WeRead Powered by ReaderPub
Robert Browning cover

Robert Browning

Chapter 2: PREFACE.
Open in WeRead

Explore more books like this:

About This Book

This study traces the poet's life and literary development from early influences through major experiments, giving concentrated attention to formative pieces, dramatic works, and the long narrative sequence, and surveying later years and aftermath. It then offers sustained analysis of imaginative method and technique, weighing twin tendencies toward realism and a romantic impulsion, and identifying recurring aesthetic pleasures in light, colour, form, and force alongside moral and psychological concern for the soul. The author explores philosophical tensions about matter, time, knowledge, and the divine, and proposes that love operates as a key resolving principle while providing close readings of representative poems and dramas.

The Project Gutenberg eBook of Robert Browning

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Robert Browning

Author: C. H. Herford

Release date: January 6, 2005 [eBook #14618]
Most recently updated: October 28, 2024

Language: English

Credits: Produced by Jonathan Ingram, Lynn Bornath and the PG Online
Distributed Proofreading Team

*** START OF THE PROJECT GUTENBERG EBOOK ROBERT BROWNING ***

MODERN ENGLISH WRITERS.

Crown 8vo, 2/6 each.


READY.
MATTHEW ARNOLD   Professor SAINTSBURY.
R.L. STEVENSON   L. COPE CORNFORD.
JOHN RUSKIN   Mrs MEYNELL.
ALFRED TENNYSON   ANDREW LANG.
THOMAS HENRY HUXLEY   EDWARD CLODD.
W.M. THACKERAY   CHARLES WHIBLEY.
ROBERT BROWNING   C.H. HERFORD.
 
IN PREPARATION.
GEORGE ELIOT   A.T. QUILLER-COUCH.
J.A. FROUDE   JOHN OLIVER HOBBES.

WILLIAM BLACKWOOD & SONS, EDINBURGH AND LONDON.



ROBERT BROWNING




BY

C.H. HERFORD

PROFESSOR OF ENGLISH LITERATURE IN THE
UNIVERSITY OF MANCHESTER





WILLIAM BLACKWOOD AND SONS

EDINBURGH AND LONDON

MCMV




TO THE

REV. F.E. MILLSON.


DEAR OLD FRIEND,

A generation has passed since the day when, in your study at Brackenbed Grange, your reading of "Ben Ezra," the tones of which still vibrate in my memory, first introduced me to the poetry of Robert Browning. He was then just entering upon his wider fame. You had for years been one not merely of the few who recognised him, but of those, yet fewer, who proclaimed him. The standpoint of the following pages is not, I think, very remote from your own; conversations with you have, in any case, done something to define it. You see, then, that your share of responsibility for them is, on all counts, considerable, and you must not refuse to allow me to associate them with a name which the old Rabbi's great heartening cry: "Strive, and hold cheap the strain, Learn, nor account the pang, Dare, never grudge the throe," summons spontaneously to many other lips than mine. To some it is brought yet closer by his calm retrospect through sorrow.




ει δη θειον ο νους προς τον ανθρωπον, και ο κατα τουτον βιος θειος προς τον ανθρωπινον βιονARIST., Eth. N. x. 8.

"Nè creator nè creatura mai,"
Cominciò ei, "figliuol, fu senza amore."
DANTE, Purg. xvii. 91.




PREFACE.


BROWNING is confessedly a difficult poet, and his difficulty is by no means all of the kind which opposes unmistakable impediments to the reader's path. Some of it is of the more insidious kind, which may co-exist with a delightful persuasion that the way is absolutely clear, and Browning's "obscurity" an invention of the invertebrate. The problems presented by his writing are merely tough, and will always yield to intelligent and patient scrutiny. But the problems presented by his mind are elusive, and it would be hard to resist the cogency of his interpreters, if it were not for their number. The rapid succession of acute and notable studies of Browning put forth during the last three or four years makes it even more apparent than it was before that the last word on Browning has not yet been said, even in that very qualified sense in which the last word about any poet, or any poetry, can ever be said at all. The present volume, in any case, does not aspire to say it. But it is not perhaps necessary to apologise for adding, under these conditions, another to the list. From most of the recent studies I have learned something; but this book has its roots in a somewhat earlier time, and may perhaps be described as an attempt to work out, in the detail of Browning's life and poetry, from a more definitely literary standpoint and without Hegelian prepossessions, a view of his genius not unlike that set forth with so much eloquence and penetration, in his well-known volume, by Professor Henry Jones. The narrative of Browning's life, in the earlier chapters, makes no pretence to biographical completeness. An immense mass of detail and anecdote bearing upon him is now available and within easy reach. I have attempted to sift out from this picturesque loose drift the really salient and relevant material. Much domestic incident, over which the brush would fain linger, will be missed; on the other hand, the great central epoch of Browning's poetic life, from 1846 to 1869, has been treated, deliberately, on what may appear an inordinately generous scale. Some amount of overlapping and repetition, it may be added, in the analytical chapters the plan of the book rendered it impossible wholly to avoid.

I am indebted to a friend, who wishes to be nameless, for reading the proofs, with results extremely beneficial to the book.

UNIVERSITY OF MANCHESTER,
January 1905.


CONTENTS.


  PAGE
PREFACE vii
PART I.
BROWNING'S LIFE AND WORK.
CHAP.  
I. EARLY LIFE. PARACELSUS 1
II. ENLARGING HORIZONS. SORDELLO 24
III. MATURING METHODS. DRAMAS AND DRAMATIC LYRICS 37
    Introduction.  
  I. Dramas. From Strafford to Pippa Passes 42
  II. From the Blot in the 'Scutcheon to Luria 51
  III. The early Dramatic Lyrics and Romances 65
 
IV. WEDDED LIFE IN ITALY. MEN AND WOMEN 74
  I. January 1845 to September 1846 74
  II. Society and Friendships 84
  III. Politics 88
  IV. Poems of Nature 91
  V. Poems of Art 96
  VI. Poems of Religion 110
  VII. Poems of Love 132
 
V. LONDON. DRAMATIS PERSONÆ 148
VI. THE RING AND THE BOOK 169
VII. AFTERMATH 187
VIII. THE LAST DECADE 220
 
PART II.
BROWNING'S MIND AND ART.
 
IX. THE POET 237
  I. Divergent psychical tendencies of Browning—"romantic" temperament, "realist" senses—blending of their données in his imaginative activity—shifting complexion of "finite" and "infinite" 237
  II. His "realism." Plasticity, acuteness, and veracity of intellect and senses 239
  III. But his realism qualified by energetic individual preference along certain well-defined lines 245
  IV. Joy in Light and Colour 246
  V. Joy in Form. Love of abruptness, of intricacy; clefts and spikes 250
  VI. Joy in Power. Violence in imagery and description; in sounds; in words. Grotesqueness. Intensity. Catastrophic action. The pregnant moment 257
  VII. Joy in Soul. 1. Limited in Browning on the side of simple human nature; of the family; of the civic community; of myth and symbol 266
  VIII. Joy in Soul. 2. Supported by Joy in Light and Colour; in Form; in Power. 3. Extended to (a) sub-human Nature, (b) the inanimate products of Art; Relation of Browning's poetry to his interpretation of life 272
 
X. THE INTERPRETER OF LIFE 287
  I. Approximation of God, Man, Nature in the thought of the early nineteenth century; how far reflected in the thought of Browning 287
  II. Antagonistic elements of Browning's intellect; resulting fluctuations of his thought. Two conceptions of Reality. Ambiguous treatment of "Matter"; of Time 290
  III. Conflicting tendencies in his conception of God 295
  IV. Conflicting tendencies in his treatment of Knowledge 297
  V. Proximate solution of these antagonisms in the conception of Love 300
  VI. Final estimate of Browning's relation to the progressive and conservative movements of his age 304
 
INDEX 310