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Rambles on the Riviera

Chapter 22: CHAPTER VII. LA NAPOULE AND CANNES
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About This Book

A travel narrative collects automobile journeys and excursions across Provence and the Mediterranean Riviera, offering descriptive sketches of provincial towns, marshes, coastal vistas, and mountain backcountry. It moves through Arles and its surroundings, the Camargue and Étang de Berre, Marseilles and its harbor, and the coastal sequence from Toulon through Hyères, St. Tropez, Fréjus, Cannes, Antibes, Grasse, Nice, Monaco, and Menton. The writing emphasizes picturesque and topographical detail, local color and lesser-known byways, augmented by on-location illustrations and practical observations for travelers seeking sites beyond fashionable resorts.


Ruined Chapel near St. Tropez

St. Tropez possesses its wonderful Golfe, its gardens, and its “Petite Afrique,” and is more and more visited by Riviera tourists; but it still awaits that great tide of traffic which has made more famous and rich many other less favoured Mediterranean coast towns. There is a reason for all this; principally that it faces the mistral’s icy breath, for the coast-line has here taken a bend and the Golfe runs inland in a westerly direction, which makes the town face directly north. As an offset to this the inhabitant points out to you that you may regard the sea without being troubled by the sun shining in your eyes.

At the head of the Golfe is La Foux. It sits in the midst of a sandy plain, surrounded by a border of superb umbrella-pines. The chief attraction for the visitor is the remarkable specimens of the little horses of Les Maures to be seen here. They are known as “les Eygues,” and have preserved all the purity of the type first brought from the Orient by the Saracens. Six centuries and more have not wiped out the Arab strain to anything like the extent that might be supposed, and accordingly the little horses of Les Maures are vastly more docile and agreeable playmates than the “petits chevaux” of the Casinos of Monte Carlo and Nice.

The umbrella or parasol pines of La Foux are famous throughout the whole Riviera. Elsewhere there are isolated examples, but here there are groves of them, all branching with a wide-spreading luxuriance which is quite at its best. It might seem as though they were planted by the hand of man, so decorative are they to the landscape from any point of view, but most of them are of an age that precludes all thought of this.

The giant of its race is directly on the bank of the Golfe, near the Château de Berteaux. Its branches extend out in every direction, like the ribs of a parasol or umbrella, and its trunk is thirty feet or more in circumference, while the shadow from its overhanging branches makes a great round oasis of shade in the brilliant Mediterranean sunlight. The tree and its position cannot be mistaken by travellers by road or rail, for the railway itself has a “halte” almost beneath its branches. All around these parasol-pines push themselves up through the sand which has been carried down into the headwaters of the Golfe by the Mole and the Giscle, torrents which at certain seasons bring down a vast alluvial deposit from the upper valleys of Les Maures.

It is not far from La Foux to the plain of Cogolin. A league or more behind one of the first buttresses of Les Maures, one enters the rich alluvial prairie of Cogolin. Sheep, goats, and cows, and the Arabian-blooded horses, which are so much admired at the courses at La Foux, find welcome pasture here in these verdant fields.

Cogolin is not the capital of the Golfe country, that honour belonging to Grimaud, of which St. Tropez is virtually the port; still, Cogolin is quite a little metropolis, and is the centre of the liveliest happenings of all the region between Hyères and Fréjus. The town has two different aspects, one banal and modern, and the other picturesque and feudal, recalling the thirteenth-century days of the Grimaldis, who built the château of which the present belfry formed a part.

Cogolin is uninteresting enough in its newer parts, but as one ascends the slope of the hill on which the town is built it grows more and more picturesque until, when the lower town is actually lost sight of, it finally takes rank as a delightful old-world place, with scarce a note of the twentieth century about it, where they still bring water from the public fountain and most of the shops of the smaller kind transact their business on the sidewalk—where there is one.

There is a peculiar odour all over Cogolin, which comes from the manufacture of corks and queer-looking “whisk-brooms.” It’s not a bad or unhealthful smell, but it is peculiar, and many will not like it. From Cogolin all roads lead to the heart of the Maures, and the stream of carts loaded with great slabs of cork is incessant.

Here, as in many other parts of Les Maures, the manufacture of corks is an industry which furnishes a livelihood to many. The workrooms of the cork-makers, to attract clients or amuse the populace—the writer doesn’t know which—are often in full view from the street. Certainly it is amusing to see a workman stamp out, or cut out, the corks and drop them into a waiting basket, as if they were plums gathered from a tree. In the larger establishments, where the work is done by machinery, the process is more complicated, and less interesting, and the writer did not see that any better results were obtained.

The whole region of Les Maures is dominated by the chêne-liège, or the cork-oak. Usually they are great, straight-trunked trees with a heavy foliage. Some still possess their natural brown trunks, and some are a gray fawn colour, showing that they are already aged and have been many times robbed of their bark for the manufacture of floats for the fisherman’s nets and corks for bottles. The first coat which is stripped has no mercantile value, and the trunk is left to heal itself as best it may, the sap oozing out and forming another skin, which in due time forms the cork-bark of commerce.

The trees are stripped only in part at one time, else they would perish. The first marketable crop is gathered in ten or a dozen years, and it takes another decade before the same portion can be again obtained.

This cork-bark industry means a fortune to Les Maures and its rather scanty population. The discovery, or real development, of the industry was due to a lonesome shepherd, who, finding how soft and compressible the bark of the chêne-liège really was, manufactured a few corks to pass the time while watching his flocks, taking them at the first opportunity to town, to see if he could find a market, which, needless to say, he did immediately. The account has something of a legendary flavour about it, but no doubt the discovery was made in just such a way.

Cogolin has another industry which, in its way, is considerable,—the manufacture of briar pipes, though mostly it is the gathering of the briar-roots which makes the industry, the actual fashioning of the pipes themselves being carried on most extensively at St. Claude in the Jura, to which point many train-loads of the roots are sent each year. Just why the industry should be carried on so far from the source of supply of the raw material is one of the problems that economists are trying always to solve, but the traffic clings tenaciously to the customs of old. When Les Maures goes in for the manufacture of briar pipes on a large scale there will be a new and increased prosperity for the inhabitants; this in spite of the growing consumption of the deadly cigarette, which, in France, is made of something which looks amazingly like cabbage-stalk—and a poor quality at that. The contempt for French tobacco is of long duration. It is recalled that a certain minister under Charles X. was invited to smoke smuggled tobacco at a friend’s house, and was implored to use his influence to the substituting of the same grade of tobacco for the poisonous cabbage-leaf then grown in France. His reply was appreciative but non-committal, and so the thing has gone on to this day, and the French public smokes uncomplainingly a very ordinary tobacco.

Three kilometres distant sits Grimaud, snug and serene on the terrace of a mountainside, overlooking Cogolin and the Golfe, and all its environment. The little town has all the characteristics of its neighbours, with perhaps a superabundance of shade-trees for a place which has not very ample streets and squares. At the apex of the ascending ruelles is a cone which is surmounted by the pathetic ruins of the old château of the Grimaldi. Without grandeur and without life, this château is in strong contrast with the palace of the present members of the ancient house of Grimaldi, the Prince of Monaco and his family.

The ruins of Grimaud’s château are, to be sure, a whited sepulchre, and a dismal one, but the view from the platform is one of great beauty. Les Maures forms an encircling cordon, through which the brilliance of the Golfe breaks toward the south. In the twilight of an early June evening the effect will be surprising and grateful in its quiet grandeur; a welcome change after the refulgence of the Alpine glow of Switzerland and the gorgeous, bloody sunsets of the Mediterranean coast towns.

After a meditation here, one will be in the proper mood for the repose which awaits him at “Annibal’s” in the town below. It is not grand, this little hotel of M. Annibal, but it is typical of the pays, and you, as likely as not, ate your dinner on a little balcony overlooking a little tree-bordered place, which has already put you in a soulful mood. When you return from the château, you will need no sedative to make you sleep, and you will bless the good fortune which brought you thither—if you are a true vagabond and not a devotee of the “resorts.” The latter class are advised to keep away; Grimaud would “bore them stiff,” as a strenuous American, who was “doing” the Riviera on a motor-cycle, told the writer.

La Garde-Freinet next calls one, and it must not be ignored by any who would know what a real mountain town in France is like. It is different from what it is in Switzerland or the Tyrol; in fact, it is not like anything anywhere else. It is simply a distinctively French small town nestling in the heart of the Mediterranean coast range, and cut off from most of the distractions of civilization, except newspapers (twenty-four hours old) and the post and telegraph.

La Garde-Freinet sits almost upon the very crest of the Chaîne des Maures. The road from Grimaud, which is but a dozen kilometres or so, rises constantly through rocky escarpments like a route in Corsica, which indeed the whole region of Les Maures resembles.

All is solitude and of that quietness which one only observes on a lonely mountain road, while all around is a girdle of tree-clad peaks, not gigantic, perhaps, but sufficiently imposing to give one the impression that the road is mounting steadily all of the way, which, even in these days of hill-climbing automobiles, is something which is bound to be remarked by the traveller by road.

Finally one comes in sight of the old Saracen fortress of Fraxinet, or Freinet, from which the present town of something less than two thousand souls takes its name. It stands out in the clear brilliance of the Provençal sky, as if one might reach out his hand and touch its walls, though it is a hundred or more metres above the town, which finally one reaches through the usual narrow entrance possessed by most French towns whether they are of the mountain or the plain.

It was from just such fortified heights as this that the Saracens were able to command all Provence and the valley of the Rhône up to the Jura. Concerning these far-away times, and the exact movements of the Saracens, historians are not very precise, and a good deal has to be taken on faith; but where monuments were left behind to tell the story, albeit they were mostly fortresses, enough has come down to allow one to build up a fabric which will give a more or less just view of the extent of the Saracen influence which swept over southern Gaul from the eighth to the tenth centuries.

They made one of their greatest strongholds here on the Pic du Fraxinet (“the place planted with frênes”), and, in spite of the fact that they were sooner or later driven from their position, as history does tell in this case, their descendants, becoming Christians, were the ancestors of the present growers of mulberry-trees and cork-oaks, and tenders of silk-worms, which form the principal occupations of the inhabitants of La Garde-Freinet to-day.

Any one, with the least eye for the fair sex, will note the fact that the women of La Garde-Freinet—the Fraxinétaines of the ethnologists—have a unique kind of beauty greatly to be admired. They are not as beautiful as the women of Arles, to whom the palm must always be given among the women of France; but they are well-formed, with beautiful hair, great, liquid black eyes, oval faces, and plump, well-formed arms, justifying, even to-day, the beauty which they are supposed to have acquired from their Moorish ancestors.

There are no monuments at La Garde-Freinet except the ruined, dominant fortress, but for all that the pilgrimage is one worth the making, if only for glimpses of those wonderfully beautiful women, or for the delightful journey thither.

From La Foux and Grimaud one rapidly advances toward the Estérel, that sheltering range of reddish, rocky mountains which makes Cannes and La Napoule what they are.

St. Tropez and its tall white houses are left behind, and the shores of the Golfe are followed until one comes to the most ancient town of Ste. Maxime. Unlike St. Tropez, Ste. Maxime, though only thirty minutes away by boat, across the mouth of the Golfe, has not the penetrating mistral for a scourge. On the other hand one does get the sun in his eyes when he wishes to view the sea, and has not that magically coloured curtain of the Estérel, with all its varied reds and browns, before his eyes. One cannot have everything as he wishes, even on the Riviera. If he has the view, he often has also the mistral; and, if he finds a place that is really sheltered from the mistral, it has a more or less restricted view, and a climate which the doctors and invalids call “relaxing,” whatever that arbitrary term may mean.

Here in the Golfe de St. Tropez, at St. Tropez, at La Foux, and at Ste. Maxime, one sees again those great tartanes and balancelles, the great white-winged craft which fly about the Mediterranean coasts of France with all the idyllic picturesqueness of old.

There are still twenty kilometres before one reaches Fréjus, the first town of real latter-day importance since passing Toulon, and this, too, in spite of its great antiquity. Other of the coast towns have risen or degenerated into mere resorts, but Fréjus holds its own as the centre of affairs for a very considerable region.

CHAPTER VI.

FRÉJUS AND THE CORNICHE D’OR

TWENTY kilometres beyond Ste. Maxime one comes to the Golfe de Fréjus and its neighbouring towns of Fréjus and St. Raphaël, the former the ville commerçant and the latter the ville d’eau.

As with Arles, on the banks of the Rhône, one may well say of Fréjus that the town and its environs form a veritable open-air museum. It will be true to add also, in this case, that the museum has a far greater area than at Arles, for Fréjus, and the antiquities directly connected with it, cover a radius of at least forty kilometres.

The Romans, the great builders of baths and aqueducts, set a great store by water, and indeed classed it as among the greatest blessings of mankind. No labour was too great, and expense was never thought of, when it came to a question of building these great artificial waterways which, even unto to-day, are known as aqueducts the world over. One of their greatest works of the kind led to Fréjus, and two of its arches stand gaunt and grim to-day in the midst of a fence-paled field. There is also a sign attached to one of the fence-posts which reads as follows:

DEFENSE ABSOLUE
DE PENETRER
DANS LA PROPRIÉTÉ

This sign-board does not look as durable as the moss-grown old arches over which it stands sentinel; perhaps some day the stress of time (or some other reason) will cause it to disappear.

The remains of this great aqueduct of other days prove conclusively the great regard and hope which the Romans must have had for the Forum Julii of Julius Cæsar, for all, without question, attribute the foundation of Fréjus to the conqueror of the Gauls.

The evolution of the name of Fréjus is readily enough followed, though the present name, coming down through Forojuliens and Frejules, is a sad corruption. Of this evolution the authorities are not very certain, and call it “une tradition et non un fait historiquement prouvé.” It is satisfying enough to most, however, so let it stand; and anyway we have the words of Tacitus, who said that his brother-in-law, Agricola, was born at “the ancient and illustrious colony of Forojuliens.”

Fréjus is prolific in quaint customs and legends too numerous to mention, though two, at least, stand out so plainly in the memory of the writer that they are here recounted.

On a certain occasion in August,—not the usual season for tourists, but genuine travel-lovers, having no season, go anywhere at any time,—as the town was entered by the highroad, our automobile was abruptly stopped at the barrière by a motley crew clad in all manner of military costumes, like the armies of the South American republics. Firearms, too, were there, and when a grenadier of the time of Louis-Philippe let off a smoky charge of gunpowder under our very noses, it was a signal for a general feu-de-joie which might have rivalled a Fourth of July celebration in the United States, for the disaster which it bid fair to bring in its wake. As a matter of fact, nothing happened, and we were allowed to proceed in peace, though the sleep-destroying cannonade was kept up throughout the night.

The occasion was nothing but the annual celebration of “Les Bravadeurs,” a survival of the days of Louis XIV., when the town, being left without a garrison, raised a motley army of its own to serve in place of the troops of the king.

There is a legend, too, concerning the landing of St. François de Paule here, which the native is fond of telling the stranger, but which needs something more than the proverbial grain of salt to go with it, because St. François is claimed to have first put foot on shore at various other points along the coast.

The story is to the effect that the ship which bore the holy man from the East having foundered, or not having been sufficiently sea-worthy to continue the voyage, St. François stepped overboard and walked ashore on the waves. He did not walk on the waves themselves in this case, but laid his mantle upon them and walked on that. What he did when he came to the edge of his mantle tradition does not state.

The ecclesiastical and political history of Fréjus is most interesting, though it cannot be epitomized here. Two significant Napoleonic events of the early nineteenth century stand out so strongly, however, that they perforce must be mentioned.

In 1809 Pope Pius VII. stopped at Fréjus when he was making his way to Fontainebleau, more or less unwillingly, as history tells. Five years later the Holy Father again stopped at Fréjus on his return to Italy, and Napoleon himself, on the 27th of the following April, awaiting the moment of his departure for Elba, occupied the very apartment that had received the pontiff.

Of the architectural and historical monuments of Fréjus one must at least take cognizance of the Baptistery, one of the few of its class out of Italy and dating from some period previous to the tenth century. Architecturally it is not a great structure, neither is it such in size; but its very existence here, well over into Gaul, marks a distinct era in the Christianizing and church-building efforts of those early times. The cathedral at Fréjus is by no means of equal archæological importance to this tiny Baptistery, though the bishopric itself was founded as early as the fourth century, and at least one of its early bishops became a Pope (Jean XXII., 1316-34).

Here, there, and everywhere around the encircling avenues of the town are to be seen the remains of the old city walls, which in later years, even in the middle ages, sunk more and more into disuse, from the fact that the city has continually dwindled in size, until to-day it covers only about one-fifth of its former area.

The old aqueduct of Fréjus, a relic of Roman days and Roman ways, is the chief monumental wonder of the neighbourhood. It has long been in a ruinous state of disuse, though its decay is merely that incident to time, for it was marvellously well built of small stones without ornament of any kind.

At Fréjus there are also remains of a Roman theatre, now nothing more than a mass of débris, though one easily traces its diameter as having been something approaching two hundred feet.

The arena of Fréjus is in quite as dismantled a state as the theatre, one of the principal roadways now passing through its centre, so that to-day the monument is hardly more than a great open Place at the crossing of four roads. From the grandeur of the structure, as it must once have been, it is a monument comparable in many ways with those better preserved and more magnificent arenas at Arles and Nîmes.


Fréjus to Nice

From this résumé of some of the chief monuments of the Roman occupation one gathers that Fréjus was carefully planned as a great city of residence and pleasure; and so it really was, with the added importance which its position, both with regard to the routes by sea and land, gave to it in a commercial sense.

From Fréjus to St. Raphaël is a bare three kilometres. St. Raphaël boasts as many inhabitants as Fréjus, but it is mostly a city of pleasure, and has no monuments of a past age to suggest that even a reflected glory from Fréjus ever shone over its site. To-day the plain which lies between the two towns is dotted here and there with palatial residences: “C’est tout palais,” the native tells you, and he is not far wrong, but in a former day it was a broad bay, where floated the galleys of Cæsar and Augustus.


St. Raphaël

There was some sort of a feudal town here in the middle ages, but it never grew to historical or artistic importance, and the town was little known until the advent of Alphonse Karr and his fellows, who made of it, or at least intimated that it could be made, what it is to-day,—a “winter resort,” or, as the French have it, a “station hivernale.” It is a very simple expression, but one which leads to a certain amount of misunderstanding among the newcomers, who think that they have only to take up their residence, from November to March, anywhere along the shores of the Mediterranean east of Marseilles to swelter in tropical sunshine. This they will not do, and unless they keep indoors between five and seven in the evening on most days, they will get a chill which will not only go to the marrow, but as like as not will carry pneumonia with it; that is, if one dresses in what are commonly called “summer clothes,” the kind that are pictured in the posters which decorate the dull walls of the railway stations as being suitable for the life of the Riviera.

St. Raphaël is not wholly given up to pleasure, for it is a notable fact that in industrial enterprise it has already surpassed Fréjus, due principally to a vast traffic in bauxite, a clay from which aluminium is obtained, and there are always at its quays steamers from England, Germany, and Holland loading the reddish earth.

Nevertheless, St. Raphaël is in the main a city of villas, less pretentious than those of Cannes, but still villas in the general meaning of the word. There is one called locally (in Provençal) the “Oustalet du Capelan” (The House of the Curé), which was a long time occupied by Gounod. Lovers of the master and his works will make of it a musical shrine and place of pilgrimage. An inscription over the door recalls that in this house Gounod composed “Romeo et Juliette.”


Maison Close, St. Raphaël

The Maison Close, inhabited by Alphonse Karr, is literally a maison close, for it is surrounded by a high wall, and the most that one can see and admire is the suggestion of the wonderful garden behind. In Karr’s time it must have been a highly satisfactory retreat, and no wonder he found it not difficult to let the rush of the world go by with unconcern.

Hamon, the landscape painter, was another devotee of St. Raphaël, and he described it as “la campagne de Rome au fond du Golfe du Naples;” it needs not a great stretch of the imagination to follow the simile.

In spite of the expectations of a former generation of landlords and landowners, St. Raphaël, progressive as it has been, has never grown up on the lines upon which it was planned. The grand boulevards and avenues came as a matter of course, and the great hotels, and, ultimately, the inevitable casino and its attendant attractions; but, nevertheless, St. Raphaël has remained a ville des villas, and the population has mostly gone to the suburban hillsides, especially around Valesclure, where new houses are springing up like mushrooms, all built of that white sandstone which flashes so brilliantly in the sunlight against the background of the green-clad, reddish-brown Estérel.

The Estérel is a coast range of mountains as different from Les Maures, their neighbour to the westward, as could possibly be, in colour, in outline, and in climatic influences, and these to no little extent have a decided effect on the manners and customs of the people who live in the neighbourhood.

The contrast between the mountains of Les Maures and the Estérel is most marked. The former are more sober and less accentuated than the latter range, and there is more of the culture of the olive to be noted in the valleys, and of the oak on the hillsides. In the Estérel all is brilliant, with a colouring that is more nearly a deep rosy red than that of any other rock formation to be seen in France. Coupled with the blue of the Mediterranean, the reddish rocks, the green hillsides, and the delicate skies make as fantastic a colour-scheme as was ever conceived by the artist’s brush.

The Route d’Italie passes to the north of the Estérel crest, and is one of those remarkable series of roadways which cross and recross France, and may be considered the direct descendants of the military roads laid out by the Romans, and developed and perfected by Napoleon. To-day a generously endowed department of the French government tenderly cares for them, with the result that the roads of France have become one of the most precious possessions of the nation.

Until very recent times the great mountain and forest tract of the Estérel had remained unknown and untravelled, save so far as the railway followed along the coast, and the great Route d’Italie bounded it on the north, or at least bounded the mountain slopes.

All this has recently been changed, and, where once were only narrow foot-paths and roads, made use of by the shepherds and peasants, there are a broad and elegant highway flanking the indentations of the coast-line, and many interior routes crossing and recrossing one of the most lovely and unspoiled wildwoods still to be seen in France. There are other parts much more wild, the Cevennes or the Vivarais, for instance; but they have not a tithe of the grandeur and beauty of the red porphyry rocks of the Estérel combined with the blue waters of the Mediterranean and the forest-covered flanks of its mountain range.

From Fréjus, St. Raphaël, or La Napoule, or even Cannes, one may enter the Estérel and lose himself to the world, if he likes, for a matter of a week, or ten days, or a fortnight, and never so much as have a suspicion of the conventional Riviera gaieties which are going on so close at hand.

The “Corniche d’Or” of the Estérel, as the coast road is known, was only completed in 1893, and as a piece of modern roadway-making is the peer of any of its class elsewhere. The record of its building, and the public-spirited assistance which was given the project on all sides, would, or should, put to shame those road-building organizations of England and America which for the most part have aided the good-roads movement with merely an unlimited supply of talk about what was going to be done.

As a roadway of scenic surprises the “Corniche d’Or” of the Estérel is the peer of the better known rival beyond Nice, though it has nothing to excel that superb half-dozen kilometres just before, and after, Monte Carlo and Monaco.

The interior route of the Estérel, the Route d’Italie, mounts to an altitude of three hundred metres, while the “Corniche” is practically level, with no hills which would tire the least muscular cyclist or the weakest-powered automobile.


On the Corniche d’Or

Since the beginning of the transformation of the Estérel two hundred and forty kilometres of new roadways have been laid out. After this great work was finished came the question of erecting sign-boards along the various routes and chemins and carrefours and bifurcations, and the work was not treated in a parsimonious fashion. Within the first year of the completion of the road-building over two hundred important and legible signs were erected by the efforts of a wealthy resident of St. Raphaël, with the result that the value of the Estérel as a great “parc nationale” became apparent to many who had previously never even heard of it.

This delightful tract of unspoiled wildwood is bounded on the north by the Route d’Italie, while the ingeniously planned “Corniche” follows the coast-line all the way to Cannes, which is really the door by which one enters the Riviera of the guide-books and the winter tourists.

The “Corniche d’Or,” its inception and construction, was really due to the efforts of the omnific “Touring Club de France.” Formerly the way by the coast was but a narrow track, or a “Sentier de Douane.” To-day it is an ample roadway along its whole length, on which one has little fear of speeding automobiles for the simple reason that the jutting capes and promontories of porphyry rock are death-dealing in their abruptness and frequency, and no automobilist who is sane—let it be here emphasized—takes such dangerous risks.

The forest and mountain region of the Estérel between those two encircling strips of roadway is possessed of a wonderful fascination for those who are brain-fagged or town-tired; and to roam, even on foot, along these by-paths for a few days will give a whole new view of life to any who are disposed to try it. If one purchases the excellent map of the region issued by the “Touring Club de France,” or even the five-colour map of the “Service Vicinal” of the French government, he will have no fear of losing his way among the myriads of paths and roadways with which the whole region is threaded.

One first enters the “Route de la Corniche” by leaving St. Raphaël by way of the newly opened Boulevard du Touring Club, and soon passes two great projecting rocks known as the “Lion de Terre” and the “Lion de Mer.” They do not look in the least like lions,—natural curiosities seldom do look like what they are named for,—but they will be recognizable nevertheless. Throughout its length the road follows the shore so closely that the sea is always in sight.


Offshore from Agay

Boulouris is a sort of unlovely but picturesque suburb of St. Raphaël, and from its farther boundary one is in full view of the “Sémaphore d’Agay,” perched high on a promontory a hundred and forty metres above the sea. The Sémaphore is an ugly but utilitarian thing, and the wireless telegraph has not as yet supplanted its functions in France.

From the same spot one sees the Tour du Dramont, a one-time refuge of Jeanne de Provence during a revolution among her subjects.

In following the road one does not come to a town or indeed a settlement of any notable size until he reaches Agay, on the other side of the promontory. The town lies at the mouth of a tiny river bearing the same name. It makes some pretence at being a resort, but it is still a diminutive one, and, accordingly, all the more attractive to the world-wearied traveller.

Three routes lead from Agay, one to Cannes by Les Trois Termes (twenty-nine kilometres), another by the Col de Belle Barbe, and another directly by the “Corniche.”

Near the Col de Belle Barbe is the Oratoire de St. Honorat and the Grotte de Ste. Baume. The latter is a place of pilgrimage for the devout of the region, and for those from farther abroad, but most of the time it is a mere rendezvous for curious sightseers.

The roadway continues rising and falling through the pines until it crosses the Col Lévêque (169 metres), when, rounding the Pic d’Aurele, it comes again to sea-level at Le Trayas.

From Agay the “Corniche” runs also by Le Trayas, and to roll over its smoothly made surface in a swift-moving automobile is the very poetry of motion, or as near thereto as we are likely to get until we adopt the flying-machine for regular travel. It is an experience that no one should miss, even if he has to hire a seat on the automobile omnibus which frequently runs between St. Raphaël and La Napoule and Cannes.

It is twenty kilometres from Agay to La Napoule, and is a good afternoon’s journey by carriage, or even on donkey-back. Better yet, one should walk, if he feels equal to it, and has the time at his disposal.

En route one passes Anthéore, which may best be described as a colony of artistic and literary people who have settled here for the quiet and change from the bustle of the modern life of the towns. This was the case at least when the settlement was founded, and the poet Brieux built himself a house and put up over the gateway the significant words: “Je suis venu ici pour être seul.” Whether he was able to carry out this wish is best judged by the fact that since that time many outsiders have gained a foothold, and the Grand Hôtel de la Corniche d’Or has come to break the solitude with balls and bridge and all the distractions of the more celebrated Riviera towns and cities.

Between Anthéore and Le Trayas is a narrow pathway which mounts to St. Barthélémy, but the coast road still continues its delightful course toward La Napoule.

Le Trayas, though it figures in the railway time-tables, is hardly more than a hamlet; but it boasts proudly of a hotel and a group of villas. It has not yet become spoiled in spite of this, and though it lacks the picturesque local colour of the average Mediterranean coast town, and almost altogether the distractions of the great resorts, it is worth the visiting, if only for its charming situation.

The Département of the Var joins that of the Alpes-Maritimes just beyond, and, at three kilometres farther on, the coast road rises to its greatest height, a trifle over a hundred metres.

Before one comes to La Napoule he passes the progressive, hard-pushing little resort of Théoule, so altogether delightful from every point of view that one can but wish that winter tourists had never heard of it. This was not to be, however, and Théoule is doing its utmost to become both a winter and a summer resort, with many of the qualifications of both. It is deliciously situated on the Golfe de la Napoule, or, rather, on a little anse or bay thereof, and consists of perhaps a hundred houses of all classes, most of which rejoice in the name of Villa Something-or-other. Most of these villas are well hidden by the trees, and their coquette architecture (on the order of a Swiss châlet, but stuccoed here and there and with bits of coloured glass stuck into the gables,—and perhaps a plaster cat on the ridge-pole) is not so obtrusive as it might otherwise be.

Leaving Théoule, the coast road continues to La Napoule, but, properly speaking, the “Corniche” ends at Théoule. Throughout its whole length it is a wonderfully varied and attractive route to the popular Riviera towns, and one could hardly do better, if he has journeyed from the north by train, than to leave the cars at Fréjus or St. Raphaël and make the journey eastward via the Corniche d’Or. If he does this, as likely as not he will find some delightful beauty-spot which will appeal to him as far more attractive than a Cannes or Nice boarding-house, where the gossip is the same sort of thing that one gets in Bloomsbury or on Beacon Hill. The thing is decidedly worth the trying, and the suggestion is here given for what it may be worth to the reader.

CHAPTER VII.

LA NAPOULE AND CANNES

LA NAPOULE is known chiefly to those birds of passage who annually hibernate at Cannes as the end of a six-mile constitutional which the doctors advise their patients to take as an antidote to overfeeding and “tea-fights.” In reality it is much more than this; it is one of the most charmingly situated of all the Riviera coast towns, and has a history which dates back to a fourteenth-century fortress, built by the Comté de Villeneuve, a tower of which stands to-day as a part of the more modern château which rises back of the town.


On the Golfe de la Napoule

French residents on the Riviera have a popular tradition that Lord Brougham originally made overtures to the municipality of Fréjus when he was seeking to found an English colony on the Riviera. Whatever his advances may have been, they were promptly spurned by the town, and England’s chancellor forthwith turned his steps toward Italy, whither he had originally been bound. Suddenly he came upon the ravishing outlook over the Golfe de la Napoule, and the charms of this lovely spot so impressed him that he fell a prey to their winsomeness forthwith and decided that if he could find a place where the inhabitants were at all in favour of a peaceful English invasion, he would throw the weight of his influence in their favour. He travelled the country up and down and threaded the highways and byways for a distance of fifty kilometres in every direction until finally he decided that Cannes, on the opposite side of the Golfe, should have his approval. Thus the Riviera, as it is known by name to countless thousands to-day, was born as a popular English resort, and soon Cannes became the “ville élégante,” replacing the little “bourg de pêche” of a former day.

The road eastward from Fréjus, the highroad which leads from France into Italy, passes to the northward of the crests of the Estérel range just at the base of Mont Vinaigre, a topographical landmark with which the average visitor to Cannes should become better acquainted. It is far more severe and less gracious than Cap Roux, where the Estérels slope down to the Mediterranean; but it has many attractions which the latter lacks. From the summit of Mont Vinaigre one may survey all this remarkable forest and mountain region, while from Cap Roux one has as remarkable a panorama of sea and shore and sky, but of quite a different tonal composition.

Mont Vinaigre is the culminating peak of the Estérel, and is visible from a great distance. Its great white observatory tower rises high above the neighbouring peaks and, when one finally reaches the vantage-ground of the little platform which is found at the utmost height, he obtains a view which is far more vast in effect than many of the “grandest views” scattered here and there about the world. In clear weather the outlook extends from Bordighera to Sainte Baume, as if the whole region were spread out in a great map.

Below Mont Vinaigre is Les Adrets and its inn, which in days of old was known by all travellers to Italy by way of the south of France as a post-house, where horses were changed and where one could get refreshment and rest. To-day the Auberge des Adrets performs much the same functions for the automobilist, and is put down in the automobile route-books of France as a “poste de secours,” one of those safe havens on land which are as necessary to the automobilist en tour as is a life-saving station to the shipwrecked sailor.

The inn, modest and lacking in up-to-date appointments as it is, has a delightfully wild and unspoiled situation, sheltered from the north by numerous chestnut and plane-trees, and in summer or winter its climatic conditions are as likely to fit the varying moods of the traveller as any other spot on the Riviera. Truly Les Adrets is a retreat far from the madding crowd, where an author or an artist might produce a masterwork if what he needed was only quiet and a change of scene. There are no distractions at Les Adrets to break the monotony of its existence. One may chat with a passing automobile tourist, or with one of those guardians of the peace of the countryside, the gendarmes,—who have barracks near by,—but this is the only diversion.

At the inn itself one finds nothing of luxury. One pays two francs for his repasts and a franc for his modest room. This is not dear, and has the additional advantage that neither one nor the other of these requirements of the traveller have the least resemblance to the sort of thing that one gets in the towns.

Over the doorway of this unassuming establishment one reads the following: “La maison este rebastie par le Sieur Laugier en 1653; elle a été restaurée par Ed. Jourdan, 1898.

Never is there a throng of people to be seen in these parts, and, if one wanders abroad at night, he is likely enough to have thoughts of the highwaymen of other days. Formerly the forests and mountains of the Estérel were infested with a class of brigands who were by no means of the polished villain order which one has so frequently seen upon the stage. They were not of the Claude Duval class of society, but something very akin to what one pictures as the Corsican bandit of tradition.

To-day, however, all is peaceful enough, with the Gendarmerie near by, a terror to all wrong-doers, and the only reminiscences which one is likely to have of the highwaymen of other days are such as one gets from an old mountaineer or a review of the pages of history and romance, where will be found the names of Robert Macaire and Gaspard de Besse, two famous, or infamous, characters whose names and lives were closely connected with this region. It is all tranquil enough to-day, and one is no more likely to meet with any of these unworthies in the Estérel than he is with the “Flying Dutchman” at sea.

As one draws near to Cannes, he realizes that he has left the simplicity of the life of the countryside behind him. While still half a dozen kilometres away, he sees a sign reading “Cannes Cricket Club,” and all is over! No more freedom of dress; no more hatless and collarless mountain climbs; but the costume of society, of London, Paris, or New York is what is expected of one at all times.

Cannes is truly “aristocratic villadom,” or “séjour aristocratique et recherché,” as the French have it, with all that the term implies. Consequently Cannes is conventional, and the real lover of nature—regardless of the town’s charming situation—will have none of it.

It is believed that the town grew up from the ancient Ligurian city of Aegytna, destroyed by Quintus Opimius a hundred and fifty years before the beginning of the Christian era.

If one does not make his entry into Cannes by road, direct from the Estérel, he will probably come by the way of Le Cannet. Le Cannet is itself a sumptuous suburb which in every way foretells the luxury which awaits one in the parent city by the seashore.

Three kilometres of palm and plantain bordered avenue, lined with villas and hotels, joins Le Cannet with Cannes. Not long ago the suburb was an humble, indifferent village, but the tide of popularity came that way, and it has become transformed.

The Boulevard Carnot descends from Le Cannet to the sea by a long easy slope, and again one comes to the blue water of the enchanted Mediterranean. At times, Cannes is most lively,—always in a most conventional and eminently respectable fashion,—and at other times it sleeps the sleep of an emptied city, only to awake when the first fogs of November descend upon “brumeuse Angleterre.”

To tell the truth, Cannes is far more delightful “out of season,” when its gay, idling population of strangers has disappeared, stolen away to the watering-places of the north, there to live the same deadly dull existence, made up of rounds of tea-drinking and croquet-playing, with perhaps an occasional ride in a char-à-banc. Probably the millionaire improves somewhat upon this régime, but there are countless thousands who live this very life in European watering-places—and think they are enjoying themselves.

Cannes’s off season is of course summer, but, considering that it is so delightfully and salubriously situated at the water’s edge, and has a summer temperature of but 22° Centigrade, this is difficult to understand. Certainly Cannes is more delightful in the winter months than “brumeuse Angleterre,” but then it is equally so in June.

Not every one in Cannes speaks English; but for a shopkeeper to prosper to the full he should do so, and so the local “professors” have a busy time of it, in season and out, teaching what they call the “idiome britannique” and the “argot Américaine.”

The shore east and west of the centre of the town is flanked with hotels and villas, and great properties are yearly being cut up and put into the hands of the real-estate agents in order that more of the same sort may be erected where olive and palm trees formerly grew.

Horticulture is still a great industry at Cannes, as well as the selling of building-lots, but the marvel is that there is any unoccupied land upon which to raise anything. A dozen years from now how will the horticulturalists of Cannes be able to grow those decorative little orange and palm trees with which Paris and Ostend and London and even Manchester hotel “palm-gardens” are embellished?

Cannes has an ecclesiastical shrine of more than ordinary rank, in spite of the fact that it is of no great architectural splendour. It is the old Basilique de Notre Dame d’Espérance which crowns the hill back of the town and possesses a remarkable reliquary of the fifteenth century, said to contain the bones of St. Honorat, the founder of the famous monastery of the Lerin Isles.

Another monument of the middle ages is the ancient “Tour Seigneuriale,” erected in 1080 by Adelbert II., an abbot of the Monastery of Lerins. For three hundred years it was in constant use, serving both as a citadelle and as a marine observatory. To-day its functions are no more; but, with the tower of the church, it does form a sort of a beacon, from offshore, for the Cannes boatmen.

There is a Christmas custom celebrated by the fisher-folk of Cannes which is exceedingly interesting and which should not be missed if one is in these parts at the time. On the eve of Christmas there is held a popular banquet, in which the sole dish is polenta, most wonderfully made of peas, nuts, herbs, and meal, together with boiled codfish, the yolks of eggs, and what not, all perfumed with orange essence. It’s a most temperate sort of an orgy, in all except quantity, and, when washed down with a local vin blanc, bears the name, simply, of a “gros souper.” Brillat-Savarin might have done things differently, but the dish sounds as though it might taste good in spite of the mixture.