey-whiskered, brown-faced giant with clear blue eyes. They shook hands, and the children could hear the hard palms rasp together.
'You ain't lost none o' your grip,' said Hobden. 'Was it thirty or forty year back you broke my head at Peasmarsh Fair?'
'Only thirty, an' no odds 'tween us regardin' heads, neither. You had it back at me with a hop-pole. How did we get home that night? Swimmin'?'
'Same way the pheasant come into Gubbs's pocket—by a little luck an' a deal o' conjurin'.' Old Hobden laughed in his deep chest.
see you've not forgot your way about the woods. D'ye do any o' this still?' The stranger pretended to look along a gun.
Hobden answered with a quick movement of the hand as though he were pegging down a rabbit-wire.
'No. That's all that's left me now. Age she must as Age she can. An' what's your news since all these years?'
'Oh, I've bin to Plymouth, I've bin to Dover—
I've bin ramblin', boys, the wide world over,'
the man answered cheerily. 'I reckon I know as much of Old England as most.' He turned towards the children and winked boldly.
'I lay they told you a sight o' lies, then. I've been into England fur as Wiltsheer once. I was cheated proper over a pair of hedgin'-gloves,' said Hobden.
'There's fancy-talkin' everywhere. You've cleaved to your own parts pretty middlin' close, Ralph.'
'Can't shift an old tree 'thout it dyin',' Hobden chuckled. 'An' I be no more anxious to die than you look to be to help me with my hops tonight.'
The great man leaned against the brickwork of the roundel, and swung his arms abroad. 'Hire me!' was all he said, and they stumped upstairs laughing.
The children heard their shovels rasp on the cloth where the yellow hops lie drying above the fires, and all the oast-house filled with the sweet, sleepy smell as they were turned.
'Who is it?' Una whispered to the Bee Boy.
'Dunno, no more'n you—if you dunno,' said he, and smiled.
The voices on the drying-floor talked and chuckled together, and the heavy footsteps moved back and forth. Presently a hop-pocket dropped through the press-hole overhead, and stiffened and fattened as they shovelled it full. 'Clank!' went the press, and rammed the loose stuff into tight cake. 'Gentle!' they heard Hobden cry. 'You'll bust her crop if you lay on so. You be as careless as Gleason's bull, Tom. Come an' sit by the fires. She'll do now.'
They came down, and as Hobden opened the shutter to see if the potatoes were done Tom Shoesmith said to the children, 'Put a plenty salt on 'em. That'll show you the sort o' man I be.'Again he winked, and again the Bee Boy laughed and Una stared at Dan.
'I know what sort o' man you be,'old Hobden grunted, groping for the potatoes round the fire.
'Do ye?' Tom went on behind his back. 'Some of us can't abide Horseshoes, or Church Bells, or Running Water; an', talkin' o' runnin' water'—he turned to Hobden, who was backing out of the roundel—'d'you mind the great floods at Robertsbridge, when the miller's man was drowned in the street?'
'Middlin' well.' Old Hobden let himself down on the coals by the fire-door. 'I was courtin' my woman on the Marsh that year. Carter to Mus' Plum I was, gettin' ten shillin's week. Mine was a Marsh woman.'
'Won'erful odd-gates place—Romney Marsh,' said Tom Shoesmith. 'I've heard say the world's divided like into Europe, Ashy, Afriky, Ameriky, Australy, an' Romney Marsh.'
'The Marsh folk think so,' said Hobden. 'I had a hem o' trouble to get my woman to leave it.'
'Where did she come out of? I've forgot, Ralph.'
'Dymchurch under the Wall,' Hobden answered, a potato in his hand.
'Then she'd be a Pett—or a Whitgift, would she?'
'Whitgift.' Hobden broke open the potato and ate it with the curious neatness of men who make most of their meals in the blowy open. 'She growed to be quite reasonable-like after livin' in the Weald awhile, but our first twenty year or two she was odd-fashioned, no bounds. And she was a won'erful hand with bees.' He cut away a little piece of potato and threw it out to the door.
'Ah! I've heard say the Whitgifts could see further through a millstone than most,' said Shoesmith. 'Did she, now?'
'She was honest-innocent of any nigromancin',' said Hobden. 'Only she'd read signs and sinnifications out o' birds flyin', stars fallin', bees hivin', and such. An, she'd lie awake—listenin' for calls, she said.'
'That don't prove naught,' said Tom. 'All Marsh folk has been smugglers since time everlastin'. 'Twould be in her blood to listen out o' nights.'
'Nature-ally,' old Hobden replied, smiling. 'I mind when there was smugglin' a sight nearer us than what the Marsh be. But that wasn't my woman's trouble. 'Twas a passel o' no-sense talk'—he dropped his voice—'about Pharisees.'
'Yes. I've heard Marsh men belieft in 'em.'Tom looked straight at the wide-eyed children beside Bess.
'Pharisees,' cried Una. 'Fairies? Oh, I see!'
'People o' the Hills,' said the Bee Boy, throwing half of his potato towards the door.
'There you be!' said Hobden, pointing at him. My boy—he has her eyes and her out-gate sense. That's what she called 'em!'
'And what did you think of it all?'
'Um—um,' Hobden rumbled. 'A man that uses fields an' shaws after dark as much as I've done, he don't go out of his road excep' for keepers.'
'But settin' that aside?' said Tom, coaxingly. 'I saw ye throw the Good Piece out-at-doors just now. Do ye believe or—do ye?'
'There was a great black eye to that tater,' said Hobden indignantly.
'My liddle eye didn't see un, then. It looked as if you meant it for—for Any One that might need it. But settin' that aside, d'ye believe or—do ye?'
'I ain't sayin' nothin', because I've heard naught, an' I've see naught. But if you was to say there was more things after dark in the shaws than men, or fur, or feather, or fin, I dunno as I'd go far about to call you a liar. Now turn again, Tom. What's your say?'
'I'm like you. I say nothin'. But I'll tell you a tale, an' you can fit it as how you please.'
'Passel o' no-sense stuff,' growled Hobden, but he filled his pipe.
'The Marsh men they call it Dymchurch Flit,'Tom went on slowly. 'Hap you have heard it?'
'My woman she've told it me scores o' times. Dunno as I didn't end by belieftin' it—sometimes.
Hobden crossed over as he spoke, and sucked with his pipe at the yellow lanthorn flame. Tom rested one great elbow on one great knee, where he sat among the coal.
'Have you ever bin in the Marsh?' he said to Dan.
'Only as far as Rye, once,' Dan answered.
'Ah, that's but the edge. Back behind of her there's steeples settin' beside churches, an' wise women settin' beside their doors, an' the sea settin' above the land, an' ducks herdin' wild in the diks' (he meant ditches). 'The Marsh is just about riddled with diks an' sluices, an' tide-gates an' water-lets. You can hear 'em bubblin' an' grummelin' when the tide works in 'em, an' then you hear the sea rangin' left and right-handed all up along the Wall. You've seen how flat she is—the Marsh? You'd think nothin' easier than to walk eend-on acrost her? Ah, but the diks an' the water-lets, they twists the roads about as ravelly as witch-yarn on the spindles. So ye get all turned round in broad daylight.'
'That's because they've dreened the waters into the diks,' said Hobden. 'When I courted my woman the rushes was green—Eh me! the rushes was green—an' the Bailiff o' the Marshes he rode up and down as free as the fog.'
'Who was he?' said Dan.
'Why, the Marsh fever an' ague. He've clapped me on the shoulder once or twice till I shook proper. But now the dreenin' off of the waters have done away with the fevers; so they make a joke, like, that the Bailiff o' the Marshes broke his neck in a dik. A won'erful place for bees an' ducks 'tis too.'
'An' old,' Tom went on. 'Flesh an' Blood have been there since Time Everlastin' Beyond. Well, now, speakin' among themselves, the Marsh men say that from Time Everlastin' Beyond, the Pharisees favoured the Marsh above the rest of Old England. I lay the Marsh men ought to know. They've been out after dark, father an' son, smugglin' some one thing or t'other, since ever wool grew to sheep's backs. They say there was always a middlin' few Pharisees to be seen on the Marsh. Impident as rabbits, they was. They'd dance on the nakid roads in the nakid daytime; they'd flash their liddle green lights along the diks, comin' an' goin', like honest smugglers. Yes, an' times they'd lock the church doors against parson an' clerk of Sundays.'
'That 'ud be smugglers layin' in the lace or the brandy till they could run it out o' the Marsh. I've told my woman so,' said Hobden.
'I'll lay she didn't belieft it, then—not if she was a Whitgift. A won'erful choice place for Pharisees, the Marsh, by all accounts, till Queen Bess's father he come in with his Reformatories.'
'Would that be a Act of Parliament like?' Hobden asked.
'Sure-ly. Can't do nothing in Old England without Act, Warrant an' Summons. He got his Act allowed him, an', they say, Queen Bess's father he used the parish churches something shameful. Just about tore the gizzards out of I dunnamany. Some folk in England they held with 'en; but some they saw it different, an' it eended in 'em takin' sides an' burnin' each other no bounds, accordin' which side was top, time bein'. That tarrified the Pharisees: for Goodwill among Flesh an' Blood is meat an' drink to 'em, an' ill-will is poison.'
'Same as bees,' said the Bee Boy. 'Bees won't stay by a house where there's hating.'
'True,' said Tom. 'This Reformatories tarrified the Pharisees same as the reaper goin' round a last stand o' wheat tarrifies rabbits. They packed into the Marsh from all parts, and they says, "Fair or foul, we must flit out o' this, for Merry England's done with, an' we're reckoned among the Images."'
'Did they all see it that way?' said Hobden.
'All but one that was called Robin—if you've heard of him. What are you laughin' at?'Tom turned to Dan. 'The Pharisees's trouble didn't tech Robin, because he'd cleaved middlin' close to people, like. No more he never meant to go out of Old England—not he; so he was sent messagin' for help among Flesh an' Blood. But Flesh an' Blood must always think of their own concerns, an' Robin couldn't get through at 'em, ye see. They thought it was tide-echoes off the Marsh.'
'What did you—what did the fai—Pharisees want?' Una asked.
'A boat, to be sure. Their liddle wings could no more cross Channel than so many tired butterflies. A boat an' a crew they desired to sail 'em over to France, where yet awhile folks hadn't tore down the Images. They couldn't abide cruel Canterbury Bells ringin' to Bulverhithe for more pore men an' women to be burnded, nor the King's proud messenger ridin' through the land givin' orders to tear down the Images. They couldn't abide it no shape. Nor yet they couldn't get their boat an' crew to flit by without Leave an' Good-will from Flesh an' Blood; an' Flesh an' Blood came an' went about its own business the while the Marsh was swarvin' up, an' swarvin' up with Pharisees from all England over, strivin' all means to get through at Flesh an' Blood to tell 'em their sore need... I don't know as you've ever heard say Pharisees are like chickens?'
'My woman used to say that too,'said Hobden, folding his brown arms.
'They be. You run too many chickens together, an' the ground sickens, like, an' you get a squat, an' your chickens die. Same way, you crowd Pharisees all in one place—they don't die, but Flesh an' Blood walkin' among 'em is apt to sick up an' pine off. They don't mean it, an' Flesh an' Blood don't know it, but that's the truth—as I've heard. The Pharisees through bein' all stenched up an' frighted, an' trying' to come through with their supplications, they nature-ally changed the thin airs an' humours in Flesh an' Blood. It lay on the Marsh like thunder. Men saw their churches ablaze with the wildfire in the windows after dark; they saw their cattle scatterin' an' no man scarin'; their sheep flockin' an' no man drivin'; their horses latherin' an' no man leadin'; they saw the liddle low green lights more than ever in the dik-sides; they heard the liddle feet patterin' more than ever round the houses; an' night an' day, day an' night, 'twas all as though they were bein' creeped up on, an' hinted at by Some One or other that couldn't rightly shape their trouble. Oh, I lay they sweated! Man an' maid, woman an' child, their nature done 'em no service all the weeks while the Marsh was swarvin' up with Pharisees. But they was Flesh an' Blood, an' Marsh men before all. They reckoned the signs sinnified trouble for the Marsh. Or that the sea 'ud rear up against Dymchurch Wall an' they'd be drownded like Old Winchelsea; or that the Plague was comin'. So they looked for the meanin' in the sea or in the clouds—far an' high up. They never thought to look near an' knee-high, where they could see naught.
'Now there was a poor widow at Dymchurch under the Wall, which, lacking man or property, she had the more time for feeling; and she come to feel there was a Trouble outside her doorstep bigger an' heavier than aught she'd ever carried over it. She had two sons—one born blind, an' t'other struck dumb through fallin' off the Wall when he was liddle. They was men grown, but not wage-earnin', an' she worked for 'em, keepin' bees and answerin' Questions.'
'What sort of questions?' said Dan.
'Like where lost things might be found, an' what to put about a crooked baby's neck, an' how to join parted sweethearts. She felt the Trouble on the Marsh same as eels feel thunder. She was a wise woman.'
'My woman was won'erful weather-tender, too,' said Hobden. 'I've seen her brish sparks like off an anvil out of her hair in thunderstorms. But she never laid out to answer Questions.'
'This woman was a Seeker, like, an' Seekers they sometimes find. One night, while she lay abed, hot an' achin', there come a Dream an' tapped at her window, an' "Widow Whitgift," it said, "Widow Whitgift!"
'First, by the wings an' the whistlin', she thought it was peewits, but last she arose an' dressed herself, an' opened her door to the Marsh, an' she felt the Trouble an' the Groanin' all about her, strong as fever an' ague, an' she calls: "What is it? Oh, what is it?"
'Then 'twas all like the frogs in the diks peepin'; then 'twas all like the reeds in the diks clip-clappin'; an' then the great Tide-wave rummelled along the Wall, an' she couldn't hear proper.
'Three times she called, an' three times the Tide-wave did her down. But she catched the quiet between, an' she cries out, "What is the Trouble on the Marsh that's been lying down with my heart an' arising with my body this month gone?" She felt a liddle hand lay hold on her gown-hem, an' she stooped to the pull o' that liddle hand.'
Tom Shoesmith spread his huge fist before the fire and smiled at it as he went on.
"'Will the sea drown the Marsh?" she says. She was a Marsh woman first an' foremost.
"'No," says the liddle voice. "Sleep sound for all o' that."
"'Is the Plague comin' to the Marsh?" she says. Them was all the ills she knowed.
"'No. Sleep sound for all o' that," says Robin.
'She turned about, half mindful to go in, but the liddle voices grieved that shrill an' sorrowful she turns back, an' she cries: "If it is not a Trouble of Flesh an' Blood, what can I do?" 'The Pharisees cried out upon her from all round to fetch them a boat to sail to France, an' come back no more.
"'There's a boat on the Wall," she says, "but I can't push it down to the sea, nor sail it when 'tis there."
"'Lend us your sons," says all the Pharisees. "Give 'em Leave an' Good-will to sail it for us, Mother—O Mother!"
"'One's dumb, an' t'other's blind," she says. "But all the dearer me for that; and you'll lose them in the big sea." The voices just about pierced through her; an' there was children's voices too. She stood out all she could, but she couldn't rightly stand against that. So she says: "If you can draw my sons for your job, I'D not hinder 'em. You can't ask no more of a Mother."
'She saw them liddle green lights dance an' cross till she was dizzy; she heard them liddle feet patterin' by the thousand; she heard cruel Canterbury Bells ringing to Bulverhithe, an' she heard the great Tide-wave ranging along the Wall. That was while the Pharisees was workin' a Dream to wake her two sons asleep: an' while she bit on her fingers she saw them two she'd bore come out an' pass her with never a word. She followed 'em, cryin' pitiful, to the old boat on the Wall, an' that they took an' runned down to the sea.
'When they'd stepped mast an' sail the blind son speaks: "Mother, we're waitin' your Leave an' Good-will to take Them over."'
Tom Shoesmith threw back his head and half shut his eyes.
'Eh, me!' he said. 'She was a fine, valiant woman, the Widow Whitgift. She stood twistin' the eends of her long hair over her fingers, an' she shook like a poplar, makin' up her mind. The Pharisees all about they hushed their children from cryin' an' they waited dumb-still. She was all their dependence. 'Thout her Leave an' Good-will they could not pass; for she was the Mother. So she shook like a aps-tree makin' up her mind. 'Last she drives the word past her teeth, an' "Go!" she says. "Go with my Leave an' Goodwill."
'Then I saw—then, they say, she had to brace back same as if she was wadin' in tide-water; for the Pharisees just about flowed past her—down the beach to the boat, I dunnamany of 'em—with their wives an' childern an' valooables, all escapin' out of cruel Old England. Silver you could hear chinkin', an' liddle bundles hove down dunt on the bottom-boards, an' passels o' liddle swords an' shields raklin', an' liddle fingers an' toes scratchin' on the boatside to board her when the two sons pushed her off. That boat she sunk lower an' lower, but all the Widow could see in it was her boys movin' hampered-like to get at the tackle. Up sail they did, an' away they went, deep as a Rye barge, away into the off-shore mists, an' the Widow Whitgift she sat down an' eased her grief till mornin' light.'
'I never heard she was all alone,' said Hobden.
'I remember now. The one called Robin, he stayed with her, they tell. She was all too grieevious to listen to his promises.'
'Ah! She should ha' made her bargain beforehand. I allus told my woman so!'Hobden cried.
'No. She loaned her sons for a pure love-loan, bein' as she sensed the Trouble on the Marshes, an' was simple good-willin' to ease it.' Tom laughed softly. 'She done that. Yes, she done that! From Hithe to Bulverhithe, fretty man an' maid, ailin' woman an' wailin' child, they took the advantage of the change in the thin airs just about as soon as the Pharisees flitted. Folks come out fresh an' shinin' all over the Marsh like snails after wet. An' that while the Widow Whitgift sat grievin' on the Wall. She might have belieft us—she might have trusted her sons would be sent back! She fussed, no bounds, when their boat come in after three days.'
'And, of course, the sons were both quite cured?' said Una.
'No-o. That would have been out o' nature. She got 'em back as she sent 'em. The blind man he hadn't seen naught of anythin', an' the dumb man nature-ally he couldn't say aught of what he'd seen. I reckon that was why the Pharisees pitched on 'em for the ferryin' job.' 'But what did you—what did Robin promise the Widow?' said Dan.
'What did he promise, now?' Tom pretended to think. 'Wasn't your woman a Whitgift, Ralph? Didn't she ever say?'
'She told me a passel o' no-sense stuff when he was born.' Hobden pointed at his son. 'There was always to be one of 'em that could see further into a millstone than most.'
'Me! That's me!'said the Bee Boy so suddenly that they all laughed.
'I've got it now!' cried Tom, slapping his knee. 'So long as Whitgift blood lasted, Robin promised there would allers be one o' her stock that—that no Trouble 'ud lie on, no Maid 'ud sigh on, no Night could frighten, no Fright could harm, no Harm could make sin, an' no Woman could make a fool of.'
'Well, ain't that just me?' said the Bee Boy, where he sat in the silver square of the great September moon that was staring into the oast-house door.
'They was the exact words she told me when we first found he wasn't like others. But it beats me how you known 'em,' said Hobden.
'Aha! There's more under my hat besides hair?' Tom laughed and stretched himself. 'When I've seen these two young folk home, we'll make a night of old days, Ralph, with passin' old tales—eh? An' where might you live?' he said, gravely, to Dan. 'An' do you think your Pa 'ud give me a drink for takin' you there, Missy?'
They giggled so at this that they had to run out. Tom picked them both up, set one on each broad shoulder, and tramped across the ferny pasture where the cows puffed milky puffs at them in the moonlight.
'Oh, Puck! Puck! I guessed you right from when you talked about the salt. How could you ever do it?' Una cried, swinging along delighted.
'Do what?'he said, and climbed the stile by the pollard oak.
'Pretend to be Tom Shoesmith,' said Dan, and they ducked to avoid the two little ashes that grow by the bridge over the brook. Tom was almost running.
'Yes. That's my name, Mus' Dan,' he said, hurrying over the silent shining lawn, where a rabbit sat by the big white-thorn near the croquet ground. 'Here you be.' He strode into the old kitchen yard, and slid them down as Ellen came to ask questions.
'I'm helping in Mus' Spray's oast-house,' he said to her. 'No, I'm no foreigner. I knowed this country 'fore your mother was born; an'—yes, it's dry work oastin', Miss. Thank you.'
Ellen went to get a jug, and the children went in—magicked once more by Oak, Ash, and Thorn!