GERMANY.

BERLIN GALLERY. ROYAL MUSEUM.

The Money-Changer. [No. 828 D.] S. 1627. P. 12⅕ × 16⅘.

Judith, or Minerva. [No. 828 C.] 1631. P. 23⅗ × 19⅕.

The Rape of Proserpina. [No. 823.] 1632. P. 33⅕ × 31⅕.

Rembrandt. [No. 810.] S. 1634. P. 22⅘ × 18⅘.

Rembrandt. [No. 808.] 1634. P. 22 × 18⅖.

Samson threatening his Father-in-law [No. 802], formerly called The Duke of Gueldres. S. 1635. C. 62⅖ × 51⅗.

Portrait of the Minister Anslo consoling a Widow. S. 1641. C. 73⅗ × 89⅗.

Portrait of Saskia. [No. 812.] S. 1643. P. 28⅘ × 23⅕.

Portrait of a Rabbi. [No. 828 A.] S. 1645. C. 44 × 32⅘.

The Wife of Tobias with the Goat. [No. 805.] S. 1645. P. 8 × 10⅘.

Joseph's Dream. [No. 806.] S. 1645. P. 8 × 10⅘.

Susannah and the Elders. [No. 828 E.] S. 1647. P. 30⅖ × 36⅖.

Daniel's Vision. [No. 828 F.] 1650. C. 38⅖ × 46⅖.

Joseph accused by Potiphar's Wife. [No. 828 H.] S. 1655. C. 41½ × 34.

Study of an Old Man. [No. 828 J.] 1655. C. 20⅖ × 14⅘.

John the Baptist preaching. [No. 828 K.] S. 1656. C. 25 × 31.

Jacob Wrestling with the Angel. [No. 828.] S. 1659. C. 54⅘ × 46⅖.

Moses breaking the Tables of the Law. [No. 811.] S. 1659. C. 66⅘ × 54.

Portrait of Hendrickje Stoffels. [No. 828 B.] 1662. C. 34⅘ × 26.

ALTFRANKEN. COUNT LUCKNER.

Portrait of Saskia. S. 1635. P. 39⅕ × 28.

ANHOLT. PRINCE OF SALM-SALM.

Diana, Actæon, and Callisto. S. 1635. C. 28⅘ × 38.

ASCHAFFENBOURG. ROYAL MUSEUM.

The Risen Christ. S. 1661. C. 32 × 25⅕.

BERLIN. VON CARSTANGEN.

Portrait of J. C. Sylvius. S. 1645. C. 52 × 44.

Christ at the Column. 1646. P. 13⅗ × 11⅕.

Portrait of Rembrandt. S. 1665. C. 32⅘ × 25⅕.

EMPEROR FREDERICK MUSEUM.

Rembrandt's Brother. 1650. C. 26⅘ × 20⅗.

CARL HOLLITSCHER.

St Paul in Meditation. 1635. C. 47⅕ × 38.

Christ on the Cross. 1648. P. 14 × 9⅗.

ROBERT VON MENDELSSOHN.

Rembrandt. S. 1651. P. 26⅖ × 21⅕.

SANS-SOUCI.

The Capture of Samson. S. 1628. P. 24 × 19⅗.

JAMES SIMON.

Portrait of a Young Girl. S. 1634. P. 17⅗ × 14⅖.

BONN. PROFESSOR G. MARTIUS.

An Old Woman. 1640. P. 27⅕ × 22⅕.

BRUNSWICK. GRAND DUCAL MUSEUM.

An Unknown Man. [No. 232.] 1631. P. 25⅖ × 19⅕.

Portrait of a Woman. [No. 233.] S. 1633. P. 25⅖ × 19⅕.

Portrait of a Man. [No. 237.] S. 1638. P. 32⅘ × 27.

Stormy Landscape. [No. 236.] S. 1640. P. 20⅘ × 28⅘.

Noli Me Tangere. [No. 235.] S. 1651. C. 26 × 31⅗.

Portrait of a Family. [No. 238] S. 1668. C. 50⅖ × 66⅗.

CARLSRUHE. GRAND DUCAL MUSEUM.

Portrait of Himself. [No. 238.] S. 1645. P. 29⅗ × 23⅗.

CASSEL. MUSEUM.

Rembrandt. [No. 208.] 1627. P. 8 × 6⅖.

An Old Man. [No. 209.] S. 1630. P. 26⅖ × 22⅖.

An Old Man. [No. 210.] S. 1632. P. 20 × 15⅗.

An Old Man. [No. 211.] S. 1632. P. 23⅗ × 19⅗.

Portrait, said to be Coppenol. [No. 212.] S. 1632. C. 40 × 31⅕.

Jan Herman Krul. [No. 213.] S. 1633. C. 49⅕ × 37⅗.

Saskia. [No. 214.] 1634. P. 39⅕ × 30⅘.

Rembrandt. [No. 215.] S. 1634. P. 31⅗ × 25⅗.

A Young Woman. [No. 216.] 1635. P. 28⅘ × 23⅗.

A Man. [No. 217.] S. 1639. C. 79⅕ × 48⅖.

Holy Family. [No. 218.] Called "The Woodchopper." S. 1646. P. 18 × 26⅘.

A Winter Landscape. [No. 219.] S. 1646. P. 6⅖ × 8⅘.

The Ruin. [No. 220.] S. 1650. P. 26⅖ × 34⅖.

Portrait of Bruyningh. [No. 221.] S. 1652. C. 42 × 36.

Man in Armour, known as "The Watch." [No. 223.] S. 1655. C. 45⅕ × 36.

An Old Man. [No. 226.] 1655. P. 8 × 6.

An Old Man. [No. 225.] 1657. P. 8 × 6⅔.

An Architect, or Geometrician. [No. 224.] 1656. C. 48 × 36.

Jacob Blessing Joseph's Sons. [No. 227.] S. 1656. C. 69⅗ × 80.

Portrait of Rembrandt. [No. 222.] S. 1659. C. 29⅕ × 23⅗.

COLOGNE. BARON A. VON OPPENHEIM.

A Young Girl. 1655. P. 8⅖ × 7.

DARMSTADT. GRAND-DUCAL GALLERY.

The Flagellation. [No. 347.] S. 1668. C. 37⅗ × 29⅕.

DRESDEN. ROYAL GALLERY.

Saskia. [No. 1556.] S. 1633. P. 21 × 17⅗.

A Man. [No. 1557.] Willem Burchgraeff. [No. 182.] S. 1633. P. 27 × 21.

The Capture of Ganymede. [No. 1558.] S. 1635. C. 68⅗ × 52.

Rembrandt and Saskia. [No. 1559.] S. 1635. C. 64 × 52⅘.

The Marriage of Samson. [No. 1560.] S. 1638. C. 50⅖ × 70⅖.

The Man with the Bittern. [No. 1661.] S. 1639. P. 48⅖ × 35⅗.

Saskia holding a Pink. [No. 1562.] S. 1641. P. 39⅕ × 32⅘.

The Sacrifice of Manoah. [No. 1563.] S. 1641. C. 96⅖ × 114.

Old Woman weighing Gold. [No. 1564.] C. 44⅘ × 39⅗.

A Young Man. [No. 1565.] S. 1643. C. 30⅘ × 26⅘.

An Old Man. [No. 1571.] 1645. C. 37⅗ × 30⅘.

The Entombment. [No. 1566.] S. 1653. C. 38⅘ × 27⅗.

An Old Man with a Beard. [No. 1567.] S. 1654. P. 40 × 30⅘.

Portrait of a Man. [No. 1568.] 1656. C. 35⅘ × 27⅖.

Rembrandt. [No. 1569.] S. 1657. C. 34⅕ × 26.

An Old Man. [No. 1570.] 1666. C. 32⅘ × 28⅖.

ELBERFELD. KARL VON DER HEYDT.

The Denial of St Peter. S. 1628. Copper, 8⅘ × 6⅘.

A Lady. S. 1635. P. 30⅘ × 25⅗.

FRANKFORT. STÆDEL ART INSTITUTE.

David playing before Saul. [No. 183.] P. 24⅘ × 20.

Portrait of Margaretha van Bilderbeecq. [No. 182.] Oval. S. 1633. P. 26⅘ × 22⅖.

Parable of the Labourers in the Vineyard. [No. 181.] S. 1656. C. 61⅕ × 54⅘.

GOTHA. MUSEUM.

Rembrandt. [No. 181.] S. 1629. P. 7⅕ × 5⅗.

HAMBURG. KUNST-HALLE.

Maurice Huygens. S. 1632. C. 52 × 44.

CONSUL WEBER.

Presentation in the Temple. S. 1630. P. 22 × 17⅗.

The Woman taken in Adultery. 1644. C. 45⅗ × 54.

A Pilgrim at Prayer. S. 1661. C. 36 × 31⅕.

LEIPZIG. JULIUS O. GOTTCHALD.

Study of an Old Man. 1630. P. 8⅕ × 6⅘.

MUSEUM.

Rembrandt. [No. 347.] 1654. P. 10⅖ × 8⅖.

ALFRED THIEME.

The Good Samaritan. 1640. C. 12⅖ × 15.

Portrait called the Constable of Bourbon. S. 1644. C. 36⅖ × 29⅗.

METZ. MUSEUM.

An Old Man. S. 1633. P. 23⅗ × 17⅗.

MUNICH. ROYAL GALLERY.

Holy Family. [No. 324.] S. 1631. C. 77⅕ × 52.

Portrait of a Turk. [No. 325.] S. 1633. P. 33⅗ × 25⅕.

The Descent from the Cross. [No. 326.] S. 1633. P. 35⅗ × 26.

The Elevation of the Cross. [No. 327.] 1633. C. 38⅖ × 28⅘.

The Ascension. [No. 328.] S. 1636. C. 36⅘ × 26⅘.

The Entombment. [No. 330.] 1638. C. 37⅕ × 27⅗.

The Resurrection. [No. 329.] S. 1639. C. 37⅗ × 28.

The Adoration of the Shepherds. [No. 331.] S. 1646. C. 38⅘ × 28⅘.

Rembrandt. [No. 333.] S. 1654. P. 32⅘ × 26⅘.

DR MARTIN SCHUBART.

An Old Man. 1632. P. 25 × 18⅗.

NORDKIRCHEN. COUNT ESTERHAZY.

A Young Man. S. 1629.

NUREMBERG. MUSEUM.

Rembrandt [No. 298], in armour. S. 1629. P. 15⅗ × 12⅘.

Saint Paul. 1629.

OLDENBURG. AUGUSTEUM.

The Prophetess Anna, or the painter's mother. [No. 166.] S. 1631. C. 24 × 19⅕.

An Old Man. [No. 167.] S. 1632. C. 26⅗ × 20⅖.

Landscape. [No. 169.] 1645. P. 11⅗ × 16.

POSEN. COUNT EDWARD RACZYNSKI.

Christ. S. 1661. C. 39 × 32⅗.

SCHWERIN. GRAND DUCAL MUSEUM.

An Old Man. [No. 854.] S. 1630. P. 27⅕ × 20⅘.

An Old Man. [No. 855.] 1656. C. 22⅘ × 18⅘.

STRASBURG. MUSEUM.

An Old Man, holding a scroll. 1650. C. 24⅖ × 18⅖.

STUTTGART. MUSEUM.

St Paul in Prison. [No. 225.] S. 1627. P. 28 × 23⅕.

WEIMAR. GRAND DUKE OF SAXE-WEIMAR.

Portrait of Rembrandt. S. 1643. C. 24⅖ × 19⅕.

HOLLAND.

THE HAGUE. MAURITSHUIS, ROYAL MUSEUM.

Rembrandt's Mother. [No. 556, Room XIV.] 1628. P. 7 × 5.

Rembrandt's Father. [No. 565, Room XIV.] 1628. P. 18⅘ × 15⅗.

Rembrandt. [No. 148, Room XIV.] 1629. P. 14⅘ × 11⅗.

A Man Laughing. [No. 598, Room XIV.] 1630. P. 6 × 4⅘.

A Young Girl. [No. 577, Room XIV.] S. 1630. P. 22 × 18.

The Presentation in the Temple. [No. 145, Room XIV.] S. 1631. P. 24 × 19⅕.

The Anatomy Lesson of Professor Pieterszoon Tulp. [No. 146, Room XIII.] S. 1632. C. 64⅘ × 86⅖.

Rembrandt As an Officer. [No. 149, Room XIV.] S. 1634. P. 24⅘ × 18⅘.

The Flight Into Egypt. [No. 579, Room XIV.] S. 1636. P. 15⅕ × 14.

A Woman at Her Toilet. [No. 552, Room XIV.] S. 1637. P. 29 × 25.

Susannah at the Bath. [No. 147, Room XIV.] S. 1637. P. 18⅘ × 15⅗.

Portrait Believed To Be Rembrandt's Brother Adriaen. [No. 560, Room XIV.] S. 1650. C. 31⅕ × 26⅖.

Homer Reciting His Poems. [No. 584, Room XIV.] S. 1663. C. 43⅕ × 32⅘.

AMSTERDAM. RYKSMUSEUM.

Rembrandt's Father. [No. 1248.] 1629. C. 21⅗ × 18⅖.

A Young Lady, Known As the Lady of Utrecht. S. 1639. P. 42⅖ × 32⅖.

Elizabeth Bas [No. 1249], Widow of Admiral Swartenhout. 1640. C. 46⅖ × 35⅕.

The Sortie of the Company of Captain Frans Banning Cocq [No. 1246], Called "the Night Watch." S. 1642. C. 143⅗ × 174.

Mythological Subject. [No. 1251.] 1650. C. 34 × 26⅘.

The Anatomy Lesson of Dr Johannes Deyman. [No. 1250.] S. 1656. C. 40 × 52⅘.

The Syndics of the Drapers. [No. 1247.] S. 1661. C. 74 × 109⅗.

The Jewish Bride. [No. 1252.] S. 1665. C. 47⅕ × 65⅗.

DR C. HOFSTEDE DE GROOT.

Rembrandt's Sister. 1630. P. 5¼ × 3¾.

SIX COLLECTION.

Joseph Interpreting His Dreams. S. 1630. Cardboard, 20 × 15⅕.

Anna Vymer. S. 1641. P. 40 × 32.

Portrait of Ephraim Bonus. 1647. P. 7⅗ × 6.

Burgomaster Six. 1660. C. 44 × 40.

THE HAGUE. DR BREDIUS.

A Woman Praying. 1654. P. 7¾ × 6.

PRINCE HENRI DES PAYS-BAS.

Rembrandt. S. 1643. C. 24⅔ × 19⅕.

D. F. SCHEURLEER.

Head of a Boy. 1629. 10⅖ × 8⅕.

STEENGRACHT COLLECTION.

The Toilet of Bathsheba. S. 1643. P. 20⅘ × 30⅖.

LEEUWARDEN. BARON VAN HARINXMA THOE SLOOTEN.

Portrait of an Old Man. S. 1644. P. 9⅖ × 8⅕.

ROTTERDAM. BOYMANS MUSEUM.

Portrait of Rembrandt's Father. [No. 237, Room B.] S. 1630. Oval. P. 29⅕ × 22⅖.

The Peace of the Country. [No. 238, Room D.] S. 1640. P. 29⅗ × 40.

ITALY.

FLORENCE. PITTI PALACE.

Rembrandt. [No. 60, Room 5.] 1635. C. 24⅘ × 20⅘.

An Old Man. [No. 16, Room 6.] S. 1658. C. 40⅘ × 33⅕.

UFFIZI.

Portrait of Rembrandt. [No. 451, Room 13.] 1655. C. 28⅘ × 23⅕.

Portrait of Rembrandt. [No. 452, Room 13.] 1666. C. 28⅘ × 23⅕.

SIGNOR FABRI.

Study of an Old Man. P. 23⅗ × 18⅘.

MILAN. BRERA.

A Woman. [No. 449.] S. 1632. P. 22 × 19⅕.

ROUMANIA.

SINAIA. THE KING OF ROUMANIA.

Esther, Haman, and Ahasuerus. 1668. C. 94 × 76.

RUSSIA.

ST PETERSBURG. THE HERMITAGE.

Portrait of Rembrandt's Father. [No. 814.] S. 1630. P. 14⅖ × 10⅖.

Portrait of a Man. [No. 808.] S. 1631. C. 45⅕ × 36⅘.

The Descent From the Cross. [No. 800.] S. 1634. C. 63⅕ × 46⅘.

The Incredulity of St Thomas. [No. 801.] S. 1634. P. 22 × 20⅖.

The Jewish Bride. [No. 812.] S. 1634. C. 50 × 40⅖.

A Young Man [No. 828]. S. 1634. P. 28 × 20⅘.

The Sacrifice of Isaac. [No. 792.] S. 1635. C. 77⅕ × 53⅕.

Portrait of an Oriental. [No. 813.] S. 1636. C. 39⅗ × 30⅖.

Danae. [No. 892.] S. 1636. C. 74 × 82.

Portrait of a Man, called Sobieski. [No. 811.] S. 1637. P. 38⅘ × 26⅗.

The Parable of the Master of the Vineyard. [No. 798.] S. 1637. P. 12⅖ × 16⅘.

An Old Woman. [No. 829.] S. 1643. P. 30⅖ × 22⅖.

The Reconciliation of David and Absalom. [No.1777.] S. 1642. P. 30 × 24⅗.

Rembrandt's Mother. [No. 807.] S. 1643. P. 31⅗ × 24⅖.

The Holy Family. [No. 796.] S. 1645. C. 46⅘ × 36⅖.

Portrait of a Man, erroneously called Manasseh Ben Israel. [No. 820.] S. 1645. C. 51⅗ × 44⅘.

Abraham Receiving the Angels. [No. 791.] 1650. C. 48⅗ × 65.

The Sons of Jacob showing him Joseph's Coat. [No. 793.] S. 1650. C. 61⅘ × 67⅕.

The Disgrace of Haman. [No. 795.] S. 1650. C. 50⅘ × 46⅘.

Pallas. [No. 809.] 1650. C. 46⅘ × 36⅖.

Hannah Teaching the Infant Samuel to Read. [No. 822.] S. 1650. C. 46⅘ × 37⅗.

Girl with a Broom. [No. 826.] S. 1651. C. 43⅗ × 36⅘.

An Old Woman. [No. 804.] 1654. C. 53⅕ × 42⅘.

An Old Woman. [No. 805.] S. 1654. C. 43⅗ × 33⅗.

An Old Woman. [No. 806.] S. 1654. C. 29⅗ × 25⅕.

An Old Jew. [No. 810.] S. 1654. C. 43⅗ × 33⅗.

An Old Man. [No. 818.] 1654. C. 43⅕ × 34⅖.

An Old Man. [No. 823.] S. 1654. C. 35⅕ × 28⅘.

An Old Man. [No. 824.] S. 1654. C. 29⅗ × 25⅕.

Joseph Accused by Potiphar's Wife. [No. 794.] S. 1655. C. 42 × 38⅘.

St Peter's Denial. [No. 799.] S. 1656. C. 61⅕ × 67⅕.

A Young Woman. [No. 819.] S. 1656. C. 40⅘ × 34⅘.

Young Woman trying on an Earring. [No. 817.] S. 1657. P. 16 × 14⅕.

A Young Man. [No. 825.] 1660. C. 28⅘ × 22⅖.

Portrait of a Man. [No. 821.] S. 1661. C. 28⅖ × 24⅖.

Portrait of Jeremias de Decker, the Poet. [No. 827.] S. 1666. P. 28⅖ × 22⅖.

The Prodigal Son. [No. 797.] 1669. C. 104⅘ × 100.

An Old Jew. [No. 815.] S. P. 20⅖ × 16⅘.

PRINCE JOUSOUPOFF.

Head of a Young Boy. S. 1633. P. 7²²⁄₂₅ × 6¹⁷⁄₂₅.

Susannah and the Elders. S. 1637.

A Young Man. 1660. C. 32⅘ × 39⅕.

A Lady With an Ostrich Feather. 1660. C. 33 × 39⅗.

PRINCE OF LEUCHTEMBERG.

Rembrandt. [No. 108]. 1643. P. 30 × 24⅘.

COUNT A. W. ORLOFF-DAVIDOFF.

Christ. 1660. C. 43¹⁹⁄₂₅ × 38⅘.

COUNT S. STROGANOFF.

A Philosopher in Meditation. S. 1630. P. 23⅖ × 18-2⅗0

A Young Monk. S. 1660. C. 32⅖ × 26⅘.

SPAIN.

MADRID. PRADO.

Queen Artemisia receiving the Ashes of Mausolus. [No. 1544.] Otherwise Known As Cleopatra at her toilet. S. 1634. C. 56⅘ × 61⅕.

SWEDEN.

STOCKHOLM. ROYAL MUSEUM.

A Young Girl. [No. 591.] 1630. P. 23⅗ × 24⅘.

St Anastasius. [No. 579.] S. 1631. P. 24 × 19⅕.

Saskia. [No. 583.] S. 1632. C. 28⅘ × 21⅗.

Study of an Old Man as St Peter. [No. 1349.] S. 1632. C. 32⅘ × 24⅘.

An Old Man. [No. 585.] S. 1633.

The Young Servant. S. 1654. C. 31⅕ × 25⅕.

An Old Man. [No. 581.] S. 1655. C. 35⅗ × 29⅕.

An Old Woman. [No. 582.] S. 1655. C. 35⅗ × 29⅕.

The Conspiracy of Claudius Civilis. [No. 578.] 1661. C. 78⅖ × 123⅗.

VANAS. COUNT AXEL DE WACHTMEISTER.

A Young Man. S. 1632. P. 25⅒ × 18⅖.

A Young Man. 1643. C. 42 × 36.

UNITED STATES OF AMERICA.

CHICAGO. ARMOUR.

Portrait of a Man. S. 1643. C. 33⅗ × 26⅘.

P. C. HANFORD.

An Accountant by a Table. C. 40⅘ × 32.

NEW YORK. W. H. BEERS.

Rembrandt's Father. 1632. C. 30 × 24⅘.

ROBERT W. DE FOREST.

Head of a Young Man. 25½ × 19½.

H. O. HAVEMEYER.

Portrait of Christian Paul van Beersteyn, Burgomaster of Delft. S. 1632.

Portrait of Volkera Nicolai Knobbert, wife of Beersteyn. S. 1632.

Portrait of Paulus Doomer, called "The Gilder." S. 1640. P. 29⅕ × 21⅗.

A Woman, aged 87. S. 1640 or 1646. C. 27⅗ × 24.

ROBERT HOE.

Young Gipsy holding a Medallion. 1650. C.

MORRIS K. JESSUP.

Portrait of a Young Man, erroneously called Six.

Portrait of his Wife.

METROPOLITAN MUSEUM.

A Man. [no. 277.] 1640. C. 30¾ × 24¾.

An Old Man. [no. 274.] S. 1665. C. 27⅝ × 24⅜.

The Mills. [no. 276.] C. 21½ × 26¼.

The Adoration of the Shepherds. [No. 278.] P. 24⅜ × 20⁷⁄₁₆.

J. PIERPONT MORGAN.

Portrait of Rembrandt. C. 43½ × 33½.

R. MORTIMER.

Portrait of a Young Man putting on His Armour. 1634. C. 40⅖ × 33⅗.

W. SCHAUS.

Portrait of an Admiral, erroneously called "Van Tromp." 1658. P. 36 × 29¾.

CHARLES STEWART SMITH.

St John. Oval. S. 1632. P. 25 × 19.

C. T. YERKES.

The Raising of Lazarus. 1628. P. 16⅘ × 14.

Joris de Caulery. S. 1632.

Portrait of a Rabbi. 1635. P. 25 × 20⅘.

Philemon and Baucis. S. 1658. P. 21⅗ × 27⅗.

PHILADELPHIA. P. A. B. WIDENER.

Portrait of Saskia. 1633. P. 23⅗ × 18⅕.

PITTSBURGH. A. M. BYERS.

Portrait of Saskia. S. 1636. P. 31⅖ × 26⅖.

SAN FRANCISCO. WILLIAM H. CROCKER.

Portrait of a Young Boy. P. 16⅖ × 14.

UNKNOWN OWNERS.

A Young Man, Called Tulp. S. 1634. P. 28⅘ × 20⅖.

Portrait of a Young Woman. S. 1634. P. 28⅘ × 20⅖.

A Man, called Matthys Kalkoen. S. 1632. C. 44⅘ × 36.

Portrait of Saskia. S. 1634.

Portrait called "The Dutch Admiral." S. 1643.

Portrait of a Lady. S. 1643.

An Orphan Girl of Amsterdam. S. 1645. C. 64 × 33⅗.

"The Standard-Bearer." 1662. C. 56 × 58.

Portrait Called Six. S. C. 48 × 36⅘.

INDEX

Abraham caressing Isaac (etching), 108

Abraham conversing with Isaac (etching), 99

Abraham dismissing Hagar (etching), 96

Abraham entertaining the Angels, 75;

(etching), 106

Abraham's Sacrifice, 64;

(etching), 105

Actæon, Diana, and Callisto, 63

Adam and Eve (etching), 96

Admiral, Portrait of an, 79

Adoration of the Magi, The, 78

Adoration of the Shepherds, The, 32, 73;

(etching), 112

Adriaen, Rembrandt's Brother, 12, 14, 28, 38;

Portrait of, 51

Adriaans, Alotte, Portrait of, 67

Alenson, the Minister, 25;

Portraits of, and his wife, 61

Amsterdam, prosperity of, 14, 15

Amsterdam, View of (etching), 109

Anatomy Lesson, The, 13, 16, 58;

ill., 58

Anatomy Lesson of Dr Deyman, The, (1656), 77

Angel, An, 78

Angel quitting Tobit, The, 65;

(etching), 98

Anna, 55

Anslo, the Minister, 25;

Portrait of 68;

ill., 68

Architect, An, 77

Artemisia receiving the Ashes of Mausolus, 62

Ascension, The, 20, 64

Asselyn, Jan, 25;

Portrait of (etching), 109

Baptism of the Eunuch, The (etching), 98

Bartsch, Adam, 90

Bas, Elizabeth, Portrait of, 68;

ill., 68

Bathers, The (etching), 112

Bathsheba (Louvre), 76

Bathsheba at her Toilet, 71

Battle-Scene (etching), 109

Baucis and Philemon receiving Jupiter and Mercury, 79

Beersteyn Christian Paul van, Portrait of, 56

Beggars at the Door of a House (etching), 101;

ill., 100

Beggars, etchings of, 101, 112

Belshazzar's Feast, 64

Berchem, Nicholas; Portraits of, and his wife, 73

Bilderbeecq, Margaretha van, Portrait of, 58

Blind Fiddler, The (etching), 95

Bonus, Dr Ephraim, 25;

Portraits of 69, 73;

(etching), 100

Boy, Portrait of a (Hinton St George), 51;

(Belvoir Castle), 78;

head of a, 52;

(etching), 109

Bruyningh, Portrait of, 76

Bull, The (etching), 109

Burchgraeff, Willem, Portrait of, 58

Canal, The (etching), 112

Canal with a Large Boat (etching), 102

Canal with Swans (etching), 102

Cappelle, Van de, 25

Capuchin, The, 81

Cattenburch, Dirck van, 37, 87

Caulery, Joris de, Portrait of, 57

Christ, Head of (M. Rudolphe Kann), 76;

(M. Maurice Kann), 80

Christ, Half-length portraits of

(St. Petersburg), 79;

(Aschaffenbourg), 81

Christ appearing to the Disciples (etching), 103

Christ and Mary Magdalene at the Tomb, 66

Christ and Mary Magdalene in the Garden, 75

Christ and the Disciples at Emmaus (etchings), 96, 104

Christ and the Samaritan Woman (etching), 111

Christ at Emmaus (Mme. André-Jacquemart), 51;

(Louvre), 74;

ill., 74;

(Copenhagen), 74

Christ before Pilate (etching), 106

Christ bound to the Column, 73

Christ disputing with the Doctors (etching), 103

Christ driving the Money-Lenders from the Temple (etching), 96

Christ Entombed (etching), 111

Christ healing the Sick (etching), 85, 87, 110;

ill., 86

Christ in the Garden of Olives (etching), 111

Christ on the Cross, 74

Christ preaching (etching), 87, 111

Christ taken from the Cross, 68

Christ's Body carried to the Tomb (etching), 112

Circumcision, The, 32, 81;

(etching), 103

Cleopatra at her Toilet, 62

Collen, Suzanna van, Portrait of, 56

Concord of the Country, The, 67

Conspiracy of Claudius Civilis, The, 41, 81

Constable of Bourbon, 72

Coppenol, 6, 25;

Portraits of, 55, 57;

ill., 54;

(etchings), 110, 112

Cornelia, daughter of Rembrandt and Hendrickje, 35, 39, 46, 47

Cottage and Barn (etching), 98

Cottage with white Pales (etching), 112

Cradle, The, 76

Crayers, Louis, 35, 40, 45

Crucifixion, The (etchings), 108, 110

Daey, Martin, Portrait of, 61

Danae, 64;

ill., 64

Daniel's Vision, 72

David and Absalom, Reconciliation of, 68

David and Goliath, Combat of (etching), 105

David at Prayer (etching), 111

David playing before Saul (Frankfort), 57;

(1665), 83

Dead Peacocks, 68

Death of the Virgin, The (etching), 97

Decker, Jeremias de, 45;

Portrait of, 83

Deposition, The (Duke of Abercorn), 75

Descent from the Cross, The, 20, 60, 62;

(etchings), 87, 95, 98, 105

Desmond, The Countess of, 54

Deyman, Dr, 25, 38

Diana bathing, 55;

(etching), 107

Dircx, Geertje, 33

Doomer Paul, Portrait of, 67

Doorn, Machteld van, Portrait of, 61

Dou, Gerard, Rembrandt's first pupil, 11;

Portrait of, 54, 55

Draughtsman, The (etching), 109

Drawings, Rembrandt's, 115

Dutch Admiral and his Wife, The, 71

Ecce Homo, 65; (etching), 87

Elevation of the Cross, The, 59;

ill., 60

Entombment, The (Glasgow), 59;

(Munich), 66; (Dresden), 76

Esther, Haman, and Ahasuerus, 83

Etchings, The, early appreciation of, 85;

the various states, 88;

catalogues of, 90, 91;

authentic etchings, 93;

disputed etchings, 113;

qualities of the etchings, 114, 115