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Riley Love-Lyrics

Chapter 46: THE ROSE
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About This Book

The collection presents lyrical poems that meditate on love, memory, and domestic life, balancing tender romantic reveries with homespun humor. Many pieces revisit courtship, marriage, longing, and the ache of reminiscence, often through intimate domestic scenes and rural imagery—gardens, roses, evening lamps, and familiar walkways. The voice shifts between plaintive, celebratory, and comic registers, sometimes adopting colloquial dialect for character and warmth. Short narrative lyrics and standalone meditations vary in meter and tone, producing a steady interplay of sentimentality and gentle irony while tracing the passage of time and the endurance of affection.

It's a mystery to see me—a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more—
A-lookin' glad and smilin'! And they's none o' you can say
That you can guess the reason why I feel so good to-day!

I must tell you all about it! But I'll have to deviate
A little in beginnin', so's to set the matter straight
As to how it comes to happen that I never took a wife—
Kind o' "crawfish" from the Present to the Springtime of my life!

I was brought up in the country: Of a family of five—
Three brothers and a sister—I'm the only one alive,—
Fer they all died little babies; and 'twas one o' Mother's ways,
You know, to want a daughter; so she took a girl to raise.

The sweetest little thing she was, with rosy cheeks, and fat—
We was little chunks o' shavers then about as high as that!
But someway we sort o' suited-like! and Mother she'd declare
She never laid her eyes on a more lovin' pair

Than we was! So we growed up side by side fer thirteen year',
And every hour of it she growed to me more dear!—
W'y, even Father's dyin', as he did, I do believe
Warn't more affectin' to me than it was to see her grieve!

I was then a lad o' twenty; and I felt a flash o' pride
In thinkin' all depended on me now to pervide
Fer Mother and fer Mary; and I went about the place
With sleeves rolled up—and workin', with a mighty smilin' face.—

Fer sompin' else was workin'! but not a word I said
Of a certain sort o' notion that was runnin' through my head,—
"Someday I'd mayby marry, and a brother's love was one
Thing—a lover's was another!" was the way the notion run!

I remember onc't in harvest, when the "cradle-in'" was done—
When the harvest of my summers mounted up to twenty-one
I was ridin' home with Mary at the closin' o' the day—
A-chawin' straws and thinkin', in a lover's lazy way!

And Mary's cheeks was burnin' like the sunset down the lane:
I noticed she was thinkin', too, and ast her to explain.
Well—when she turned and kissed me, with her arms around me—law!
I'd a bigger load o' heaven than I had a load o' straw!

I don't p'tend to learnin', but I'll tell you what's a fact,
They's a mighty truthful sayin' somers in a' almanack—
Er somers—'bout "puore happiness"—perhaps some folks'll laugh
At the idy—"only lastin' jest two seconds and a half."—

But it's jest as true as preachin'!—fer that was a sister's kiss,
And a sister's lovin' confidence a-tellin' to me this:—
"She was happy, bein' promised to the son o' farmer Brown."—
And my feelin's struck a pardnership with sunset and went down!

I don't know how I acted—I don't know what I said,
Fer my heart seemed jest a-turnin' to an ice-cold lump o' lead;
And the hosses kindo' glimmered before me in the road.
And the lines fell from my fingers—and that was all I knowed—

Fer—well, I don't know how long—They's a dim rememberence
Of a sound o' snortin' hosses, and a stake-and-ridered fence
A-whizzin' past, and wheat-sheaves a-dancin' in the air,
And Mary screamin' "Murder!" and a-runnin' up to where

I was layin' by the roadside, and the wagon upside down
A-leanin' on the gate-post, with the wheels a whirlin' round!
And I tried to raise and meet her, but I couldn't, with a vague
Sorto' notion comin' to me that I had a broken leg.

Well, the women nussed me through it; but many a time I'd sigh
As I'd keep a-gittin' better instid o' goin' to die,
And wonder what was left me worth livin' fer below,
When the girl I loved was married to another, don't you know!

And my thoughts was as rebellious as the folks was good and kind
When Brown and Mary married—Railly must a-been my mind
Was kindo' out o' kilter!—fer I hated Brown, you see,
Worse'n pizen—and the feller whittled crutches out fer me

And done a thousand little ac's o' kindness and respect—
And me a-wishin' all the time that I could break his neck!
My relief was like a mourner's when the funeral is done
When they moved to Illinois in the Fall o' Forty-one.

Then I went to work in airnest—I had nothin' much in view
But to drown'd out rickollections—and it kep' me busy, too!
But I slowly thrived and prospered, tel Mother used to say
She expected yit to see me a wealthy man some day.

Then I'd think how little money was, compared to happiness—
And who'd be left to use it when I died I couldn't guess!
But I've still kep' speculatin' and a-gainin' year by year,
Tel I'm pay-in' half the taxes in the county, mighty near!

Well!—A year ago er better, a letter comes to hand
Astin' how I'd like to dicker fer some Illinois land—
"The feller that had owned it," it went ahead to state,
"Had jest deceased, insolvent, leavin' chance to speculate,"—

And then it closed by sayin' that I'd "better come and see."—
I'd never been West, anyhow—a most too wild fer me
I'd allus had a notion; but a lawyer here in town
Said I'd find myself mistakened when I come to look around.

So I bids good-bye to Mother, and I jumps aboard the train,
A-thinkin' what I'd bring her when I come back home again—
And ef she'd had an idy what the present was to be,
I think it's more'n likely she'd a-went along with me!

Cars is awful tejus ridin', fer all they go so fast!
But finally they called out my stoppin'-place at last;
And that night, at the tavern, I dreamp' I was a train
O' cars, and skeered at sompin', runnin' down a country lane!

Well, in the mornin' airly—after huntin' up the man—
The lawyer who was wantin' to swap the piece o' land—
We started fer the country; and I ast the history
Of the farm—its former owner—and so-forth, etcetery!

And—well—it was interestin'—I su-prised him, I suppose,
By the loud and frequent manner in which I blowed my nose!—
But his su-prise was greater, and it made him wonder more,
When I kissed and hugged the widder when she met us at the door!—

It was Mary: They's a feelin' a-hidin' down in here—
Of course I can't explain it, ner ever make it clear.—
It was with us in that meetin', I don't want you to fergit!
And it makes me kind o' nervous when I think about it yit!

I bought that farm, and deeded it, afore I left the town,
With "title clear to mansions in the skies," to Mary Brown!
And fu'thermore, I took her and the childern—fer, you see,
They'd never seed their Grandma—and I fetched 'em home with me.

So now you've got an idy why a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more,
Is a-lookin' glad and smilin'!—And I've jest come into town
To git a pair o' license fer to marry Mary Brown.


THE ROSE

It tossed its head at the wooing breeze;
And the sun, like a bashful swain,
Beamed on it through the waving trees
With a passion all in vain,—
For my rose laughed in a crimson glee,
And hid in the leaves in wait for me.

The honey-bee came there to sing
His love through the languid hours,
And vaunt of his hives, as a proud old king
Might boast of his palace-towers:
But my rose bowed in a mockery,
And hid in the leaves in wait for me.

The humming-bird, like a courtier gay,
Dipped down with a dalliant song,
And twanged his wings through the roundelay
Of love the whole day long:
Yet my rose turned from his minstrelsy
And hid in the leaves in wait for me.

The firefly came in the twilight dim
My red, red rose to woo—
Till quenched was the flame of love in him
And the light of his lantern too,
As my rose wept with dewdrops three
And hid in the leaves in wait for me.

And I said: I will cull my own sweet rose—
Some day I will claim as mine
The priceless worth of the flower that knows
No change, but a bloom divine—
The bloom of a fadeless constancy
That hides in the leaves in wait for me!

But time passed by in a strange disguise,
And I marked it not, but lay
In a lazy dream, with drowsy eyes,
Till the summer slipped away,
And a chill wind sang in a minor key:
"Where is the rose that waits for thee?"

* * *

I dream to-day, o'er a purple stain
Of bloom on a withered stalk,
Pelted down by the autumn rain
In the dust of the garden-walk,
That an Angel-rose in the world to be
Will hide in the leaves in wait for me.


HAS SHE FORGOTTEN?

I

Has she forgotten? On this very May
We were to meet here, with the birds and bees,
As on that Sabbath, underneath the trees
We strayed among the tombs, and stripped away
The vines from these old granites, cold and gray—
And yet indeed not grim enough were they
To stay our kisses, smiles and ecstasies,
Or closer voice-lost vows and rhapsodies.
Has she forgotten—that the May has won
Its promise?—that the bird-songs from the tree
Are sprayed above the grasses as the sun
Might jar the dazzling dew down showeringly?
Has she forgotten life—love—everyone—
Has she forgotten me—forgotten me?

II

Low, low down in the violets I press
My lips and whisper to her. Does she hear,
And yet hold silence, though I call her dear,
Just as of old, save for the tearfulness

Of the clenched eyes, and the soul's vast distress?
Has she forgotten thus the old caress
That made our breath a quickened atmosphere
That failed nigh unto swooning with the sheer
Delight? Mine arms clutch now this earthen heap
Sodden with tears that flow on ceaselessly
As autumn rains the long, long, long nights weep
In memory of days that used to be,—
Has she forgotten these? And in her sleep,
Has she forgotten me—forgotten me?

III

To-night, against my pillow, with shut eyes,
I mean to weld our faces—through the dense
Incalculable darkness make pretense
That she has risen from her reveries
To mate her dreams with mine in marriages
Of mellow palms, smooth faces, and tense ease
Of every longing nerve of indolence,—
Lift from the grave her quiet lips, and stun
My senses with her kisses—drawl the glee
Of her glad mouth, full blithe and tenderly,
Across mine own, forgetful if is done
The old love's awful dawn-time when said we,
"To-day is ours!"... Ah, Heaven! can it be
She has forgotten me—forgotten me!


BLOOMS OF MAY

But yesterday!...
O blooms of May,
And summer roses—Where-away?
O stars above,
And lips of love
And all the honeyed sweets thereof!

O lad and lass
And orchard-pass,
And briered lane, and daisied grass!
O gleam and gloom,
And woodland bloom,
And breezy breaths of all perfume!—

No more for me
Or mine shall be
Thy raptures—save in memory,—
No more—no more—
Till through the Door
Of Glory gleam the days of yore.


THE SERMON OF THE ROSE

Wilful we are in our infirmity
Of childish questioning and discontent.
Whate'er befalls us is divinely meant—
Thou Truth the clearer for thy mystery!
Make us to meet what is or is to be
With fervid welcome, knowing it is sent
To serve us in some way full excellent,
Though we discern it all belatedly.
The rose buds, and the rose blooms and the rose
Bows in the dews, and in its fulness, lo,
Is in the lover's hand,—then on the breast
Of her he loves,—and there dies.—And who knows
Which fate of all a rose may undergo
Is fairest, dearest, sweetest, loveliest?

Nay, we are children: we will not mature.
A blessed gift must seem a theft; and tears
Must storm our eyes when but a joy appears
In drear disguise of sorrow; and how poor
We seem when we are richest,—most secure
Against all poverty the lifelong years
We yet must waste in childish doubts and fears
That, in despite of reason, still endure!
Alas! the sermon of the rose we will
Not wisely ponder; nor the sobs of grief
Lulled into sighs of rapture; nor the cry
Of fierce defiance that again is still.
Be patient—patient with our frail belief,
And stay it yet a little ere we die.

O opulent life of ours, though dispossessed
Of treasure after treasure! Youth most fair
Went first, but left its priceless coil of hair—
Moaned over sleepless nights, kissed and caressed
Through drip and blur of tears the tenderest.
And next went Love—the ripe rose glowing there
Her very sister!... It is here; but where
Is she, of all the world the first and best?
And yet how sweet the sweet earth after rain—
How sweet the sunlight on the garden wall
Across the roses—and how sweetly flows
The limpid yodel of the brook again!
And yet—and yet how sweeter after all,
The smouldering sweetness of a dead red rose!