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'Round the Year in Myth and Song

Chapter 2: PREFACE.
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About This Book

A yearlong anthology for children that pairs seasonal readings, retellings of classical myths, and poems with illustrations and pedagogical notes. Organized by months and seasons, it offers brief, child-friendly versions of traditional myths alongside poems and excerpts, pronunciation guidance for proper names, and suggestions for oral recitation, memorization, and classroom activities. Themes emphasize nature, the changing year, and the origins of familiar poetic and artistic motifs; entries vary between narrative myth retellings and short lyric poems, enabling teachers to use selections for reading, recitation, and composition practice.

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Title: 'Round the Year in Myth and Song

Author: Florence Holbrook

Release date: January 26, 2014 [eBook #44765]
Most recently updated: October 24, 2024

Language: English

Credits: Produced by Juliet Sutherland, Sam W. and the Online
Distributed Proofreading Team at http://www.pgdp.net

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Transcriber's Note

The chapter 'PERSONS AND PLACES MENTIONED' contains some less commonly used characters to indicate pronunciation, including the following:

upper and lower case c with hyphen through, C̵ and c̵
s with uptack below, s̝
y with breve above, y̆
y with macron above, ȳ
a with dot above, ȧ

If they do not display correctly, you may wish to adjust your font, browser or reader settings.

’ROUND THE YEAR IN
MYTH AND SONG

BY

FLORENCE HOLBROOK

NEW YORK CINCINNATI CHICAGO
AMERICAN BOOK COMPANY

Copyright, 1897, by
AMERICAN BOOK COMPANY.
——
HOL. MYTH AND SONG.
W. P. II

TO
MRS. ELLA FLAGG YOUNG
A FRIEND
WHOSE ZEAL AND
ABILITY IN THE CAUSE OF
EDUCATION ARE KNOWN TO THOUSANDS
THIS LITTLE BOOK IS DEDICATED
BY ONE OF THE MANY TO WHOM
HER WORDS HAVE BEEN
AN INCENTIVE AND
HER WORK AN
INSPIRATION

PREFACE.

This book is intended for use in all grades of elementary schools, the method of presentation varying with the age of the pupils. It has been welcomed even by pupils in higher schools, because easily familiarizing them with myths and characters that figure so largely in the literary texts with which they are to deal.

In the first and second grades the teachers should read or tell some of the stories to the pupils, thus satisfying the demand of children for a story, and preparing the way for an appreciation of literature. The pupils should retell the stories, thus enriching their vocabulary and learning to express thought clearly, easily, consecutively, and confidently,—a power so much needed and so valuable to citizens of a republic.

Some of the poems, as “Daybreak,” “The Moss Rose,” “Forget-me-not,” “Sweet and Low,” “The Child’s World,” etc., should be memorized. If this work has been well done in these grades, the pupils of third and fourth grades will enjoy reading the stories, continuing the reciting of myth and poem. The pictures that so well illustrate the myths should be studied and described. In these classes and in the grammar grades the stories should be written and the poems reproduced accurately, serving as valuable lessons in form, in spelling, punctuation, and capitalization. The reproduction of the myth and poem both orally and in written papers is an exercise whose value cannot be overestimated.

While the myths are valuable in themselves as stories which appeal to and which nourish the imagination, and as aids to expression in oral and written language, they are also very helpful, when presented early, to the understanding of references with which our literature is filled, and make the reading of the best in literature more of a delight because of this knowledge. It is important that these myths be given to children who enjoy the world of fairy tale and myth,—children who in their imagination drive the car of Apollo with the bold Phaëthon, and see with Narcissus the nymph smiling in the brook.

The poems and pictures in the book serve to illustrate the debt both poets and artists owe to the fancies of the beauty-loving Greeks, the children of our race. With imagination and memory nourished and stored with stories that have been part of men’s literary possessions for centuries, and which have been embodied in all the arts, the love for literature which is permanent and valuable will leave no room for the worthless and transitory.

Acknowledgments are due to Messrs. Houghton, Mifflin & Company for selections from Holmes, Whittier, and Longfellow; to Messrs. D. Appleton & Company for selections from Bryant; to Messrs. A. C. McClurg & Company for the poem, “Rainbow Fairies,” from Tomlin’s “Child’s Garden of Song”; and to Mr. John Burroughs for permission to use his poem, “Waiting.”

CONTENTS.

    PAGE
’Round the Year Gary Cooper 15
The Seasons   22
Worship of Nature John Greenleaf Whittier 27
How the Myths arose   28
The Months—Winter   30
The Voice of Spring Felicia Dorothea Hemans 31
The Months—Spring   33
On May Morning John Milton 34
The Child’s Wish in June Caroline Gilman 36
The Months—Summer   37
Autumn Anonymous 38
The Months—Autumn   39
The Old Year Alfred Tennyson 41
The Holidays of the Year   43
The Days of the Week   47
Ode Joseph Addison 50
Ceres   52
To the Fringed Gentian William Cullen Bryant 54
Ceres and Persephone   55
Arbutus Asleep William Whitman Bailey 57
The Search of Ceres   59
Waiting John Burroughs 61
Apollo   62
Hark! hark! the Lark William Shakespeare 63
Diana   65
Lady Moon Anonymous 66
The Pleiades   68
The Stars Amelia 70
Aurora   73
Daybreak Henry Wadsworth Longfellow 75
Aurora and Tithonus   77
On the Grasshopper and Cricket John Keats 77
Aurora and Memnon   79
A Walk at Sunset William Cullen Bryant 79
The Nymphs and Other Goddesses   82
Give Adelaide Anne Procter 87
Apollo and the Muses   88
The Descent of the Muses Henry Wadsworth Longfellow 90
Apollo and Daphne   92
Forget-me-not Anonymous 94
Clytie   96
The Daisy James Montgomery 99
Niobe   102
Apollo George Gordon Byron 104
Jupiter   106
Abou Ben Adhem Leigh Hunt 108
Neptune   109
Neptune John Keats 111
Vulcan   112
Work Mary N. Prescott 114
Venus   115
Her Face Robert Browning 119
Cupid and Psyche   121
Love Francis Bourdillon 122
Psyche and Venus   123
Longing James Russell Lowell 125
St. Valentine’s Day   127
What March does May Riley Smith 128
Phaëthon   129
Wings Mary F. Butts 131
Mercury   134
The Finding of the Lyre James Russell Lowell 135
Æolus   137
Æolus and Ulysses   140
The Chambered Nautilus Oliver Wendell Holmes 141
The Wind Tower   143
Mudjekeewis   145
Wabun   146
Shawondasee   149
Little Dandelion Helen B. Bostwick 150
Kabibonokka   151
What the Winds bring Edmund Clarence Stedman 153
Iris   155
The Rainbow William Wordsworth 155
Rainbow Stories   156
The Rainbow Fairies Lizzie M. Hadley 157
Narcissus   158
The Brook Alfred Tennyson 159
Echo and Narcissus   161
Blue John Keats 163
Minerva   164
Minerva and Arachne   166
Minerva’s Weaving Edmund Spenser 169
Prometheus   171
Home Thoughts from Abroad Robert Browning 173
Adonis   174
Origin of the Opal Anonymous 176
The Apples of the Hesperides   177
Cleon and I Charles Mackay 179
Pandora   180
The Gladness of Nature William Cullen Bryant 183
Hebe and Ganymede   185
May Macdonald 186
Vesta   186
Sweet and Low Alfred Tennyson 188
The Origin of the Moss Rose   190
The Moss Rose Krummacher 192
Orpheus and Eurydice   193
The Child’s World Lilliput Lectures 197
Arion   198
June James Russell Lowell 200

PERSONS AND PLACES MENTIONED.

Ä´bou bĕn Äd´hem (ä´bōō)
A c̵hĭl´lēs̝
A dō´nis
Æ ō´li a
Æ ō´li an Īs´lands̝
Æ´o lus
A pŏl´lo
Aq´ui lo (ăk´wi lo)
A răc̵h´ne
A ri´on
Ăth´ens̝
Au rō´ra

Bō´re as

Cæ´s̝ar Au gŭs´tus
C̵al lï´o pe
Cẽr´be rus
Cē´rēs̝
C̵hā´ron
C̵lē´on
C̵lī´o
C̵lȳ´tie
C̵ŏl i sē´um
C̵ŏr´inth
C̵ō´rus
C̵ū´pid
Cȳ´c̵lops
Cy̆g´nus
Cy̆n´thi a

Dăph´ne
Di ā´na
Drȳ´ads̝

Ec̵h´o
En dy̆m´i on
Ep i mē´the us
Ĕr´a to
Ē´ris
Ĕt´na
Eu rō´pa
Eū´rus
Eu ry̆d´i ce
Eu tẽr´pe

Flō´ra
Flŏr´ence
Frĭg´ga

Găn y mē´de

Hā´dēs̝
Hē´be
He li´a dēs̝
Hẽr´c̵u lēs̝
Hẽr´mēs̝
Hes pē´ri a
Hes pĕr´i dēs̝
Hēs´pe rus
Hi a wä´tha
Hō´mer

Ī´ris
Ĭt´a ly
Ĭth´a c̵a
Ī´da

Jā´nus
Jōve
Jūli us Cæ´s̝ar
Jū´no
Jū´pi ter

Kä´be yun
Ka bi bon ŏk´ka

La tō´na
Lē´da
Lĭp´ar i Īs´lands̝
Louvre (lōōvr)

Mā´i a
Märs̝
Mē´los
Mel pŏm´e ne
Mĕm´non
Mẽr´cu ry
Mĭ nẽr´va
Mud je kēē´wis

Nā´iads̝ (yādz)
Nar cĭs´sus
Nĕp´tūne
Nē´re ids̝
Nĭ´o be
No kō´mis
Nō´tus

O ce ăn´ids̝ (she)
Oc tā´vi us Cæs̝ar
Ō´din
O ly̆m´pus
Ō´re ads̝
O rī´on
Ôr´phe us

Păl´las A thē´ne
Pan dō´ra
Păr´is
Par năs´sus
Pär´the non
Per i ăn´der
Per sĕph´o ne
Phā´ë thon
Phœ´bus (fē)
Pi ĕr´ i dēs̝
Pī´e rus
Plē´ia dēs̝ (yȧ)
Plū´to

Pol y hy̆m´ni a
Po mō´na
Pro mē´the us
Psȳ´c̵he (sȳ´)

Rōme

Sæ´ter
Sha won dä´see
Sĭb´y̆ls
Sĭc´i ly
Sĭ´rens̝
Sty̆x

Ta rĕn´tum
Tẽrp sĭc̵h´o re
Tha lĭ´a
Thēbes̝
Thē´tis
Thôr
Ti thō´nus
Tiw (tū)
Tri´tons̝
Troy

U ly̆s´sĕs̝
U rā´ni a

Val´en tīne
Vē´nus
Vẽr´gil
Vĕs´ta
Vŭl´c̵an

Wa bäs´so
Wä´bun
Wä´bun-An´nung
Wō´den

Zĕph´y̆ rus (zĕf´)

E. Semenowsky (modern).
Spring.

’ROUND THE YEAR.

O beautiful world of green!
When bluebirds carol clear,
And rills outleap,
And new buds peep,
And the soft sky seems more near;
With billowy green and leaves,—what then?
How soon we greet the red again!

E. Semenowsky (modern).
Summer.
O radiant world of red!
When roses blush so fair,
And winds blow sweet,
And lambkins bleat,
And the bees hum here and there;
With thrill of bobolinks,—ah, then,
Before we know, the gold again!

E. Semenowsky (modern).
Autumn.
O beautiful world of gold!
When waving grain is ripe,
And apples beam
Through the hazy gleam,
And quails on the fence rails pipe;
With pattering nuts and winds,—why then,
How swiftly falls the white again!

E. Semenowsky (modern).
Winter.
O wonderful world of white!
When trees are hung with lace,
And the rough winds chide,
And snowflakes hide
Each bleak unsheltered place;
When birds and brooks are dumb,—what then?
O, round we go to the green again!
—G. Cooper.

A. B. Thorwaldsen (1770-1844).
Spring.

THE SEASONS.

The earth receives light from the sun, and completes its course through the heavens once a year. Each year brings Spring with her garlands of flowers, Summer—golden Summer—with her sheaves of sunlit grain, Autumn with the purple grape, and Winter clad in frost and snow.

A. B. Thorwaldsen.
Summer.

Every year there is the same order of the seasons. Therefore man knows when to plant the tiny seeds, when the harvests and fruits will ripen, and what provision to make for the cold but merry winter.

A. B. Thorwaldsen.
Autumn.

Just as little children, tired with play, and men who work all day, must have the night for sleep and rest, so Mother Earth, who plays and works so gaily from March to October, must have the winter season for rest. Then she covers herself with a mantle of snow, and sings a sleepy lullaby song.

Each of the seasons has three months to attend her.

A. B. Thorwaldsen.
Winter.

Spring, clad in dainty green, has March with cleansing winds, changeable April with sunshine and rain, and tender May with the fragrant flowers.

Summer, in her golden dress, has June, July, and August to attend her.

Autumn, with September, October, and November, comes with her hands filled with baskets of fruit.

Winter has December, January, and February to cover the earth with snow, to freeze the rivers, and to paint curious pictures upon the windowpanes.

Can you compare the passing of the year and the life of man? Childhood, the springtime of life, is the time for play and dance and merry song, the time to make the body supple and strong. When the body is strong and the mind has been trained, comes the summer time of work—hard work in all the fields of labor, that the harvest may not fail. In the autumn of life, when the labor of the summer ripens into fruit, how pleasant to reap the reward of work! Then slowly come the snowy hair and the winter of life, when we sit by the fire and tell the story of our battles, our struggles, our defeats, and our victories.

Each season of the year has its pleasures and its tasks, and so has each season of life. A youth of cheerful labor and study brings its own reward of a well-prepared and happy adult life. Then we can repeat Browning’s cheering words,—

“Grow old along with me!
The best of life is yet to be,
The last for which the first is made.”

WORSHIP OF NATURE.

The harp at Nature’s advent strung
Has never ceased to play;
The song the stars of morning sung
Has never died away.
And prayer is made, and praise is given,
By all things near and far;
The ocean looketh up to heaven,
And mirrors every star.
The green earth sends her incense up
From many a mountain shrine;
From folded leaf and dewy cup
She pours her sacred wine.
The mists above the morning rills
Rise white as wings of prayer;
The altar curtains of the hills
Are sunset’s purple air.
The blue sky is the temple’s arch,
Its transept earth and air,
The music of its starry march
The chorus of a prayer.
—John Greenleaf Whittier.

HOW THE MYTHS AROSE.

The Greeks lived much in the open air, and dearly loved the trees, the flowers, the birds, the sea and sky.

They watched the clouds floating in the beautiful azure dome, sometimes in long lines like soldiers, sometimes looking like great curly white feathers, and sometimes piled high like mountains of snow.

They saw the sun rise, coloring the clouds and awakening all things on the earth; and they watched him sink in the western sky, flooding the heavens with brilliant hues.

In the quiet night, they saw the lovely stars come, one by one at first, and then in such numbers that their eyes were dazzled, and they thought of God and of the beauty of His works.

“The million-handed sculptor molds
Quaintest bud and blossom folds;
The million-handed painter pours
Opal hues and purple dye;
Azaleas flush the inland floor,
And the tints of heaven reply.”

They listened to the carols of the birds and they believed that the brooks, the trees, and the flowers could talk to men.

The poets dreamed and sang about the spirits which inhabited all the forms of nature. All the people loved these fancies, and repeated the stories again and again. These stories,—these beautiful fancies about nature, which to the Greeks seemed true,—we call myths, or fairy tales.

“The beauty of the sea and sky,
The airy flight of birds on high,
The lovely flowers, whose perfume rare
So softly fills the summer air;
The rainbow’s glow, the shimmering rain
When springtime buds peep out again,
The golden glory of the sun
The fields of ripening grain upon,
The winds that sigh harmoniously,
The tempest’s wrath o’er land and sea,
The purple haze of mountains far,
Or snowy crest, whereon the star
Of night shines soft and silvery:—
These joys that nature offers thee,
Wilt thou not know; wilt thou not feel
What God and thine own heart reveal?”
—F. H.

THE MONTHS.—WINTER.

In addition to its four seasons—spring, summer, autumn, and winter—the year is divided into twelve months. Long ago, there were but ten months, and the first month was March. But when January and February were added, the year had twelve months, and January, the second month of the winter season, is now called the first month of the year.

“Month” and “moon” come from a word which means “to measure.” It takes the earth three hundred and sixty-five days, or a year, to revolve around the sun. The moon revolves around the earth about twelve times in one year; so the moon is the measurer of the year, and the twelve periods we call months.

From Janus, a Roman god, comes the name of the first month of the year. Janus is the two-headed god. A temple of this divinity was placed at the city gate of Rome. His statue had one face looking toward the city and one beyond the gate. The month of January stands at the gateway of the year, with one face looking toward the past and one toward the future.

Our second month, February, receives its name from a Latin word which means “to purify,” for in this month the people used to purify their homes and offer sacrifices to the gods, who love order and cleanliness.

THE VOICE OF SPRING.