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Title: Riley Love-Lyrics
Author: James Whitcomb Riley
Illustrator: Will Vawter
Release date: November 23, 2006 [eBook #19897]
Language: English
Credits: Produced by Juliet Sutherland, Ted Garvin and the Online
Distributed Proofreaders Europe at http://dp.rastko.net
*** START OF THE PROJECT GUTENBERG EBOOK RILEY LOVE-LYRICS ***
RILEY LOVE-LYRICS
RILEY LOVE-LYRICS
JAMES WHITCOMB RILEY
ILLUSTRATED BY WILL VAWTER
INDIANAPOLIS
THE BOBBS-MERRILL COMPANY
PUBLISHERS
Copyright, 1883, 1887, 1888, 1890, 1891, 1892, 1894, 1897, 1898, 1901, 1905, by James Whitcomb Riley
Copyright 1921, The Bobbs-Merrill Company
All rights reserved
Printed in the United States of America
PRESS OF
BRAUNWORTH & CO.
BOOK MANUFACTURERS
BROOKLYN, N.Y.
INSCRIBED
TO THE ELECT OF LOVE,—OR SIDE-BY-SIDE
IN RAPTEST ECSTASY, OR SUNDERED WIDE
BY SEAS THAT BEAR NO MESSAGE TO OR FRO
BETWEEN THE LOVED AND LOST OF LONG AGO.
So were I but a minstrel, deft
At weaving, with the trembling strings
Of my glad harp, the warp and weft
Of rondels such as rapture sings,—
I'd loop my lyre across my breast,
Nor stay me till my knee found rest
In midnight banks of bud and flower
Beneath my lady's lattice-bower.
At weaving, with the trembling strings
Of my glad harp, the warp and weft
Of rondels such as rapture sings,—
I'd loop my lyre across my breast,
Nor stay me till my knee found rest
In midnight banks of bud and flower
Beneath my lady's lattice-bower.
And there, drenched with the teary dews,
I'd woo her with such wondrous art
As well might stanch the songs that ooze
Out of the mockbird's breaking heart;
So light, so tender, and so sweet
Should be the words I would repeat,
Her casement, on my gradual sight,
Would blossom as a lily might.
I'd woo her with such wondrous art
As well might stanch the songs that ooze
Out of the mockbird's breaking heart;
So light, so tender, and so sweet
Should be the words I would repeat,
Her casement, on my gradual sight,
Would blossom as a lily might.
CONTENTS
RILEY LOVE-LYRICS
RILEY LOVE-LYRICS
As one who cons at evening o'er an album all alone,
And muses on the faces of the friends that he has known,
So I turn the leaves of fancy till, in shadowy design,
I find the smiling features of an old sweetheart of mine.
And muses on the faces of the friends that he has known,
So I turn the leaves of fancy till, in shadowy design,
I find the smiling features of an old sweetheart of mine.
The lamplight seems to glimmer with a flicker of surprise,
As I turn it low to rest me of the dazzle in my eyes,
And light my pipe in silence, save a sigh that seems to yoke
Its fate with my tobacco and to vanish with the smoke.
As I turn it low to rest me of the dazzle in my eyes,
And light my pipe in silence, save a sigh that seems to yoke
Its fate with my tobacco and to vanish with the smoke.
Tis a fragrant retrospection—for the loving thoughts that start
Into being are like perfume from the blossom of the heart;
And to dream the old dreams over is a luxury divine—
When my truant fancy wanders with that old sweetheart of mine.
Into being are like perfume from the blossom of the heart;
And to dream the old dreams over is a luxury divine—
When my truant fancy wanders with that old sweetheart of mine.
Though I hear, beneath my study, like a fluttering of wings,
The voices of my children, and the mother as she sings,
I feel no twinge of conscience to deny me any theme
When Care has cast her anchor in the harbor of a dream.
The voices of my children, and the mother as she sings,
I feel no twinge of conscience to deny me any theme
When Care has cast her anchor in the harbor of a dream.
In fact, to speak in earnest, I believe it adds a charm
To spice the good a trifle with a little dust of harm—
For I find an extra flavor in Memory's mellow wine
That makes me drink the deeper to that old sweetheart of mine.
To spice the good a trifle with a little dust of harm—
For I find an extra flavor in Memory's mellow wine
That makes me drink the deeper to that old sweetheart of mine.
A face of lily-beauty, with a form of airy grace.
Floats out of my tobacco as the genii from the vase;
And I thrill beneath the glances of a pair of azure eyes
As glowing as the summer and as tender as the skies.
Floats out of my tobacco as the genii from the vase;
And I thrill beneath the glances of a pair of azure eyes
As glowing as the summer and as tender as the skies.
I can see the pink sunbonnet and the little checkered dress
She wore when first I kissed her and she answered the caress
With the written declaration that, "as surely as the vine
Grew round the stump," she loved me—that old sweetheart of mine.
She wore when first I kissed her and she answered the caress
With the written declaration that, "as surely as the vine
Grew round the stump," she loved me—that old sweetheart of mine.
And again I feel the pressure of her slender little hand,
As we used to talk together of the future we had planned—
When I should be a poet, and with nothing else to do
But write the tender verses that she set the music to:
As we used to talk together of the future we had planned—
When I should be a poet, and with nothing else to do
But write the tender verses that she set the music to:
When we should live together in a cozy little cot
Hid in a nest of roses, with a fairy garden-spot,
Where the vines were ever fruited, and the weather ever fine,
And the birds were ever singing for that old sweetheart of mine:
Hid in a nest of roses, with a fairy garden-spot,
Where the vines were ever fruited, and the weather ever fine,
And the birds were ever singing for that old sweetheart of mine:
When I should be her lover forever and a day,
And she my faithful sweetheart till the golden hair was gray;
And we should be so happy that when either's lips were dumb
They would not smile in Heaven till the other's kiss had come.
And she my faithful sweetheart till the golden hair was gray;
And we should be so happy that when either's lips were dumb
They would not smile in Heaven till the other's kiss had come.
But, ah! my dream is broken by a step upon the stair,
And the door is softly opened, and—my wife is standing there;
Yet with eagerness and rapture all my visions I resign
To greet the living presence of that old sweetheart of mine.
And the door is softly opened, and—my wife is standing there;
Yet with eagerness and rapture all my visions I resign
To greet the living presence of that old sweetheart of mine.
It's the curiousest thing in creation,
Whenever I hear that old song
"Do They Miss Me at Home," I'm so bothered,
My life seems as short as it's long!—
Fer ev'rything 'pears like adzackly
It 'peared in the years past and gone,—
When I started out sparkin', at twenty,
And had my first neckercher on!
Whenever I hear that old song
"Do They Miss Me at Home," I'm so bothered,
My life seems as short as it's long!—
Fer ev'rything 'pears like adzackly
It 'peared in the years past and gone,—
When I started out sparkin', at twenty,
And had my first neckercher on!
Though I'm wrinkelder, older and grayer
Right now than my parents was then,
You strike up that song "Do They Miss Me,"
And I'm jest a youngster again!—
I'm a-standin' back thare in the furries
A-wishin' fer evening to come,
And a-whisperin' over and over
Them words "Do They Miss Me at Home?"
Right now than my parents was then,
You strike up that song "Do They Miss Me,"
And I'm jest a youngster again!—
I'm a-standin' back thare in the furries
A-wishin' fer evening to come,
And a-whisperin' over and over
Them words "Do They Miss Me at Home?"
You see, Marthy Ellen she sung it
The first time I heerd it; and so,
As she was my very first sweetheart,
It reminds me of her, don't you know;—
How her face used to look, in the twilight,
As I tuck her to Spellin'; and she
Kep' a-hummin' that song tel I ast her,
Pint-blank, ef she ever missed me!
The first time I heerd it; and so,
As she was my very first sweetheart,
It reminds me of her, don't you know;—
How her face used to look, in the twilight,
As I tuck her to Spellin'; and she
Kep' a-hummin' that song tel I ast her,
Pint-blank, ef she ever missed me!
I can shet my eyes now, as you sing it,
And hear her low answerin' words;
And then the glad chirp of the crickets,
As clear as the twitter of birds;
And the dust in the road is like velvet,
And the ragweed and fennel and grass
Is as sweet as the scent of the lilies
Of Eden of old, as we pass.
And hear her low answerin' words;
And then the glad chirp of the crickets,
As clear as the twitter of birds;
And the dust in the road is like velvet,
And the ragweed and fennel and grass
Is as sweet as the scent of the lilies
Of Eden of old, as we pass.
"Do They Miss Me at Home?" Sing it lower—
And softer—and sweet as the breeze
That powdered our path with the snowy
White bloom of the old locus'-trees!
Let the whipperwills he'p you to sing it,
And the echoes 'way over the hill,
Tel the moon boolges out, in a chorus
Of stars, and our voices is still.
And softer—and sweet as the breeze
That powdered our path with the snowy
White bloom of the old locus'-trees!
Let the whipperwills he'p you to sing it,
And the echoes 'way over the hill,
Tel the moon boolges out, in a chorus
Of stars, and our voices is still.
But oh! "They's a chord in the music
That's missed when her voice is away!"
Though I listen from midnight tel morning,
And dawn tel the dusk of the day!
And I grope through the dark, lookin' upwards
And on through the heavenly dome,
With my longin' soul singin' and sobbin'
The words "Do They Miss Me at Home?"
That's missed when her voice is away!"
Though I listen from midnight tel morning,
And dawn tel the dusk of the day!
And I grope through the dark, lookin' upwards
And on through the heavenly dome,
With my longin' soul singin' and sobbin'
The words "Do They Miss Me at Home?"
I'm bin a-visitun 'bout a week
To my little Cousin's at Nameless Creek,
An' I'm got the hives an' a new straw hat,
An' I'm come back home where my beau lives at.
To my little Cousin's at Nameless Creek,
An' I'm got the hives an' a new straw hat,
An' I'm come back home where my beau lives at.