WeRead Powered by ReaderPub
Roast Beef, Medium: The Business Adventures of Emma McChesney cover

Roast Beef, Medium: The Business Adventures of Emma McChesney

Chapter 16: THE END
Open in WeRead

Explore more books like this:

About This Book

A series of comic sketches follows Emma McChesney, a pragmatic traveling saleswoman who promotes petticoats and navigates department-store life. She moves between small Midwestern towns and Chicago, confronting merchandising challenges, skeptical buyers, and store politics while juggling maternal affection for her son and moments of loneliness. The stories blend situational humor, sharp social observation, and character portraits of customers, colleagues, and fashion-conscious city women. Recurring themes include female independence in commerce, practical common sense versus pretension, and how sales savvy and plain-speaking resolve both professional obstacles and social misunderstandings.

The door closed upon him. Emma McChesney and her son were left alone in their new home to be.

“Turn out the light, son,” said Emma McChesney, “and come to the window. There's a view! Worth the money, alone.”

Jock switched off the light. “D' you know, Blonde, I shouldn't wonder if old T. A.'s sweetish on you,” he said as he came over to the window.

“Old!”

“He's forty or over, isn't he?”

“Son, do you realize your charming mother's thirty-nine?”

“Oh, you! That's different. You look a kid. You're young in all the spots where other women of thirty-nine look old. Around the eyes, and under the chin, and your hands, and the corners of your mouth.”

In the twilight Emma McChesney turned to stare at her son. “Just where did you learn all that, young 'un? At college?”

And, “Some view, isn't it, Mother?” parried Jock. The two stood there, side by side, looking out across the great city that glittered and swam in the soft haze of the late November afternoon. There are lovelier sights than New York seen at night, from a window eyrie with a mauve haze softening all, as a beautiful but experienced woman is softened by an artfully draped scarf of chiffon. There are cities of roses, cities of mountains, cities of palm-trees and sparkling lakes; but no sight, be it of mountains, or roses, or lakes, or waving palm-trees, is more likely to cause that vague something which catches you in the throat.

It caught those two home-hungry people. And it opened the lips of one of them almost against his will.

“Mother,” said Jock haltingly, painfully, “I came mighty near coming home—for good—this time.”

His mother turned and searched his face in the dim light.

“What was it, Jock?” she asked, quite without fuss.

The slim young figure in the jumping juvenile clothes stirred and tried to speak, tried again, formed the two words: “A—girl.”

Emma McChesney waited a second, until the icy, cruel, relentless hand that clutched her very heart should have relaxed ever so little. Then, “Tell me, sonny boy,” she said.

“Why, Mother—that girl—” There was an agony of bitterness and of disillusioned youth in his voice.

Emma McChesney came very close, so that her head, in the pert little close-fitting hat, rested on the boy's shoulder. She linked her arm through his, snug and warm.

“That girl—” she echoed encouragingly.

And, “That girl,” went on Jock, taking up the thread of his grief, “why, Mother, that—girl—”

THE END