Red Money

SECRETS.

The scouting crowd apparently did not catch the name, so busy were one and all in welcoming the newcomer. But the man on the horse saw Miss Greeby's startled look, and noticed that her lips were moving. In a moment he threw himself off the animal and elbowed his way roughly through the throng.

"Sir Hubert," began Miss Greeby, only to be cut short hastily.

"Don't give me away," interrupted Pine, who here was known as Ishmael Hearne. "Wait till I settle things, and then we can converse privately."

"All right," answered the lady, nodding, and gripped her bludgeon crosswise behind her back with two hands. She was so surprised at the sight of the millionaire in the wood, that she could scarcely speak.

Satisfied that she grasped the situation, Pine turned to his friends and spoke at length in fluent Romany. He informed them that he had some business to transact with the Gentile lady who had come to the camp for that purpose, and would leave them for half an hour. The man evidently was such a favorite that black looks were cast on Miss Greeby for depriving the Romany of his society. But Pine paid no attention to these signs of discontent. He finished his speech, and then pushed his way again toward the lady who, awkwardly for him, was acquainted with his true position as a millionaire. In a hurried whisper he asked Miss Greeby to follow him, and led the way into the heart of the wood. Apparently he knew it very well, and knew also where to seek solitude for the private conversation he desired, for he skirted the central glade where Lambert's cottage was placed, and finally guided his companion to a secluded dell, far removed from the camp of his brethren. Here he sat down on a mossy stone, and stared with piercing black eyes at Miss Greeby.

"What are you doing here?" he demanded imperiously.

"Just the question I was about to put to you," said Miss Greeby amiably. She could afford to be amiable, for she felt that she was the mistress of the situation. Pine evidently saw this, for he frowned.

"You must have guessed long ago that I was a gypsy," he snapped restlessly.

"Indeed I didn't, nor, I should think, did any one else. I thought you had nigger blood in you, and I have heard people say that you came from the West Indies. But what does it matter if you are a gypsy? There is no disgrace in being one."

"No disgrace, certainly," rejoined the millionaire, leaning forward and linking his hands together, while he stared at the ground. "I am proud of having the gentle Romany blood. All the same I prefer the West Indian legend, for I don't want any of my civilized friends to know that I am Ishmael Hearne, born and bred in a tent."

"Well, that's natural, Pine. What would Garvington say?"

"Oh, curse Garvington!"

"Curse the whole family by all means," retorted Miss Greeby coolly.

Pine looked up savagely, "I except my wife."

"Naturally. You always were uxorious."

"Perhaps," said Pine gloomily, "I'm a fool where Agnes is concerned."

Miss Greeby quite agreed with this statement, but did not think it worth while to indorse so obvious a remark. She sat down in her turn, and taking Lambert's cigarette case, which she had retained by accident, out of her pocket, she prepared to smoke. The two were entirely alone in the fairy dell, and the trees which girdled it were glorious with vivid autumnal tints. A gentle breeze sighing through the wood, shook down yew, crisp leaves on the woman's head, so that she looked like Danae in a shower of gold. Pine gazed heavily at the ground and coughed violently. Miss Greeby knew that cough, and a medical friend of hers had told her several times that Sir Hubert was a very consumptive individual. He certainly looked ill, and apparently had not long to live. And if he died, Lady Agnes, inheriting his wealth, would be more desirable as a wife than ever. And Miss Greeby, guessing whose wife she would be, swore inwardly that the present husband should look so delicate. But she showed no sign of her perturbations, but lighted her cigarette with a steady hand and smoked quietly. She always prided herself on her nerve.

The millionaire was tall and lean, with a sinewy frame, and an oval, olive-complexioned face. It was clean-shaven, and with his aquiline nose, his thin lips, and brilliant black eyes, which resembled those of Kara, he looked like a long-descended Hindoo prince. The Eastern blood of the Romany showed in his narrow feet and slim brown hands, and there was a wild roving look about him, which Miss Greeby had not perceived in London.

"I suppose it's the dress," she said aloud, and eyed Pine critically.

"What do you say, Miss Greeby?" he asked, looking up in a sharp, startled manner, and again coughing in a markedly consumptive way.

"The cowl makes the monk in your case," replied the woman quietly. "Your corduroy breeches and velveteen coat, with that colored shirt, and the yellow handkerchief round your neck, seem to suit you better than did the frock coats and evening dress I have seen you in. You did look like a nigger of sorts when in those clothes; now I can tell you are a gypsy with half an eye."

"That is because you heard me called Ishmael and saw me among my kith and kin," said the man with a tired smile. "Don't tell Agnes."

"Why should I? It's none of my business if you chose to masquerade as a gypsy."

"I masquerade as Sir Hubert Pine," retorted the millionaire, slipping off the stone to sprawl full-length on the grass. "I am truly and really one of the lot in the camp yonder."

"Do they know you by your Gentile name?"

Pine laughed. "You are picking up the gypsy lingo, Miss Greeby. No. Every one on the road takes me for what I am, Ishmael Hearne, and my friends in the civilized world think I am Sir Hubert Pine, a millionaire with colored blood in his veins."

"How do you come to have a double personality and live a double life?"

"Oh, that is easily explained, and since you have found me out it is just as well that I should explain, so that you may keep my secret, at all events from my wife, as she would be horrified to think that she had married a gypsy. You promise?"

"Of course. I shall say nothing. But perhaps she would prefer to know that she had married a gypsy rather than a nigger."

"What polite things you say," said Pine sarcastically. "However, I can't afford to quarrel with you. As you are rich, I can't even bribe you to silence, so I must rely on your honor."

"Oh, I have some," Miss Greeby assured him lightly.

"When it suits you," he retorted doubtfully.

"It does on this occasion."

"Why?"

"I'll tell you that when you have related your story."

"There is really none to tell. I was born and brought up on the road, and thinking I was wasting my life I left my people and entered civilization. In London I worked as a clerk, and being clever I soon made money. I got hold of a man who invented penny toys, and saw the possibilities of making a fortune. I really didn't, but I collected enough money to dabble in stocks and shares. The South African boom was on, and I made a thousand. Other speculations created more than a million out of my thousand, and now I have over two millions, honestly made."

"Honestly?" queried Miss Greeby significantly.

"Yes; I assure you, honestly. We gypsies are cleverer than you Gentiles, and we have the same money-making faculties as the Jews have. If my people were not so fond of the vagrant life they would soon become a power in the money markets of the world. But, save in the case of myself, we leave all such grubbing to the Jews. I did grub, and my reward is that I have accumulated a fortune in a remarkably short space of time. I have land and houses, and excellent investments, and a title, which," he added sarcastically, "a grateful Government bestowed on me for using my money properly."

"You bought the title by helping the political party you belonged to," said Miss Greeby with a shrug. "There was quite a talk about it."

"So there was. As if I cared for talk. However, that is my story."

"Not all of it. You are supposed to be in Paris, and—"

"And you find me here," interrupted Pine with a faint smile. "Well you see, being a gypsy, I can't always endure that under-the-roof life you Gentiles live. I must have a spell of the open road occasionally. And, moreover, as my doctor tells me that I have phthisis, and that I should live as much as possible in the open air, I kill two birds with one stone, as the saying is. My health benefits by my taking up the old Romany wandering, and I gratify my nostalgia for the tent and the wild. You understand, you und—" His speech was interrupted by a fresh fit of coughing.

"It doesn't seem to do you much good this gypsying," said Miss Greeby with a swift look, for his life was of importance to her plans. "You look pretty rocky I can tell you, Pine. And if you die your wife will be free to—" The man sat up and took away from his mouth a handkerchief spotted with blood. His eyes glittered, and he showed his white teeth. "My wife will be free to what?" he demanded viciously, and the same devil that had lurked in Mother Cockleshell's eye, now showed conspicuously in his.

Miss Greeby had no pity on his manifest distress and visible wrath, but answered obliquely: "You know that she was almost engaged to her cousin before you married her," she hinted pointedly.

"Yes, I know, d—— him," said Pine with a groan, and rolled over to clutch at the grass in a vicious manner. "But he's not at The Manor now?"

"No."

"Agnes doesn't speak of him?"

"No."

Pine drew a deep breath and rose slowly to his feet, with a satisfied nod.

"I'm glad of that. She's a good woman is Agnes, and would never encourage him in any way. She knows what is due to me. I trust her."

"Do you? When your secretary is also stopping at The Manor?"

"Silver!" Pine laughed awkwardly, and kicked at a tuft of moss. "Well I did ask him to keep an eye on her, although there is really no occasion. Silver owes me a great deal, since I took him out of the gutter. If Lambert worried my wife, Silver would let me know, and then—"

"And then?" asked Miss Greeby hastily.

The man clenched his fists and his face grew stormy, as his blood untamed by civilization surged redly to the surface. "I'd twist his neck, I'd smash his skull, I'd—I'd—I'd—oh, don't ask me what I'd do."

"I should keep my temper if I were you," Miss Greeby warned him, and alarmed by the tempest she had provoked. She had no wish for the man she loved to come into contact with this savage, veneered by civilization. Yet Lambert was in the neighborhood, and almost within a stone's throw of the husband who was so jealous of him. "Keep your temper," repeated Miss Greeby.

"Is there anything else you would like me to do?" raged Pine fiercely.

"Yes. Leave this place if you wish to keep the secret of your birth from your wife. Lady Garvington and Mrs. Belgrove, and a lot of people from The Manor, are coming to the camp to get their fortunes told. You are sure to be spotted."

"I shall keep myself out of sight," said Pine sullenly and suspiciously.

"Some of your gypsy friends may let the cat out of the bag."

"Not one of them knows there is a cat in the bag. I am Ishmael Hearne to them, and nothing else. But I shan't stay here long."

"I wonder you came at all, seeing that your wife is with her brother."

"In the daring of my coming lies my safety," said Pine tartly. "I know what I am doing. As to Lambert, if he thinks to marry my wife when I am dead he is mistaken."

"Well, I hope you won't die, for my sake!"

"Why for your sake?" asked Pine sharply.

"Because I love Lambert and I want to marry him."

"Marry him," said the millionaire hoarsely, "and I'll give you thousands of pounds. Oh! I forgot that you have a large income. But marry him, marry him, Miss Greeby. I shall help you all I can."

"I can do without assistance," said the woman coolly. "All I ask you to do is to refrain from fighting with Lambert."

"What?" Pine's face became lowering again. "Is he at The Manor? You said—"

"I know what I said. He is not at The Manor, but he is stopping in the cottage a stone's throw from here."

Pine breathed hard, and again had a spasm of coughing. "What's he doing?"

"Painting pictures."

"He has not been near The Manor?"

"No. And what is more, he told me to-day that he did not intend to go near the house. I don't think you need be afraid, Pine. Lambert is a man of honor, and I hope to get him to be my husband."

"He shall never be my wife's husband," said the millionaire between his teeth and scowling heavily. "I know that I shan't live to anything like three score and ten. Your infernal hot-house civilization has killed me. But if Lambert thinks to marry my widow he shall do so in the face of Garvington's opposition, and will find Agnes a pauper."

"What do you mean exactly?" Miss Greeby flung away the stump of her cigarette and rose to her feet.

Pine wiped his brow and breathed heavily. "I mean that I have left Agnes my money, only on condition that she does not marry Lambert. She can marry any one else she has a mind to. I except her cousin."

"Because she loves him?"

"Yes, and because he loves her, d—n him."

"He doesn't," cried Miss Greeby, lying fluently, and heartily wishing that her lie could be a truth. "He loves me, and I intend to marry him. Now you can understand what I meant when I declared that I had honor enough to keep your secret. Lambert is my honor."

"Oh, then I believe in your honor," sneered Pine cynically. "It is a selfish quality in this case, which can only be gratified by preserving silence. If Agnes knew that I was a true Romany tramp, she might run away with Lambert, and as you want him to be your husband, it is to your interest to hold your tongue. Thank you for nothing, Miss Greeby."

"I tell you Lambert loves me," cried the woman doggedly, trying to persuade her heart that she spoke truly. "And whether you leave your money to your wife, or to any one else, makes no manner of difference."

"I think otherwise," he retorted. "And it is just as well to be on the safe side. If my widow marries Lambert, she loses my millions, and they go to—" He checked himself abruptly. "Never mind who gets them. It is a person in whom you can take no manner of interest."

Miss Greeby pushed the point of her bludgeon into the spongy ground, and looked thoughtful. "If Lambert loves Agnes still, which I don't believe," she observed, after a pause, "he would marry her even if she hadn't a shilling. Your will excluding him as her second husband is merely the twisting of a rope of sand, Pine."

"You forget," said the man quickly, "that I declared also, he would have to marry her in the face of Garvington's opposition."

"In what way?"

"Can't you guess? Garvington only allowed me to marry his sister because I am a wealthy man. I absolutely bought my wife by helping him, and she gave herself to me without love to save the family name from disgrace. She is a good woman, is Agnes, and always places duty before inclination. Marriage with her pauper cousin meant practically the social extinction of the Lambert family, and nothing would have remained but the title. Therefore she married me, and I felt mean at the time in accepting the sacrifice. But I was so deeply in love with her that I did so. I love her still, and I am mean enough still to be jealous of this cousin. She shall never marry him, and I know that Garvington will appeal to his sister's strong desire to save the family once more; so that she may not be foolish enough to lose the money. And two millions, more or less," ended Pine cynically, "is too large a sum to pay for a second husband."

"Does Agnes know these conditions?"

"No. Nor do I intend that she should know. You hold your tongue."

Miss Greeby pulled on her heavy gloves and nodded. "I told you that I had some notion of honor. Will you let Lambert know that you are in this neighborhood?"

"No. There is no need. I am stopping here only for a time to see a certain person. Silver will look after Agnes, and is coming to the camp to report upon what he has observed."

"Silver then knows that you are Ishmael Hearne?"

"Yes. He knows all my secrets, and I can trust him thoroughly, since he owes everything to me."

Miss Greeby laughed scornfully. "That a man of your age and experience should believe in gratitude. Well, it's no business of mine. You may be certain that for my own purpose I shall hold my tongue and shall keep Lambert from seeking your wife. Not that he loves her," she added hastily, as Pine's brows again drew together. "But she loves him, and may use her arts—"

"Don't you dare to speak of arts in connection with my wife," broke in the man roughly. "She is no coquette, and I trust her—"

"So long as Silver looks after her," finished Miss Greeby contemptuously. "What chivalrous confidence. Well, I must be going. Any message to your—"

"No! No! No!" broke in Pine once more. "She is not to know that I am here, or anything about my true position and name. You promised, and you will keep your promise. But there, I know that you will, as self-interest will make you."

"Ah, now you talk common sense. It is a pity you don't bring it to bear in the case of Silver, whom you trust because you have benefited him. Good-day, you very unsophisticated person. I shall see you again—"

"In London as Hubert Pine," said the millionaire abruptly, and Miss Greeby, with a good-humored shrug, marched away, swinging her stick and whistling gayly. She was very well satisfied with the knowledge she had obtained, as the chances were that it would prove useful should Lambert still hanker after the unattainable woman. Miss Greeby had lulled Pine's suspicions regarding the young man's love for Agnes, but she knew in her heart that she had only done so by telling a pack of miserable lies. Now, as she walked back to The Manor, she reflected that by using her secret information dexterously, she might improve such falsehood into tolerable truth.

Pine flung himself down again when she departed, and coughed in his usual violent manner. His throat and lungs ached, and his brow was wet with perspiration. With his elbows on his knees and his face between his hands, he sat miserably thinking over his troubles. There was no chance of his living more than a few years, as the best doctors in Europe and England had given him up, and when he was placed below ground, the chances were that Agnes would marry his rival. He had made things as safe as was possible against such a contingency, but who knew if her love for Lambert might not make her willing to surrender the millions. "Unless Garvington can manage to arouse her family pride," groaned Pine drearily. "She sacrificed herself before for that, and perhaps she will do so again. But who knows?" And he could find no answer to this question, since it is impossible for any man to say what a woman will do where her deepest emotions are concerned.

A touch on Pine's shoulder made him leap to his feet with the alertness of a wild animal on the lookout for danger. By his side stood Chaldea, and her eyes glittered, as she came to the point of explanation without any preamble. The girl was painfully direct. "I have heard every word," she said triumphantly. "And I know what you are, brother."

"Why did you come here?" demanded Pine sharply, and frowning.

"I wanted to hear what a Romany had to do with a Gorgio lady, brother. And what do I hear. Why, that you dwell in the Gentile houses, and take a Gentile name, and cheat in a Gentile manner, and have wed with a Gentile romi. Speaking Romanly, brother, it is not well."

"It is as I choose, sister," replied Pine quietly, for since Chaldea had got the better of him, it was useless to quarrel with her. "And from what I do good will come to our people."

Chaldea laughed, and blew from her fingers a feather, carelessly picked up while in the thicket which had concealed her eavesdropping. "For that, I care that," said she, pointing to the floating feather slowly settling. "I looks to myself and to my love, brother."

"Hey?" Pine raised his eyebrows.

"It's a Gorgio my heart is set on," pursued Chaldea steadfastly. "A regular Romany Rye, brother. Do you think Lambert is a good name?"

"It's the name of the devil, sister," cried Pine hastily.

"The very devil I love. To me sweet, as to you sour. And speaking Romanly, brother, I want him to be my rom in the Gentile fashion, as you have a romi in your Gorgious lady."

"What will Kara say?" said Pine, and his eyes flashed, for the idea of getting rid of Lambert in this way appealed to him. The girl was beautiful, and with her added cleverness she might be able to gain her ends, and these accomplished, would certainly place a barrier between Agnes and her cousin, since the woman would never forgive the man for preferring the girl.

"Kara plays on the fiddle, but not on my heart-strings," said Chaldea in a cool manner, and watched Pine wickedly. "You'd better help me, brother, if you don't want that Gorgious romi of yours to pad the hoof with the rye."

The blood rushed to Pine's dark cheeks. "What's that?"

"No harm to my rye and I tell you, brother. Don't use the knife."

"That I will not do, if a wedding-ring from him to you will do as well."

"It will do, brother," said Chaldea calmly. "My rye doesn't love me yet, but he will, when I get him away from the Gentile lady's spells. They draw him, brother, they draw him."

"Where do they draw him to?" demanded Pine, his voice thick with passion.

"To the Gorgious house of the baro rai, the brother of your romi. Like an owl does he go after dusk to watch the nest."

"Owl," muttered Pine savagely. "Cuckoo, rather. Prove this, my sister, and I help you to gain the love you desire."

"It's a bargain, brother"—she held out her hand inquiringly—"but no knife."

Pine shook hands. "It's a bargain, sister. Your wedding-ring will part them as surely as any knife. Tell me more!" And Chaldea in whispers told him all.

THE WOMAN AND THE MAN.

Quite unaware that Destiny, that tireless spinner, was weaving sinister red threads of hate and love into the web of his life, Lambert continued to live quietly in his woodland retreat. In a somewhat misanthropic frame of mind he had retired to this hermitage, after the failure of his love affair, since, lacking the society of Agnes, there was nothing left for him to desire. From a garden of roses, the world became a sandy desert, and denied the sole gift of fortune, which would have made him completely happy, the disconsolate lover foreswore society for solitude. As some seek religion, so Lambert hoped by seeking Nature's breast to assuage the pains of his sore heart. But although the great Mother could do so much, she could not do all, and the young man still felt restless and weary. Hard work helped him more than a little, but he had his dark hours during those intervals when hand and brain were too weary to create pictures.

In one way he blamed Agnes, because she had married for money; in another way he did not blame her, because that same money had been necessary to support the falling fortunes of the noble family to which Lambert belonged. An ordinary person would not have understood this, and would have seen in the mercenary marriage simply a greedy grasping after the loaves and fishes. But Lambert, coming at the end of a long line of lordly ancestors, considered that both he and his cousin owed something to those of the past who had built up the family. Thus his pride told him that Agnes had acted rightly in taking Pine as her husband, while his love cried aloud that the sacrifice was too hard upon their individual selves. He was a Lambert, but he was also a human being, and the two emotions of love and pride strove mightily against one another. Although quite three years had elapsed since the victim had been offered at the altar—and a willing victim to the family fetish—the struggle was still going on. And because of its stress and strain, Lambert withdrew from society, so that he might see as little as possible of the woman he loved. They had met, they had talked, they had looked, in a conventionally light-hearted way, but both were relieved when circumstances parted them. The strain was too great.

Pine arranged the circumstances, for hearing here, there, and everywhere, that his wife had been practically engaged to her cousin before he became her husband, he looked with jealous eyes upon their chance meetings. Neither to Agnes nor Lambert did he say a single word, since he had no reason to utter it, so scrupulously correct was their behavior, but his eyes were sufficiently eloquent to reveal his jealousy. He took his wife for an American tour, and when he brought her back to London, Lambert, knowing only too truly the reason for that tour, had gone away in his turn to shoot big game in Africa. An attack of malaria contracted in the Congo marshes had driven him back to England, and it was then that he had begged Garvington to give him The Abbot's Wood Cottage. For six months he had been shut up here, occasionally going to London, or for a week's walking tour, and during that time he had done his best to banish the image of Agnes from his heart. Doubtless she was attempting the same conquest, for she never even wrote to him. And now these two sorely-tried people were within speaking distance of one another, and strange results might be looked for unless honor held them sufficiently true. Seeing that the cottage was near the family seat, and that Agnes sooner or later would arrive to stay with her brother and sister-in-law, Lambert might have expected that such a situation would come about in the natural course of things. Perhaps he did, and perhaps—as some busybodies said—he took the cottage for that purpose; but so far, he had refrained from seeking the society of Pine's wife. He would not even dine at The Manor, nor would he join the shooting-party, although Garvington, with a singular blindness, urged him to do so. While daylight lasted, the artist painted desperately hard, and after dark wandered round the lanes and roads and across the fields, haunting almost unconsciously the Manor Park, if only to see in moonlight and twilight the casket which held the rich jewel he had lost. This was foolish, and Lambert acknowledged that it was foolish, but at the same time he added inwardly that he was a man and not an angel, a sinner and not a saint, so that there were limits, etc., etc., etc., using impossible arguments to quieten a lively conscience that did not approve of this dangerous philandering.

The visit of Miss Greeby awoke him positively to a sense of danger, for if she talked—and talk she did—other people would talk also. Lambert asked himself if it would be better to visit The Manor and behave like a man who has got over his passion, or to leave the cottage and betake himself to London. While turning over this problem in his mind, he painted feverishly, and for three days after Miss Greeby had come to stir up muddy water, he remained as much as possible in his studio. Chaldea visited him, as usual, to be painted, and brought Kara with his green coat and beloved violin and hairy looks. The girl chatted, Kara played, and Lambert painted, and all three pretended to be very happy and careless. This was merely on the surface, however, for the artist was desperately wretched, because the other half of himself was married to another man, while Chaldea, getting neither love-look nor caress, felt savagely discontented. As for Kara, he had long since loved Chaldea, who treated him like a dog, and he could not help seeing that she adored the Gentile artist—a knowledge which almost broke his heart. But it was some satisfaction for him to note that Lambert would have nothing to do with the siren, and that she could not charm him to her feet, sang she ever so tenderly. It was an unhappy trio at the best.

The gypsies usually came in the morning, since the light was then better for artistic purposes, but they always departed at one o'clock, so that Lambert had the afternoon to himself. Chaldea would fain have lingered in order to charm the man she loved into subjection; but he never gave her the least encouragement, so she was obliged to stay away. All the same, she often haunted the woods near the cottage, and when Lambert came out for a stroll, which he usually did when it became too dark to paint, he was bound to run across her. Since he had not the slightest desire to make love to her, and did not fathom the depth of her passion, he never suspected that she purposely contrived the meetings which he looked upon as accidental.

Since Chaldea hung round the house, like a moth round a candle, she saw every one who came and went from the woodland cottage. On the afternoon of the third day since Pine's arrival at the camp in the character of Ishmael Hearne, the gypsy saw Lady Agnes coming through the wood. Chaldea knew her at once, having often seen her when she had come to visit Mother Cockleshell a few months previously. With characteristic cunning, the girl dived into the undergrowth, and there remained concealed for the purpose of spying on the Gentile lady whom she regarded as a rival. Immediately, Chaldea guessed that Lady Agnes was on her way to the cottage, and, as Lambert was alone as usual for the afternoon, the two would probably have a private conversation. The girl swiftly determined to listen, so that she might learn exactly how matters stood between them. It might be that she would discover something which Pine—Chaldea now thought of him as Pine—might like to know. So having arranged this in her own unscrupulous mind, the girl behind a juniper bush jealously watched the unsuspecting lady. What she saw did not please her overmuch, as Lady Agnes was rather too beautiful for her unknown rival's peace of mind.

Sir Hubert's wife was not really the exquisitely lovely creature Chaldea took her to be, but her fair skin and brown hair were such a contrast to the gypsy's swarthy face and raven locks, that she really looked like an angel of light compared with the dark child of Nature. Agnes was tall and slender, and moved with a great air of dignity and calm self-possession, and this to the uncontrolled Chaldea was also a matter of offence. She inwardly tried to belittle her rival by thinking what a milk-and-water useless person she was, but the steady and resolute look in the lady's brown eyes gave the lie to this mental assertion. Lady Agnes had an air of breeding and command, which, with all her beauty, Chaldea lacked, and as she passed along like a cold, stately goddess, the gypsy rolled on the grass in an ecstasy of rage. She could never be what her rival was, and what her rival was, as she suspected, formed Lambert's ideal of womanhood. When she again peered through the bush, Lady Agnes had disappeared. But there was no need for Chaldea to ask her jealous heart where she had gone. With the stealth and cunning of a Red Indian, the gypsy took up the trail, and saw the woman she followed enter the cottage. For a single moment she had it in her mind to run to the camp and bring Pine, but reflecting that in a moment of rage the man might kill Lambert, Chaldea checked her first impulse, and bent all her energies towards getting sufficiently near to listen to a conversation which was not meant for her ears.

Meanwhile, Agnes had been admitted by Mrs. Tribb, a dried-up little woman with the rosy face of a winter apple, and a continual smile of satisfaction with herself and with her limited world. This consisted of the cottage, in the wood, and of the near villages, where she repaired on occasions to buy food. Sometimes, indeed, she went to The Manor, for, born and bred on the Garvington estates, Mrs. Tribb knew all the servants at the big house. She had married a gamekeeper, who had died, and unwilling to leave the country she knew best, had gladly accepted the offer of Lord Garvington to look after the woodland cottage. In this way Lambert became possessed of an exceedingly clean housekeeper, and a wonderfully good cook. In fact so excellent a cook was Mrs. Tribb, that Garvington had frequently suggested she should come to The Manor. But, so far, Lambert had managed to keep the little woman to himself. Mrs. Tribb adored him, since she had known him from babyhood, and declined to leave him under any circumstances. She thought Lambert the best man in the world, and challenged the universe to find another so handsome and clever, and so considerate.

"Dear me, my lady, is it yourself?" said Mrs. Tribb, throwing up her dry little hands and dropping a dignified curtsey. "Well, I do call it good of you to come and see Master Noel. He don't go out enough, and don't take enough interest in his stomach, if your ladyship will pardon my mentioning that part of him. But you don't know, my lady, what it is to be a cook, and to see the dishes get cold, while he as should eat them goes on painting, not but what Master Noel don't paint like an angel, as I've said dozens of times."

While Mrs. Tribb ran on in this manner her lively black eyes twinkled anxiously. She knew that her master and Lady Agnes had been, as she said herself, "next door to engaged," and knew also that Lambert was fretting over the match which had been brought about for the glorification of the family. The housekeeper, therefore, wondered why Lady Agnes had come, and asked herself whether it would not be wise to say that Master Noel—from old associations, she always called Lambert by this juvenile title—was not at home. But she banished the thought as unworthy, the moment it entered her active brain, and with another curtsey in response to the visitor's greeting, she conducted her to the studio. "Them two angels will never do no wrong, anyhow," was Mrs. Tribb's reflection, as she closed the door and left the pair together. "But I do hope as that black-faced husband won't ever learn. He's as jealous as Cain, and I don't want Master Noel to be no Abel!"

If Mrs. Tribb, instead of going to the kitchen, which she did, had gone out of the front door, she would have found Chaldea lying full length amongst the flowers under the large window of the studio. This was slightly open, and the girl could hear every word that was spoken, while so swiftly and cleverly had she gained her point of vantage, that those within never for one moment suspected her presence. If they had, they would assuredly have kept better guard over their tongues, for the conversation was of the most private nature, and did not tend to soothe the eavesdropper's jealousy.

Lambert was so absorbed in his painting—he was working at the Esmeralda-Quasimodo picture—that he scarcely heard the studio door open, and it was only when Mrs. Tribb's shrill voice announced the name of his visitor, that he woke to the surprising fact that the woman he loved was within a few feet of him. The blood rushed to his face, and then retired to leave him deadly pale, but Agnes was more composed, and did not let her heart's tides mount to high-water mark. On seeing her self-possession, the man became ashamed that he had lost his own, and strove to conceal his momentary lapse into a natural emotion, by pushing forward an arm-chair.

"This is a surprise, Agnes," he said in a voice which he strove vainly to render steady. "Won't you sit down?"

"Thank you," and she took her seat like a queen on her throne, looking fair and gracious as any white lily. What with her white dress, white gloves and shoes, and straw hat tied under her chin with a broad white ribbon in old Georgian fashion, she looked wonderfully cool, and pure, and—as Lambert inwardly observed—holy. Her face was as faintly tinted with color as is a tea-rose, and her calm, brown eyes, under her smooth brown hair, added to the suggestive stillness of her looks. She seemed in her placidity to be far removed from any earthly emotion, and resembled a picture of the Madonna, serene, peaceful, and somewhat sad. Yet who could tell what anguished feelings were masked by her womanly pride?

"I hope you do not find the weather too warm for walking," said Lambert, reining in his emotions with an iron hand, and speaking conventionally.

"Not at all. I enjoyed the walk. I am staying at The Manor."

"So I understand."

"And you are staying here?"

"There can be no doubt on that point."

"Do you think you are acting wisely?" she asked with great calmness.

"I might put the same question to you, Agnes, seeing that you have come to live within three miles of my hermitage."

"It is because you are living in what you call your hermitage that I have come," rejoined Agnes, with a slight color deepening her cheeks. "Is it fair to me that you should shut yourself up and play the part of the disappointed lover?"

Lambert, who had been touching up his picture here and there, laid down his palette and brushes with ostentatious care, and faced her doggedly. "I don't understand what you mean," he declared.

"Oh, I think you do; and in the hope that I may induce you, in justice to me, to change your conduct, I have come over."

"I don't think you should have come," he observed in a low voice, and threw himself on the couch with averted eyes.

Lady Agnes colored again. "You are talking nonsense," she said with some sharpness. "There is no harm in my coming to see my cousin."

"We were more than cousins once."

"Exactly, and unfortunately people know that. But you needn't make matters worse by so pointedly keeping away from me."

Lambert looked up quickly. "Do you wish me to see you often?" he asked, and there was a new note in his voice which irritated her.

"Personally I don't, but—"

"But what?" He rose and stood up, very tall and very straight, looking down on her with a hungry look in his blue eyes.

"People are talking," murmured the lady, and stared at the floor, because she could not face that same look.

"Let them talk. What does it matter?"

"Nothing to you, perhaps, but to me a great deal. I have a husband."

"As I know to my cost," he interpolated.

"Then don't let me know it to my cost," she said pointedly. "Sit down and let us talk common sense."

Lambert did not obey at once. "I am only a human being, Agnes—"

"Quite so, and a man at that. Act like a man, then, and don't place the burden on a woman's shoulders."

"What burden?"

"Oh, Noel, can't you understand?"

"I daresay I can if you will explain. I wish you hadn't come here to-day. I have enough to bear without that."

"And have I nothing to bear?" she demanded, a flash of passion ruffling her enforced calm. "Do you think that anything but the direst need brought me here?"

"I don't know what brought you here. I am waiting for an explanation."

"What is the use of explaining what you already know?"

"I know nothing," he repeated doggedly. "Explain."

"Well," said Lady Agnes with some bitterness, "it seems to me that an explanation is really necessary, as apparently I am talking to a child instead of a man. Sit down and listen."

This time Lambert obeyed, and laughed as he did so. "Your taunts don't hurt me in the least," he observed. "I love you too much."

"And I love in return. No! Don't rise again. I did not come here to revive the embers of our dead passion."

"Embers!" cried Lambert with bitter scorn. "Embers, indeed! And a dead passion; how well you put it. So far as I am concerned, Agnes, the passion is not dead and never will be."

"I am aware of that, and so I have come to appeal to that passion. Love means sacrifice. I want you to understand that."

"I do, by experience. Did I not surrender you for the sake of the family name? Understand! I should think I did understand."

"I—think—not," said Lady Agnes slowly and gently. "It is necessary to revive your recollections. We loved one another since we were boy and girl, and we intended, as you know, to marry. There was no regular engagement between us, but it was an understood family arrangement. My father always approved of it; my brother did not."

"No. Because he saw in you an article of sale out of which he hoped to make money," sneered Lambert, nursing his ankle.

Lady Agnes winced. "Don't make it too hard for me," she said plaintively. "My life is uncomfortable enough as it is. Remember that when my father died we were nearly ruined. Only by the greatest cleverness did Garvington manage to keep interest on the mortgages paid up, hoping that he would marry a rich wife—an American for choice—and so could put things straight. But he married Jane, as you know—"

"Because he is a glutton, and she knows all about cooking."

"Well, gluttony may be as powerful a vice as drinking and gambling, and all the rest of it. It is with Garvington, although I daresay that seeing the position he was in, people would laugh to think he should marry a poor woman, when he needed a rich wife. But at that time Hubert wanted to marry me, and Garvington got his cook-wife, while I was sacrificed."

"Seeing that I loved you and you loved me, I wonder—"

"Yes, I know you wondered, but you finally accepted my explanation that I did it to save the family name."

"I did, and, much as I hated your sacrifice, it was necessary."

"More necessary than you think," said Lady Agnes, sinking her voice to a whisper and glancing round, "In a moment of madness Garvington altered a check which Hubert gave him, and was in danger of arrest. Hubert declared that he would give up the check if I married him. I did so, to save my brother and the family name."

"Oh, Agnes!" Lambert jumped up. "I never knew this."

"It was not necessary to tell you. I made the excuse of saving the family name and property generally. You thought it was merely the bankruptcy court, but I knew that it meant the criminal court. However, I married Hubert, and he put the check in the fire in my presence and in Garvington's. He has also fulfilled his share of the bargain which he made when he bought me, and has paid off a great many of the mortgages. However, Garvington became too outrageous in his demands, and lately Hubert has refused to help him any more. I don't blame him; he has paid enough for me."

"You are worth it," said Lambert emphatically.

"Well, you may think so, and perhaps he does also. But does it not strike you, Noel, what a poor figure I and Garvington, and the whole family, yourself included, cut in the eyes of the world? We were poor, and I was sold to get money to save the land."

"Yes, but this changing of the check also—"

"The world doesn't know of that," said Agnes hurriedly. "Hubert has been very loyal to me. I must be loyal to him."

"You are. Who dares to say that you are not?"

"No one—as yet," she replied pointedly.

"What do you mean by that?" he demanded, flushing through his fair skin.

"I mean that if you met me in the ordinary way, and behaved to me as an ordinary man, people would not talk. But you shun my society, and even when I am at The Manor, you do not come near because of my presence."

"It is so hard to be near you and yet, owing to your marriage, so far from you," muttered the man savagely.

"If it is hard for you, think how hard it must be for me," said the woman vehemently, her passion coming to the surface. "People talk of the way in which you avoid me, and hint that we love one another still."

"It is true! Agnes, you know it is true!"

"Need the whole world know that it is true?" cried Agnes, rising, with a gust of anger passing over her face. "If you would only come to The Manor, and meet me in London, and accept Hubert's invitations to dinner, people would think that our attachment was only a boy and girl engagement, that we had outgrown. They would even give me credit for loving Hubert—"

"But you don't?" cried Lambert with a jealous pang.

"Yes, I do. He is my chosen husband, and has carried out his part of the bargain by freeing many of Garvington's estates. Surely the man ought to have something for his money. I don't love him as a wife should love her husband, not with heart-whole devotion, that is. But I give him loyalty, and I respect him, and I try to make him happy in every way. I do my part, Noel, as you do yours. Since I have been compelled to sacrifice love for money, at least let us be true to the sacrifice."

"You didn't sacrifice yourself wholly for money."

"No, I did not. It was because of Garvington's crime. But no one knows of that, and no one ever shall know. In fact, so happy am I and Hubert—"

"Happy?" said Lambert wincing.

"Yes," she declared firmly. "He thinks so, and whatever unhappiness I may feel, I conceal from him. But you must come to The Manor, and meet me here, there, and everywhere, so that people shall not say, as they are doing, that you are dying of love, and that, because I am a greedy fortune-hunter, I ruined your life."

"They do not dare. I have not heard any—"

"What can you hear in this jungle?" interrupted Lady Agnes with scorn. "You stop your ears with cotton wool, but I am in the world, hearing everything. And the more unpleasant the thing is, the more readily do I hear it. You can end this trouble by coming out of your lovesick retirement, and by showing that you no longer care for me."

"That would be acting a lie."

"And do I not act a lie?" she cried fiercely. "Is not my whole marriage a lie? I despise myself for my weakness in yielding, and yet, God help me, what else could I do when Garvington's fair fame was in question? Think of the disgrace, had he been prosecuted by Hubert. And Hubert knows that you and I loved; that I could not give him the love he desired. He was content to accept me on those terms. I don't say he was right; but am I right, are you right, is Garvington right? Is any one of us right? Not one, not one. The whole thing is horrible, but I make the best of it, since I did what I did do, openly and for a serious purpose of which the world knows nothing. Do your part, Noel, and come to The Manor, if only to show that you no longer care for me. You understand"—she clasped her hands in agony. "You surely understand."

"Yes," said Lambert in a low voice, and suddenly looked years older. "I understand at last, Agnes. You shall no longer bear the burden alone. I shall be a loyal friend to you, my dear," and he took her hand.

"Will you be a loyal friend to my husband?" she asked, withdrawing it.

"Yes," said Lambert, and he bit his lip. "God helping me, I will."

THE MAN AND THE WOMAN.

The interview between Lady Agnes and Lambert could scarcely be called a love-scene, since it was dominated by a stern sense of duty. Chaldea, lying at length amongst the crushed and fragrant flowers, herself in her parti-colored attire scarcely distinguishable from the rainbow blossoms, was puzzled by the way in which the two reined in their obvious passions. To her simple, barbaric nature, the situation appeared impossible. If he loved her and she loved him, why did they not run away to enjoy life together? The husband who had paid money for the wife did not count, nor did the brother, who had sold his sister to hide his criminal folly. That Lady Agnes should have traded herself to save Garvington from a well-deserved punishment, seemed inexcusable to the gypsy. If he had been the man she loved, then indeed might she have acted rightly. But having thrown over that very man in this silly fashion, for the sake of what did not appear to be worth the sacrifice, Chaldea felt that Agnes did not deserve Lambert, and she then and there determined that the Gentile lady should never possess him.

Of course, on the face of it, there was no question of possession. The man being weaker than the woman would have been only too glad to elope, and thus cut the Gordian knot of the unhappy situation. But the woman, having acted from a high sense of duty, which Chaldea could not rise to, evidently was determined to continue to be a martyr. The question was, could she keep up that pose in the face of the undeniable fact that she loved her cousin? The listening girl thought not. Sooner or later the artificial barrier would be broken through by the held-back flood of passion, and then Lady Agnes would run away from the man who had bought her. And quite right, too, thought Chaldea, although she had no notion of permitting such an elopement to take place. That Agnes would hold to her bargain all her life, because Hubert had fulfilled his part, never occurred to the girl. She was not civilized enough to understand this problem of a highly refined nature.

Since the situation was so difficult, Lambert was glad to see the back of his cousin. He escorted her to the door, but did not attend her through the wood. In fact, they parted rather abruptly, which was wise. All had been said that could be said, and Lambert had given his promise to share the burden with Agnes by acting the part of a lover who had never really been serious. But it did not do to discuss details, as these were too painful, so the woman hurried away without a backward glance, and Lambert, holding his heart between his teeth, returned to the studio. Neither one of the two noticed Chaldea crouching amongst the flowers. Had they been less pre-occupied, they might have done so; as it was she escaped observation.

As soon as the coast was clear, Chaldea stole like a snake along the ground, through the high herbage of the garden, and beyond the circle of the mysterious monoliths. Even across the lawns of the glade did she crawl, so as not to be seen, although she need not have taken all this trouble, since Lambert, with a set face and a trembling hand, was working furiously at a minor picture he utilized to get rid of such moods. But the gypsy did not know this, and so writhed into the woods like the snake of Eden—and of that same she was a very fair sample—until, hidden by the boles of ancient trees, she could stand upright. When she did so, she drew a long breath, and wondered what was best to be done.

The most obvious course was to seek Ishmael and make a lying report of the conversation. That his wife should have been with Lambert would be quite enough to awaken the civilized gypsy's jealousy, for after all his civilization was but skin deep. Still, if she did this, Chaldea was clever enough to see that she would precipitate a catastrophe, and either throw Agnes into Lambert's arms, or make the man run the risk of getting Pine's knife tickling his fifth rib. Either result did not appeal to her. She wished to get Lambert to herself, and his safety was of vital importance to her. After some consideration, she determined that she would boldly face the lover, and confess that she had overheard everything. Then she would have him in her power, since to save the wife from the vengeance of the husband, although there was no reason for such vengeance, he would do anything to keep the matter of the visit quiet. Of course the interview had been innocent, and Chaldea knew that such was the case. Nevertheless, by a little dexterous lying, and some vivid word-painting, she could make things extremely unpleasant for the couple. This being so, Lambert would have to subscribe to her terms. And these were, that he should leave Agnes and marry her. That there was such a difference in their rank mattered nothing to the girl. Love levelled all ranks, in her opinion.

But while arranging what she should do, if Lambert proved obstinate, Chaldea also arranged to fascinate him, if possible, into loving her. She did not wish to use her power of knowledge until her power of fascination failed. And this for two reasons. In the first place, it was not her desire to drive the man into a corner lest he should defy her and fight, which would mean—to her limited comprehension—that everything being known to Pine, the couple would confess all and elope. In the second place, Chaldea was piqued to think that Lambert should prove to be so indifferent to her undeniable beauty, as to love this pale shadow of a Gentile lady. She would make certain, she told herself, if he really preferred the lily to the full-blown rose, and on his choice depended her next step. Gliding back to the camp, she decided to attend to one thing at a time, and the immediate necessity was to charm the man into submission. For this reason Chaldea sought out the Servian gypsy, who was her slave.

Her slave Kara certainly was, but not her rom. If he had been her husband she would not have dared to propose to him what she did propose. He was amiable enough as a slave, because he had no hold over her, but if she married him according to the gypsy law, he would then be her master, and should she indulge her fancy for a Gentile, he would assuredly use a very nasty-looking knife, which he wore under the green coat. Even as it was, Kara would not be pleased to fiddle to her dancing, since he already was jealous of Lambert. But Chaldea knew how to manage this part of the business, risky though it was. The hairy little ape with the musician's soul had no claim on her, unless she chose to give him that of a husband. Then, indeed, things would be different, but the time had not come for marital slavery.

The schemer found Kara at the hour of sunset sitting at the door of the tent he occupied, drawing sweet tones from his violin. This was the little man's way of conversing, for he rarely talked to human beings. He spoke to the fiddle and the fiddle spoke to him, probably about Chaldea, since the girl was almost incessantly in his thoughts. She occupied them now, and when he raised his shaggy head at the touch on his hump-back, he murmured with joy at the sight of her flushed beauty. Had he known that the flush came from jealousy of a rival, Kara might not have been so pleased. The two conversed in Romany, since the Servian did not speak English.

"Brother?" questioned Chaldea, standing in the glory of the rosy sunset which slanted through the trees. "What of Ishmael?"

"He is with Gentilla in her tent, sister. Do you wish to see him?"

Chaldea shook her proud head. "What have I to do with the half Romany? Truly, brother, his heart is Gentile, though his skin be of Egypt."

"Why should that be, sister, when his name signifies that he is of the gentle breed?" asked Kara, laying down his violin.

"Gentile but not gentle," said Chaldea punning, then checked herself lest she should say too much. She had sworn to keep Pine's secret, and intended to do so, until she could make capital out of it. At present she could not, so behaved honorably. "But he's Romany enough to split words with the old witch by the hour, so let him stay where he is. Brother, would you make money?" Kara nodded and looked up with diamond eyes, which glittered and gloated on the beauty of her dark face. "Then, brother," continued the girl, "the Gorgio who paints gives me gold to dance for him."

The Servian's face—what could be seen of it for hair—grew sombre, and he spat excessively. "Curses on the Gentile!" he growled low in his throat.

"On him, but not on the money, brother," coaxed the girl, stooping to pat his face. "It's fine work, cheating the rye. But jealous you must not be, if the gold is to chink in our pockets."

Kara still frowned. "Were you my romi, sister—"

"Aye, if I were. Then indeed. But your romi I am not yet."

"Some day you will be. It would be a good fortune, sister. I am as ugly as you are lovely, and we two together, you dancing to my playing, would make pockets of red gold. White shows best when placed on black."

"What a mine of wisdom you are," jeered Chaldea, nodding. "Yes. It is so, and my rom you may be, if you obey."

"But if you let the Gorgio make love to you—"

"Hey! Am I not a free Roman, brother? You have not yet caught the bird. It still sings on the bough. If I kiss him I suck gold from his lips. If I put fond arms around his neck I but gather wealth for us both. Can you snare a mouse without cheese, brother?"

Kara looked at her steadily, and then lifted his green coat to show the gleam of a butcher knife. "Should you go too far," he said significantly; and touched the blade.

Chaldea bent swiftly, and snatching the weapon from his belt, flung it into the coarse grass under the trees. "So I fling you away," said she, and stamped with rage. "Truly, brother, speaking Romanly, you are a fool of fools, and take cheating for honesty. I lure the Gorgio at my will, and says you whimpering-like, 'She's my romi,' the which is a lie. Bless your wisdom for a hairy toad, and good-bye, for I go to my own people near Lundra, and never will he who doubted my honesty see me more."

She turned away, and Kara limped after her to implore forgiveness. He assured her that he trusted her fully, and that whatever tricks she played the Gentile would not be taken seriously by himself. "Poison him I would," grumbled the little gnome in his beard. "For his golden talk makes you smile sweetly upon him. But for the gold—"

"Yes, for the gold we must play the fox. Well, brother, now that you talk so, wait until the moon is up, then hide in the woods round the cottage dell with your violin to your chin. I lure the rabbit from its hole, and then you play the dance that delights the Gorgios. But what I do, with kisses or arm-loving, my brother," she added shaking her finger, "is but the play of the wind to shake the leaves. Believe me honest and my rom you shall be—some day!" and she went away laughing, to eat and drink, for the long watching had tired her. As for Kara he crawled again into the underwood to search for his knife. Apparently he did not trust Chaldea as much as she wanted him to.

Thus it came about that when the moon rolled through a starry sky like a golden wheel, Lambert, sighing at his studio window, saw a slim and graceful figure glide into the clear space of lawn beyond the monoliths. So searching was the thin moonlight that he recognized Chaldea at once, as she wandered here and there restless as a butterfly, and apparently as aimless. But, had he known it, she had her eyes on the cottage all the time, and had he failed to come forth she would have come to inquire if he was at home. But the artist did come forth, thinking to wile away an hour with the fascinating gypsy girl. Always dressing for dinner, even in solitude, for the habit of years was too strong to lay aside—and, moreover, he was fastidious in his dress to preserve his self-respect—he appeared at the door looking slender and well-set up in his dark clothes. Although it was August the night was warm, and Lambert did not trouble to put on cap or overcoat. With his hands in his pockets and a cigar between his lips he strolled over to the girl, where she swayed and swung in the fairy light.

"Hullo, Chaldea," he said leisurely, and leaning against one of the moss-grown monoliths, "what are you doing here?"

"The rye," exclaimed Chaldea, with a well-feigned start of surprise. "Avali the rye. Sarishan, my Gorgious gentleman, you, too, are a nightbird. Have you come out mousing like an owl? Ha! ha! and you hear the nightingale singing, speaking in the Gentile manner," and clapping her hands she lifted up a full rich voice.

     "Dyal o pani repedishis,
     M'ro pirano hegedishis."

"What does that mean, Chaldea?"

"It is an Hungarian song, and means that while the stream flows I hear the violin of my love. Kara taught me the ditty."

"And Kara is your love?"

"No. Oh, no; oh, no," sang Chaldea, whirling round and round in quite a magical manner. "No rom have I, but a mateless bird I wander. Still I hear the violin of my true love, my new love, who knows my droms, and that means my habits, rye," she ended, suddenly speaking in a natural manner.

"I don't hear the violin, however," said Lambert lazily, and thinking what a picturesque girl she was in her many-hued rag-tag garments, and with the golden coins glittering in her black hair.

"You will, rye, you will," she said confidentially. "Come, my darling gentleman, cross my hand with silver and I dance. I swear it. No hokkeny baro will you behold when the wind pipes for me."

"Hokkeny baro."

"A great swindle, my wise sir. Hai, what a pity you cannot patter the gentle Romany tongue. Kek! Kek! What does it matter, when you speak Gentile gibberish like an angel. Sit, rye, and I dance for you."

"Quite like Carmen and Don José in the opera," murmured Lambert, sliding down to the foot of the rude stone.

"What of her and of him? Were they Romans?"

"Carmen was and José wasn't. She danced herself into his heart."

Chaldea's eyes flashed, and she made a hasty sign to attract the happy omen of his saying to herself. "Kushto bak," cried Chaldea, using the gypsy for good luck. "And to me, to me," she clapped her hand. "Hark, my golden rye, and watch me dance your love into my life."

The wind was rising and sighed through the wood, shaking myriad leaves from the trees. Blending with its faint cry came a long, sweet, sustained note of music. Lambert started, so weird and unexpected was the sound. "Kara, isn't it?" he asked, looking inquiringly at Chaldea.

"He talks to the night—he speaks with the wind. Oh-ah-ah-ah. Ah-oha-oha-oha-ho," sang the gypsy, clapping her hands softly, then, as the music came breathing from the hidden violin in dreamy sensuous tones, she raised her bare arms and began to dance. The place, the dancer, the hour, the mysterious music, and the pale enchantments of the moon—it was like fairyland.

Lambert soon let his cigar go out, so absorbed did he become in watching the dance. It was a wonderful performance, sensuous and weirdly unusual. He had never seen a dance exactly like it before. The violin notes sounded like actual words, and the dancer answered them with responsive movements of her limbs, so that without speech the onlooker saw a love-drama enacted before his eyes. Chaldea—so he interpreted the dance—swayed gracefully from the hips, without moving her feet, in the style of a Nautch girl. She was waiting for some one, since to right and left she swung with a delicate hand curved behind her ear. Suddenly she started, as if she heard an approaching footstep, and in maidenly confusion glided to a distance, where she stood with her hands across her bosom, the very picture of a surprised nymph. Mentally, the dance translated itself to Lambert somewhat after this fashion:

"She waits for her lover. That little run forward means that she sees him coming. She falls at his feet; she kisses them. He raises her—I suppose that panther spring from the ground means that he raises her. She caresses him with much fondling and many kisses. By Jove, what pantomime! Now she dances to please him. She stops and trembles; the dance does not satisfy. She tries another. No! No! Not that! It is too dreamy—the lover is in a martial mood. This time she strikes his fancy. Kara is playing a wild Hungarian polonaise. Wonderful! Wonderful!"

He might well say so, and he struggled to his feet, leaning against the pillar of stone to see the dancer better. From the wood came the fierce and stirring Slav music, and Chaldea's whole expressive body answered to every note as a needle does to a magnet. She leaped, clicking her heels together, advanced, as if on the foe, with a bound—was flung back—so it seemed—and again sprang to the assault. She stiffened to stubborn resistance—she unexpectedly became pliant and yielding and graceful, and voluptuous, while the music took on the dreamy tones of love. And Lambert translated the change after his own idea:

"The music does not please the dancer—it is too martial. She fears lest her lover should rush off to the wars, and seeks to detain him by the dance of Venus. But he will go. He rises; he speeds away; she breaks off the dance. Ah! what a cry of despair the violin gave just now. She follows, stretching out her empty arms. But it is useless—he is gone. Bah! She snaps her fingers. What does she care! She will dance to please herself, and to show that her heart is yet whole. What a Bacchanalian strain. She whirls and springs and swoops and leaps. She comes near to me, whirling like a Dervish; she recedes, and then comes spinning round again, like a mad creature. And then—oh, hang it! What do you mean? Chaldea, what are you doing?"

Lambert had some excuse for suddenly bursting into speech, when he cried out vigorously: "Oh, hang it!" for Chaldea whirled right up to him and had laid her arms round his neck, and her lips against his cheek. The music stopped abruptly, with a kind of angry snarl, as if Kara, furious at the sight, had put his wrath into the last broken note. Then all was silent, and the artist found himself imprisoned in the arms of the woman, which were locked round his neck. With an oath he unlinked her fingers and flung her away from him fiercely.

"You fool—you utter fool!" cried Lambert, striving to calm down the beating of his heart, and restrain the racing of his blood, for he was a man, and the sudden action of the gypsy had nearly swept away his self-restraint.

"I love you—I love you," panted Chaldea from the grass, where he had thrown her. "Oh, my beautiful one, I love you."

"You are crazy," retorted Lambert, quivering with many emotions to which he could scarcely put a name, so shaken was he by the experience. "What the devil do you mean by behaving in this way?" and his voice rose in such a gust of anger that Kara, hidden in the wood, rejoiced. He could not understand what was being said, but the tone of the voice was enough for him. He did not know whether Chaldea was cheating the Gentile, or cheating him; but he gathered that in either case, she had been repulsed. The girl knew that also, when her ardent eyes swept across Lambert's white face, and she burst into tears of anger and disappointment.

"Oh, rye, I give you all, and you take nothing," she wailed tearfully.

"I don't want anything. You silly girl, do you think that for one moment I was ever in love with you?"