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Red Masquerade: Being the Story of the Lone Wolf's Daughter cover

Red Masquerade: Being the Story of the Lone Wolf's Daughter

Chapter 5: APOLOGY
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About This Book

The narrative opens with the youthful adventures of an urbane art collector whose appetite for auctions, disguise, and daring schemes defines his early life, then shifts to the experiences of his daughter as she becomes entangled in layers of imposture. Masks, theatricality, secret gatherings, and competing loyalties obscure motives while betrayals and investigations accumulate. Encounters with false identities, family reunions, and mounting suspicion drive the plot toward a decisive unmasking that untangles personal mysteries and exposes the practical workings of deception, leaving characters to reckon with consequences and altered relationships.

TO
J. PARKER READ, JR., ESQ.
THE CINEMA THAT WAS HIS

APOLOGY

This tale quite brazenly derives from the author’s invention for motion pictures which Mr. J. Parker Read, Jr., produced in the autumn of 1919 under the title of “The Lone Wolf’s Daughter.”

It is only fair to state, however, that the author has in this version taken as many high-handed liberties with the version used by the photoplay director as the latter took with the original.

The chance to get even for once was too tempting....

Messrs. Doubleday, Page & Company in the first instance, and then Mr. Arthur T. Vance, editor of The Pictorial Review, in which the story was published as a serial, were equally guilty of the encouragement which results in its appearance in its present guise.

L.J.V.

Westport—31 December, 1920.