CHAPTER X
Old Anthony was expecting them in London. It was now winter, and the season for theatres; so, to show his brother-in-law the fun of a theatre was one part of his projected hospitality, if Mr. Fleming should haply take the hint that he must pay for himself.
Anthony had laid out money to welcome the farmer, and was shy and fidgety as a girl who anticipates the visit of a promising youth, over his fat goose for next day's dinner, and his shrimps for this day's tea, and his red slice of strong cheese, called of Cheshire by the reckless butter-man, for supper.
He knew that both Dahlia and Rhoda must have told the farmer that he was not high up in Boyne's Bank, and it fretted him to think that the mysterious respect entertained for his wealth by the farmer, which delighted him with a novel emotion, might be dashed by what the farmer would behold.
During his last visit to the farm, Anthony had talked of the Funds more suggestively than usual. He had alluded to his own dealings in them, and to what he would do and would not do under certain contingencies; thus shadowing out, dimly luminous and immense, what he could do, if his sagacity prompted the adventure. The farmer had listened through the buzzing of his uncertain grief, only sighing for answer. “If ever you come up to London, brother William John,” said Anthony, “you mind you go about arm-in-arm with me, or you'll be judging by appearances, and says you, 'Lor', what a thousander fellow this is!' and 'What a millioner fellow that is!' You'll be giving your millions and your thousands to the wrong people, when they haven't got a penny. All London 'll be topsy-turvy to you, unless you've got a guide, and he'll show you a shabby-coated, head-in-the-gutter old man 'll buy up the lot. Everybody that doesn't know him says—look at him! but they that knows him—hats off, I can tell you. And talk about lords! We don't mind their coming into the city, but they know the scent of cash. I've had a lord take off his hat to me. It's a fact, I have.”
In spite of the caution Anthony had impressed upon his country relative, that he should not judge by appearances, he was nevertheless under an apprehension that the farmer's opinion of him, and the luxurious, almost voluptuous, enjoyment he had of it, were in peril. When he had purchased the well-probed fat goose, the shrimps, and the cheese, he was only half-satisfied. His ideas shot boldly at a bottle of wine, and he employed a summer-lighted evening in going a round of wine-merchants' placards, and looking out for the cheapest bottle he could buy. And he would have bought one—he had sealing-wax of his own and could have stamped it with the office-stamp of Boyne's Bank for that matter, to make it as dignified and costly as the vaunted red seals and green seals of the placards—he would have bought one, had he not, by one of his lucky mental illuminations, recollected that it was within his power to procure an order to taste wine at the Docks, where you may get as much wine as you like out of big sixpenny glasses, and try cask after cask, walking down gas-lit paths between the huge bellies of wine which groan to be tapped and tried, that men may know them. The idea of paying two shillings and sixpence for one miserable bottle vanished at the richly-coloured prospect. “That'll show him something of what London is,” thought Anthony; and a companion thought told him in addition that the farmer, with a skinful of wine, would emerge into the open air imagining no small things of the man who could gain admittance into those marvellous caverns. “By George! it's like a boy's story-book,” cried Anthony, in his soul, and he chuckled over the vision of the farmer's amazement—acted it with his arms extended, and his hat unseated, and plunged into wheezy fits of laughter.
He met his guests at the station. Mr. Fleming was soberly attired in what, to Anthony's London eye, was a curiosity costume; but the broad brim of the hat, the square cut of the brown coat, and the leggings, struck him as being very respectable, and worthy of a presentation at any Bank in London.
“You stick to a leather purse, brother William John?” he inquired, with an artistic sentiment for things in keeping.
“I do,” said the farmer, feeling seriously at the button over it.
“All right; I shan't ask ye to show it in the street,” Anthony rejoined, and smote Rhoda's hand as it hung.
“Glad to see your old uncle—are ye?”
Rhoda replied quietly that she was, but had come with the principal object of seeing her sister.
“There!” cried Anthony, “you never get a compliment out of this gal. She gives ye the nut, and you're to crack it, and there maybe, or there mayn't be, a kernel inside—she don't care.”
“But there ain't much in it!” the farmer ejaculated, withdrawing his fingers from the button they had been teasing for security since Anthony's question about the purse.
“Not much—eh! brother William John?” Anthony threw up a puzzled look. “Not much baggage—I see that—” he exclaimed; “and, Lord be thanked! no trunks. Aha, my dear”—he turned to Rhoda—“you remember your lesson, do ye? Now, mark me—I'll remember you for it. Do you know, my dear,” he said to Rhoda confidentially, “that sixpenn'orth of chaff which I made the cabman pay for—there was the cream of it!—that was better than Peruvian bark to my constitution. It was as good to me as a sniff of sea-breeze and no excursion expenses. I'd like another, just to feel young again, when I'd have backed myself to beat—cabmen? Ah! I've stood up, when I was a young 'un, and shut up a Cheap Jack at a fair. Circulation's the soul o' chaff. That's why I don't mind tackling cabmen—they sit all day, and all they've got to say is 'rat-tat,' and they've done. But I let the boys roar. I know what I was when a boy myself. I've got devil in me—never you fear—but it's all on the side of the law. Now, let's off, for the gentlemen are starin' at you, which won't hurt ye, ye know, but makes me jealous.”
Before the party moved away from the platform, a sharp tussle took place between Anthony and the farmer as to the porterage of the bulky bag; but it being only half-earnest, the farmer did not put out his strength, and Anthony had his way.
“I rather astonished you, brother William John,” he said, when they were in the street.
The farmer admitted that he was stronger than he looked.
“Don't you judge by appearances, that's all,” Anthony remarked, setting down the bag to lay his finger on one side of his nose for impressiveness.
“Now, there we leave London Bridge to the right, and we should away to the left, and quiet parts.” He seized the bag anew. “Just listen. That's the roaring of cataracts of gold you hear, brother William John. It's a good notion, ain't it? Hark!—I got that notion from one of your penny papers. You can buy any amount for a penny, now-a-days—poetry up in a corner, stories, tales o' temptation—one fellow cut his lucky with his master's cash, dashed away to Australia, made millions, fit to be a lord, and there he was! liable to the law! and everybody bowing their hats and their heads off to him, and his knees knocking at the sight of a policeman—a man of a red complexion, full habit of body, enjoyed his dinner and his wine, and on account of his turning white so often, they called him—'sealing-wax and Parchment' was one name; 'Carrots and turnips' was another; 'Blumonge and something,' and so on. Fancy his having to pay half his income in pensions to chaps who could have had him out of his town or country mansion and popped into gaol in a jiffy. And found out at last! Them tales set you thinking. Once I was an idle young scaramouch. But you can buy every idea that's useful to you for a penny. I tried the halfpenny journals. Cheapness ain't always profitable. The moral is, Make your money, and you may buy all the rest.”
Discoursing thus by the way, and resisting the farmer's occasional efforts to relieve him of the bag, with the observation that appearances were deceiving, and that he intended, please his Maker, to live and turn over a little more interest yet, Anthony brought them to Mrs. Wicklow's house. Mrs. Wicklow promised to put them into the track of the omnibuses running toward Dahlia's abode in the Southwest, and Mary Ann Wicklow, who had a burning desire in her bosom to behold even the outside shell of her friend's new grandeur, undertook very disinterestedly to accompany them. Anthony's strict injunction held them due at a lamp-post outside Boyne's Bank, at half-past three o'clock in the afternoon.
“My love to Dahly,” he said. “She was always a head and shoulders over my size. Tell her, when she rolls by in her carriage, not to mind me. I got my own notions of value. And if that Mr. Ayrton of hers 'll bank at Boyne's, I'll behave to him like a customer. This here's the girl for my money.” He touched Rhoda's arm, and so disappeared.
The farmer chided her for her cold manner to her uncle, murmuring aside to her: “You heard what he said.” Rhoda was frozen with her heart's expectation, and insensible to hints or reproof. The people who entered the omnibus seemed to her stale phantoms bearing a likeness to every one she had known, save to her beloved whom she was about to meet, after long separation.
She marvelled pityingly at the sort of madness which kept the streets so lively for no reasonable purpose. When she was on her feet again, she felt for the first time, that she was nearing the sister for whom she hungered, and the sensation beset her that she had landed in a foreign country. Mary Ann Wicklow chattered all the while to the general ear. It was her pride to be the discoverer of Dahlia's terrace.
“Not for worlds would she enter the house,” she said, in a general tone; she knowing better than to present herself where downright entreaty did not invite her.
Rhoda left her to count the numbers along the terrace-walk, and stood out in the road that her heart might select Dahlia's habitation from the other hueless residences. She fixed upon one, but she was wrong, and her heart sank. The fair Mary Ann fought her and beat her by means of a careful reckoning, as she remarked,—
“I keep my eyes open; Number 15 is the corner house, the bow-window, to a certainty.”
Gardens were in front of the houses; or, to speak more correctly, strips of garden walks. A cab was drawn up close by the shrub-covered iron gate leading up to No. 15. Mary Ann hurried them on, declaring that they might be too late even now at a couple of dozen paces distant, seeing that London cabs, crawlers as they usually were, could, when required, and paid for it, do their business like lightning. Her observation was illustrated the moment after they had left her in the rear; for a gentleman suddenly sprang across the pavement, jumped into a cab, and was whirled away, with as much apparent magic to provincial eyes, as if a pantomimic trick had been performed. Rhoda pressed forward a step in advance of her father.
“It may have been her husband,” she thought, and trembled. The curtains up in the drawing-room were moved as by a hand; but where was Dahlia's face? Dahlia knew that they were coming, and she was not on the look-out for them!—a strange conflict of facts, over which Rhoda knitted her black brows, so that she looked menacing to the maid opening the door, whose “Oh, if you please, Miss,” came in contact with “My sister—Mrs.—, she expects me. I mean, Mrs.—” but no other name than “Dahlia” would fit itself to Rhoda's mouth.
“Ayrton,” said the maid, and recommenced, “Oh, if you please, Miss, and you are the young lady, Mrs. Ayrton is very sorry, and have left word, would you call again to-morrow, as she have made a pressing appointment, and was sure you would excuse her, but her husband was very anxious for her to go, and could not put it off, and was very sorry, but would you call again to-morrow at twelve o'clock? and punctually she would be here.”
The maid smiled as one who had fairly accomplished the recital of her lesson. Rhoda was stunned.
“Is Mrs. Ayrton at home?—Not at home?” she said.
“No: don't ye hear?” quoth the farmer, sternly.
“She had my letter—do you know?” Rhoda appealed to the maid.
“Oh, yes, Miss. A letter from the country.”
“This morning?”
“Yes, Miss; this morning.”
“And she has gone out? What time did she go out? When will she be in?”
Her father plucked at her dress. “Best not go making the young woman repeat herself. She says, nobody's at home to ask us in. There's no more, then, to trouble her for.”
“At twelve o'clock to-morrow?” Rhoda faltered.
“Would you, if you please, call again at twelve o'clock to-morrow, and punctually she would be here,” said the maid.
The farmer hung his head and turned. Rhoda followed him from the garden. She was immediately plied with queries and interjections of wonderment by Miss Wicklow, and it was not until she said: “You saw him go out, didn't you?—into the cab?” that Rhoda awakened to a meaning in her gabble.
Was it Dahlia's husband whom they had seen? And if so, why was Dahlia away from her husband? She questioned in her heart, but not for an answer, for she allowed no suspicions to live. The farmer led on with his plodding country step, burdened shoulders, and ruddy-fowled, serious face, not speaking to Rhoda, who had no desire to hear a word from him, and let him be. Mary Ann steered him and called from behind the turnings he was to take, while she speculated aloud to Rhoda upon the nature of the business that had torn Dahlia from the house so inopportunely. At last she announced that she knew what it was, but Rhoda failed to express curiosity. Mary Ann was driven to whisper something about strange things in the way of purchases. At that moment the farmer threw up his umbrella, shouting for a cab, and Rhoda ran up to him,—
“Oh, father, why do we want to ride?”
“Yes, I tell ye!” said the farmer, chafing against his coat-collar.
“It is an expense, when we can walk, father.”
“What do I care for th' expense? I shall ride.” He roared again for a cab, and one came that took them in; after which, the farmer, not being spoken to, became gravely placid as before. They were put down at Boyne's Bank. Anthony was on the look-out, and signalled them to stand away some paces from the door. They were kept about a quarter of an hour waiting between two tides of wayfarers, which hustled them one way and another, when out, at last, came the old, broad, bent figure, with little finicking steps, and hurried past them head foremost, his arms narrowed across a bulgy breast. He stopped to make sure that they were following, beckoned with his chin, and proceeded at a mighty rate. Marvellous was his rounding of corners, his threading of obstructions, his skilful diplomacy with passengers. Presently they lost sight of him, and stood bewildered; but while they were deliberating they heard his voice. He was above them, having issued from two swinging bright doors; and he laughed and nodded, as he ran down the steps, and made signs, by which they were to understand that he was relieved of a weight.
“I've done that twenty year of my life, brother William John,” he said. “Eh? Perhaps you didn't guess I was worth some thousands when I got away from you just now? Let any chap try to stop me! They may just as well try to stop a railway train. Steam's up, and I'm off.”
He laughed and wiped his forehead. Slightly vexed at the small amount of discoverable astonishment on the farmer's face, he continued,—
“You don't think much of it. Why, there ain't another man but myself Boyne's Bank would trust. They've trusted me thirty year:—why shouldn't they go on trusting me another thirty year? A good character, brother William John, goes on compound-interesting, just like good coin. Didn't you feel a sort of heat as I brushed by you—eh? That was a matter of one-two-three-four” Anthony watched the farmer as his voice swelled up on the heightening numbers: “five-six-six thousand pounds, brother William John. People must think something of a man to trust him with that sum pretty near every day of their lives, Sundays excepted—eh? don't you think so?”
He dwelt upon the immense confidence reposed in him, and the terrible temptation it would be to some men, and how they ought to thank their stars that they were never thrown in the way of such a temptation, of which he really thought nothing at all—nothing! until the farmer's countenance was lightened of its air of oppression, for a puzzle was dissolved in his brain. It was now manifest to him that Anthony was trusted in this extraordinary manner because the heads and managers of Boyne's Bank knew the old man to be possessed of a certain very respectable sum: in all probability they held it in their coffers for safety and credited him with the amount. Nay, more; it was fair to imagine that the guileless old fellow, who conceived himself to be so deep, had let them get it all into their hands without any suspicion of their prominent object in doing so.
Mr. Fleming said, “Ah, yes, surely.”
He almost looked shrewd as he smiled over Anthony's hat. The healthy exercise of his wits relieved his apprehensive paternal heart; and when he mentioned that Dahlia had not been at home when he called, he at the same time sounded his hearer for excuses to be raised on her behalf, himself clumsily suggesting one or two, as to show that he was willing to swallow a very little for comfort.
“Oh, of course!” said Anthony, jeeringly. “Out? If you catch her in, these next three or four days, you'll be lucky. Ah, brother William John!”
The farmer, half frightened by Anthony's dolorous shake of his head, exclaimed: “What's the matter, man?”
“How proud I should be if only you was in a way to bank at Boyne's!”
“Ah!” went the farmer in his turn, and he plunged his chin deep in his neckerchief.
“Perhaps some of your family will, some day, brother William John.”
“Happen, some of my family do, brother Anthony!”
“Will is what I said, brother William John; if good gals, and civil, and marry decently—eh?” and he faced about to Rhoda who was walking with Miss Wicklow. “What does she look so down about, my dear? Never be down. I don't mind you telling your young man, whoever he is; and I'd like him to be a strapping young six-footer I've got in my eye, who farms. What does he farm with to make farming answer now-a-days? Why, he farms with brains. You'll find that in my last week's Journal, brother William John, and thinks I, as I conned it—the farmer ought to read that! You may tell any young man you like, my dear, that your old uncle's fond of ye.”
On their arrival home, Mrs. Wicklow met them with a letter in her hand. It was for Rhoda from Dahlia, saying that Dahlia was grieved to the heart to have missed her dear father and her darling sister. But her husband had insisted upon her going out to make particular purchases, and do a dozen things; and he was extremely sorry to have been obliged to take her away, but she hoped to see her dear sister and her father very, very soon. She wished she were her own mistress that she might run to them, but men when they are husbands require so much waiting on that she could never call five minutes her own. She would entreat them to call tomorrow, only she would then be moving to her new lodgings. “But, oh! my dear, my blessed Rhoda!” the letter concluded, “do keep fast in your heart that I do love you so, and pray that we may meet soon, as I pray it every night and all day long. Beg father to stop till we meet. Things will soon be arranged. They must. Oh! oh, my Rhoda, love! how handsome you have grown. It is very well to be fair for a time, but the brunettes have the happiest lot. They last, and when we blonde ones cry or grow thin, oh! what objects we become!”
There were some final affectionate words, but no further explanations.
The wrinkles again settled on the farmer's mild, uncomplaining forehead.
Rhoda said: “Let us wait, father.”
When alone, she locked the letter against her heart, as to suck the secret meaning out of it. Thinking over it was useless; except for this one thought: how did her sister know she had grown very handsome? Perhaps the housemaid had prattled.
CHAPTER XI
Dahlia, the perplexity to her sister's heart, lay stretched at full length upon the sofa of a pleasantly furnished London drawing-room, sobbing to herself, with her handkerchief across her eyes. She had cried passion out, and sobbed now for comfort.
She lay in her rich silken dress like the wreck of a joyful creature, while the large red Winter sun rounded to evening, and threw deep-coloured beams against the wall above her head. They touched the nut-brown hair to vivid threads of fire: but she lay faceless. Utter languor and the dread of looking at her eyelids in the glass kept her prostrate.
So, the darkness closed her about; the sickly gas-lamps of the street showing her as a shrouded body.
A girl came in to spread the cloth for dinner, and went through her duties with the stolidity of the London lodging-house maidservant, poking a clogged fire to perdition, and repressing a songful spirit.
Dahlia knew well what was being done; she would have given much to have saved her nostrils from the smell of dinner; it was a great immediate evil to her sickened senses; but she had no energy to call out, nor will of any kind. The odours floated to her, and passively she combated them.
At first she was nearly vanquished; the meat smelt so acrid, the potatoes so sour; each afflicting vegetable asserted itself peculiarly; and the bread, the salt even, on the wings of her morbid fancy, came steaming about her, subtle, penetrating, thick, and hateful, like the pressure of a cloud out of which disease is shot.
Such it seemed to her, till she could have shrieked; but only a few fresh tears started down her cheeks, and she lay enduring it.
Dead silence and stillness hung over the dinner-service, when the outer door below was opened, and a light foot sprang up the stairs.
There entered a young gentleman in evening dress, with a loose black wrapper drooping from his shoulders.
He looked on the table, and then glancing at the sofa, said:
“Oh, there she is!” and went to the window and whistled.
After a minute of great patience, he turned his face back to the room again, and commenced tapping his foot on the carpet.
“Well?” he said, finding these indications of exemplary self-command unheeded. His voice was equally powerless to provoke a sign of animation. He now displaced his hat, and said, “Dahlia!”
She did not move.
“I am here to very little purpose, then,” he remarked.
A guttering fall of her bosom was perceptible.
“For heaven's sake, take away that handkerchief, my good child! Why have you let your dinner get cold? Here,” he lifted a cover; “here's roast-beef. You like it—why don't you eat it? That's only a small piece of the general inconsistency, I know. And why haven't they put champagne on the table for you? You lose your spirits without it. If you took it when these moody fits came on—but there's no advising a woman to do anything for her own good. Dahlia, will you do me the favour to speak two or three words with me before I go? I would have dined here, but I have a man to meet me at the Club. Of what mortal service is it shamming the insensible? You've produced the required effect, I am as uncomfortable as I need be. Absolutely!
“Well,” seeing that words were of no avail, he summed up expostulation and reproach in this sigh of resigned philosophy: “I am going. Let me see—I have my Temple keys?—yes! I am afraid that even when you are inclined to be gracious and look at me, I shall not, be visible to you for some days. I start for Lord Elling's to-morrow morning at five. I meet my father there by appointment. I'm afraid we shall have to stay over Christmas. Good-bye.” He paused. “Good-bye, my dear.”
Two or three steps nearer the door, he said, “By the way, do you want anything? Money?—do you happen to want any money? I will send a blank cheque tomorrow. I have sufficient for both of us. I shall tell the landlady to order your Christmas dinner. How about wine? There is champagne, I know, and bottled ale. Sherry? I'll drop a letter to my wine-merchant; I think the sherry's running dry.”
Her sense of hearing was now afflicted in as gross a manner as had been her sense of smell. She could not have spoken, though her vitality had pressed for speech. It would have astonished him to hear that his solicitude concerning provender for her during his absence was not esteemed a kindness; for surely it is a kindly thing to think of it; and for whom but for one for whom he cared would he be counting the bottles to be left at her disposal, insomuch that the paucity of the bottles of sherry in the establishment distressed his mental faculties?
“Well, good-bye,” he said, finally. The door closed.
Had Dahlia's misery been in any degree simulated, her eyes now, as well as her ears, would have taken positive assurance of his departure. But with the removal of her handkerchief, the loathsome sight of the dinner-table would have saluted her, and it had already caused her suffering enough. She chose to remain as she was, saying to herself, “I am dead;” and softly revelling in that corpse-like sentiment. She scarcely knew that the door had opened again.
“Dahlia!”
She heard her name pronounced, and more entreatingly, and closer to her.
“Dahlia, my poor girl!” Her hand was pressed. It gave her no shudders.
“I am dead,” she mentally repeated, for the touch did not run up to her heart and stir it.
“Dahlia, do be reasonable! I can't leave you like this. We shall be separated for some time. And what a miserable fire you've got here! You have agreed with me that we are acting for the best. It's very hard on me I try what I can to make you comf—happy; and really, to see you leaving your dinner to get cold! Your hands are like ice. The meat won't be eatable. You know I'm not my own master. Come, Dahly, my darling!”
He gently put his hand to her chin, and then drew away the handkerchief.
Dahlia moaned at the exposure of her tear-stained face, she turned it languidly to the wall.
“Are you ill, my dear?” he asked.
Men are so considerately practical! He begged urgently to be allowed to send for a doctor.
But women, when they choose to be unhappy, will not accept of practical consolations! She moaned a refusal to see the doctor.
Then what can I do for her? he naturally thought, and he naturally uttered it.
“Say good-bye to me,” he whispered. “And my pretty one will write to me. I shall reply so punctually! I don't like to leave her at Christmas; and she will give me a line of Italian, and a little French—mind her accents, though!—and she needn't attempt any of the nasty German—kshrra-kouzzra-kratz!—which her pretty lips can't do, and won't do; but only French and Italian. Why, she learnt to speak Italian! 'La dolcezza ancor dentro me suona.' Don't you remember, and made such fun of it at first? 'Amo zoo;' 'no amo me?' my sweet!”
This was a specimen of the baby-lover talk, which is charming in its season, and maybe pleasantly cajoling to a loving woman at all times, save when she is in Dahlia's condition. It will serve even then, or she will pass it forgivingly, as not the food she for a moment requires; but it must be purely simple in its utterance, otherwise she detects the poor chicanery, and resents the meanness of it. She resents it with unutterable sickness of soul, for it is the language of what were to her the holiest hours of her existence, which is thus hypocritically used to blind and rock her in a cradle of deception. If corrupt, she maybe brought to answer to it all the same, and she will do her part of the play, and babble words, and fret and pout deliciously; and the old days will seem to be revived, when both know they are dead; and she will thereby gain any advantage she is seeking.
But Dahlia's sorrow was deep: her heart was sound. She did not even perceive the opportunity offered to her for a wily performance. She felt the hollowness of his speech, and no more; and she said, “Good-bye, Edward.”
He had been on one knee. Springing cheerfully to his feet, “Good-bye, darling,” he said. “But I must see her sit to table first. Such a wretched dinner for her!” and he mumbled, “By Jove, I suppose I shan't get any at all myself!” His watch confirmed it to him that any dinner which had been provided for him at the Club would be spoilt.
“Never mind,” he said aloud, and examined the roast-beef ruefully, thinking that, doubtless, it being more than an hour behind the appointed dinner-time at the Club, his guest must now be gone.
For a minute or so he gazed at the mournful spectacle. The potatoes looked as if they had committed suicide in their own steam. There were mashed turnips, with a glazed surface, like the bright bottom of a tin pan. One block of bread was by the lonely plate. Neither hot nor cold, the whole aspect of the dinner-table resisted and repelled the gaze, and made no pretensions to allure it.
The thought of partaking of this repast endowed him with a critical appreciation of its character, and a gush of charitable emotion for the poor girl who had such miserable dishes awaiting her, arrested the philosophic reproof which he could have administered to one that knew so little how a dinner of any sort should be treated. He strode to the windows, pulled down the blind he had previously raised, rang the bell, and said,—
“Dahlia, there—I'm going to dine with you, my love. I've rung the bell for more candles. The room shivers. That girl will see you, if you don't take care. Where is the key of the cupboard? We must have some wine out. The champagne, at all events, won't be flat.”
He commenced humming the song of complacent resignation. Dahlia was still inanimate, but as the door was about to open, she rose quickly and sat in a tremble on the sofa, concealing her face.
An order was given for additional candles, coals, and wood. When the maid had disappeared Dahlia got on her feet, and steadied herself by the wall, tottering away to her chamber.
“Ah, poor thing!” ejaculated the young man, not without an idea that the demonstration was unnecessary. For what is decidedly disagreeable is, in a young man's calculation concerning women, not necessary at all,—quite the reverse. Are not women the flowers which decorate sublunary life? It is really irritating to discover them to be pieces of machinery, that for want of proper oiling, creak, stick, threaten convulsions, and are tragic and stir us the wrong way. However, champagne does them good: an admirable wine—a sure specific for the sex!
He searched around for the keys to get at a bottle and uncork it forthwith. The keys were on the mantelpiece a bad comment on Dahlia's housekeeping qualities; but in the hurry of action let it pass. He welcomed the candles gladly, and soon had all the cupboards in the room royally open.
Bustle is instinctively adopted by the human race as the substitute of comfort. He called for more lights, more plates, more knives and forks. He sent for ice the maid observed that it was not to be had save at a distant street: “Jump into a cab—champagne's nothing without ice, even in Winter,” he said, and rang for her as she was leaving the house, to name a famous fishmonger who was sure to supply the ice.
The establishment soon understood that Mr. Ayrton intended dining within those walls. Fresh potatoes were put on to boil. The landlady came up herself to arouse the fire. The maid was for a quarter of an hour hovering between the order to get ice and the execution of immediate commands. One was that she should take a glass of champagne to Mrs. Ayrton in her room. He drank off one himself. Mrs. Ayrton's glass being brought back untouched, he drank that off likewise, and as he became more exhilarated, was more considerate for her, to such a degree, that when she appeared he seized her hands and only jestingly scolded her for her contempt of sound medicine, declaring, in spite of her protestations, that she was looking lovely, and so they sat down to their dinner, she with an anguished glance at the looking-glass as she sank in her chair.
“It's not bad, after all,” said he, drenching his tasteless mouthful of half-cold meat with champagne. “The truth is, that Clubs spoil us. This is Spartan fare. Come, drink with me, my dearest. One sip.”
She was coaxed by degrees to empty a glass. She had a gentle heart, and could not hold out long against a visible lively kindliness. It pleased him that she should bow to him over fresh bubbles; and they went formally through the ceremony, and she smiled. He joked and laughed and talked, and she eyed him a faint sweetness. He perceived now that she required nothing more than the restoration of her personal pride, and setting bright eyes on her, hazarded a bold compliment.
Dahlia drooped like a yacht with idle sails struck by a sudden blast, that dips them in the salt; but she raised her face with the full bloom of a blush: and all was plain sailing afterward.
“Has my darling seen her sister?” he asked softly.
Dahlia answered, “No,” in the same tone.
Both looked away.
“She won't leave town without seeing you?”
“I hope—I don't know. She—she has called at our last lodgings twice.”
“Alone?”
“Yes; I think so.”
Dahlia kept her head down, replying; and his observation of her wavered uneasily.
“Why not write to her, then?”
“She will bring father.”
The sob thickened in her throat; but, alas for him who had at first, while she was on the sofa, affected to try all measures to revive her, that I must declare him to know well how certain was his mastery over her, when his manner was thoroughly kind. He had not much fear of her relapsing at present.
“You can't see your father?”
“No.”
“But, do. It's best.”
“I can't.”
“Why not?”
“Not—” she hesitated, and clasped her hands in her lap.
“Yes, yes; I know,” said he; “but still! You could surely see him. You rouse suspicions that need not exist. Try another glass, my dear.”
“No more.”
“Well; as I was saying, you force him to think—and there is no necessity for it. He maybe as hard on this point as you say; but now and then a little innocent deception maybe practised. We only require to gain time. You place me in a very hard position. I have a father too. He has his own idea of things. He's a proud man, as I've told you; tremendously ambitious, and he wants to push me, not only at the bar, but in the money market matrimonial. All these notions I have to contend against. Things can't be done at once. If I give him a shock—well, we'll drop any consideration of the consequences. Write to your sister to tell her to bring your father. If they make particular inquiries—very unlikely I think—but, if they do, put them at their ease.”
She sighed.
“Why was my poor darling so upset, when I came in?” said he.
There was a difficulty in her speaking. He waited with much patient twiddling of bread crumbs; and at last she said:
“My sister called twice at my—our old lodgings. The second time, she burst into tears. The girl told me so.”
“But women cry so often, and for almost anything, Dahlia.”
“Rhoda cries with her hands closed hard, and her eyelids too.”
“Well, that maybe her way.”
“I have only seen her cry once, and that was when mother was dying, and asked her to fetch a rose from the garden. I met her on the stairs. She was like wood. She hates crying. She loves me so.”
The sympathetic tears rolled down Dahlia's cheeks.
“So, you quite refuse to see your father?” he asked.
“Not yet!”
“Not yet,” he repeated.
At the touch of scorn in his voice, she exclaimed:
“Oh, Edward! not yet, I cannot. I know I am weak. I can't meet him now. If my Rhoda had come alone, as I hoped—! but he is with her. Don't blame me, Edward. I can't explain. I only know that I really have not the power to see him.”
Edward nodded. “The sentiment some women put into things is inexplicable,” he said. “Your sister and father will return home. They will have formed their ideas. You know how unjust they will be. Since, however, the taste is for being a victim—eh?”
London lodging-house rooms in Winter when the blinds are down, and a cheerless fire is in the grate, or when blinds are up and street-lamps salute the inhabitants with uncordial rays, are not entertaining places of residence for restless spirits. Edward paced about the room. He lit a cigar and puffed at it fretfully.
“Will you come and try one of the theatres for an hour?” he asked.
She rose submissively, afraid to say that she thought she should look ill in the staring lights; but he, with great quickness of perception, rendered her task easier by naming the dress she was to wear, the jewels, and the colour of the opera cloak. Thus prompted, Dahlia went to her chamber, and passively attired herself, thankful to have been spared the pathetic troubles of a selection of garments from her wardrobe. When she came forth, Edward thought her marvellously beautiful.
Pity that she had no strength of character whatever, nor any pointed liveliness of mind to match and wrestle with his own, and cheer the domestic hearth! But she was certainly beautiful. Edward kissed her hand in commendation. Though it was practically annoying that she should be sad, the hue and spirit of sadness came home to her aspect. Sorrow visited her tenderly falling eyelids like a sister.
CHAPTER XII
Edward's engagement at his Club had been with his unfortunate cousin Algernon; who not only wanted a dinner but 'five pounds or so' (the hazy margin which may extend illimitably, or miserably contract, at the lender's pleasure, and the necessity for which shows the borrower to be dancing on Fortune's tight-rope above the old abyss).
“Over claret,” was to have been the time for the asking; and Algernon waited dinnerless until the healthy-going minutes distended and swelled monstrous and horrible as viper-bitten bodies, and the venerable Signior, Time, became of unhealthy hue. For this was the first dinner which, during the whole course of the young man's career, had ever been failing to him. Reflect upon the mournful gap! He could scarcely believe in his ill-luck. He suggested it to himself with an inane grin, as one of the far-away freaks of circumstances that had struck him—and was it not comical?
He waited from the hour of six till the hour of seven. He compared clocks in the hall and the room. He changed the posture of his legs fifty times. For a while he wrestled right gallantly with the apparent menace of the Fates that he was to get no dinner at all that day; it seemed incredibly derisive, for, as I must repeat, it had never happened to him by any accident before. “You are born—you dine.” Such appeared to him to be the positive regulation of affairs, and a most proper one,—of the matters of course following the birth of a young being.
By what frightful mischance, then, does he miss his dinner? By placing the smallest confidence in the gentlemanly feeling of another man! Algernon deduced this reply accurately from his own experience, and whether it can be said by other “undined” mortals, does not matter in the least. But we have nothing to do with the constitutionally luckless: the calamitous history of a simple empty stomach is enough. Here the tragedy is palpable. Indeed, too sadly so, and I dare apply but a flash of the microscope to the rageing dilemmas of this animalcule. Five and twenty minutes had signalled their departure from the hour of seven, when Algernon pronounced his final verdict upon Edward's conduct by leaving the Club. He returned to it a quarter of an hour later, and lingered on in desperate mood till eight.
He had neither watch in his pocket, nor ring on his finger, nor disposable stud in his shirt. The sum of twenty-one pence was in his possession, and, I ask you, as he asked himself, how is a gentleman to dine upon that? He laughed at the notion. The irony of Providence sent him by a cook's shop, where the mingled steam of meats and puddings rushed out upon the wayfarer like ambushed bandits, and seized him and dragged him in, or sent him qualmish and humbled on his way.
Two little boys had flattened their noses to the whiteness of winkles against the jealously misty windows. Algernon knew himself to be accounted a generous fellow, and remembering his reputation, he, as to hint at what Fortune might do in his case, tossed some coppers to the urchins, who ducked to the pavement and slid before the counter, in a flash, with never a “thank ye” or the thought of it.
Algernon was incapable of appreciating this childish faith in the beneficence of the unseen Powers who feed us, which, I must say for him, he had shared in a very similar manner only two hours ago. He laughed scornfully: “The little beggars!” considering in his soul that of such is humanity composed: as many a dinnerless man has said before, and will again, to point the speech of fools. He continued strolling on, comparing the cramped misty London aspect of things with his visionary free dream of the glorious prairies, where his other life was: the forests, the mountains, the endless expanses; the horses, the flocks, the slipshod ease of language and attire; and the grog-shops. Aha! There could be no mistake about him as a gentleman and a scholar out there! Nor would Nature shut up her pocket and demand innumerable things of him, as civilization did. This he thought in the vengefulness of his outraged mind.
Not only had Algernon never failed to dine every day of his life: he had no recollection of having ever dined without drinking wine. His conception did not embrace the idea of a dinner lacking wine. Possibly he had some embodied understanding that wine did not fall to the lot of every fellow upon earth: he had heard of gullets unrefreshed even by beer: but at any rate he himself was accustomed to better things, and he did not choose to excavate facts from the mass of his knowledge in order to reconcile himself to the miserable chop he saw for his dinner in the distance—a spot of meat in the arctic circle of a plate, not shone upon by any rosy-warming sun of a decanter!
But metaphorical language, though nothing other will convey the extremity of his misery, or the form of his thoughts, must be put aside.
“Egad, and every friend I have is out of town!” he exclaimed, quite willing to think it part of the plot.
He stuck his hands in his pockets, and felt vagabond-like and reckless. The streets were revelling in their winter muck. The carriages rolling by insulted him with their display of wealth.
He had democratic sentiments regarding them. Oh for a horse upon the boundless plains! he sighed to his heart. He remembered bitterly how he had that day ridden his stool at the bank, dreaming of his wilds, where bailiff never ran, nor duns obscured the firmament.
And then there were theatres here—huge extravagant places! Algernon went over to an entrance of one, to amuse his mind, cynically criticizing the bill. A play was going forward within, that enjoyed great popular esteem, “The Holly Berries.” Seeing that the pit was crammed, Algernon made application to learn the state of the boxes, but hearing that one box was empty, he lost his interest in the performance.
As he was strolling forth, his attention was taken by a noise at the pit-doors, which swung open, and out tumbled a tough little old man with a younger one grasping his coat-collar, who proclaimed that he would sicken him of pushing past him at the end of every act.
“You're precious fond of plays,” sneered the junior.
“I'm fond of everything I pay for, young fellow,” replied the shaken senior; “and that's a bit of enjoyment you've got to learn—ain't it?”
“Well, don't you knock by me again, that's all,” cried the choleric youth.
“You don't think I'm likely to stop in your company, do you?”
“Whose expense have you been drinking at?”
“My country's, young fellow; and mind you don't soon feed at the table. Let me go.”
Algernon's hunger was appeased by the prospect of some excitement, and seeing a vicious shake administered to the old man by the young one, he cried, “Hands off!” and undertook policeman's duty; but as he was not in blue, his authoritative mandate obtained no respect until he had interposed his fist.
When he had done so, he recognized the porter at Boyne's Bank, whose enemy retired upon the threat that there should be no more pushing past him to get back to seats for the next act.
“I paid,” said Anthony; “and you're a ticketer, and you ticketers sha' n't stop me. I'm worth a thousand of you. Holloa, sir,” he cried to Algernon; “I didn't know you. I'm much obliged. These chaps get tickets given 'm, and grow as cocky in a theatre as men who pay. He never had such wine in him as I've got. That I'd swear. Ha! ha! I come out for an airing after every act, and there's a whole pitfall of ticketers yelling and tearing, and I chaff my way through and back clean as a red-hot poker.”
Anthony laughed, and rolled somewhat as he laughed.
“Come along, sir, into the street,” he said, boring on to the pavement. “It's after office hours. And, ha! ha! what do you think? There's old farmer in there, afraid to move off his seat, and the girl with him, sticking to him tight, and a good girl too. She thinks we've had too much. We been to the Docks, wine-tasting: Port—Sherry: Sherry—Port! and, ha! ha! 'what a lot of wine!' says farmer, never thinking how much he's taking on board. 'I guessed it was night,' says farmer, as we got into the air, and to see him go on blinking, and stumbling, and saying to me, 'You stand wine, brother Tony!' I'm blest if I ain't bottled laughter. So, says I, 'come and see “The Holly Berries,” brother William John; it's the best play in London, and a suitable winter piece.' 'Is there a rascal hanged in the piece?' says he. 'Oh, yes!' I let him fancy there was, and he—ha! ha! old farmer's sticking to his seat, solemn as a judge, waiting for the gallows to come on the stage.”
A thought quickened Algernon's spirit. It was a notorious secret among the young gentlemen who assisted in maintaining the prosperity of Boyne's Bank, that the old porter—the “Old Ant,” as he was called—possessed money, and had no objection to put out small sums for a certain interest. Algernon mentioned casually that he had left his purse at home; and “by the way,” said he, “have you got a few sovereigns in your pocket?”
“What! and come through that crush, sir?” Anthony negatived the question decisively with a reference to his general knowingness.
Algernon pressed him; saying at last, “Well, have you got one?”
“I don't think I've been such a fool,” said Anthony, feeling slowly about his person, and muttering as to the changes that might possibly have been produced in him by the Docks.
“Confound it, I haven't dined!” exclaimed Algernon, to hasten his proceedings; but at this, Anthony eyed him queerly. “What have you been about then, sir?”
“Don't you see I'm in evening dress? I had an appointment to dine with a friend. He didn't keep it. I find I've left my purse in my other clothes.”
“That's a bad habit, sir,” was Anthony's comment. “You don't care much for your purse.”
“Much for my purse, be hanged!” interjected Algernon.
“You'd have felt it, or you'd have heard it, if there 'd been any weight in it,” Anthony remarked.
“How can you hear paper?”
“Oh, paper's another thing. You keep paper in your mind, don't you—eh? Forget pound notes? Leave pound notes in a purse? And you Sir William's nephew, sir, who'd let you bank with him and put down everything in a book, so that you couldn't forget, or if you did, he'd remember for you; and you might change your clothes as often as not, and no fear of your losing a penny.”
Algernon shrugged disgustedly, and was giving the old man up as a bad business, when Anthony altered his manner. “Oh! well, sir, I don't mind letting you have what I've got. I'm out for fun. Bother affairs!”
The sum of twenty shillings was handed to Algernon, after he had submitted to the indignity of going into a public-house, and writing his I.O.U. for twenty-three to Anthony Hackbut, which included interest. Algernon remonstrated against so needless a formality; but Anthony put the startling supposition to him, that he might die that night. He signed the document, and was soon feeding and drinking his wine. This being accomplished, he took some hasty puffs of tobacco, and returned to the theatre, in the hope that the dark girl Rhoda was to be seen there; for now that he had dined, Anthony's communication with regard to the farmer and his daughter became his uppermost thought, and a young man's uppermost thought is usually the propelling engine to his actions.
By good chance, and the aid of a fee, he obtained a front seat, commanding an excellent side-view of the pit, which sat wrapt in contemplation of a Christmas scene snow, ice, bare twigs, a desolate house, and a woman shivering—one of man's victims.
It is a good public, that of Britain, and will bear anything, so long as villany is punished, of which there was ripe promise in the oracular utterances of a rolling, stout, stage-sailor, whose nose, to say nothing of his frankness on the subject, proclaimed him his own worst enemy, and whose joke, by dint of repetition, had almost become the joke of the audience too; for whenever he appeared, there was agitation in pit and gallery, which subsided only on his jovial thundering of the familiar sentence; whereupon laughter ensued, and a quieting hum of satisfaction.
It was a play that had been favoured with a great run. Critics had once objected to it, that it was made to subsist on scenery, a song, and a stupid piece of cockneyism pretending to be a jest, that was really no more than a form of slapping the public on the back. But the public likes to have its back slapped, and critics, frozen by the Medusa-head of Success, were soon taught manners. The office of critic is now, in fact, virtually extinct; the taste for tickling and slapping is universal and imperative; classic appeals to the intellect, and passions not purely domestic, have grown obsolete. There are captains of the legions, but no critics. The mass is lord.
And behold our friend the sailor of the boards, whose walk is even as two meeting billows, appears upon the lonely moor, and salts that uninhabited region with nautical interjections. Loose are his hose in one part, tight in another, and he smacks them. It is cold; so let that be his excuse for showing the bottom of his bottle to the glittering spheres. He takes perhaps a sturdier pull at the liquor than becomes a manifest instrument of Providence, whose services may be immediately required; but he informs us that his ship was never known not to right itself when called upon.
He is alone in the world, he tells us likewise. If his one friend, the uplifted flask, is his enemy, why then he feels bound to treat his enemy as his friend. This, with a pathetic allusion to his interior economy, which was applauded, and the remark “Ain't that Christian?” which was just a trifle risky; so he secured pit and gallery at a stroke by a surpassingly shrewd blow at the bishops of our Church, who are, it can barely be contested, in foul esteem with the multitude—none can say exactly, for what reason—and must submit to be occasionally offered up as propitiatory sacrifices.
This good sailor was not always alone in the world. A sweet girl, whom he describes as reaching to his kneecap, and pathetically believes still to be of the same height, once called him brother Jack. To hear that name again from her lips, and a particular song!—he attempts it ludicrously, yet touchingly withal.
Hark! Is it an echo from a spirit in the frigid air?
The song trembled with a silver ring to the remotest corners of the house.
At that moment the breathless hush of the audience was flurried by hearing “Dahlia” called from the pit.
Algernon had been spying among the close-packed faces for a sight of Rhoda. Rhoda was now standing up amid gathering hisses and outcries. Her eyes were bent on a particular box, across which a curtain was hastily being drawn. “My sister!” she sent out a voice of anguish, and remained with clasped hands and twisted eyebrows, looking toward that one spot, as if she would have flown to it. She was wedged in the mass, and could not move.
The exclamation heard had belonged to brother Jack, on the stage, whose burst of fraternal surprise and rapture fell flat after it, to the disgust of numbers keenly awakened for the sentiment of this scene.
Roaring accusations that she was drunk; that she had just escaped from Bedlam for an evening; that she should be gagged and turned headlong out, surrounded her; but she stood like a sculptured figure, vital in her eyes alone. The farmer put his arm about his girl's waist. The instant, however, that Anthony's head uprose on the other side of her, the evil reputation he had been gaining for himself all through the evening produced a general clamour, over which the gallery played, miauling, and yelping like dogs that are never to be divorced from a noise. Algernon feared mischief. He quitted his seat, and ran out into the lobby.
Half-a-dozen steps, and he came in contact with some one, and they were mutually drenched with water by the shock. It was his cousin Edward, bearing a glass in his hand.
Algernon's wrath at the sight of this offender was stimulated by the cold bath; but Edward cut him short.
“Go in there;” he pointed to a box-door. “A lady has fainted. Hold her up till I come.”
No time was allowed for explanation. Algernon passed into the box, and was alone with an inanimate shape in blue bournous. The uproar in the theatre raged; the whole pit was on its legs and shouting. He lifted the pallid head over one arm, miserably helpless and perplexed, but his anxiety concerning Rhoda's personal safety in that sea of strife prompted him to draw back the curtain a little, and he stood exposed. Rhoda perceived him. She motioned with both her hands in dumb supplication. In a moment the curtain closed between them. Edward's sharp white face cursed him mutely for his folly, while he turned and put the water to Dahlia's lips, and touched her forehead with it.
“What's the matter?” whispered Algernon.
“We must get her out as quick as we can. This is the way with women! Come! she's recovering.” Edward nursed her sternly as he spoke.
“If she doesn't, pretty soon, we shall have the pit in upon us,” said Algernon. “Is she that girl's sister?”
“Don't ask damned questions.”
Dahlia opened her eyes, staring placidly.
“Now you can stand up, my dear. Dahlia! all's well. Try,” said Edward.
She sighed, murmuring, “What is the time?” and again, “What noise is it?”
Edward coughed in a vexed attempt at tenderness, using all his force to be gentle with her as he brought her to her feet. The task was difficult amid the threatening storm in the theatre, and cries of “Show the young woman her sister!” for Rhoda had won a party in the humane public.
“Dahlia, in God's name give me your help!” Edward called in her ear.
The fair girl's eyelids blinked wretchedly in protestation of her weakness. She had no will either way, and suffered herself to be led out of the box, supported by the two young men.
“Run for a cab,” said Edward; and Algernon went ahead.
He had one waiting for them as they came out. They placed Dahlia on a seat with care, and Edward, jumping in, drew an arm tightly about her. “I can't cry,” she moaned.
The cab was driving off as a crowd of people burst from the pit-doors, and Algernon heard the voice of Farmer Fleming, very hoarse. He had discretion enough to retire.