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Riley Songs of Home

Chapter 41: JIM
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About This Book

A collection of lyrical and narrative poems written in a homespun, plainspoken voice that evokes rural domestic life and childhood memories. Poems range from comic dialect vignettes to tender, reflective lyrics that consider longing, homecoming, and the passage of time. Everyday scenes and objects—porches, trees, simple rooms—are rendered with sensory detail and affectionate humor, while some pieces register quiet melancholy or moral reflection. The sequence alternates playful songs, nostalgic reveries, and occasional contemplative monologues, offering a varied portrait of ordinary pleasures, family ties, and the bittersweet ache of remembering.


This side of "out-of-reach."






"A BRAVE REFRAIN"


When snow is here, and the trees look weird,

And the knuckled twigs are gloved with frost;

When the breath congeals in the drover's beard,

And the old pathway to the barn is lost;

When the rooster's crow is sad to hear,

And the stamp of the stabled horse is vain,

And the tone of the cow-bell grieves the ear—

O then is the time for a brave refrain!


When the gears hang stiff on the harness-peg,

And the tallow gleams in frozen streaks;

And the old hen stands on a lonesome leg,

And the pump sounds hoarse and the handle squeaks;

When the woodpile lies in a shrouded heap,

And the frost is scratched from the window-pane

And anxious eyes from the inside peep—

O then is the time for a brave refrain!


When the ax-helve warms at the chimney-jamb,

And hob-nailed shoes on the hearth below,

And the house-cat curls in a slumber calm,

And the eight-day clock ticks loud and slow;

When the harsh broom-handle jabs the ceil

'Neath the kitchen-loft, and the drowsy brain

Sniffs the breath of the morning meal—

O then is the time for a brave refrain!


ENVOI

When the skillet seethes, and a blubbering hot

Tilts the lid of the coffee-pot,

And the scent of the buckwheat cake grows plain—

O then is the time for a brave refrain!






IN THE EVENING


I

In the evening of our days,

When the first far stars above

Glimmer dimmer, through the haze,

Than the dewy eyes of love,

Shall we mournfully revert

To the vanished morns and Mays

Of our youth, with hearts that hurt,—

In the evening of our days?



II

Shall the hand that holds your own

Till the twain are thrilled as now,

Be withheld, or colder grown?

Shall my kiss upon your brow

Falter from its high estate?

And, in all forgetful ways,

Shall we sit apart and wait—

In the evening of our days?



III

Nay, my wife—my life!—the gloom

Shall enfold us velvetwise,

And my smile shall be the groom

Of the gladness of your eyes:

Gently, gently as the dew

Mingles with the darkening maze,

I shall fall asleep with you—

In the evening of our days.






JIM


He was jes a plain, ever'-day, all-round kind of a

jour.,

Consumpted-lookin'—but la!

The jokiest, wittiest, story-tellin', song-singin',

laughin'est, jolliest

Feller you ever saw!

Worked at jes coarse work, but you kin bet he was fine

enough in his talk,

And his feelin's, too!

Lordy! ef he was on'y back on his bench ag'in to-day,

a-carryin' on

Like he ust to do!


Any shop-mate'll tell you there never was, on top o'

dirt,

A better feller'n Jim!

You want a favor, and couldn't git it anywheres else—

You could git it o' him!

Most free-heartedest man thataway in the world, I

guess!

Give up ever' nickel he's worth—

And, ef you'd a-wanted it, and named it to him, and it

was his,

He'd a-give you the earth!


Allus a-reachin' out, Jim was, and a-he'ppin' some

Pore feller onto his feet—

He'd a-never a-keered how hungry he was hisse'f,

So's the feller got somepin' to eat!

Didn't make no differ'nee at all to him how
he
was

dressed,

He ust to say to me,—

"You togg out a tramp purty comfortable in

winter-time, a-huntin' a job,

And he'll git along!" says he.



Jim didn't have, ner never could git ahead, so overly

much

O' this world's goods at a time.—

'Fore now I've saw him, more'n one't, lend a dollar,

and haf to, more'n like,

Turn round and borry a dime!

Mebby laugh and joke about it hisse'f fer a while—

then jerk his coat.

And kindo' square his chin,

Tie on his apern, and squat hisse'f on his old

shoe-bench,

And go to peggin' ag'in!


Patientest feller, too, I reckon, 'at ever jes

natchurly

Coughed hisse'f to death!

Long enough after his voice was lost he'd laugh in a

whisper and say

He could git ever'thing but his breath—

"
You fellers
," he'd sorto' twinkle his eyes and say,

"Is a-pilin' onto me

A mighty big debt fer that-air little weak-chested

ghost o' mine to pack

Through all Eternity!"


Now there was a man 'at jes 'peared-like, to me,

'At ortn't a-never a-died!

"But death hain't a-showin' no favors," the old boss

said—

"On'y to Jim!" and cried:

And Wigger, who puts up the best sewed-work in the

shop—

Er the whole blame neighborhood,—

He says, "When God made Jim, I bet you He didn't do

anything else that day

But jes set around and feel good!"







THE BEST IS GOOD ENOUGH


I quarrel not with Destiny,

But make the best of everything—

The best is good enough for me.


Leave Discontent alone, and she

Will shut her month and let
you
sing.

I quarrel not with Destiny.


I take some things, or let 'em be—

Good gold has always got the ring;

The best is good enough for me.


Since Fate insists on secrecy,

I have no arguments to bring—

quarrel not with Destiny.


The fellow that goes "haw" for "gee"

Will find he hasn't got full swing.

The best is good enough for me.


One only knows our needs, and He

Does all of the distributing.

I quarrel not with Destiny;

The best is good enough for me.






HONEY DRIPPING FROM THE COMB


How slight a thing may set one's fancy drifting

Upon the dead sea of the Past!—A view—

Sometimes an odor—or a rooster lifting

A far-off "Ooh! ooh-ooh!"


And suddenly we find ourselves astray

In some wood's-pasture of the Long Ago—

Or idly dream again upon a day

Of rest we used to know.


I bit an apple but a moment since—

A wilted apple that the worm had spurned.—

Yet hidden in the taste were happy hints

Of good old days returned.—


And so my heart, like some enraptured lute,

Tinkles a tune so tender and complete,

God's blessing must be resting on the fruit—

So bitter, yet so sweet!





AS MY UNCLE USED TO SAY


I've thought a power on men and things,

As my uncle ust to say,—

And ef folks don't work as they pray, i jings!

W'y, they ain't no use to pray!

Ef you want somepin', and jes dead-set

A-pleadin' fer it with both eyes wet,

And
tears
won't bring it, w'y, you try
sweat
,

As my uncle ust to say.


They's some don't know their A, B, C's,

As my uncle ust to say,

And yit don't waste no candle-grease,

Ner whistle their lives away!

But ef they can't write no book, ner rhyme

No singin' song fer to last all time,

They can blaze the way fer the march sublime,

As my uncle ust to say.



Whoever's Foreman of all things here,

As my uncle ust to say,

He knows each job 'at we're best fit fer,

And our round-up, night and day:

And a-sizin'
His
work, east and west,

And north and south, and worst and best.

I ain't got nothin' to suggest,

As my uncle ust to say.






WE MUST BELIEVE


"
Lord, I believe: help Thou mine unbelief.
"


We must believe—

Being from birth endowed with love and trust—

Born unto loving;—and how simply just

That love—that faith!—even in the blossom-face

The babe drops dreamward in its resting-place,

Intuitively conscious of the sure

Awakening to rapture ever pure

And sweet and saintly as the mother's own,

Or the awed father's, as his arms are thrown

O'er wife and child, to round about them weave

And wind and bind them as one harvest-sheaf

Of love—to cleave to, and
forever
cleave....

Lord, I believe:

Help Thou mine unbelief.


We must believe—

Impelled since infancy to seek some clear