"This Mr. Robert Armstrong of yours."
"Of mine, uncle!"
"He don't seem to care a snap o' the finger for any of ye."
"Then, none of us must care for him, uncle."
"Now, just the contrary. That always shows a young fellow who's attending to his business. If he'd seen you boil potatoes, make dumplings, beds, tea, all that, you'd have had a chance. He'd have marched up to ye before you was off to London."
"Saying, 'You are the woman.'" Rhoda was too desperately tickled by the idea to refrain from uttering it, though she was angry, and suffering internal discontent. "Or else, 'You are the cook,'" she muttered, and shut, with the word, steel bars across her heart, calling him, mentally, names not justified by anything he had said or done—such as mercenary, tyrannical, and such like.
Robert was attentive to her in church. Once she caught him with his eyes on her face; but he betrayed no confusion, and looked away at the clergyman. When the text was given out, he found the place in his Bible, and handed it to her pointedly—"There shall be snares and traps unto you;" a line from Joshua. She received the act as a polite pawing civility; but when she was coming out of church, Robert saw that a blush swept over her face, and wondered what thoughts could be rising within her, unaware that girls catch certain meanings late, and suffer a fiery torture when these meanings are clear to them. Rhoda called up the pride of her womanhood that she might despise the man who had dared to distrust her. She kept her poppy colour throughout the day, so sensitive was this pride. But most she was angered, after reflection, by the doubts which Robert appeared to cast on Dahlia, in setting his finger upon that burning line of Scripture. It opened a whole black kingdom to her imagination, and first touched her visionary life with shade. She was sincere in her ignorance that the doubts were her own, but they lay deep in unawakened recesses of the soul; it was by a natural action of her reason that she transferred and forced them upon him who had chanced to make them visible.
CHAPTER V
When young minds are set upon a distant object, they scarcely live for anything about them. The drive to the station and the parting with Robert, the journey to London, which had latterly seemed to her secretly- distressed anticipation like a sunken city—a place of wonder with the waters over it—all passed by smoothly; and then it became necessary to call a cabman, for whom, as he did her the service to lift her box, Rhoda felt a gracious respect, until a quarrel ensued between him and her uncle concerning sixpence;—a poor sum, as she thought; but representing, as Anthony impressed upon her understanding during the conflict of hard words, a principle. Those who can persuade themselves that they are fighting for a principle, fight strenuously, and maybe reckoned upon to overmatch combatants on behalf of a miserable small coin; so the cabman went away discomfited. He used such bad language that Rhoda had no pity for him, and hearing her uncle style it "the London tongue," she thought dispiritedly of Dahlia's having had to listen to it through so long a season. Dahlia was not at home; but Mrs. Wicklow, Anthony's landlady, undertook to make Rhoda comfortable, which operation she began by praising dark young ladies over fair ones, at the same time shaking Rhoda's arm that she might not fail to see a compliment was intended. "This is our London way," she said. But Rhoda was most disconcerted when she heard Mrs. Wicklow relate that her daughter and Dahlia were out together, and say, that she had no doubt they had found some pleasant and attentive gentleman for a companion, if they had not gone purposely to meet one. Her thoughts of her sister were perplexed, and London seemed a gigantic net around them both.
"Yes, that's the habit with the girls up here," said Anthony; "that's what fine bonnets mean."
Rhoda dropped into a bitter depth of brooding. The savage nature of her virgin pride was such that it gave her great suffering even to suppose that a strange gentleman would dare to address her sister. She half-fashioned the words on her lips that she had dreamed of a false Zion, and was being righteously punished. By-and-by the landlady's daughter returned home alone, saying, with a dreadful laugh, that Dahlia had sent her for her Bible; but she would give no explanation of the singular mission which had been entrusted to her, and she showed no willingness to attempt to fulfil it, merely repeating, "Her Bible!" with a vulgar exhibition of simulated scorn that caused Rhoda to shrink from her, though she would gladly have poured out a multitude of questions in the ear of one who had last been with her beloved. After a while, Mrs. Wicklow looked at the clock, and instantly became overclouded with an extreme gravity.
"Eleven! and she sent Mary Ann home for her Bible. This looks bad. I call it hypocritical, the idea of mentioning the Bible. Now, if she had said to Mary Ann, go and fetch any other book but a Bible!"
"It was mother's Bible," interposed Rhoda.
Mrs. Wicklow replied: "And I wish all young women to be as innocent as you, my dear. You'll get you to bed. You're a dear, mild, sweet, good young woman. I'm never deceived in character."
Vaunting her penetration, she accompanied Rhoda to Dahlia's chamber, bidding her sleep speedily, or that when her sister came they would be talking till the cock crowed hoarse.
"There's a poultry-yard close to us?" said Rhoda; feeling less at home when she heard that there was not.
The night was quiet and clear. She leaned her head out of the window, and heard the mellow Sunday evening roar of the city as of a sea at ebb. And Dahlia was out on the sea. Rhoda thought of it as she looked at the row of lamps, and listened to the noise remote, until the sight of stars was pleasant as the faces of friends. "People are kind here," she reflected, for her short experience of the landlady was good, and a young gentleman who had hailed a cab for her at the station, had a nice voice. He was fair. "I am dark," came a spontaneous reflection. She undressed, and half dozing over her beating heart in bed, heard the street door open, and leaped to think that her sister approached, jumping up in her bed to give ear to the door and the stairs, that were conducting her joy to her: but she quickly recomposed herself, and feigned sleep, for the delight of revelling in her sister's first wonderment. The door was flung wide, and Rhoda heard her name called by Dahlia's voice, and then there was a delicious silence, and she felt that Dahlia was coming up to her on tiptoe, and waited for her head to be stooped near, that she might fling out her arms, and draw the dear head to her bosom. But Dahlia came only to the bedside, without leaning over, and spoke of her looks, which held the girl quiet.
"How she sleeps! It's a country sleep!" Dahlia murmured. "She's changed, but it's all for the better. She's quite a woman; she's a perfect brunette; and the nose I used to laugh at suits her face and those black, thick eyebrows of hers; my pet! Oh, why is she here? What's meant by it? I knew nothing of her coming. Is she sent on purpose?"
Rhoda did not stir. The tone of Dahlia's speaking, low and almost awful to her, laid a flat hand on her, and kept her still.
"I came for my Bible," she heard Dahlia say. "I promised mother—oh, my poor darling mother! And Dody lying in my bed! Who would have thought of such things? Perhaps heaven does look after us and interfere. What will become of me? Oh, you pretty innocent in your sleep! I lie for hours, and can't sleep. She binds her hair in a knot on the pillow, just as she used to in the old farm days!"
Rhoda knew that her sister was bending over her now, but she was almost frigid, and could not move.
Dahlia went to the looking-glass. "How flushed I am!" she murmured. "No; I'm pale, quite white. I've lost my strength. What can I do? How could I take mother's Bible, and run from my pretty one, who expects me, and dreams she'll wake with me beside her in the morning! I can't—I can't If you love me, Edward, you won't wish it."
She fell into a chair, crying wildly, and muffling her sobs. Rhoda's eyelids grew moist, but wonder and the cold anguish of senseless sympathy held her still frost-bound. All at once she heard the window open. Some one spoke in the street below; some one uttered Dahlia's name. A deep bell swung a note of midnight.
"Go!" cried Dahlia.
The window was instantly shut.
The vibration of Dahlia's voice went through Rhoda like the heavy shaking of the bell after it had struck, and the room seemed to spin and hum. It was to her but another minute before her sister slid softly into the bed, and they were locked together.
CHAPTER VI
Boyne's bank was of the order of those old and firmly fixed establishments which have taken root with the fortunes of the country— are honourable as England's name, solid as her prosperity, and even as the flourishing green tree to shareholders: a granite house. Boyne himself had been disembodied for more than a century: Burt and Hamble were still of the flesh; but a greater than Burt or Hamble was Blancove- -the Sir William Blancove, Baronet, of city feasts and charities, who, besides being a wealthy merchant, possessed of a very acute head for banking, was a scholarly gentleman, worthy of riches. His brother was Squire Blancove, of Wrexby; but between these two close relatives there existed no stronger feeling than what was expressed by open contempt of a mind dedicated to business on the one side, and quiet contempt of a life devoted to indolence on the other. Nevertheless, Squire Blancove, though everybody knew how deeply he despised his junior for his city-gained title and commercial occupation, sent him his son Algernon, to get the youth into sound discipline, if possible. This was after the elastic Algernon had, on the paternal intimation of his colonel, relinquished his cornetcy and military service. Sir William received the hopeful young fellow much in the spirit with which he listened to the tales of his brother's comments on his own line of conduct; that is to say, as homage to his intellectual superiority. Mr. Algernon was installed in the Bank, and sat down for a long career of groaning at the desk, with more complacency than was expected from him. Sir William forwarded excellent accounts to his brother of the behaviour of the heir to his estates. It was his way of rebuking the squire, and in return for it the squire, though somewhat comforted, despised his clerkly son, and lived to learn how very unjustly he did so. Adolescents, who have the taste for running into excesses, enjoy the breath of change as another form of excitement: change is a sort of debauch to them. They will delight infinitely in a simple country round of existence, in propriety and church-going, in the sensation of feeling innocent. There is little that does not enrapture them, if you tie them down to nothing, and let them try all. Sir William was deceived by his nephew. He would have taken him into his town-house; but his own son, Edward, who was studying for the Law, had chambers in the Temple, and Algernon, receiving an invitation from Edward, declared a gentle preference for the abode of his cousin. His allowance from his father was properly contracted to keep him from excesses, as the genius of his senior devised, and Sir William saw no objection to the scheme, and made none. The two dined with him about twice in the month.
Edward Blancove was three-and-twenty years old, a student by fits, and a young man given to be moody. He had powers of gaiety far eclipsing Algernon's, but he was not the same easy tripping sinner and flippant soul. He was in that yeasty condition of his years when action and reflection alternately usurp the mind; remorse succeeded dissipation, and indulgences offered the soporific to remorse. The friends of the two imagined that Algernon was, or would become, his evil genius. In reality, Edward was the perilous companion. He was composed of better stuff. Algernon was but an airy animal nature, the soul within him being an effervescence lightly let loose. Edward had a fatally serious spirit, and one of some strength. What he gave himself up to, he could believe to be correct, in the teeth of an opposing world, until he tired of it, when he sided as heartily with the world against his quondam self. Algernon might mislead, or point his cousin's passions for a time; yet if they continued their courses together, there was danger that Algernon would degenerate into a reckless subordinate—a minister, a valet, and be tempted unknowingly to do things in earnest, which is nothing less than perdition to this sort of creature.
But the key to young men is the ambition, or, in the place of it, the romantic sentiment nourished by them. Edward aspired to become Attorney-General of these realms, not a judge, you observe; for a judge is to the imagination of youthful minds a stationary being, venerable, but not active; whereas, your Attorney-General is always in the fray, and fights commonly on the winning side,—a point that renders his position attractive to sagacious youth. Algernon had other views. Civilization had tried him, and found him wanting; so he condemned it. Moreover, sitting now all day at a desk, he was civilization's drudge. No wonder, then, that his dream was of prairies, and primeval forests, and Australian wilds. He believed in his heart that he would be a man new made over there, and always looked forward to savage life as to a bath that would cleanse him, so that it did not much matter his being unclean for the present.
The young men had a fair cousin by marriage, a Mrs. Margaret Lovell, a widow. At seventeen she had gone with her husband to India, where Harry Lovell encountered the sword of a Sikh Sirdar, and tried the last of his much-vaunted swordsmanship, which, with his skill at the pistols, had served him better in two antecedent duels, for the vindication of his lovely and terrible young wife. He perished on the field, critically admiring the stroke to which he owed his death. A week after Harry's burial his widow was asked in marriage by his colonel. Captains, and a giddy subaltern likewise, disputed claims to possess her. She, however, decided to arrest further bloodshed by quitting the regiment. She always said that she left India to save her complexion; "and people don't know how very candid I am," she added, for the colonel above-mentioned was wealthy,—a man expectant of a title, and a good match, and she was laughed at when she thus assigned trivial reasons for momentous resolutions. It is a luxury to be candid; and perfect candour can do more for us than a dark disguise.
Mrs. Lovell's complexion was worth saving from the ravages of an Indian climate, and the persecution of claimants to her hand. She was golden and white, like an autumnal birch-tree—yellow hair, with warm-toned streaks in it, shading a fabulously fair skin. Then, too, she was tall, of a nervous build, supple and proud in motion, a brilliant horsewoman, and a most distinguished sitter in an easy drawing-room chair, which is, let me impress upon you, no mean quality. After riding out for hours with a sweet comrade, who has thrown the mantle of dignity half-way off her shoulders, it is perplexing, and mixed strangely of humiliation and ecstasy, to come upon her clouded majesty where she reclines as upon rose-hued clouds, in a mystic circle of restriction (she who laughed at your jokes, and capped them, two hours ago) a queen.
Between Margaret Lovell and Edward there was a misunderstanding, of which no one knew the nature, for they spoke in public very respectfully one of the other. It had been supposed that they were lovers once; but when lovers quarrel, they snarl, they bite, they worry; their eyes are indeed unveiled, and their mouths unmuzzled. Now Margaret said of Edward: "He is sure to rise; he has such good principles." Edward said of Margaret: "She only wants a husband who will keep her well in hand." These sentences scarcely carried actual compliments when you knew the speakers; but outraged lovers cannot talk in that style after they have broken apart. It is possible that Margaret and Edward conveyed to one another as sharp a sting as envenomed lovers attempt. Gossip had once betrothed them, but was now at fault. The lady had a small jointure, and lived partly with her uncle, Lord Elling, partly with Squire Blancove, her aunt's husband, and a little by herself, which was when she counted money in her purse, and chose to assert her independence. She had a name in the world. There is a fate attached to some women, from Helen of Troy downward, that blood is to be shed for them. One duel on behalf of a woman is a reputation to her for life; two are notoriety. If she is very young, can they be attributable to her? We charge them naturally to her overpowering beauty. It happened that Mrs. Lovell was beautiful. Under the light of the two duels her beauty shone as from an illumination of black flame. Boys adored Mrs. Lovell. These are moths. But more, the birds of air, nay, grave owls (who stand in this metaphor for whiskered experience) thronged, dashing at the apparition of terrible splendour. Was it her fault that she had a name in the world?
Mrs. Margaret Lovell's portrait hung in Edward's room. It was a photograph exquisitely coloured, and was on the left of a dark Judith, dark with a serenity of sternness. On the right hung another coloured photograph of a young lady, also fair; and it was a point of taste to choose between them. Do you like the hollowed lily's cheeks, or the plump rose's? Do you like a thinnish fall of golden hair, or an abundant cluster of nut-brown? Do you like your blonde with limpid blue eyes, or prefer an endowment of sunny hazel? Finally, are you taken by an air of artistic innocence winding serpentine about your heart's fibres; or is blushing simplicity sweeter to you? Mrs. Lovell's eyebrows were the faintly-marked trace of a perfect arch. The other young person's were thickish, more level; a full brown colour. She looked as if she had not yet attained to any sense of her being a professed beauty: but the fair widow was clearly bent upon winning you, and had a shy, playful intentness of aspect. Her pure white skin was flat on the bone; the lips came forward in a soft curve, and, if they were not artistically stained, were triumphantly fresh. Here, in any case, she beat her rival, whose mouth had the plebeian beauty's fault of being too straight in a line, and was not trained, apparently, to tricks of dainty pouting.
It was morning, and the cousins having sponged in pleasant cold water, arranged themselves for exercise, and came out simultaneously into the sitting-room, slippered, and in flannels. They nodded and went through certain curt greetings, and then Algernon stepped to a cupboard and tossed out the leather gloves. The room was large and they had a tolerable space for the work, when the breakfast-table had been drawn a little on one side. You saw at a glance which was the likelier man of the two, when they stood opposed. Algernon's rounded features, full lips and falling chin, were not a match, though he was quick on his feet, for the wary, prompt eyes, set mouth, and hardness of Edward. Both had stout muscle, but in Edward there was vigour of brain as well, which seemed to knit and inform his shape without which, in fact, a man is as a ship under no command. Both looked their best; as, when sparring, men always do look.
"Now, then," said Algernon, squaring up to his cousin in good style, "now's the time for that unwholesome old boy underneath to commence groaning."
"Step as light as you can," replied Edward, meeting him with the pretty motion of the gloves.
"I'll step as light as a French dancing-master. Let's go to Paris and learn the savate, Ned. It must be a new sensation to stand on one leg and knock a fellow's hat off with the other."
"Stick to your fists."
"Hang it! I wish your fists wouldn't stick to me so."
"You talk too much."
"Gad, I don't get puffy half so soon as you."
"I want country air."
"You said you were going out, old Ned."
"I changed my mind."
Saying which, Edward shut his teeth, and talked for two or three hot minutes wholly with his fists. The room shook under Algernon's boundings to right and left till a blow sent him back on the breakfast-table, shattered a cup on the floor, and bespattered his close flannel shirt with a funereal coffee-tinge.
"What the deuce I said to bring that on myself, I don't know," Algernon remarked as he rose. "Anything connected with the country disagreeable to you, Ned? Come! a bout of quiet scientific boxing, and none of these beastly rushes, as if you were singling me out of a crowd of magsmen. Did you go to church yesterday, Ned? Confound it, you're on me again, are you?"
And Algernon went on spouting unintelligible talk under a torrent of blows. He lost his temper and fought out at them; but as it speedily became evident to him that the loss laid him open to punishment, he prudently recovered it, sparred, danced about, and contrived to shake the room in a manner that caused Edward to drop his arms, in consideration for the distracted occupant of the chambers below. Algernon accepted the truce, and made it peace by casting off one glove.
"There! that's a pleasant morning breather," he said, and sauntered to the window to look at the river. "I always feel the want of it when I don't get it. I could take a thrashing rather than not on with the gloves to begin the day. Look at those boats! Fancy my having to go down to the city. It makes me feel like my blood circulating the wrong way. My father'll suffer some day, for keeping me at this low ebb of cash, by jingo!"
He uttered this with a prophetic fierceness.
"I cannot even scrape together enough for entrance money to a Club. It's sickening! I wonder whether I shall ever get used to banking work? There's an old clerk in our office who says he should feel ill if he missed a day. And the old porter beats him—bangs him to fits. I believe he'd die off if he didn't see the house open to the minute. They say that old boy's got a pretty niece; but he don't bring her to the office now. Reward of merit!—Mr. Anthony Hackbut is going to receive ten pounds a year extra. That's for his honesty. I wonder whether I could earn a reputation for the sake of a prospect of ten extra pounds to my salary. I've got a salary! hurrah! But if they keep me to my hundred and fifty per annum, don't let them trust me every day with the bags, as they do that old fellow. Some of the men say he's good to lend fifty pounds at a pinch.—Are the chops coming, Ned?"
"The chops are coming," said Edward, who had thrown on a boating-coat and plunged into a book, and spoke echoing.
"Here's little Peggy Lovell." Algernon faced this portrait. "It don't do her justice. She's got more life, more change in her, more fire. She's starting for town, I hear."
"She is starting for town," said Edward.
"How do you know that?" Algernon swung about to ask.
Edward looked round to him. "By the fact of your not having fished for a holiday this week. How did you leave her yesterday, Algy? Quite well, I hope."
The ingenuous face of the young gentleman crimsoned.
"Oh, she was well," he said. "Ha! I see there can be some attraction in your dark women."
"You mean that Judith? Yes, she's a good diversion." Edward gave a two-edged response. "What train did you come up by last night?"
"The last from Wrexby. That reminds me: I saw a young Judith just as I got out. She wanted a cab. I called it for her. She belongs to old Hackbut of the Bank—the old porter, you know. If it wasn't that there's always something about dark women which makes me think they're going to have a moustache, I should take to that girl's face."
Edward launched forth an invective against fair women.
"What have they done to you-what have they done?" said Algernon.
"My good fellow, they're nothing but colour. They've no conscience. If they swear a thing to you one moment, they break it the next. They can't help doing it. You don't ask a gilt weathercock to keep faith with anything but the wind, do you? It's an ass that trusts a fair woman at all, or has anything to do with the confounded set. Cleopatra was fair; so was Delilah; so is the Devil's wife. Reach me that book of Reports."
"By jingo!" cried Algernon, "my stomach reports that if provision doesn't soon approach——why don't you keep a French cook here, Ned? Let's give up the women, and take to a French cook."
Edward yawned horribly. "All in good time. It's what we come to. It's philosophy—your French cook! I wish I had it, or him. I'm afraid a fellow can't anticipate his years—not so lucky!"
"By Jove! we shall have to be philosophers before we breakfast!" Algernon exclaimed. "It's nine. I've to be tied to the stake at ten, chained and muzzled—a leetle-a dawg! I wish I hadn't had to leave the service. It was a vile conspiracy against me there, Ned. Hang all tradesmen! I sit on a stool, and add up figures. I work harder than a nigger in the office. That's my life: but I must feed. It's no use going to the office in a rage."
"Will you try on the gloves again?" was Edward's mild suggestion.
Algernon thanked him, and replied that he knew him. Edward hit hard when he was empty.
They now affected patience, as far as silence went to make up an element of that sublime quality. The chops arriving, they disdained the mask. Algernon fired his glove just over the waiter's head, and Edward put the ease to the man's conscience; after which they sat and ate, talking little. The difference between them was, that Edward knew the state of Algernon's mind and what was working within it, while the latter stared at a blank wall as regarded Edward's.
"Going out after breakfast, Ned?" said Algernon. "We'll walk to the city together, if you like."
Edward fixed one of his intent looks upon his cousin. "You're not going to the city to-day?"
"The deuce, I'm not!"
"You're going to dance attendance on Mrs. Lovell, whom it's your pleasure to call Peggy, when you're some leagues out of her hearing."
Algernon failed to command his countenance. He glanced at one of the portraits, and said, "Who is that girl up there? Tell us her name. Talking of Mrs. Lovell, has she ever seen it?"
"If you'll put on your coat, my dear Algy, I will talk to you about Mrs. Lovell." Edward kept his penetrative eyes on Algernon. "Listen to me: you'll get into a mess there."
"If I must listen, Ned, I'll listen in my shirt-sleeves, with all respect to the lady."
"Very well. The shirt-sleeves help the air of bravado. Now, you know that I've what they call 'knelt at her feet.' She's handsome. Don't cry out. She's dashing, and as near being a devil as any woman I ever met. Do you know why we broke? I'll tell you. Plainly, because I refused to believe that one of her men had insulted her. You understand what that means. I declined to be a chief party in a scandal."
"Declined to fight the fellow?" interposed Algernon. "More shame to you!"
"I think you're a year younger than I am, Algy. You have the privilege of speaking with that year's simplicity. Mrs. Lovell will play you as she played me. I acknowledge her power, and I keep out of her way. I don't bet; I don't care to waltz; I can't keep horses; so I don't lose much by the privation to which I subject myself."
"I bet, I waltz, and I ride. So," said Algernon, "I should lose tremendously."
"You will lose, mark my words."
"Is the lecture of my year's senior concluded?" said Algernon.
"Yes; I've done," Edward answered.
"Then I'll put on my coat, Ned, and I'll smoke in it. That'll give you assurance I'm not going near Mrs. Lovell, if anything will."
"That gives me assurance that Mrs. Lovell tolerates in you what she detests," said Edward, relentless in his insight; "and, consequently, gives me assurance that she finds you of particular service to her at present."
Algernon had a lighted match in his hand. He flung it into the fire. "I'm hanged if I don't think you have the confounded vanity to suppose she sets me as a spy upon you!"
A smile ran along Edward's lips. "I don't think you'd know it, if she did."
"Oh, you're ten years older; you're twenty," bawled Algernon, in an extremity of disgust. "Don't I know what game you're following up? Isn't it clear as day you've got another woman in your eye?"
"It's as clear as day, my good Algy, that you see a portrait hanging in my chambers, and you have heard Mrs. Lovell's opinion of the fact. So much is perfectly clear. There's my hand. I don't blame you. She's a clever woman, and like many of the sort, shrewd at guessing the worst. Come, take my hand. I tell you, I don't blame you. I've been little dog to her myself, and fetched and carried, and wagged my tail. It's charming while it lasts. Will you shake it?"
"Your tail, man?" Algernon roared in pretended amazement.
Edward eased him back to friendliness by laughing. "No; my hand."
They shook hands.
"All right," said Algernon. "You mean well. It's very well for you to preach virtue to a poor devil; you've got loose, or you're regularly in love."
"Virtue! by heaven!" Edward cried; "I wish I were entitled to preach it to any man on earth."
His face flushed. "There, good-bye, old fellow," he added.
"Go to the city. I'll dine with you to-night, if you like; come and dine with me at my Club. I shall be disengaged."
Algernon mumbled a flexible assent to an appointment at Edward's Club, dressed himself with care, borrowed a sovereign, for which he nodded his acceptance, and left him.
Edward set his brain upon a book of law.
It may have been two hours after he had sat thus in his Cistercian stillness, when a letter was delivered to him by one of the Inn porters. Edward read the superscription, and asked the porter who it was that brought it. Two young ladies, the porter said.
These were the contents:—
"I am not sure that you will ever forgive me. I cannot forgive myself when I think of that one word I was obliged to speak to you in the cold street, and nothing to explain why, and how much I love, you. Oh! how I love you! I cry while I write. I cannot help it. I was a sop of tears all night long, and oh! if you had seen my face in the morning. I am thankful you did not. Mother's Bible brought me home. It must have been guidance, for in my bed there lay my sister, and I could not leave her, I love her so. I could not have got down stairs again after seeing her there; and I had to say that cold word and shut the window on you. May I call you Edward still? Oh, dear Edward, do make allowance for me. Write kindly to me. Say you forgive me. I feel like a ghost to-day. My life seems quite behind me somewhere, and I hardly feel anything I touch. I declare to you, dearest one, I had no idea my sister was here. I was surprised when I heard her name mentioned by my landlady, and looked on the bed; suddenly my strength was gone, and it changed all that I was thinking. I never knew before that women were so weak, but now I see they are, and I only know I am at my Edward's mercy, and am stupid! Oh, so wretched and stupid. I shall not touch food till I hear from you. Oh, if, you are angry, write so; but do write. My suspense would make you pity me. I know I deserve your anger. It was not that I do not trust you, Edward. My mother in heaven sees my heart and that I trust, I trust my heart and everything I am and have to you. I would almost wish and wait to see you to-day in the Gardens, but my crying has made me such a streaked thing to look at. If I had rubbed my face with a scrubbing-brush, I could not look worse, and I cannot risk your seeing me. It would excuse you for hating me. Do you? Does he hate her? She loves you. She would die for you, dear Edward. Oh! I feel that if I was told to-day that I should die for you to-morrow, it would be happiness. I am dying—yes, I am dying till I hear from you.
"Believe me,
"Your tender, loving, broken-hearted,
"Dahlia."
There was a postscript:—
"May I still go to lessons?"
Edward finished the letter with a calmly perusing eye. He had winced triflingly at one or two expressions contained in it; forcible, perhaps, but not such as Mrs. Lovell smiling from the wall yonder would have used.
"The poor child threatens to eat no dinner, if I don't write to her," he said; and replied in a kind and magnanimous spirit, concluding—"Go to lessons, by all means."
Having accomplished this, he stood up, and by hazard fell to comparing the rival portraits; a melancholy and a comic thing to do, as you will find if you put two painted heads side by side, and set their merits contesting, and reflect on the contest, and to what advantages, personal, or of the artist's, the winner owes the victory. Dahlia had been admirably dealt with by the artist; the charm of pure ingenuousness without rusticity was visible in her face and figure. Hanging there on the wall, she was a match for Mrs. Lovell.
CHAPTER VII
Rhoda returned home the heavier for a secret that she bore with her. All through the first night of her sleeping in London, Dahlia's sobs, and tender hugs, and self-reproaches, had penetrated her dreams, and when the morning came she had scarcely to learn that Dahlia loved some one. The confession was made; but his name was reserved. Dahlia spoke of him with such sacredness of respect that she seemed lost in him, and like a creature kissing his feet. With tears rolling down her cheeks, and with moans of anguish, she spoke of the deliciousness of loving: of knowing one to whom she abandoned her will and her destiny, until, seeing how beautiful a bloom love threw upon the tearful worn face of her sister, Rhoda was impressed by a mystical veneration for this man, and readily believed him to be above all other men, if not superhuman: for she was of an age and an imagination to conceive a spiritual pre-eminence over the weakness of mortality. She thought that one who could so transform her sister, touch her with awe, and give her gracefulness and humility, must be what Dahlia said he was. She asked shyly for his Christian name; but even so little Dahlia withheld. It was his wish that Dahlia should keep silence concerning him.
"Have you sworn an oath?" said Rhoda, wonderingly.
"No, dear love," Dahlia replied; "he only mentioned what he desired."
Rhoda was ashamed of herself for thinking it strange, and she surrendered her judgement to be stamped by the one who knew him well.
As regarded her uncle, Dahlia admitted that she had behaved forgetfully and unkindly, and promised amendment. She talked of the Farm as of an old ruin, with nothing but a thin shade of memory threading its walls, and appeared to marvel vaguely that it stood yet. "Father shall not always want money," she said. She was particular in prescribing books for Rhoda to read; good authors, she emphasized, and named books of history, and poets, and quoted their verses. "For my darling will some day have a dear husband, and he must not look down on her." Rhoda shook her head, full sure that she could never be brought to utter such musical words naturally. "Yes, dearest, when you know what love is," said Dahlia, in an underbreath.
Could Robert inspire her with the power? Rhoda looked upon that poor homely young man half-curiously when she returned, and quite dismissed the notion. Besides she had no feeling for herself. Her passion was fixed upon her sister, whose record of emotions in the letters from London placed her beyond dull days and nights. The letters struck many chords. A less subservient reader would have set them down as variations of the language of infatuation; but Rhoda was responsive to every word and change of mood, from the, "I am unworthy, degraded, wretched," to "I am blest above the angels." If one letter said, "We met yesterday," Rhoda's heart beat on to the question, "Shall I see him again to-morrow?" And will she see him?—has she seen him?—agitated her and absorbed her thoughts.
So humbly did she follow her sister, without daring to forecast a prospect for her, or dream of an issue, that when on a summer morning a letter was brought in at the breakfast-table, marked "urgent and private," she opened it, and the first line dazzled her eyes—the surprise was a shock to her brain. She rose from her unfinished meal, and walked out into the wide air, feeling as if she walked on thunder.
The letter ran thus:—
"My Own Innocent!—I am married. We leave England to-day. I must not love you too much, for I have all my love to give to my Edward, my own now, and I am his trustingly for ever. But he will let me give you some of it—and Rhoda is never jealous. She shall have a great deal. Only I am frightened when I think how immense my love is for him, so that anything—everything he thinks right is right to me. I am not afraid to think so. If I were to try, a cloud would come over me—it does, if only I fancy for half a moment I am rash, and a straw. I cannot exist except through him. So I must belong to him, and his will is my law. My prayer at my bedside every night is that I may die for him. We used to think the idea of death so terrible! Do you remember how we used to shudder together at night when we thought of people lying in the grave? And now, when I think that perhaps I may some day die for him, I feel like a crying in my heart with joy.
"I have left a letter—sent it, I mean—enclosed to uncle for father. He will see Edward by-and-by. Oh! may heaven spare him from any grief. Rhoda will comfort him. Tell him how devoted I am. I am like drowned to everybody but one.
"We are looking on the sea. In half an hour I shall have forgotten the tread of English earth. I do not know that I breathe. All I know is a fear that I am flying, and my strength will not continue. That is when I am not touching his hand. There is France opposite. I shut my eyes and see the whole country, but it is like what I feel for Edward—all in dark moonlight. Oh! I trust him so! I bleed for him. I could make all my veins bleed out at a sad thought about him. And from France to Switzerland and Italy. The sea sparkles just as if it said "Come to the sun;" and I am going. Edward calls. Shall I be punished for so much happiness? I am too happy, I am too happy.
"God bless my beloved at home! That is my chief prayer now. I shall think of her when I am in the cathedrals.
"Oh, my Father in heaven! bless them all! bless Rhoda! forgive me!
"I can hear the steam of the steamer at the pier. Here is Edward. He says I may send his love to you.
"Address:—
"Mrs. Edward Ayrton,
"Poste Restante,
"Lausanne,
"Switzerland.
"P.S.—Lausanne is where—but another time, and I will always tell you the history of the places to instruct you, poor heart in dull England. Adieu! Good-bye and God bless my innocent at home, my dear sister. I love her. I never can forget her. The day is so lovely. It seems on purpose for us. Be sure you write on thin paper to Lausanne. It is on a blue lake; you see snow mountains, and now there is a bell ringing— kisses from me! we start. I must sign.
"Dahlia."
By the reading of this letter, Rhoda was caught vividly to the shore, and saw her sister borne away in the boat to the strange countries; she travelled with her, following her with gliding speed through a multiplicity of shifting scenes, opal landscapes, full of fire and dreams, and in all of them a great bell towered. "Oh, my sweet! my own beauty!" she cried in Dahlia's language. Meeting Mrs. Sumfit, she called her "Mother Dumpling," as Dahlia did of old, affectionately, and kissed her, and ran on to Master Gammon, who was tramping leisurely on to the oatfield lying on toward the millholms.
"My sister sends you her love," she said brightly to the old man. Master Gammon responded with no remarkable flash of his eyes, and merely opened his mouth and shut it, as when a duck divides its bill, but fails to emit the customary quack.
"And to you, little pigs; and to you, Mulberry; and you, Dapple; and you, and you, and you."
Rhoda nodded round to all the citizens of the farmyard; and so eased her heart of its laughing bubbles. After which, she fell to a meditative walk of demurer joy, and had a regret. It was simply that Dahlia's hurry in signing the letter, had robbed her of the delight of seeing "Dahlia Ayrton" written proudly out, with its wonderful signification of the change in her life.
That was a trifling matter; yet Rhoda felt the letter was not complete in the absence of the bridal name. She fancied Dahlia to have meant, perhaps, that she was Dahlia to her as of old, and not a stranger. "Dahlia ever; Dahlia nothing else for you," she heard her sister say. But how delicious and mournful, how terrible and sweet with meaning would "Dahlia Ayrton," the new name in the dear handwriting, have looked! "And I have a brother-in-law," she thought, and her cheeks tingled. The banks of fern and foxglove, and the green young oaks fringing the copse, grew rich in colour, as she reflected that this beloved unknown husband of her sister embraced her and her father as well; even the old bent beggarman on the sandy ridge, though he had a starved frame and carried pitiless faggots, stood illumined in a soft warmth. Rhoda could not go back to the house.
It chanced that the farmer that morning had been smitten with the virtue of his wife's opinion of Robert, and her parting recommendation concerning him.
"Have you a mind to either one of my two girls?" he put the question bluntly, finding himself alone with Robert.
Robert took a quick breath, and replied, "I have."
"Then make your choice," said the farmer, and tried to go about his business, but hung near Robert in the fields till he had asked: "Which one is it, my boy?"
Robert turned a blade of wheat in his mouth.
"I think I shall leave her to tell that," was his answer.
"Why, don't ye know which one you prefer to choose, man?" quoth Mr.
Fleming.
"I mayn't know whether she prefers to choose me," said Robert.
The farmer smiled.
"You never can exactly reckon about them; that's true."
He was led to think: "Dahlia's the lass;" seeing that Robert had not had many opportunities of speaking with her.
"When my girls are wives, they'll do their work in the house," he pursued. "They may have a little bit o' property in land, ye know, and they may have a share in—in gold. That's not to be reckoned on. We're an old family, Robert, and I suppose we've our pride somewhere down. Anyhow, you can't look on my girls and not own they're superior girls. I've no notion of forcing them to clean, and dish up, and do dairying, if it's not to their turn. They're handy with th' needle. They dress conformably, and do the millinery themselves. And I know they say their prayers of a night. That I know, if that's a comfort to ye, and it should be, Robert. For pray, and you can't go far wrong; and it's particularly good for girls. I'll say no more."
At the dinner-table, Rhoda was not present. Mr. Fleming fidgeted, blamed her and excused her, but as Robert appeared indifferent about her absence, he was confirmed in his idea that Dahlia attracted his fancy.
They had finished dinner, and Master Gammon had risen, when a voice immediately recognized as the voice of Anthony Hackbut was heard in the front part of the house. Mr. Fleming went round to him with a dismayed face.
"Lord!" said Mrs. Sumfit, "how I tremble!"
Robert, too, looked grave, and got away from the house. The dread of evil news of Dahlia was common to them all; yet none had mentioned it, Robert conceiving that it would be impertinence on his part to do so; the farmer, that the policy of permitting Dahlia's continued residence in London concealed the peril; while Mrs. Sumfit flatly defied the threatening of a mischance to one so sweet and fair, and her favourite. It is the insincerity of persons of their class; but one need not lay stress on the wilfulness of uneducated minds. Robert walked across the fields, walking like a man with an object in view. As he dropped into one of the close lanes which led up to Wrexby Hall, he saw Rhoda standing under an oak, her white morning-dress covered with sun-spots. His impulse was to turn back, the problem, how to speak to her, not being settled within him. But the next moment his blood chilled; for he had perceived, though he had not felt simultaneously, that two gentlemen were standing near her, addressing her. And it was likewise manifest that she listened to them. These presently raised their hats and disappeared. Rhoda came on toward Robert.
"You have forgotten your dinner," he said, with a queer sense of shame at dragging in the mention of that meal.
"I have been too happy to eat," Rhoda replied.
Robert glanced up the lane, but she gave no heed to this indication, and asked: "Has uncle come?"
"Did you expect him?"
"I thought he would come."
"What has made you happy?"
"You will hear from uncle."
"Shall I go and hear what those—"
Robert checked himself, but it would have been better had he spoken out. Rhoda's face, from a light of interrogation, lowered its look to contempt.
She did not affect the feminine simplicity which can so prettily misunderstand and put by an implied accusation of that nature. Doubtless her sharp instinct served her by telling her that her contempt would hurt him shrewdly now. The foolishness of a man having much to say to a woman, and not knowing how or where the beginning of it might be, was perceptible about him. A shout from her father at the open garden-gate, hurried on Rhoda to meet him. Old Anthony was at Mr. Fleming's elbow.
"You know it? You have her letter, father?" said Rhoda, gaily, beneath the shadow of his forehead.
"And a Queen of the Egyptians is what you might have been," said Anthony, with a speculating eye upon Rhoda's dark bright face.
Rhoda put out her hand to him, but kept her gaze on her father.
William Fleeting relaxed the knot of his brows and lifted the letter.
"Listen all! This is from a daughter to her father."
And he read, oddly accentuating the first syllables of the sentences:—
Dear Father,—
"My husband will bring me to see you when I return to dear England.
I ought to have concealed nothing, I know. Try to forgive me. I
hope you will. I shall always think of you. God bless you!
"I am,
"Ever with respect,
"Your dearly loving Daughter,
"Dahlia."
"Dahlia Blank!" said the farmer, turning his look from face to face.
A deep fire of emotion was evidently agitating him, for the letter rustled in his hand, and his voice was uneven. Of this, no sign was given by his inexpressive features. The round brown eyes and the ruddy varnish on his cheeks were a mask upon grief, if not also upon joy.
"Dahlia—what? What's her name?" he resumed. "Here—'my husband will bring me to see you'—who's her husband? Has he got a name? And a blank envelope to her uncle here, who's kept her in comfort for so long! And this is all she writes to me! Will any one spell out the meaning of it?"
"Dahlia was in great haste, father," said Rhoda.
"Oh, ay, you!—you're the one, I know," returned the farmer. "It's sister and sister, with you."
"But she was very, very hurried, father. I have a letter from her, and I have only 'Dahlia' written at the end—no other name."
"And you suspect no harm of your sister."
"Father, how can I imagine any kind of harm?"
"That letter, my girl, sticks to my skull, as though it meant to say, 'You've not understood me yet.' I've read it a matter of twenty times, and I'm no nearer to the truth of it. But, if she's lying, here in this letter, what's she walking on? How long are we to wait for to hear? I give you my word, Robert, I'm feeling for you as I am for myself. Or, wasn't it that one? Is it this one?" He levelled his finger at Rhoda. "In any case, Robert, you'll feel for me as a father. I'm shut in a dark room with the candle blown out. I've heard of a sort of fear you have in that dilemmer, lest you should lay your fingers on edges of sharp knives, and if I think a step—if I go thinking a step, and feel my way, I do cut myself, and I bleed, I do. Robert, just take and say, it wasn't that one."
Such a statement would carry with it the confession that it was this one for whom he cared this scornful one, this jilt, this brazen girl who could make appointments with gentlemen, or suffer them to speak to her, and subsequently look at him with innocence and with anger.
"Believe me, Mr. Fleming, I feel for you as much as a man can," he said, uneasily, swaying half round as he spoke.
"Do you suspect anything bad?" The farmer repeated the question, like one who only wanted a confirmation of his own suspicions to see the fact built up. "Robert, does this look like the letter of a married woman? Is it daughter-like—eh, man? Help another: I can't think for myself—she ties my hands. Speak out."
Robert set his eyes on Rhoda. He would have given much to have been able to utter, "I do." Her face was like an eager flower straining for light; the very beauty of it swelled his jealous passion, and he flattered himself with his incapacity to speak an abject lie to propitiate her.
"She says she is married. We're bound to accept what she says."
That was his answer.
"Is she married?" thundered the farmer. "Has she been and disgraced her mother in her grave? What am I to think? She's my flesh and blood. Is she—"
"Oh, hush, father!" Rhoda laid her hand on his arm. "What doubt can there be of Dahlia? You have forgotten that she is always truthful. Come away. It is shameful to stand here and listen to unmanly things."
She turned a face of ashes upon Robert.
"Come away, father. She is our own. She is my sister. A doubt of her is an insult to us."
"But Robert don't doubt her—eh?" The farmer was already half distracted from his suspicions. "Have you any real doubt about the girl, Robert?"
"I don't trust myself to doubt anybody," said Robert.
"You don't cast us off, my boy?"
"I'm a labourer on the farm," said Robert, and walked away.
"He's got reason to feel this more 'n the rest of us, poor lad! It's a blow to him." With which the farmer struck his hand on Rhoda's shoulder.
"I wish he'd set his heart on a safer young woman."
Rhoda's shudder of revulsion was visible as she put her mouth up to kiss her father's cheek.
CHAPTER VIII
That is Wrexby Hall, upon the hill between Fenhurst and Wrexby: the white square mansion, with the lower drawing-room windows one full bow of glass against the sunlight, and great single trees spotting the distant green slopes. From Queen Anne's Farm you could read the hour by the stretching of their shadows. Squire Blancove, who lived there, was an irascible, gouty man, out of humour with his time, and beginning, alas for him! to lose all true faith in his Port, though, to do him justice, he wrestled hard with this great heresy. His friends perceived the decay in his belief sooner than he did himself. He was sour in the evening as in the morning. There was no chirp in him when the bottle went round. He had never one hour of a humane mood to be reckoned on now. The day, indeed, is sad when we see the skeleton of the mistress by whom we suffer, but cannot abandon her. The squire drank, knowing that the issue would be the terrific, curse-begetting twinge in his foot; but, as he said, he was a man who stuck to his habits. It was over his Port that he had quarrelled with his rector on the subject of hopeful Algernon, and the system he adopted with that young man. This incident has something to do with Rhoda's story, for it was the reason why Mrs. Lovell went to Wrexby Church, the spirit of that lady leading her to follow her own impulses, which were mostly in opposition. So, when perchance she visited the Hall, she chose not to accompany the squire and his subservient guests to Fenhurst, but made a point of going down to the unoccupied Wrexby pew. She was a beauty, and therefore powerful; otherwise her act of nonconformity would have produced bad blood between her and the squire.
It was enough to have done so in any case; for now, instead of sitting at home comfortably, and reading off the week's chronicle of sport while he nursed his leg, the unfortunate gentleman had to be up and away to Fenhurst every Sunday morning, or who would have known that the old cause of his general abstention from Sabbath services lay in the detestable doctrine of Wrexby's rector?
Mrs. Lovell was now at the Hall, and it was Sunday morning after breakfast. The lady stood like a rival head among the other guests, listening, gloved and bonneted, to the bells of Wrexby, West of the hills, and of Fenhurst, Northeast. The squire came in to them, groaning over his boots, cross with his fragile wife, and in every mood for satire, except to receive it.
"How difficult it is to be gouty and good!" murmured Mrs. Lovell to the person next her.
"Well," said the squire, singling out his enemy, "you're going to that fellow, I suppose, as usual—eh?"
"Not 'as usual,'" replied Mrs. Lovell, sweetly; "I wish it were!"
"Wish it were, do you?—you find him so entertaining? Has he got to talking of the fashions?"
"He talks properly; I don't ask for more." Mrs. Lovell assumed an air of meekness under persecution.
"I thought you were Low Church."
"Lowly of the Church, I trust you thought," she corrected him. "But, for that matter, any discourse, plainly delivered, will suit me."
"His elocution's perfect," said the squire; "that is, before dinner."
"I have only to do with him before dinner, you know."
"Well, I've ordered a carriage out for you."
"That is very honourable and kind."
"It would be kinder if I contrived to keep you away from the fellow."
"Would it not be kinder to yourself," Mrs. Lovell swam forward to him in all tenderness, taking his hands, and fixing the swimming blue of her soft eyes upon him pathetically, "if you took your paper and your slippers, and awaited our return?"
The squire felt the circulating smile about the room. He rebuked the woman's audacity with a frown; "Tis my duty to set an example," he said, his gouty foot and irritable temper now meeting in a common fire.
"Since you are setting an example," rejoined the exquisite widow, "I have nothing more to say."
The squire looked what he dared not speak. A woman has half, a beauty has all, the world with her when she is self-contained, and holds her place; and it was evident that Mrs. Lovell was not one to abandon her advantages.
He snapped round for a victim, trying his wife first. Then his eyes rested upon Algernon.
"Well, here we are; which of us will you take?" he asked Mrs. Lovell in blank irony.
"I have engaged my cavalier, who is waiting, and will be as devout as possible." Mrs. Lovell gave Algernon a smile.
"I thought I hit upon the man," growled the squire. "You're going in to Wrexby, sir! Oh, go, by all means, and I shan't be astonished at what comes of it. Like teacher, like pupil!"
"There!" Mrs. Lovell gave Algernon another smile. "You have to bear the sins of your rector, as well as your own. Can you support it?"
The flimsy fine dialogue was a little above Algernon's level in the society of ladies; but he muttered, bowing, that he would endeavour to support it, with Mrs. Lovell's help, and this did well enough; after which, the slight strain on the intellects of the assemblage relaxed, and ordinary topics were discussed. The carriages came round to the door; gloves, parasols, and scent-bottles were securely grasped; whereupon the squire, standing bare-headed on the steps, insisted upon seeing the party of the opposition off first, and waited to hand Mrs. Lovell into her carriage, an ironic gallantry accepted by the lady with serenity befitting the sacred hour.
"Ah! my pencil, to mark the text for you, squire," she said, taking her seat; and Algernon turned back at her bidding, to get a pencil; and she, presenting a most harmonious aspect in the lovely landscape, reclined in the carriage as if, like the sweet summer air, she too were quieted by those holy bells, while the squire stood, fuming, bareheaded, and with boiling blood, just within the bounds of decorum on the steps. She was more than his match.
She was more than a match for most; and it was not a secret. Algernon knew it as well as Edward, or any one. She was a terror to the soul of the youth, and an attraction. Her smile was the richest flattery he could feel; the richer, perhaps, from his feeling it to be a thing impossible to fix. He had heard tales of her; he remembered Edward's warning; but he was very humbly sitting with her now, and very happy.
"I'm in for it," he said to his fair companion; "no cheque for me next quarter, and no chance of an increase. He'll tell me I've got a salary. A salary! Good Lord! what a man comes to! I've done for myself with the squire for a year."
"You must think whether you have compensation," said the lady, and he received it in a cousinly squeeze of his hand.
He was about to raise the lank white hand to his lips.
"Ah!" she said, "there would be no compensation to me, if that were seen;" and her dainty hand was withdrawn. "Now, tell me," she changed her tone. "How do the loves prosper?"
Algernon begged her not to call them 'loves.' She nodded and smiled.
"Your artistic admirations," she observed. "I am to see her in church, am I not? Only, my dear Algy, don't go too far. Rustic beauties are as dangerous as Court Princesses. Where was it you saw her first?"
"At the Bank," said Algernon.
"Really! at the Bank! So your time there is not absolutely wasted. What brought her to London, I wonder?"
"Well, she has an old uncle, a queer old fellow, and he's a sort of porter—money porter—in the Bank, awfully honest, or he might half break it some fine day, if he chose to cut and run. She's got a sister, prettier than this girl, the fellows say; I've never seen her. I expect I've seen a portrait of her, though."
"Ah!" Mrs. Lovell musically drew him on. "Was she dark, too?"
"No, she's fair. At least, she is in her portrait."
"Brown hair; hazel eyes?"
"Oh—oh! You guess, do you?"
"I guess nothing, though it seems profitable. That Yankee betting man 'guesses,' and what heaps of money he makes by it!"
"I wish I did," Algernon sighed. "All my guessing and reckoning goes wrong. I'm safe for next Spring, that's one comfort. I shall make twenty thousand next Spring."
"On Templemore?"
"That's the horse. I've got a little on Tenpenny Nail as well. But I'm quite safe on Templemore; unless the Evil Principle comes into the field."
"Is he so sure to be against you, if he does appear?" said Mrs. Lovell.
"Certain!" ejaculated Algernon, in honest indignation.
"Well, Algy, I don't like to have him on my side. Perhaps I will take a share in your luck, to make it—? to make it?"—She played prettily as a mistress teasing her lap-dog to jump for a morsel; adding: "Oh! Algy, you are not a Frenchman. To make it divine, sir! you have missed your chance."
"There's one chance I shouldn't like to miss," said the youth.
"Then, do not mention it," she counselled him. "And, seriously, I will take a part of your risk. I fear I am lucky, which is ruinous. We will settle that, by-and-by. Do you know, Algy, the most expensive position in the world is a widow's."
"You needn't be one very long," growled he.
"I'm so wretchedly fastidious, don't you see? And it's best not to sigh when we're talking of business, if you'll take me for a guide. So, the old man brought this pretty rustic Miss Rhoda to the Bank?"
"Once," said Algernon. "Just as he did with her sister. He's proud of his nieces; shows them and then hides them. The fellows at the Bank never saw her again."
"Her name is—?"
"Dahlia."
"Ah, yes!—Dahlia. Extremely pretty. There are brown dahlias—dahlias of all colours. And the portrait of this fair creature hangs up in your chambers in town?"
"Don't call them my chambers," Algernon protested.
"Your cousin's, if you like. Probably Edward happened to be at the Bank when fair Dahlia paid her visit. Once seems to have been enough for both of you."
Algernon was unread in the hearts of women, and imagined that Edward's defection from Mrs. Lovell's sway had deprived him of the lady's sympathy and interest in his fortunes.
"Poor old Ned's in some scrape, I think," he said.
"Where is he?" the lady asked, languidly.
"Paris."
"Paris? How very odd! And out of the season, in this hot weather. It's enough to lead me to dream that he has gone over—one cannot realize why."
"Upon my honour!" Algernon thumped on his knee; "by jingo!" he adopted a less compromising interjection; "Ned's fool enough. My idea is, he's gone and got married."
Mrs. Lovell was lying back with the neglectful grace of incontestable beauty; not a line to wrinkle her smooth soft features. For one sharp instant her face was all edged and puckered, like the face of a fair witch. She sat upright.
"Married! But how can that be when we none of us have heard a word of it?"
"I daresay you haven't," said Algernon; "and not likely to. Ned's the closest fellow of my acquaintance. He hasn't taken me into his confidence, you maybe sure; he knows I'm too leaky. There's no bore like a secret! I've come to my conclusion in this affair by putting together a lot of little incidents and adding them up. First, I believe he was at the Bank when that fair girl was seen there. Secondly, from the description the fellows give of her, I should take her to be the original of the portrait. Next, I know that Rhoda has a fair sister who has run for it. And last, Rhoda has had a letter from her sister, to say she's away to the Continent and is married. Ned's in Paris. Those are my facts, and I give you my reckoning of them."
Mrs. Lovell gazed at Algernon for one long meditative moment.
"Impossible," she exclaimed. "Edward has more brains than heart." And now the lady's face was scarlet. "How did this Rhoda, with her absurd name, think of meeting you to tell you such stuff? Indeed, there's a simplicity in some of these young women—" She said the remainder to herself.
"She's really very innocent and good," Algernon defended Rhoda. "she is. There isn't a particle of nonsense in her. I first met her in town, as I stated, at the Bank; just on the steps, and we remembered I had called a cab for her a little before; and I met her again by accident yesterday."
"You are only a boy in their hands, my cousin Algy!" said Mrs. Lovell.
Algernon nodded with a self-defensive knowingness. "I fancy there's no doubt her sister has written to her that she's married. It's certain she has. She's a blunt sort of girl; not one to lie, not even for a sister or a lover, unless she had previously made up her mind to it. In that case, she wouldn't stick at much."
"But, do you know," said Mrs. Lovell—"do you know that Edward's father would be worse than yours over such an act of folly? He would call it an offence against common sense, and have no mercy for it. He would be vindictive on principle. This story of yours cannot be true. Nothing reconciles it."
"Oh, Sir Billy will be rusty; that stands to reason," Algernon assented. "It mayn't be true. I hope it isn't. But Ned has a madness for fair women. He'd do anything on earth for them. He loses his head entirely."
"That he may have been imprudent—" Mrs. Lovell thus blushingly hinted at the lesser sin of his deceiving and ruining the girl.
"Oh, it needn't be true," said Algernon; and with meaning, "Who's to blame if it is?"
Mrs. Lovell again reddened. She touched Algernon's fingers.
"His friends mustn't forsake him, in any case."
"By Jove! you are the right sort of woman," cried Algernon.
It was beyond his faculties to divine that her not forsaking of Edward might haply come to mean something disastrous to him. The touch of Mrs. Lovell's hand made him forget Rhoda in a twinkling. He detained it, audaciously, even until she frowned with petulance and stamped her foot.
There was over her bosom a large cameo-brooch, representing a tomb under a palm-tree, and the figure of a veiled woman with her head bowed upon the tomb. This brooch was falling, when Algernon caught it. The pin tore his finger, and in the energy of pain he dashed the brooch to her feet, with immediate outcries of violent disgust at himself and exclamations for pardon. He picked up the brooch. It was open. A strange, discoloured, folded substance lay on the floor of the carriage. Mrs. Lovell gazed down at it, and then at him, ghastly pale. He lifted it by one corner, and the diminutive folded squares came out, revealing a strip of red-stained handkerchief.