WeRead Powered by ReaderPub
Recollections / With Photogravure Portrait of the Author and a number of / Original Letters, of which one by George Meredith and / another by Robert Louis Stevenson are reproduced in / facsimile cover

Recollections / With Photogravure Portrait of the Author and a number of / Original Letters, of which one by George Meredith and / another by Robert Louis Stevenson are reproduced in / facsimile

Chapter 19: CHAPTER XVII
Open in WeRead

Explore more books like this:

About This Book

A sequence of personal reminiscences traces the author's childhood in a semi-industrial Midland town, early apprenticeship in a printing office, and a first, sensory-saturated arrival in London. The narrative contrasts rural beauty with expanding industry, records encounters with prominent literary figures and public readings, and evokes memory through vividly associated smells and scenes. Later sections recount travels in Australia and New Zealand, observations on climate and local life, and meetings with other writers. The text is accompanied by original letters reproduced in facsimile and photographic illustrations that augment the firsthand reflections.

     Letter of Advice sent by a Distinguished American to David
     Christie Murray prior to a visit to America on a Lecturing
     Tour
.

     Friday, 7th September.

     My Dear Old Friend,—I am sending.... some letters for you
     by this same post. They are to three splendid fellows, full
     of power to help you, and certain to be eager to use it

     If I could have seen you personally, I had it in mind to say
     many things which don't lend themselves to pen and ink. Some
     of them perhaps can be put down with a minimum of
     awkwardness.

     You are primarily, in the American mind, an eminent
     novelist. They have read you (in printed cheap editions) by
     the score of thousands. They think of you as a cousin of
     Dickens, Thackeray, Reade and the rest. Now that is your
     rôle marked out for you by God. Stick to it, wear reasonably
     conventional clothes, cultivate an intelligently conventional
     aspect, and do not for your life say anything about the
     stage or the latter-day hard luck you have had, or anything
     else which will not commend itself to a popular sense which,
     although artistic on one side is implacably Philistine on
     the other. They have a tremendous regard for Reade. Carry
     yourself as if you were the undoubted inheritor of the Reade
     traditions. Think how Reade himself would have borne
     himself—then strike out from it all the bumptious and
     aggressive parts—and be the rest.

     Two things destroy a man  in America.    One is the
     suggestion of personal eccentricity, Bohemianism, etc. The
     other is a disposition for criticism and controversy on
     their own subjects. The latter is the more dangerous of the
     two. It is a people devoured by the newspaper habit, like
     the Irish or the old Greeks of the Areopagus. They ask every
     few minutes “What is the news?” Thousands of smart young men
     are hustling about fifteen hours a day to answer that
     ceaseless question. If it occurs to any one of them anywhere
     to say: “Well, here is a cocky Englishman who is over here
     to make some money, but who is unable to resist the
     temptation to harangue us on our shortcomings”—just that
     minute you are damned—irrevocably damned. That one sniff of
     blood will suffice. The whole pack will be on your shoulders
     within twenty-four hours.

     Yet, don't mistake me. These same newspaper men are nice
     fellows, kindly to a fault, if you avoid rubbing them the
     wrong way. Swear to yourself that you will be genial and
     affable with every human soul you meet, and that you will
     never be betrayed into an argument—on any American
     subject
, mind—with any living being, from the bartender
     up. It is not so hard a rule, old man, and observing it
     vehemently day and night will make all the wide difference
     to you between miserable failure and a fine and substantial
     success.

     You will meet two classes of men—scholarly men like my
     friends, who will take you to clubs where writers, thinkers,
     students, etc., congregate,  and  less scholarly  but  not
     less  likeable ordinary newspaper men.    Live your life as
     much as possible among these two classes. You will catch
     swiftly enough the shades of difference between the two. It
     is the difference between, say, the Athenaeum and the
     Savage. Only there is next to no caste spirit, and points of
     similarity or even community crop up there between the two
     which couldn't be here. The golden key to both is unvarying
     amiability.

     You are better calculated than most men I know to charm and
     captivate them all. They will delight in your conversation
     and in you, and they will see to it that you have a perfect
     time and coin money—if only you lay yourself out to be
     uniformly nice to them, and watch carefully to see that you
     seem to be doing about as they do.

     A good many minor people—hotel baggagemen, clerks, etc.,
     tram conductors, policemen and the like—will seem to you
     to be monstrously rude and unobliging. You will be right;
     they are undoubtedly God-damned uncivil brutes. That is one
     of the unhappy conditions of our life there. Don't be
     tempted even to wrangle with them or talk back to them. Pass
     on, and keep still. If you try to do anything else, the
     upshot will be your appearing somewhere in print as a damned
     Britisher for whom American ways are not good enough. The
     whole country is one vast sounding board, and it vibrates
     with perilous susceptibility in response to an English
     accent.

     Don't mention the word Ireland. Perhaps that is most
     important of all. You will hear lots of Americans—good men,
     too—damning the Irish. Listen to this, and say nothing,
     unless something amiable about the Irish occurs to you.
     Because here is a mysterious paradox. The America always
     damns the Irishman. It is his foible. But if an Englishman
     joins in, instantly every American within earshot hates him
     for it. I plead with you to avoid that pitfall. The bottom
     of it is paved with the bones of your compatriots.

     So I could go on indefinitely, but I have already taxed your
     patience.    Briefly then—

          1. Express no opinions on American subjects, political,
          social or racial-save in praise.

          2.  Be polite and ready to talk affably wit everybody;
          men who speak to you in a railway train, or the bar
          tender or the bootblack, quite as much as the rest.

          3.  Avoid like poison eccentricities of dress and all
          contact with actors an theatrical people.

          4.   Rebuff no interviewer.    Be invariably affable
          and reserved with him talk literature to him, and
          reminicences of Reade, Matthew Arnold, Dean Stanley,
          anybody you like especially mention things in America
          which you like, and shut-up about what you don't like.

          5.   Keep appointments to a minute.    No one  else
          will, but  they respect immensely in others.

          6. Bear in mind always that people think of you as a
          big novelist, and will be only too glad to treat you at
          your own valuation, gently exhibited or rather
          suggested by courteous reserve. There is nothing they
          won't do for you, if only you impress them as liking
          them, and appreciating their kindliness, and being
          studious of their sensibilities.

     Take this all, my dear Christie, as from one who sincerely
     wishes you well, and believes that you can and should do
     well. It lies absolutely in your own hands to make a fine
     personal and professional reputation in America, and to come
     back with a solid bank account and a good, clear, fresh
     start. You have lots of years before you; lots of important
     work; lots of honest happiness. You were started once fair
     on the road to the top of the tree. Here is the chance to
     get back again on to that road. I am so fearfully anxious
     that you should not miss it, that I take large liberties in
     talking to you as I find I have done. Write to me at
     Attridge's Hotel, Schull, County Cork, where I shall be from
     14th to 20th September, to tell me that you are not
     offended. Or if you are offended, still write to me. And I
     should prize highly the chance of hearing from you from the
     other side, after you have started in.

     And so God be with you.
     Copy of Letter to David Christie Murray, 8th May 1896.

     My Dear Christie Murray,—I have been in Egypt and have only
     just got back and received your note. Poor Holmes is dead
     and damned. I couldn't revive him if I would (at least not
     for years), for I have had such an overdose of him that I
     feel towards him as I do towards pâté de foie gras, of
     which I once ate too much, so that the name of it gives me a
     sickly feeling to this day. Any old Holmes story you are, of
     course, most welcome to use.

     I am house-hunting in the country, which means continual
     sallies and alarms, but I should much like to meet you
     before I go away, to talk over our American experiences. I
     do hope you are not going to allow lecturing to get in the
     way of your writing. We have too few born story-tellers.—
     With all kind regards.    Yours very truly,

     (Sgd.)   A. Conan Doyle.
     Copy of Letter to David Christie Murray (undated).

     My Dear Sir,—I think that your idea of a statue to
     Washington to be erected by public subscription in London is
     an admirable one. The future of the world belongs to the
     Anglo-Celtic races if they can but work in unison, and
     everything which works for that end makes for the highest. I
     believe that the great stream which bifurcated a century ago
     may have re-united before many more centuries have passed,
     and that we shall all have learned by then that patriotism
     is not to be limited by flags or systems, but that it should
     embrace all of the same race and blood and speech. It would
     be a great thing—one of the most noble and magnanimous
     things in the history of the world—if a proud people should
     consent to adorn their capital with the statue of one who
     bore arms against them. I wish you every success in your
     idea, and shall be happy to contribute ten guineas towards
     its realisation.—Yours very truly,

     (Sgd.)     A. Conan Doyle.
     Copy of Letter to David Christie Murray, 6th May 1897.

     Dear Sir,—I have to acknowledge with thanks the receipt of
     your letter of May 1st I thoroughly appreciate the spirit of
     your suggestion, but am inclined to doubt its wisdom at the
     present time. I do not see how any human being on either
     side of the Atlantic can dispute the good-feeling already
     entertained towards the United States by every class of the
     population here. I am afraid, however, that it is not
     generally reciprocated, and the Americans are apt to
     misunderstand some of our efforts to conciliate them, and to
     attribute them to less worthy motives. I have heard several
     distinguished Americans protest against the “gush,” as they
     call it, in which we indulge. Under these circumstances, I
     think the project of a statue to George Washington should
     be, for the present, postponed,—I am, yours truly,

     (Sgd.)     Joseph Chamberlain.
     Copy of Letter to David Christie Murray, 22nd February
     1897
.

     29 Delamere Terrace, Westbourne Sq., W.

     My Dear Sir,—May a delighted reader of your articles in the
     Sun presume on a very slight acquaintance with their
     author to say how greatly he admires them? The paper on
     Dickens seemed to me to dissolve that writer's peculiar
     charm with a truer alchemy than any criticism I had ever
     read. And now that with such splendid courage you tilt
     against the painted bladder-babies of the neo-Scottish
     school,—with so much real moderation too, with such a
     dignified statement of the reasons for such a judgment,—I
     cannot rest, I must say “Bravo.” The distinction between the
     false North Britons (mere phantoms) and the true Stevenson
     and Barrie (real creatures of the imagination, if sometimes,
     in their detail, a little whimsical, even a little
     diminutive) is put so admirably as I had not yet seen it
     put.

     I am eager for next Sunday's article, and as long as these
     papers continue I shall read them with avidity. I detect in
     every paragraph that genuine passion for literature which is
     so rare, and which is the only thing worth living the life
     of letters for.

     Pardon my intrusion, and accept my thanks once more.—
     Believe me to be, faithfully yours,

     (Sgd.)    Edmund Gosse.
     Copy of Letter to David Christie Murray (undated).

     Undershaw, Hindhead, Haslemere

     My Dear Murray,—I shall be delighted and honoured to have a
     first glance at the ms. I never read anything of yours which
     I did not like, so I am sure I shall like it, but there are
     degrees of liking, and I will tell you frankly which degree
     I register.

     Now you will bear that visit in mind and write to me when
     you are ready and your work done.—With all kind regards,
     yours very truly,

     (Sgd.)    A. Conan Doyle.
     Copy of Letter to David Christie Murray (undated).

     Undershaw, Hindhead, Haslemere.

     My Dear Murray,—I have just finished your critical book and
     think it most excellent and useful. I couldn't help writing
     to you to say so. It is really fine—so well-balanced and
     clear-sighted and judicial. For kind words about myself many
     thanks. I don't think we are suffering from critical
     kindness so much as indiscriminate critical kindness. No
     one has said enough, as it seems to me, about Barrie or
     Kipling. I think they are fit—young as they are—to rank
     with the highest, and that some of Barrie's work, Margaret
     Ogilvy
and A Window in Thrums, will endear him as Robert
     Burns is endeared to the hearts of the future Scottish race.

     I have just settled down here and we are getting the
     furniture in and all in order. In a week or so it will be
     quite right. If ever you should be at a loose end at a week-
     end, or any other time, I wish you would run down. I believe
     we could make you happy for a few days. Name your date and
     the room will be ready. Only from the 16th to the 26th it is
     pre-empted.—With all kind remembrances, yours very truly,

     (Sgd.)       A. Conan Doyle
     Copy of Letter to David Christie Murray. 9th Sept. 1897.

     148 Todmorden Road, Burnley, Lanes.

     My Dear Sir,—Will you kindly excuse the liberty I take in
     writing? I have just bought and read your new book My
     Contemporaries in Fiction
. and feel that I must thank you.
     The task you assumed was, I think, necessary, and your
     estimate of the various writers just, and on the whole
     generous. I know my opinion is of little value, but I have
     long felt that several of our modern novelists were
     appraised miles beyond their merits, and I have often wished
     that some man of position, one who could speak candidly
     without fear of being accused of being envious, would give
     to the world a fair and fearless criticism of the works of
     novelists about whom some so-called critics rave. Thousands
     will be glad that you have done this, and I hope your book
     will have the success it deserves.

     It will be a matter for thankfulness, too, that you have
     tried to do justice to George Macdonald, and to give him the
     place he deserves. To read the fulsome stuff which is so
     often written about Crockett, and then to think that
     Macdonald is quietly shelved, is enough to make one sick at
     heart Certainly, I shall do all that lies in my power to
     make your work known.

     I do wish, however that you had devoted a few pages to one
     who, a few years ago, loomed large in the literary horizon.
     I mean Robert Buchanan. I know that during these last few
     years he has poured out a great deal of drivel, but I cannot
     forget books like The New Abelard, and especially, God
     and the Man
. It is a matter of surprise and regret that one
     of Buchanan's undoubted powers should have thrown himself
     away as he has done. All the same, the man who wrote God
     and the Man
and The Shadow of the Sword, hysterical as
     the latter may be, deserves a place in such a book as yours,
     and an honest criticism, such as I am sure you could give,
     might lead him, even yet, to give us a work worthy of the
     promise of years ago.

     I am afraid you will regard this letter as presumptuous,
     nevertheless, I am prompted by sincere admiration. Years ago
     I read Joseph's Coat and Aunt Rachel, and still think
     the latter to be one of the tenderest and most beautiful
     things in fiction. I also remember the simple scene which
     gave the title to the book called A Bit of Human Nature,
     and shall never cease to admire what seems to me a flash of
     real genius. Consequently, when I stood close by you at a
     “Vagabond's” dinner, on the ladies' night some months ago, I
     was strongly impelled to ask for an introduction, but lacked
     the necessary audacity to carry out my one time
     determination.

     Again thanking you for a book which has afforded me a
     genuine pleasure to read, besides giving me much mental
     stimulus,—I am, dear sir, yours very truly,

     (Sgd.)     Joseph Hocking.
     Copy of Letter to David Christie Murray. 17th June 1897.

     Dear Murray,—I am getting so weary of controversy that I
     must decline to take part, directly or indirectly, in any
     more. Possibly, in the heat of annoyance, I may have said
     harsh things about Mr Scott, but if so, I have forgotten
     them, and I think all harsh things are better forgotten. I
     am sorry, therefore, to hear that you are on the war-path,
     and wish I could persuade you to turn back to the paths of
     peace. You are too valuable to be wasted in this sort of
     warfare. I daresay you will smile at such advice from me,
     of all men, but believe me, I speak from sad experience.

     I was sorry to hear about the fate of your play, but 'tis
     the fortune of war, and I hope it will only stir you to
     another effort which may possess, not more merit, possibly,
     but better luck, which now-a-days counts more than merit.
     —With all good wishes, I am, yours truly,

     (Sgd.)        Robert Buchanan.
     Copy of Letter to David Christie Murray, Sept. 1st.

     “Merliland,” 25 Maresfield Gardens, South Hampstead, N.W.

     Dear Christie Murray,—I thank you for your kind breath of
     encouragement, and am very glad that my Outcast contains
     anything to awaken a response in so fine a nature as your
     own. It was very good of you to think of writing to me on
     the subject at all.

     I can't help thinking that men who still hold to the old
     traditions should stick together and form some kind of a
     phalanx. I was not sorry, therefore, to hear that you had
     expressed yourself freely about the craze of a noisy
     minority for formlessness and ugliness in realistic
     literature. Ibsen's style, regarded merely as style, bears
     the same relation to good writing that the Star newspaper
     does to a Greek statue. I don't myself much mind what morals
     a man teaches, so long as he preserves the morality of
     beautiful form, but at the rate we are now going,
     literature seems likely to become a series of causes
     célèbres
chronicled in the language of the penny-a-liner.
     And over and above this is the dirty habit, growing upon
     many able men, of examining their secretions, always an
     evident sign of hypochondria.

     I am awaiting with much interest your further steps on the
     plane dramatic. Meantime, I hope I shall see more of you and
     yours. With kind regards.—Truly yours,

     (Sgd.)       Robert Buchanan.
     Copy of Letter to David Christie Murray. 17th January
     1905
.

     75 Cambridge Terrace, W.

     Dear Sir,—I trust you will forgive my writing you, but I
     cannot make use of another man's brains without some
     acknowledgment. For years I have been a reader of the
     Referee, and of late years nothing has interested me more
     than the articles above the name of Merlin on the front
     page. This week you have put the real issue so clearly and
     so freely, that I am going to avail myself of it tonight in
     my speech at Blandford, and I hope I have your permission so
     to do. If only a few more men would grasp difficult subjects
     as boldly and broadly as you do, we should be a better and a
     happier people.—Yours very faithfully,

     (Sgd.)       E. Marshall Hall.









CHAPTER XVII

     Sixtieth Birthday

Yesterday I attained my sixtieth birthday. It is not yet old age, but the posting-stations between old age and myself grow fewer with what looks like a bewildering rapidity. The years are shorter than they used to be. What a length lay between the anniversaries of childhood and even those of young manhood! How little tedious was the road! And now how brief and tiresome has the journey from one point to another grown to seem! One turns and glances back on the traversed road, “looking over Time's crupper and over his tail,” as the elder Hood put it, and it looks like a ribboned path through a cemetery. The little child-wife and the baby lie yonder far away. Nearer, and yet afar off, the grey old father is asleep. There, between them, is the lad with whom I shared all my early joy in books. Oh! the raptured miles we walked, seeing each other home by turns, till long after midnight, each exposing to the other's view the jewels gathered in the past few days. The memorial stones are everywhere, and they grow thicker as the road winds on. And saddest of all are the places where one sees the tokens, not of lost friends but of dead ideals. Here a faith laid itself down, tired out, and went to sleep for good and all. A cypress marks the place, to my fancy, Here a hope made up its mind that it was not worth while to hope any longer, and foundered in its tracks. There is an ambition, unburied, to be sure, but as dead as Cheops. “Old wishes, ghosts of broken plans, and phantom hopes.”

“It's a sair sicht,” as Carlyle said, looking up at the skies on a starry night; and one asks, in a mood of some despondency, what one has got to show for it all?—the loss, the pain, the disappointment, the disillusion. But, come now, let us look the thing fairly and squarely in the face. Is not Despondency disposed to state her case somewhat too emphatically? Am I, or am I not, flatly exaggerating in this summary of losses? Would I have the little child-wife back again if I could? Can her loss after this lapse of well nigh two score years have left anything, at most, but a humanising tenderness in my memory? She is a pretty and engaging recollection, and has been no more at any time for whole decades, and to pretend that she is a grief is frankly to import humbug into sentiment. And what had I but a sense of pious thanksgiving when my grey old father laid down the weary burden of many years and the crushing pains of hernia, and the breathless agonies of a dreadful asthma? If I pretend that I would willingly have stretched him out longer on the rack of this tough world, I am no better than a sentimental liar to myself. I know in my heart of hearts that I was glad to let him go. And the lost faith? I believe with all my soul that I have found a better. And the lost ambitions? What were they but a baby's crying for the moon? There was a time when I could say with Will Waterproof, in the Lyrical Monologue made at the Cock:

     “For I had hoped by something rare
     To prove myself a poet:
     But while I plan and plan, my hair
     Is grey before I know it”

But to one's own plain commonsense it is the poorest kind of business at the present time of life to sit down and grizzle because one proved in the long run not to be a poet. I will not deny a certain inevitable melancholy in the retrospect, taking it all round. Yet even whilst I feel this, there is an inward protest. The loss is not all loss. The game of life is one in which we gain by losing, and lose by gaining. In The Ghost's Bargain with the Haunted Man it was a part of the agreement that the man should forget all the sorrows he had ever known. In that atrophy of the heart which followed in that frozen seal which bound down every rill of human sympathy and pity, I know that there is the presentment of a great and lasting truth. No man's nature is ripened until he has known many griefs and losses, nor will it ripen until they have bitten into him as frost bites into the fallow earth to fertilise it, and opens it to the uses of sun and air and rain.

There are, of course, things quite apart from loss and the destruction of old ideals which encumber the path of coming of age with troubles of one sort or another. The air is thick with the shadows of regret. It is seventeen years since I shot my first wild boar, and more than fifteen since the last deer; a stag of twelve tines, as I am a christened man, fell to my gun. It is thirteen years since I rode into the central pah of the King's Country in New Zealand, and I have never crossed a horse since then. It is a quarter of a century since I saw the heights of Tashkesen, and heard the Turkish and Russian guns roaring defiance at each other; and the sporting days, and the exploring days, and the fighting days are all over. I shall never again stand knee-deep in snow through the patient hours waiting for the forest quarry to break cover. Think of the ensuing lumbago! I shall hear the thrilling boom of the big guns no more. I shall never again penetrate into the freshness of a virgin land. I shall see no more the hammer of the midday sun beat its great splashes of light from the snow-clad summits of the Rockies and the Selkirks. The long and the short of it is that I am transformed from my old estate of globe-trotter and observer of events and nature into the land of suburban old fogeydom, and the point to touch, so far as I am personally engaged, is whether really and truly I do very much and deeply regret the change. Not very deeply, after all, I am disposed to think. His workshop bounds all to the old fogey who has lived out a great many of his friendships, but within its limits what sights may he not see? Calais, first seen of Continental towns, is still a possession of my own. The Paris of 1872 is mine, the Rhine and the Rhine fall, Vienna, Berlin, the Alps—the Austrian Alps, the Australian and New Zealand Alps—they are all mine. Kicking Horse River is mine, and the steely whirl of the lower rapids of Niagara before they reach the fall. And, in clear view of the ideals which would shake me from my seat, I have but one answer to offer them. My shabby study armchair is the seat from which I look compassion on a struggling world, as a man fairly drowned and accepting his fate might look on fellow mariners yet only in process of drowning. Fill the mind with memories of things whole-heartedly attempted! You have failed or half-failed. Everybody has failed or half-failed who ever tried to do anything worth doing. You are not more unblest than the average of your kind.