"You think he was an amateur robber and an expert prize fighter?" asked Ruth Tolliver.
It seemed to Ronicky Doone that her voice was perfectly controlled and calm. Perhaps it was her face that betrayed emotion, for after a moment of silence, the man answered.
"What's the matter? You're as nervous as a child tonight, Ruth?"
"Isn't there reason enough to make me nervous?" she demanded. "A robber—Heaven knows what—running at large in the house?"
"H'm!" murmured the man. "Devilish queer that you should get so excited all at once. No, it's something else. I've trained you too well for you to go to pieces like this over nothing. What is it, Ruth?"
There was no answer. Then the voice began again, silken-smooth and gentle, so gentle and kindly that Ronicky Doone started. "In the old days you used to keep nothing from me; we were companions, Ruth. That was when you were a child. Now that you are a woman, when you feel more, think more, see more, when our companionship should be like a running stream, continually bringing new things into my life, I find barriers between us. Why is it, my dear?"
Still there was no answer. The pulse of Ronicky Doone began to quicken, as though the question had been asked him, as though he himself were fumbling for the answer.
"Let us talk more freely," went on the man. "Try to open your mind to me. There are things which you dislike in me; I know it. Just what those things are I cannot tell, but we must break down these foolish little barriers which are appearing more and more every day. Not that I mean to intrude myself on you every moment of your life. You understand that, of course?"
"Of course," said the girl faintly.
"And I understand perfectly that you have passed out of childhood into young womanhood, and that is a dreamy time for a girl. Her body is formed at last, but her mind is only half formed. There is a pleasant mist over it. Very well, I don't wish to brush the mist away. If I did that I would take half that charm away from you—that elusive incompleteness which Fragonard and Watteau tried to imitate, Heaven knows with how little success. No, I shall always let you live your own life. All that I ask for, my dear, are certain meeting places. Let us establish them before it is too late, or you will find one day that you have married an old man, and we shall have silent dinners. There is nothing more wretched than that. If it should come about, then you will begin to look on me as a jailer. And—"
"Don't!"
"Ah," said he very tenderly, "I knew that I was feeling toward the truth. You are shrinking from me, Ruth, because you feel that I am too old."
"No, no!"
Here a hand pounded heavily on the door.
"The idiots have found something," said the man of the sneer. "And now they have come to talk about their cleverness, like a rooster crowing over a grain of corn." He raised his voice. "Come in!"
And Ronicky Doone heard a panting voice a moment later exclaim: "We've got him!"
Chapter Twelve
The Strange Bargain
Ronicky drew his gun and waited. "Good," said the man of the sneer.
"Go ahead."
"It was down in the cellar that we found the first tracks. He came in through the side window and closed it after him."
"That dropped him into the coal bin. Did he get coal dust on his shoes?"
"Right; and he didn't have sense enough to wipe it off."
"An amateur—a rank amateur! I told you!" said the man of the sneer, with satisfaction. "You followed his trail?"
"Up the stairs to the kitchen and down the hall and up to Harry's room."
"We already knew he'd gone there."
"But he left that room again and came down the hall."
"Yes. The coal dust was pretty well wiped off by that time, but we held a light close to the carpet and got the signs of it."
"And where did it lead?"
"Right to this room!"
Ronicky stepped from among the smooth silks and pressed close to the door of the closet, his hand on the knob. The time had almost come for one desperate attempt to escape, and he was ready to shoot to kill.
A moment of pause had come, a pause which, in the imagination of Ronicky, was filled with the approach of both the men toward the door of the closet.
Then the man of the sneer said: "That's a likely story!"
"I can show you the tracks."
"H'm! You fool, they simply grew dim when they got to this door. I've been here for some time. Go back and tell them to hunt some more. Go up to the attic and search there. That's the place an amateur would most likely hide."
The man growled some retort and left, closing the door heavily behind him, while Ronicky Doone breathed freely again for the first time.
"Now," said the man of the sneer, "tell me the whole of it, Ruth."
Ronicky set his teeth. Had the clever devil guessed at the truth so easily? Had he sent his follower away, merely to avoid having it known that a man had taken shelter in the room of the girl he loved?
"Go on," the leader was repeating. "Let me hear the whole truth."
"I—I—" stammered the girl, and she could say no more.
The man of the sneer laughed unpleasantly. "Let me help you. It was somebody you met somewhere—on the train, perhaps, and you couldn't help smiling at him, eh? You smiled so much, in fact, that he followed you and found that you had come here. The only way he could get in was by stealth. Is that right? So he came in exactly that way, like a robber, but really only to keep a tryst with his lady love? A pretty story, a true romance! I begin to see why you find me such a dull fellow, my dear girl."
"John—" began Ruth Tolliver, her voice shaking.
"Tush," he broke in as smoothly as ever. "Let me tell the story for you and spare your blushes. When I sent you for Harry Morgan you found Lochinvar in the very act of slugging the poor fellow. You helped him tie Morgan; then you took him here to your room; although you were glad to see him, you warned him that it was dangerous to play with fire—fire being me. Do I gather the drift of the story fairly well? Finally you have him worked up to the right pitch. He is convinced that a retreat would be advantageous, if possible. You show him that it is possible. You point out the ledge under your window and the easy way of working to the ground. Eh?"
"Yes," said the girl unevenly. "That is—"
"Ah!" murmured the man of the sneer. "You seem rather relieved that I have guessed he left the house. In that case—"
Ronicky Doone had held the latch of the door turned back for some time. Now he pushed it open and stepped out. He was only barely in time, for the man of the sneer was turning quickly in his direction, since there was only one hiding place in the room.
He was brought up with a shock by the sight of Ronicky's big Colt, held at the hip and covering him with absolute certainty. Ruth Tolliver did not cry out, but every muscle in her face and body seemed to contract, as if she were preparing herself for the explosion.
"You don't have to put up your hands," said Ronicky Doone, wondering at the familiarity of the face of the man of the sneer. He had brooded on it so often in the past few days that it was like the face of an old acquaintance. He knew every line in that sharp profile.
"Thank you," responded the leader, and, turning to the girl, he said coldly: "I congratulate you on your good taste. A regular Apollo, my dear Ruth."
He turned back to Ronicky Doone. "And I suppose you have overhead our entire conversation?"
"The whole lot of it," said Ronicky, "though I wasn't playing my hand at eavesdropping. I couldn't help hearing you, partner."
The man of the sneer looked him over leisurely. "Western," he said at last, "decidedly Western.
"Are you staying long in the East, my friend?"
"I dunno," said Ronicky Doone, smiling faintly at the coolness of the other. "What do you think about it?"
"Meaning that I'm liable to put an end to your stay?"
"Maybe!"
"Tush, tush! I suppose Ruth has filled your head with a lot of rot about what a terrible fellow I am. But I don't use poison, and I don't kill with mysterious X-rays. I am, as you see, a very quiet and ordinary sort."
Ronicky Doone smiled again. "You just oblige me, partner," he replied in his own soft voice. "Just stay away from the walls of the room—don't even sit down. Stand right where you are."
"You'd murder me if I took another step?" asked the man of the sneer, and a contemptuous and sardonic expression flitted across his face for the first time.
"I'd sure blow you full of lead," said Ronicky fervently. "I'd kill you like a snake, stranger, which I mostly think you are. So step light, and step quick when I talk."
"Certainly," said the other, bowing. "I am entirely at your service." He turned a little to Ruth. "I see that you have a most determined cavalier. I suppose he'll instantly abduct you and sweep you away from beneath my eyes?"
She made a vague gesture of denial.
"Go ahead," said the leader. "By the way, my name is John Mark."
"I'm Doone—some call me Ronicky Doone."
"I'm glad to know you, Ronicky Doone. I imagine that name fits you. Now tell me the story of why you came to this house; of course it wasn't to see a girl!"
"You're wrong! It was."
"Ah?" In spite of himself the face of John Mark wrinkled with pain and suspicious rage.
"I came to see a girl, and her name, I figure, is Caroline Smith."
Relief, wonder, and even a gleam of outright happiness shot into the eyes of John Mark. "Caroline? You came for that?" Suddenly he laughed heartily, but there was a tremor of emotion in that laughter. The perfect torture, which had been wringing the soul of the man of the sneer, projected through the laughter.
"I ask your pardon, my dear," said John Mark to Ruth. "I should have guessed. You found him; he confessed why he was here; you took pity on him—and—" He brushed a hand across his forehead and was instantly himself, calm and cool.
"Very well, then. It seems I've made an ass of myself, but I'll try to make up for it. Now what about Caroline? There seems to be a whole host of you Westerners annoying her."
"Only one: I'm acting as his agent."
"And what do you expect?"
"I expect that you will send for her and tell her that she is free to go down with me—leave this house—and take a ride or a walk with me."
"As much as that? If you have to talk to her, why not do the talking here?"
"I dunno," replied Ronicky Doone. "I figure she'd think too much about you all the time."
"The basilisk, eh?" asked John Mark. "Well, you are going to persuade her to go to Bill Gregg?"
"You know the name, eh?"
"Yes, I have a curious stock of useless information."
"Well, you're right; I'm going to try to get her back for Bill."
"But you can't expect me to assent to that?"
"I sure do."
"And why? This Caroline Smith may be a person of great value to me."
"I have no doubt she is, but I got a good argument."
"What is it?"
"The gun, partner."
"And, if you couldn't get the girl—but see how absurd the whole thing is, Ronicky Doone! I send for the girl; I request her to go down with you to the street and take a walk, because you wish to talk to her. Heavens, man, I can't persuade her to go with a stranger at night! Surely you see that!"
"I'll do that persuading," said Ronicky Doone calmly.
"And, when you're on the streets with the girl, do you suppose I'll rest idle and let you walk away with her?"
"Once we're outside of the house, Mark," said Ronicky Doone, "I don't ask no favors. Let your men come on. All I got to say is that I come from a county where every man wears a gun and has to learn how to use it. I ain't terrible backward with the trigger finger, John Mark. Not that I figure on bragging, but I want you to pick good men for my trail and tell 'em to step soft. Is that square?"
"Aside from certain idiosyncrasies, such as your manner of paying a call by way of a cellar window, I think you are the soul of honor, Ronicky Doone. Now may I sit down?"
"Suppose we shake hands to bind the bargain," said Ronicky. "You send for Caroline Smith; I'm to do the persuading to get her out of the house. We're safe to the doors of the house; the minute we step into the street, you're free to do anything you want to get either of us. Will you shake on that?"
For a moment the leader hesitated, then his fingers closed over the extended hand of Ronicky Doone and clamped down on them like so many steel wires contracting. At the same time a flush of excitement and fierceness passed over the face of John Mark. Ronicky Doone, taken utterly by surprise, was at a great disadvantage. Then he put the whole power of his own hand into the grip, and it was like iron meeting iron. A great rage came in the eyes of John Mark; a great wonder came in the eyes of the Westerner. Where did John Mark get his sudden strength?
"Well," said Ronicky, "we've shaken hands, and now you can do what you please! Sit down, leave the room—anything." He shoved his gun away in his clothes. That brought a start from John Mark and a flash of eagerness, but he repressed the idea, after a single glance at the girl.
"We've shaken hands," he admitted slowly, as though just realizing the full extent of the meaning of that act. "Very well, Ronicky, I'll send for Caroline Smith, and more power to your tongue, but you'll never get her away from this house without force."
Chapter Thirteen
Doone Wins
A servant answered the bell almost at once. "Tell Miss Smith that she's wanted in Miss Tolliver's room," said Mark, and, when the servant disappeared, he began pacing up and down the room. Now and then he cast a sharp glance to the side and scrutinized the face of Ronicky Doone. With Ruth's permission, the latter had lighted a cigarette and was smoking it in bland enjoyment. Again the leader paused directly before the girl, and, with his feet spread and his head bowed in an absurd Napoleonic posture, he considered every feature of her face. The uncertain smile, which came trembling on her face, elicited no response from Mark.
She dreaded him, Ronicky saw, as a slave dreads a cruel master. Still she had a certain affection for him, partly as the result of many benefactions, no doubt, and partly from long acquaintance; and, above all, she respected his powers of mind intensely. The play of emotion in her face—fear, anger, suspicion—as John Mark paced up and down before her, was a study.
With a secret satisfaction Ronicky Doone saw that her glances continually sought him, timidly, curiously. All vanity aside, he had dropped a bomb under the feet of John Mark, and some day the bomb might explode.
There was a tap at the door, it opened and Caroline Smith entered in a dressing gown. She smiled brightly at Ruth and wanly at John Mark, then started at the sight of the stranger.
"This," said John Mark, "is Ronicky Doone."
The Westerner rose and bowed.
"He has come," said John Mark, "to try to persuade you to go out for a stroll with him, so that he can talk to you about that curious fellow, Bill Gregg. He is going to try to soften your heart, I believe, by telling you all the inconveniences which Bill Gregg has endured to find you here. But he will do his talking for himself. Just why he has to take you out of the house, at night, before he can talk to you is, I admit, a mystery to me. But let him do the persuading."
Ronicky Doone turned to his host, a cold gleam in his eyes. His case had been presented in such a way as to make his task of persuasion almost impossible. Then he turned back and looked at the girl. Her face was a little pale, he thought, but perfectly composed.
"I don't know Bill Gregg," she said simply. "Of course, I'm glad to talk to you, Mr. Doone, but why not here?"
John Mark covered a smile of satisfaction, and the girl looked at him, apparently to see if she had spoken correctly. It was obvious that the leader was pleased, and she glanced back at Ronicky, with a flush of pleasure.
"I'll tell you why I can't talk to you in here," said Ronicky gently. "Because, while you're under the same roof with this gent with the sneer"—he turned and indicated Mark, sneering himself as he did so—"you're not yourself. You don't have a halfway chance to think for yourself. You feel him around you and behind you and beside you every minute, and you keep wondering not what you really feel about anything, but what John Mark wants you to feel. Ain't that the straight of it?"
She glanced apprehensively at John Mark, and, seeing that he did not move to resent this assertion, she looked again with wide-eyed wonder at Ronicky Doone.
"You see," said the man of the sneer to Caroline Smith, "that our friend from the West has a child-like faith in my powers of—what shall I say—hypnotism!"
A faint smile of agreement flickered on her lips and went out. Then she regarded Ronicky, with an utter lack of emotion.
"If I could talk like him," said Ronicky Doone gravely, "I sure wouldn't care where I had to do the talking; but I haven't any smooth lingo—I ain't got a lot of words all ready and handy. I'm a pretty simple-minded sort of a gent, Miss Smith. That's why I want to get you out of this house, where I can talk to you alone."
She paused, then shook her head.
"As far as going out with me goes," went on Ronicky, "well, they's nothing I can say except to ask you to look at me close, lady, and then ask yourself if I'm the sort of a gent a girl has got anything to be afraid about. I won't keep you long; five minutes is all I ask. And we can walk up and down the street, in plain view of the house, if you want. Is it a go?"
At least he had broken through the surface crust of indifference. She was looking at him now, with a shade of interest and sympathy, but she shook her head.
"I'm afraid—" she began.
"Don't refuse right off, without thinking," said Ronicky. "I've worked pretty hard to get a chance to meet you, face to face. I busted into this house tonight like a burglar—"
"Oh," cried the girl, "you're the man—Harry Morgan—" She stopped, aghast.
"He's the man who nearly killed Morgan," said John Mark.
"Is that against me?" asked Ronicky eagerly. "Is that all against me? I was fighting for the chance to find you and talk to you. Give me that chance now."
Obviously she could not make up her mind. It had been curious that this handsome, boyish fellow should come as an emissary from Bill Gregg. It was more curious still that he should have had the daring and the strength to beat Harry Morgan.
"What shall I do, Ruth?" she asked suddenly.
Ruth Tolliver glanced apprehensively at John Mark and then flushed, but she raised her head bravely. "If I were you, Caroline," she said steadily, "I'd simply ask myself if I could trust Ronicky Doone. Can you?"
The girl faced Ronicky again, her hands clasped in indecision and excitement. Certainly, if clean honesty was ever written in the face of a man, it stood written in the clear-cut features of Ronicky Doone.
"Yes," she said at last, "I'll go. For five minutes—only in the street—in full view of the house."
There was a hard, deep-throated exclamation from John Mark. He rose and glided across the room, as if to go and vent his anger elsewhere. But he checked and controlled himself at the door, then turned.
"You seem to have won, Doone. I congratulate you. When he's talking to you, Caroline, I want you constantly to remember that—"
"Wait!" cut in Ronicky sharply. "She'll do her own thinking, without your help."
John Mark bowed with a sardonic smile, but his face was colorless. Plainly he had been hard hit. "Later on," he continued, "we'll see more of each other, I expect—a great deal more, Doone."
"It's something I'll sure wait for," said Ronicky savagely. "I got more than one little thing to talk over with you, Mark. Maybe about some of them we'll have to do more than talking. Good-by. Lady, I'll be waiting for you down by the front door of the house."
Caroline Smith nodded, flung one frightened and appealing glance to
Ruth Tolliver for direction, then hurried out to her room to dress.
Ronicky Doone turned back to Ruth.
"In my part of the country," he said simply, "they's some gents we know sort of casual, and some gents we have for friends. Once in a while you bump into somebody that's so straight and square-shooting that you'd like to have him for a partner. If you were out West, lady, and if you were a man—well, I'd pick you for a partner, because you've sure played straight and square with me tonight."
He turned, hesitated, and, facing her again, caught up her hand, touched it to his lips, then hurried past John Mark and through the doorway. They could hear his rapid footfalls descending the stairs, and John Mark was thoughtful indeed. He was watching Ruth Tolliver, as she stared down at her hand. When she raised her head and met the glance of the leader she flushed slowly to the roots of her hair.
"Yes," muttered John Mark, still thoughtfully and half to himself, "there's really true steel in him. He's done more against me in one half hour than any other dozen men in ten years."
Chapter Fourteen
Her Little Joke
A brief ten minutes of waiting beside the front door of the house, and then Ronicky Doone heard a swift pattering of feet on the stairs. Presently the girl was moving very slowly toward him down the hall. Plainly she was bitterly afraid when she came beside him, under the dim hall light. She wore that same black hat, turned back from her white face, and the red flower beside it was a dull, uncertain blur. Decidedly she was pretty enough to explain Bill Gregg's sorrow.
Ronicky gave her no chance to think twice. She was in the very act of murmuring something about a change of mind, when he opened the door and, stepping out into the starlight, invited her with a smile and a gesture to follow. In a moment they were in the freshness of the night air. He took her arm, and they passed slowly down the steps. At the bottom she turned and looked anxiously at the house.
"Lady," murmured Ronicky, "they's nothing to be afraid of. We're going to walk right up and down this street and never get out of sight of the friends you got in this here house."
At the word "friends" she shivered slightly, and he added: "Unless you want to go farther of your own free will."
"No, no!" she exclaimed, as if frightened by the very prospect.
"Then we won't. It's all up to you. You're the boss, and I'm the cow-puncher, lady."
"But tell me quickly," she urged. "I—I have to go back. I mustn't stay out too long."
"Starting right in at the first," Ronicky said, "I got to tell you that Bill has told me pretty much everything that ever went on between you two. All about the correspondence-school work and about the letters and about the pictures."
"I don't understand," murmured the girl faintly.
But Ronicky diplomatically raised his voice and went on, as if he had not heard her. "You know what he's done with that picture of yours?"
"No," she said faintly.
"He got the biggest nugget that he's ever taken out of the dirt. He got it beaten out into the right shape, and then he made a locket out of it and put your picture in it, and now he wears it around his neck, even when he's working at the mine."
Her breath caught. "That silly, cheap snapshot!"
She stopped. She had admitted everything already, and she had intended to be a very sphinx with this strange Westerner.
"It was only a joke," she said. "I—I didn't really mean to—"
"Do you know what that joke did?" asked Ronicky. "It made two men fight, then cross the continent together and get on the trail of a girl whose name they didn't even know. They found the girl, and then she said she'd forgotten—but no, I don't mean to blame you. There's something queer behind it all. But I want to explain one thing. The reason that Bill didn't get to that train wasn't because he didn't try. He did try. He tried so hard that he got into a fight with a gent that tried to hold him up for a few words, and Bill got shot off his hoss."
"Shot?" asked the girl. "Shot?"
Suddenly she was clutching his arm, terrified at the thought. She recovered herself at once and drew away, eluding the hand of Ronicky. He made no further attempt to detain her.
But he had lifted the mask and seen the real state of her mind; and she, too, knew that the secret was discovered. It angered her and threw her instantly on the aggressive.
"I tell you what I guessed from the window," said Ronicky. "You went down to the street, all prepared to meet up with poor old Bill—"
"Prepared to meet him?" She started up at Ronicky. "How in the world could I ever guess—"
She was looking up to him, trying to drag his eyes down to hers, but
Ronicky diplomatically kept his attention straight ahead.
"You couldn't guess," he suggested, "but there was someone who could guess for you. Someone who pretty well knew we were in town, who wanted to keep you away from Bill because he was afraid—"
"Of what?" she demanded sharply.
"Afraid of losing you."
This seemed to frighten her. "What do you know?" she asked.
"I know this," he answered, "that I think a girl like you, all in all, is too good for any man. But, if any man ought to have her, it's the gent that is fondest of her. And Bill is terrible fond of you, lady—he don't think of nothing else. He's grown thin as a ghost, longing for you."
"So he sends another man to risk his life to find me and tell me about it?" she demanded, between anger and sadness.
"He didn't send me—I just came. But the reason I came was because I knew Bill would give up without a fight."
"I hate a man who won't fight," said the girl.
"It's because he figures he's so much beneath you," said Ronicky. "And, besides, he can't talk about himself. He's no good at that at all. But, if it comes to fighting, lady, why, he rode a couple of hosses to death and stole another and had a gunfight, all for the sake of seeing you, when a train passed through a town."
She was speechless.
"So I thought I'd come," said Ronicky Doone, "and tell you the insides of things, the way I knew Bill wouldn't and couldn't, but I figure it don't mean nothing much to you."
She did not answer directly. She only said: "Are men like this in the
West? Do they do so much for their friends?"
"For a gent like Bill Gregg, that's simple and straight from the shoulder, they ain't nothing too good to be done for him. What I'd do for him he'd do mighty pronto for me, and what he'd do for me—well, don't you figure that he'd do ten times as much for the girl he loves? Be honest with me," said Ronicky Doone. "Tell me if Bill means anymore to you than any stranger?"
"No—yes."
"Which means simply yes. But how much more, lady?"
"I hardly know him. How can I say?"
"It's sure an easy thing to say. You've wrote to him. You've had letters from him. You've sent him your picture, and he's sent you his, and you've seen him on the street. Lady, you sure know Bill Gregg, and what do you think of him?"
"I think—"
"Is he a square sort of gent?"
"Y-yes."
"The kind you'd trust?"
"Yes, but—"
"Is he the kind that would stick to the girl he loved and take care of her, through thick and thin?"
"You mustn't talk like this," said Caroline Smith, but her voice trembled, and her eyes told him to go on.
"I'm going back and tell Bill Gregg that, down in your heart, you love him just about the same as he loves you!"
"Oh," she asked, "would you say a thing like that? It isn't a bit true."
"I'm afraid that's the way I see it. When I tell him that, you can lay to it that old Bill will let loose all holds and start for you, and, if they's ten brick walls and twenty gunmen in between, it won't make no difference. He'll find you, or die trying."
Before he finished she was clinging to his arm.
"If you tell him, you'll be doing a murder, Ronicky Doone. What he'll face will be worse than twenty gunmen."
"The gent that smiles, eh?"
"Yes, John Mark. No, no, I didn't mean—"
"But you did, and I knew it, too. It's John Mark that's between you and Bill. I seen you in the street, when you were talking to poor Bill, look back over your shoulder at that devil standing in the window of this house."
"Don't call him that!"
"D'you know of one drop of kindness in his nature, lady?"
"Are we quite alone?"
"Not a soul around."
"Then he is a devil, and, being a devil, no ordinary man has a chance against him—not a chance, Ronicky Doone. I don't know what you did in the house, but I think you must have outfaced him in some way. Well, for that you'll pay, be sure! And you'll pay with your life, Ronicky. Every minute, now, you're in danger of your life. You'll keep on being in danger, until he feels that he has squared his account with you. Don't you see that if I let Bill Gregg come near me—"
"Then Bill will be in danger of this same wolf of a man, eh? And, in spite of the fact that you like Bill—"
"Ah, yes, I do!"
"That you love him, in fact."
"Why shouldn't I tell you?" demanded the girl, breaking down suddenly.
"I do love him, and I can never see him to tell him, because I dread
John Mark."
"Rest easy," said Ronicky, "you'll see Bill, or else he'll die trying to get to you."
"If you're his friend—"
"I'd rather see him dead than living the rest of his life, plumb unhappy."
She shook her head, arguing, and so they reached the corner of Beekman Place again and turned into it and went straight toward the house opposite that of John Mark. Still the girl argued, but it was in a whisper, as if she feared that terrible John Mark might overhear.
* * * * *
In the home of John Mark, that calm leader was still with Ruth Tolliver. They had gone down to the lower floor of the house, and, at his request, she sat at the piano, while Mark sat comfortably beyond the sphere of the piano light and watched her.
"You're thinking of something else," he told her, "and playing abominably."
"I'm sorry."
"You ought to be," he said. "It's bad enough to play poorly for someone who doesn't know, but it's torture to play like that for me."
He spoke without violence, as always, but she knew that he was intensely angry, and that familiar chill passed through her body. It never failed to come when she felt that she had aroused his anger.
"Why doesn't Caroline come back?" she asked at length.
"She's letting him talk himself out, that's all. Caroline's a clever youngster. She knows how to let a man talk till his throat is dry, and then she'll smile and tell him that it's impossible to agree with him. Yes, there are many possibilities in Caroline."
"You think Ronicky Doone is a gambler?" she asked, harking back to what he had said earlier.
"I think so," answered John Mark, and again there was that tightening of the muscles around his mouth. "A gambler has a certain way of masking his own face and looking at yours, as if he were dragging your thoughts out through your eyes; also, he's very cool; he belongs at a table with the cards on it and the stakes high."
The door opened. "Here's young Rose. He'll tell us the truth of the matter. Has she come back, Rose?"
The young fellow kept far back in the shadow, and, when he spoke, his voice was uncertain, almost to the point of trembling. "No," he managed to say, "she ain't come back, chief."
Mark stared at him for a moment and then slowly opened a cigarette case and lighted a smoke. "Well," he said, and his words were far more violent than the smooth voice, "well, idiot, what did she do?"
"She done a fade-away, chief, in the house across the street. Went in with that other gent."
"He took her by force?" asked John Mark.
"Nope. She slipped in quick enough and all by herself. He went in last."
"Damnation!" murmured Mark. "That's all, Rose."
His follower vanished through the doorway and closed the door softly after him. John Mark stood up and paced quietly up and down the room. At length he turned abruptly on the girl. "Good night. I have business that takes me out."
"What is it?" she asked eagerly.
He paused, as if in doubt as to how he should answer her, if he answered at all. "In the old days," he said at last, "when a man caught a poacher on his grounds, do you know what he did?"
"No."
"Shot him, my dear, without a thought and threw his body to the wolves!"
"John Mark! Do you mean—"
"Your friend Ronicky, of course."
"Only because Caroline was foolish are you going to—"
"Caroline? Tut, tut! Caroline is only a small part of it. He has done more than that—far more, this poacher out of the West!"
He turned and went swiftly through the door. The moment it was closed the girl buried her face in her hands.
Chapter Fifteen
The Girl Thief
Before that death sentence had been passed on him Ronicky Doone stood before the door of his room, with the trembling girl beside him.
"Wait here," he whispered to her. "Wait here while I go in and wake him up. It's going to be the greatest moment in his life! Poor Bill Gregg is going to turn into the richest man in New York City—all in one moment!"
"But I don't dare go in. It will mean—"
"It will mean everything, but it's too late to turn back now. Besides, in your heart of hearts, you don't want to turn back, you know!"
Quickly he passed into the room and hurried to the bed of Bill Gregg. Under the biting grip of Doone's hand Bill Gregg writhed to a sitting posture, with a groan. Still he was in the throes of his dream and only half awakened.
"I've lost her," he whispered.
"You're wrong, idiot," said Ronicky softly, "you're wrong. You've won her. She's at the door now, waiting to come in."
"Ronicky," said Bill Gregg, suddenly awake, "you've been the finest friend a man ever had, but, if you make a joke out of her, I'll wring your neck!"
"Sure you would. But, before you do that, jump into your clothes and open the door."
Sleep was still thick enough in the brain of Bill Gregg to make him obey automatically. He stumbled into his clothes and then shambled dizzily to the door and opened it. As the light from the room struck down the hall Ronicky saw his friend stiffen to his full height and strike a hand across his face.
"Stars and Stripes!" exclaimed Bill Gregg. "The days of the miracles ain't over!"
Ronicky Doone turned his back and went to the window. Across the street rose the forbidding face of the house of John Mark, and it threatened Ronicky Doone like a clenched hand, brandished against him. The shadow under the upper gable was like the shadow under a frowning brow. In that house worked the mind of John Mark. Certainly Ronicky Doone had won the first stage of the battle between them, but there was more to come—much more of that battle—and who would win in the end was an open question. He made up his mind grimly that, whatever happened, he would first ship Bill Gregg and the girl out of the city, then act as the rear guard to cover their retreat.
When he returned they had closed the door and were standing back from one another, with such shining eyes that the heart of Ronicky Doone leaped. If, for a moment, doubt of his work came to him, it was banished, as they glanced toward him.
"I dunno how he did it," Bill Gregg was stammering, "but here it is—done! Bless you, Ronicky."
"A minute ago," said Ronicky, "it looked to me like the lady didn't know her own mind, but that seems to be over."
"I found my own mind the moment I saw him," said the girl.
Ronicky studied her in wonder. There was no embarrassment, no shame to have confessed herself. She had the clear brow of a child. Suddenly, it seemed to Ronicky that he had become an old man, and these were two children under his protection. He struck into the heart of the problem at once.
"The main point," he said, "is to get you two out of town, as quick as we can. Out West in Bill's country he can take care of you, but back here this John Mark is a devil and has the strength to stop us. How quick can you go, Caroline?"
"I can never go," she said, "as long as John Mark is alive."
"Then he's as good as dead," said Bill Gregg. "We both got guns, and, no matter how husky John Mark may be, we'll get at him!"
The girl shook her head. All the joy had gone out of her face and left her wistful and misty eyed. "You don't understand, and I can't tell you. You can never harm John Mark."
"Why not?" asked Bill Gregg. "Has he got a thousand men around him all the time? Even if he has they's ways of getting at him."
"Not a thousand men," said the girl, "but, you see, he doesn't need help. He's never failed. That's what they say of him: 'John Mark, the man who has never lost!'"
"Listen to me," said Ronicky angrily. "Seems to me that everybody stands around and gapes at this gent with the sneer a terrible lot, without a pile of good reasons behind 'em. Never failed? Why, lady, here's one night when he's failed and failed bad. He's lost you!"
"No," said Caroline.
"Not lost you?" asked Bill Gregg. "Say, you ain't figuring on going back to him?"
"I have to go back."
"Why?" demanded Gregg.
"It's because of you," interpreted Ronicky Doone. "She knows that, if she leaves you, Mark will start on your trail. Mark is the name of the gent with the sneer, Bill."
"He's got to die, then, Ronicky."
"I been figuring on the same thing for a long time, but he'll die hard,
Bill."
"Don't you see?" asked the girl. "Both of you are strong men and brave, but against John Mark I know that you're helpless. It isn't the first time people have hated him. Hated? Who does anything but hate him? But that doesn't make any difference. He wins, he always wins, and that's why I've come to you."
She turned to Bill Gregg, but such a sad resignation held her eyes that
Ronicky Doone bowed his head.
"I've come to tell you that I love you, that I have always loved you, since I first began writing to you. All of yourself showed through your letters, plain and strong and simple and true. I've come tonight to tell you that I love you, but that we can never marry. Not that I fear him for myself, but for you."
"Listen here," said Bill Gregg, "ain't there police in this town?"
"What could they do? In all of the things which he has done no one has been able to accuse him of a single illegal act—at least no one has ever been able to prove a thing. And yet he lives by crime. Does that give you an idea of the sort of man he is?"
"A low hound," said Bill Gregg bitterly, "that's what he shows to be."
"Tell me straight," said Ronicky, "what sort of a hold has he got over you? Can you tell us?"
"I have to tell you," said the girl gravely, "if you insist, but won't you take my word for it and ask no more?"
"We have a right to know," said Ronicky. "Bill has a right, and, me being Bill's friend, I have a right, too."
She nodded.
"First off, what's the way John Mark uses you?"
She clenched her hands. "If I tell you that, you will both despise me."
"Try us," said Ronicky. "And you can lay to this, lady, that, when a gent out of the West says 'partner' to a girl or a man, he means it. What you do may be bad; what you are is all right. We both know it. The inside of you is right, lady, no matter what John Mark makes you do. But tell us straight, what is it?"
"He has made me," said the girl, her head falling, "a thief!"
Ronicky saw Bill Gregg wince, as if someone had struck him in the face. And he himself waited, curious to see what the big fellow would do. He had not long to wait. Gregg went straight to the girl and took her hands.
"D'you think that makes any difference?" he asked. "Not to me, and not to my friend Ronicky. There's something behind it. Tell us that!"
"There is something behind it," said the girl, "and I can't say how grateful I am to you both for still trusting me. I have a brother. He came to New York to work, found it was easy to spend money—and spent it. Finally he began sending home for money. We are not rich, but we gave him what we could. It went on like that for some time. Then, one day, a stranger called at our house, and it was John Mark. He wanted to see me, and, when we talked together, he told me that my brother had done a terrible thing—what it was I can't tell even you.
"I wouldn't believe at first, though he showed me what looked like proofs. At last I believed enough to agree to go to New York and see for myself. I came here, and saw my brother and made him confess. What it was I can't tell you. I can only say that his life is in the hand of John Mark. John Mark has only to say ten words, and my brother is dead. He told me that. He showed me the hold that Mark had over him, and begged me to do what I could for him. I didn't see how I could be of use to him, but John Mark showed me. He taught me to steal, and I have stolen. He taught me to lie, and I have lied. And he has me still in the hollow of his hand, do you see? And that's why I say that it's hopeless. Even if you could fight against John Mark, which no one can, you couldn't help me. The moment you strike him he strikes my brother."
"Curse him!" exclaimed Ronicky. "Curse the hound!" Then he added: "They's just one thing to do, first of all. You got to go back to John Mark. Tell him that you came over here. Tell him that you seen Bill Gregg, but you only came to say good-by to him, and to ask him to leave town and go West. Then, tomorrow, we'll move out, and he may think that we've gone. Meantime the thing you do is to give me the name of your brother and tell me where I can find him. I'll hunt him up. Maybe something can be done for him. I dunno, but that's where we've got to try."
"But—" she began.
"Do what he says," whispered Bill Gregg. "I've doubted Ronicky before, but look at all that he's done? Do what he says, Caroline."
"It means putting him in your power," she said at last, "just as he was put in the power of John Mark, but I trust you. Give me a slip of paper, and I'll write on it what you want."
Chapter Sixteen
Disarming Suspicion
From the house across the street Caroline Smith slipped out upon the pavement and glanced warily about her. The street was empty, quieter and more villagelike than ever, yet she knew perfectly well that John Mark had not allowed her to be gone so long without keeping watch over her. Somewhere from the blank faces of those houses across the street his spies kept guard over her movements. Here she glanced sharply over her shoulder, and it seemed to her that a shadow flitted into the door of a basement, farther up the street.
At that she fled and did not stop running until she was at the door of the house of Mark. Since all was quiet, up and down the street, she paused again, her hand upon the knob. To enter meant to step back into the life which she hated. There had been a time when she had almost loved the life to which John Mark introduced her; there had been a time when she had rejoiced in the nimbleness of her fingers which had enabled her to become an adept as a thief. And, by so doing, she had kept the life of her brother from danger, she verily believed. She was still saving him, and, so long as she worked for John Mark, she knew that her brother was safe, yet she hesitated long at the door.
It would be only the work of a moment to flee back to the man she loved, tell him that she could not and dared not stay longer with the master criminal, and beg him to take her West to a clean life. Her hand fell from the knob, but she raised it again immediately.
It would not do to flee, so long as John Mark had power of life or death over her brother. If Ronicky Doone, as he promised, was able to inspire her brother with the courage to flee from New York, give up his sporting life and seek refuge in some far-off place, then, indeed, she would go with Bill Gregg to the ends of the earth and mock the cunning fiend who had controlled her life so long.
The important thing now was to disarm him of all suspicion, make him feel that she had only visited Bill Gregg in order to say farewell to him. With this in her mind she opened the front door and stepped into the hall, always lighted with ominous dimness. That gloom fell about her like the visible presence of John Mark.
A squat, powerful figure glided out of the doorway to the right. It was Harry Morgan, and the side of his face was swathed in bandages, so that he had to twist his mouth violently in order to speak.
"The chief," he said abruptly. "Beat it quick to his room. He wants you."
"Why?" asked Caroline, hoping to extract some grain or two of information from the henchman.
"Listen, kid," said the sullen criminal. "D'you think I'm a nut to blow what I know? You beat it, and he'll tell you what he wants."
The violence of this language, however, had given her clues enough to the workings of the chief's mind. She had always been a favored member of the gang, and the men had whistled attendance on her hardly less than upon Ruth Tolliver herself. This sudden harshness in the language of Harry Morgan told her that too much was known, or guessed.
A sudden weakness came over her. "I'm going out," she said, turning to
Harry Morgan who had sauntered over to the front door.
"Are you?" he asked.
"I'm going to take one turn more up the block. I'm not sleepy yet," she repeated and put her hand on the knob of the door.
"Not so you could notice it, you ain't," retorted Morgan. "We've taken lip enough from you, kid. Your day's over. Go up and see what the chief has to say, but you ain't going through this door unless you walk over me."
"Those are orders?" she asked, stepping back, with her heart turning cold.
"Think I'm doing this on my own hook?"
She turned slowly to the stairs. With her hand on the balustrade she decided to try the effect of one personal appeal. Nerving herself she whirled and ran to Harry Morgan. "Harry," she whispered, "let me go out till I've worked up my courage. You know he's terrible to face when he's angry. And I'm afraid, Harry—I'm terribly afraid!"
"Are you?" asked Morgan. "Well, you ain't the first. Go and take your medicine like the rest of us have done, time and time running."
There was no help for it. She went wearily up the stairs to the room of the master thief. There she gave the accustomed rap with the proper intervals. Instantly the cold, soft voice, which she knew and hated so, called to her to enter.
She found him in the act of putting aside his book. He was seated in a deep easy-chair; a dressing gown of silk and a pair of horn-rimmed spectacles gave him a look of owlish wisdom, with a touch of the owl's futility of expression, likewise. He rose, as usual, with all his courtesy. She thought at first, as he showed her to a chair, that he was going to take his usual damnable tack of pretended ignorance in order to see how much she would confess. However, tonight this was not his plan of battle.
The moment she was seated, he removed his spectacles, drew a chair close to hers and sat down, leaning far forward. "Now, my dear, foolish girl," said the master thief, smiling benevolently upon her, "what have you been doing tonight to make us all miserable?"
She knew at once that he was aware of every move she had made, from the first to the last. It gave her firmness to tell the lie with suavity. "It's a queer yarn, John," she said.
"I'm used to queer yarns," he answered. "But where have you been all this time? It was only to take five minutes, I thought."
She made herself laugh. "That's because you don't know Ronicky Doone,
John."
"I'm getting to know him, however," said the master. "And, before I'm done, I hope to know him very well indeed."
"Well, he has a persuasive tongue."
"I think I noticed that for myself."
"And, when he told me how poor Bill Gregg had come clear across the continent—"
"No wonder you were touched, my dear. New Yorkers won't travel so far, will they? Not for a girl, I mean."
"Hardly! But Ronicky Doone made it such a sad affair that I promised I'd go across and see Bill Gregg."
"Not in his room?"
"I knew you wouldn't let him come to see me here."
"Never presuppose what I'll do. But go on—I'm interested—very. Just as much as if Ronicky Doone himself were telling me."
She eyed him shrewdly, but, if there were any deception in him, he hid it well. She could not find the double meaning that must have been behind his words. "I went there, however," she said, "because I was sorry for him, John. If you had seen you'd have been sorry, too, or else you would have laughed; I could hardly keep from it at first."
"I suppose he took you in his arms at once?"
"I think he wanted to. Then, of course, I told him at once why I had come."
"Which was?"
"Simply that it was absurd for him to stay about and persecute me; that the letters I wrote him were simply written for fun, when I was doing some of my cousin's work at the correspondence schools; that the best thing he could do would be to take my regrets and go back to the West."
"Did you tell him all that?" asked John Mark in a rather changed voice.
"Yes; but not quite so bluntly."
"Naturally not; you're a gentle girl, Caroline. I suppose he took it very hard."
"Very, but in a silly way. He's full of pride, you see. He drew himself up and gave me a lecture about deceiving men."
"Well, since you have lost interest in him, it makes no difference."
"But in a way," she said faintly, rising slowly from her chair, "I can't help feeling some interest."
"Naturally not. But, you see, I was worried so much about you and this foolish fellow that I gave orders for him to be put out of the way, as soon as you left him."
Caroline Smith stood for a moment stunned and then ran to him.
"No, no!" she declared. "In the name of the dear mercy of Heaven, John, you haven't done that?"
"I'm sorry."
"Then call him back—the one you sent. Call him back, John, and I'll serve you the rest of my life without question. I'll never fail you, John, but for your own sake and mine, for the sake of everything fair in the world, call him back!"
He pushed away her hands, but without violence. "I thought it would be this way," he said coldly. "You told a very good lie, Caroline. I suppose clever Ronicky Doone rehearsed you in it, but it needed only the oldest trick in the world to expose you."
She recoiled from him. "It was only a joke, then? You didn't mean it,
John? Thank Heaven for that!"
A savagery which, though generally concealed, was never far from the surface, now broke out in him, making the muscles of his face tense and his voice metallic. "Get to your room," he said fiercely, "get to your room. I've wasted time enough on you and your brat of a brother, and now a Western lout is to spoil what I've done? I've a mind to wash my hands of all of you—and sink you. Get to your room, and stay there, while I make up my mind which of the two I shall do."
She went, cringing like one beaten, to the door, and he followed her, trembling with rage.
"Or have you a choice?" he asked. "Brother or lover, which shall it be?"
She turned and stretched out her hands to him, unable to speak; but the man of the sneer struck down her arms and laughed in her face. In mute terror she fled to her room.
Chapter Seventeen
Old Scars
In his room Bill Gregg was striding up and down, throwing his hands toward the ceiling. Now and then he paused to slap Ronicky Doone on the back.
"It's fate, Ronicky," he said, over and over again. "Thinking of waking up and finding the girl that you've loved and lost standing waiting for you! It's the dead come to life. I'm the happiest man in the world. Ronicky, old boy, one of these days I'll be able—" He paused, stopped by the solemnity of Doone's face. "What's wrong, Ronicky?"
"I don't know," said the other gloomily. He rubbed his arms slowly, as if to bring back the circulation to numbed limbs.
"You act like you're sick, Ronicky."
"I'm getting bad-luck signs, Bill. That's the short of it."
"How come?"
"The old scars are prickling."
"Scars? What scars?"
"Ain't you noticed 'em."
It was bedtime, so Ronicky Doone took off his coat and shirt. The rounded body, alive with playing muscles, was striped, here and there, with white streaks—scars left by healed wounds.
"At your age? A kid like you with scars?" Bill Gregg had been asking, and then he saw the exposed scars and gasped. "How come, Ronicky," he asked huskily in his astonishment, "that you got all those and ain't dead yet?"
"I dunno," said the other. "I wonder a pile about that, myself. Fact is
I'm a lucky gent, Bill Gregg."
"They say back yonder in your country that you ain't never been beaten,
Ronicky."
"They sure say a lot of foolish things, just to hear themselves talk, partner. A gent gets pretty good with a gun, then they say he's the best that ever breathed—that he's never been beat. But they forget things that happened just a year back. No, sir; I sure took my lickings when I started."
"But, dog-gone it, Ronicky, you ain't twenty-four now!"
"Between sixteen and twenty-two I spent a pile of time in bed, Bill, and you can lay to that!"
"And you kept practicing?"
"Sure, when I found out that I had to. I never liked shooting much. Hated to think of having a gent's life right inside the crook of my trigger finger. But, when I seen that I had to get good, why I just let go all holds and practiced day and night. And I still got to practice."
"I seen that," said Bill Gregg. "Every day, for an hour or two, you work with your guns."
"It's like being a musician," said Ronicky without enthusiasm. "I heard about it once. Suppose a gent works up to be a fine musician, maybe at the piano. You'd think, when he got to the top and knew everything, he could lay off and take things easy the rest of his life. But not him! Nope, he's got to work like a slave every day."
"But how come you felt them scars pricking as a bad-luck sign, Ronicky?" he asked after a time. "Is there anything that's gone wrong, far as you see?"
"I dunno," said Ronicky gravely. "Maybe not, and maybe so. I ain't a prophet, but I don't like having everything so smooth—not when they's a gent like the man with the sneer on the other end of the wire. It means he's holding back some cards on us, and I'd sure like to see the color of what he's got. What I'm going to work for is this, Bill: To get Caroline's brother, Jerry Smith, and rustle him out of town."
"But how can you do that when John Mark has a hold on him?"
"That's a pile of bunk, Bill. I figure Mark is just bluffing. He ain't going to turn anybody over to the police. Less he has to do with the police the happier he'll be. You can lay to that. Matter of fact, he's been loaning money to Caroline's brother. You heard her say that. Also, he thinks that Mark is the finest and most generous gent that ever stepped. Probably a selfish skunk of a spoiled kid, this brother of hers. Most like he puts Mark up as sort of an ideal. Well, the thing to do is to get hold of him and wake him up and pay off his debts to Mark, which most like run to several thousand."
"Several thousand, Ronicky? But where'll we get the money?"
"You forget that I can always get money. It grows on the bushes for me."
He grinned at Bill Gregg.
"Once we get Jerry Smith, then the whole gang of us will head straight
West, as fast as we can step. Now let's hit the hay."
Never had the mind of Ronicky Doone worked more quickly and surely to the point. The case of Jerry Smith was exactly what he had surmised. As for the crime of which John Mark knew, and which he held like a club over Jerry Smith, it had been purely and simply an act of self-defense. But, to Caroline and her brother, Mark had made it seem clear that the shadow of the electric chair was before the young fellow.
Mark had worked seriously to win Caroline. She was remarkably dexterous; she was the soul of courage; and, if he could once make her love her work, she would make him rich. In the meantime she did very well indeed, and he strengthened his hold on her through her brother. It was not hard to do. If Jerry Smith was the soul of recklessness, he was the soul of honor, also, in many ways. John Mark had only to lead the boy toward a life of heavy expenditures and gaming, lending him, from time to time, the wherewithal to keep it up. In this way he anchored Jerry as a safeguard to windward, in case of trouble.
But, now that Ronicky Doone had entered the tangle, everything was changed. That clear-eyed fellow might see through to the very bottom of Mark's tidewater plans. He might step in and cut the Gordian knot by simply paying off Jerry's debts. Telling the boy to laugh at the danger of exposure, Doone could snatch him away to the West. So Mark came to forestall Ronicky, by sending Jerry out of town and out of reach, for the time being. He would not risk the effect of Ronicky's tongue. Had not Caroline been persuaded under his very eyes by this strange Westerner?
Very early the next morning John Mark went straight to the apartment of his protégé. It was his own man, Northup, who answered the bell and opened the door to him. He had supplied Northup to Jerry Smith, immediately after Caroline accomplished the lifting of the Larrigan emeralds. That clever piece of work had proved the worth of the girl and made it necessary to spare no expense on Jerry. So he had given him the tried and proven Northup.
The moment he looked into the grinning face of Northup he knew that the master was not at home, and both the chief and the servant relaxed. They were friends of too long a term to stand on ceremony.
"There's no one here?" asked Mark, as a matter of form.
"Not a soul—the kid skipped—not a soul in the house."
"Suppose he were to come up behind the door and hear you talk about him like this, Northup? He's trim you down nicely, eh?"
"Him?" asked Northup, with an eloquent jerk of his hand. "He's a husky young brute, but it ain't brute force that I work with." He smiled significantly into the face of the other, and John Mark smiled in return. They understood one another perfectly.
"When is he coming back?"
"Didn't leave any word, chief."
"Isn't this earlier than his usual time for starting the day?"
"It is, by five hours. The lazy pup don't usually crack an eye till one in the afternoon."
"What happened this morning."
"Something rare—something it would have done your heart good to see!"
"Out with it, Northup."
"I was routed out of bed at eight by a jangling of the telephone. The operator downstairs said a gentleman was calling on Mr. Smith. I said, of course, that Mr. Smith couldn't be called on at that hour. Then the operator said the gentleman would come up to the door and explain. I told him to come ahead.
"At the door of the apartment I met as fine looking a youngster as I ever laid eyes on, brown as a berry, with a quick, straight look about the eyes that would have done you good to see. No booze or dope in that face, chief. He said—"
"How tall was he?" asked the chief.
"About my height. Know him?"
"Maybe. What name did he give?"
"Didn't give a name. 'I've come to surprise Jerry,' he says to me.
"'Anybody would surprise Jerry at this hour of the morning,'" says I.