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Riley Love-Lyrics

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About This Book

The collection presents lyrical poems that meditate on love, memory, and domestic life, balancing tender romantic reveries with homespun humor. Many pieces revisit courtship, marriage, longing, and the ache of reminiscence, often through intimate domestic scenes and rural imagery—gardens, roses, evening lamps, and familiar walkways. The voice shifts between plaintive, celebratory, and comic registers, sometimes adopting colloquial dialect for character and warmth. Short narrative lyrics and standalone meditations vary in meter and tone, producing a steady interplay of sentimentality and gentle irony while tracing the passage of time and the endurance of affection.

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Title: Riley Love-Lyrics

Author: James Whitcomb Riley

Illustrator: W. B. Dyer

Release date: November 4, 2005 [eBook #16995]
Most recently updated: December 12, 2020

Language: English

Credits: Produced by Suzanne Lybarger, Brian Janes, Diane Monico,
and the Project Gutenberg Online Distributed Proofreading Team at
https://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK RILEY LOVE-LYRICS ***

RILEY LOVE-LYRICS


RILEY
LOVE-LYRICS

JAMES WHITCOMB RILEY

WITH LIFE PICTURES BY
WILLIAM B. DYER



NEW YORK
GROSSET & DUNLAP
PUBLISHERS


Copyright, 1883, 1887, 1888, 1890, 1891, 1892,
1894, 1897, 1898, 1901, 1905

by

James Whitcomb Riley


INSCRIBED

To the Elect of Love,—or side-by-side
In raptest ecstasy, or sundered wide
By seas that bear no message to or fro
Between the loved and lost of long ago.


So were I but a minstrel, deft
At weaving, with the trembling strings
Of my glad harp, the warp and weft
Of rondels such as rapture sings,—
I'd loop my lyre across my breast,
Nor stay me till my knee found rest
In midnight banks of bud and flower
Beneath my lady's lattice-bower.

And there, drenched with the teary dews,
I'd woo her with such wondrous art
As well might stanch the songs that ooze
Out of the mockbird's breaking heart;
So light, so tender, and so sweet
Should be the words I would repeat,
Her casement, on my gradual sight,
Would blossom as a lily might.


CONTENTS

          PAGE
Blooms of May 185
Discouraging Model, A 133
"Dream" 46
Farmer Whipple—Bachelor 167
Has She Forgotten? 181
He and I 83
He Called Her In 50
Her Beautiful Eyes 60
Her Hair 128
Her Face and Brow 63
Her Waiting Face 71
Home at Night 122
How it Happened 95
Ike Walton's Prayer 107
Illileo 111
Judith 79
Last Night and This 131
Leonainie 68
Let Us Forget 64
Lost Path, The 87
My Bride That Is To Be 90
My Mary 117
Nothin' to Say 103
Old Played-out Song, A' 31
Old Sweetheart of Mine, An 23
Old Year and the New, The 72
Out-worn Sappho, An 37
Passing of a Heart, The 44
Rival, The 148
Rose, The 178
Sermon of the Rose, The 189
Song of Long Ago, A 160
Suspense 136
Their Sweet Sorrow 76
To Hear Her Sing 146
Tom Van Arden 139
Touches of Her Hands, The 157
Variation, A 151
Very Youthful Affair, A 36
When Age Comes On 164
When Lide Married Him 125
When My Dreams Come True 99
When She Comes Home 67
Where Shall We Land 154
Wife-Blesséd, The 115

ILLUSTRATIONS

PAGE
Love-Lyrics Frontispiece
Illustrations—Tailpiece xx
An Old Sweetheart of Mine 23
And I Light My Pipe in Silence 24
The Voices of My Children 25
The Pink Sunbonnet 26
When First I Kissed Her 27
(untitled image) 29
My Wife is Standing There 30
A' Old Played-Out Song 33
A' Old Played-Out Song—Tailpiece 35
A Very Youthful Affair 36
An Out-worn Sappho 41
An Out-worn Sappho—Tailpiece 43
The Passing of a Heart—Title 44
The Passing of a Heart—Tailpiece 45
"Dream" 47
"Dream"—Tailpiece 49
He Called Her In—Title 50
A Dark and Eerie Child 51
When She First Came to Me 57
He Called Her In—Tailpiece 59
Her Beautiful Eyes 61
Her Face and Brow 63
Let Us Forget—Title 64
Our Worn Eyes are Wet 65
When She Comes Home 67
Leonainie—Title 68
Leonainie—Tailpiece 70
Her Waiting Face 71
The Old Year and the New—Title 72
I Saw the Old Year End 73
Their Sweet Sorrow 77
Judith 79
O, Her Eyes are Amber-fine 81
He and I 85
The Lost Path—Title 87
The Lost Path 89
Madonna-like and Glorified 91
How it Happened 97
When My Dreams Come True 101
Nothin' to Say 105
Ike Walton's Prayer—Title 107
Ike Walton's Prayer—Tailpiece 110
Illileo 113
Wife-Blesséd, The 115
The Auld Trysting-Tree 119
My Mary—Tailpiece 121
Home at Night 123
When Lide Married HimTitle 125
When Lide Married HimTailpiece 127
Her Hair 129
Last Night and This—Title 131
Last Night and This—Tailpiece 132
A Discouraging Model—Title 133
A Cameo Face 135
Suspense 137
Tom Van Arden—Title 139
Tom Van Arden 141
To Hear Her Sing 146
The Rival 148
A Variation—Title 151
Where Shall We Land?—Title 154
Where Shall We Land?—Tailpiece 156
The Touches of Her Hands—Title 157
The Touches of Her Hands—Tailpiece 158
O Rarely Soft, the Touches of Her Hands 159
A Song of Long Ago 161
When Age Comes On 165
Farmer Whipple—Bachelor—Title 167
Ridin' Home with Mary 171
Farmer Whipple—Bachelor—Tailpiece 177
The Rose—Title 178
Has She Forgotten? 183
Blooms of May—Title 185
O Lad and Lass 186
O Gleam and Gloom and Woodland Bloom 187
The Sermon of the Rose 191


RILEY LOVE-LYRICS


AN OLD SWEETHEART OF MINE

As one who cons at evening o'er an album all alone,
And muses on the faces of the friends that he has known,
So I turn the leaves of fancy till, in shadowy design,
I find the smiling features of an old sweetheart of mine.

The lamplight seems to glimmer with a flicker of surprise,
As I turn it low to rest me of the dazzle in my eyes,
And light my pipe in silence, save a sigh that seems to yoke
Its fate with my tobacco and to vanish with the smoke.

'Tis a fragrant retrospection—for the loving thoughts that start
Into being are like perfume from the blossom of the heart;
And to dream the old dreams over is a luxury divine—
When my truant fancy wanders with that old sweetheart of mine.

Though I hear, beneath my study, like a fluttering of wings,
The voices of my children, and the mother as she sings,
I feel no twinge of conscience to deny me any theme
When Care has cast her anchor in the harbor of a dream.

In fact, to speak in earnest, I believe it adds a charm
To spice the good a trifle with a little dust of harm—
For I find an extra flavor in Memory's mellow wine
That makes me drink the deeper to that old sweetheart of mine.

A face of lily-beauty, with a form of airy grace,
Floats out of my tobacco as the genii from the vase;
And I thrill beneath the glances of a pair of azure eyes
As glowing as the summer and as tender as the skies.

I can see the pink sunbonnet and the little checkered dress
She wore when first I kissed her and she answered the caress
With the written declaration that, "as surely as the vine
Grew round the stump," she loved me—that old sweetheart of mine.

And again I feel the pressure of her slender little hand,
As we used to talk together of the future we had planned—
When I should be a poet, and with nothing else to do
But write the tender verses that she set the music to:

When we should live together in a cozy little cot
Hid in a nest of roses, with a fairy garden-spot,
Where the vines were ever fruited, and the weather ever fine,
And the birds were ever singing for that old sweetheart of mine:

When I should be her lover forever and a day,
And she my faithful sweetheart till the golden hair was gray;
And we should be so happy that when either's lips were dumb
They would not smile in Heaven till the other's kiss had come.

* * *

But, ah! my dream is broken by a step upon the stair,
And the door is softly opened, and—my wife is standing there;
Yet with eagerness and rapture all my visions I resign
To greet the living presence of that old sweetheart of mine.


A' OLD PLAYED-OUT SONG

It's the curiousest thing in creation,
Whenever I hear that old song
"Do They Miss Me at Home," I'm so bothered,
My life seems as short as it's long!—
Fer ev'rything 'pears like adzackly
It 'peared in the years past and gone,—
When I started out sparkin', at twenty,
And had my first neckercher on!

Though I'm wrinkelder, older and grayer
Right now than my parents was then,
You strike up that song "Do They Miss Me,"
And I'm jest a youngster again!—
I'm a-standin' back thare in the furries
A-wishin' fer evening to come,
And a-whisperin' over and over
Them words "Do They Miss Me at Home?"

You see, Marthy Ellen she sung it
The first time I heerd it; and so,
As she was my very first sweetheart,
It reminds me of her, don't you know;—
How her face used to look, in the twilight,
As I tuck her to Spellin'; and she
Kep' a-hummin' that song tel I ast her,
Pine-blank, ef she ever missed me!

I can shet my eyes now, as you sing it,
And hear her low answerin' words;
And then the glad chirp of the crickets,
As clear as the twitter of birds;
And the dust in the road is like velvet,
And the ragweed and fennel and grass
Is as sweet as the scent of the lilies
Of Eden of old, as we pass.

"Do They Miss Me at Home?" Sing it lower—
And softer—and sweet as the breeze
That powdered our path with the snowy
White bloom of the old locus'-trees!
Let the whipperwills he'p you to sing it,
And the echoes 'way over the hill,
Tel the moon boolges out, in a chorus
Of stars, and our voices is still.

But oh! "They's a chord in the music
That's missed when her voice is away!"
Though I listen from midnight tel morning,
And dawn tel the dusk of the day!
And I grope through the dark, lookin' up'ards
And on through the heavenly dome,
With my longin' soul singin' and sobbin'
The words "Do They Miss Me at Home?"


A VERY YOUTHFUL AFFAIR

I'm bin a-visitun 'bout a week
To my little Cousin's at Nameless Creek,
An' I'm got the hives an' a new straw hat,
An' I'm come back home where my beau lives at.


AN OUT-WORN SAPPHO

How tired I am! I sink down all alone
Here by the wayside of the Present. Lo,
Even as a child I hide my face and moan—
A little girl that may no farther go;
The path above me only seems to grow
More rugged, climbing still, and ever briered
With keener thorns of pain than these below;
And O the bleeding feet that falter so
And are so very tired!

Why, I have journeyed from the far-off Lands
Of Babyhood—where baby-lilies blew
Their trumpets in mine ears, and filled my hands
With treasures of perfume and honey-dew,
And where the orchard shadows ever drew
Their cool arms round me when my cheeks were fired
With too much joy, and lulled mine eyelids to,
And only let the starshine trickle through
In sprays, when I was tired!

Yet I remember, when the butterfly
Went flickering about me like a flame
That quenched itself in roses suddenly,
How oft I wished that I might blaze the same,
And in some rose-wreath nestle with my name,
While all the world looked on it and admired.—
Poor moth!—Along my wavering flight toward fame
The winds drive backward, and my wings are lame
And broken, bruised and tired!

I hardly know the path from those old times;
I know at first it was a smoother one
Than this that hurries past me now, and climbs
So high, its far cliffs even hide the sun
And shroud in gloom my journey scarce begun.
I could not do quite all the world required—
I could not do quite all I should have done,
And in my eagerness I have outrun
My strength—and I am tired....

Just tired! But when of old I had the stay
Of mother-hands, O very sweet indeed
It was to dream that all the weary way
I should but follow where I now must lead—
For long ago they left me in my need,
And, groping on alone, I tripped and mired
Among rank grasses where the serpents breed
In knotted coils about the feet of speed.—
There first it was I tired.

And yet I staggered on, and bore my load
Right gallantly: The sun, in summer-time,
In lazy belts came slipping down the road
To woo me on, with many a glimmering rhyme
Rained from the golden rim of some fair clime,
That, hovering beyond the clouds, inspired
My failing heart with fancies so sublime
I half forgot my path of dust and grime,
Though I was growing tired.

And there were many voices cheering me:
I listened to sweet praises where the wind
Went laughing o'er my shoulders gleefully
And scattering my love-songs far behind;—
Until, at last, I thought the world so kind—
So rich in all my yearning soul desired—
So generous—so loyally inclined,
I grew to love and trust it.... I was blind—
Yea, blind as I was tired!

And yet one hand held me in creature-touch:
And O, how fair it was, how true and strong,
How it did hold my heart up like a crutch,
Till, in my dreams, I joyed to walk along
The toilsome way, contented with a song—
'Twas all of earthly things I had acquired,
And 'twas enough, I feigned, or right or wrong,
Since, binding me to man—a mortal thong—
It stayed me, growing tired....

Yea, I had e'en resigned me to the strait
Of earthly rulership—had bowed my head
Acceptant of the master-mind—the great
One lover—lord of all,—the perfected
Kiss-comrade of my soul;—had stammering said
My prayers to him;—all—all that he desired
I rendered sacredly as we were wed.—
Nay—nay!—'twas but a myth I worshippéd.—
And—God of love!—how tired!

For, O my friends, to lose the latest grasp—
To feel the last hope slipping from its hold—
To feel the one fond hand within your clasp
Fall slack, and loosen with a touch so cold
Its pressure may not warm you as of old
Before the light of love had thus expired—
To know your tears are worthless, though they rolled
Their torrents out in molten drops of gold.—
God's pity! I am tired!

And I must rest.—Yet do not say "She died,"
In speaking of me, sleeping here alone.
I kiss the grassy grave I sink beside,
And close mine eyes in slumber all mine own:
Hereafter I shall neither sob nor moan
Nor murmur one complaint;—all I desired,
And failed in life to find, will now be known—
So let me dream. Good night! And on the stone
Say simply: She was tired.


THE PASSING OF A HEART