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Roving East and Roving West

Chapter 3: INDIA
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A collection of travel essays recording journeys through India, Japan and the United States, composed as vivid scene-by-scene sketches and reflective vignettes. The pieces range from quiet market life, funerary customs and hawking in the Indian plains to impressions of Fuji, geisha and manners in Japan, then to American cities with notes on democracy, prohibition, skyscrapers and popular entertainments. Emphasis falls on close visual detail, gentle humour and comparative observation, blending anecdote, social portraiture and reflective asides about architecture, customs and the contrasts between cultures.

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Title: Roving East and Roving West

Author: E. V. Lucas

Release date: January 1, 2005 [eBook #7237]
Most recently updated: May 12, 2013

Language: English

Credits: Text file produced by Tonya Allen, Eric Eldred, Charles Franks and
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*** START OF THE PROJECT GUTENBERG EBOOK ROVING EAST AND ROVING WEST ***








ROVING EAST
AND ROVING WEST

By E. V. Lucas


To

E. L. L.

My Host At Raisina



{Illustration: TWO MEN ADMIRING FUJI FROM A WINDOW From Hokusai's "A Hundred Views of Fuji"} (Illustrations not available in this file)



"Yes, Sir, there are two objects of curiosity, e.g., the Christian world and the Mahometan world."—DR. JOHNSON.



"Motion recollected in tranquillity."—WORDSWORTH (very nearly).






CONTENTS

INDIA

NOISELESS FEET

THE SAHIB

THE PASSING SHOW

INDIA'S BIRDS

THE TOWERS OF SILENCE

THE GARLANDS

DELHI

A DAY'S HAWKING

NEW, OR IMPERIAL, DELHI

THE DIVERS

THE ROPE TRICK

AGRA AND FATEHPUR-SIKRI

LUCKNOW

A TIGER

THE SACRED CITY

CALCUTTA

ROSE AYLMER

JOB AND JOE

EXIT


JAPAN

INTRODUCTORY

THE LITTLE LAND

THE RICE FIELDS

SURFACE MATERIALISM

FIRST GLIMPSE OF FUJI

TWO FUNERALS

THE LITTLE GEISHA

MANNERS

THE PLAY

MYANOSHITA


AMERICA

DEMOCRACY AT HOME

SAN FRANCISCO

ROADS GOOD AND BAD

UNIVERSITIES, LOVE AND PRONUNCIATION

FIRST SIGNS OF PROHIBITION

R.L.S.

STORIES AND HUMOURISTS

THE CARS

CHICAGO

THE MOVIES

THE AMERICAN FACE

PROHIBITION AGAIN

THE BALL GAME

SKYSCRAPERS

A PLEA FOR THE AQUARIUM

ENGLISH AND FRENCH INFLUENCES

SKY-SIGNS AND CONEY ISLAND

THE PRESS

TREASURES OF ART

MOUNT VERNON

VERS LIBRE

REVOLT

DOMESTIC ARCHITECTURE

BOSTON

PHILADELPHIA

GENERAL REFLECTIONS

INDEX








INDIA








NOISELESS FEET

Although India is a land of walkers, there is no sound of footfalls. Most of the feet are bare and all are silent: dark strangers overtake one like ghosts.

Both in the cities and the country some one is always walking. There are carts and motorcars, and on the roads about Delhi a curious service of camel omnibuses, but most of the people walk, and they walk ever. In the bazaars they walk in their thousands; on the long, dusty roads, miles from anywhere, there are always a few, approaching or receding.

It is odd that the only occasion on which Indians break from their walk into a run or a trot is when they are bearers at a funeral, or have an unusually heavy head-load, or carry a piano. Why there is so much piano-carrying in Calcutta I cannot say, but the streets (as I feel now) have no commoner spectacle than six or eight merry, half-naked fellows, trotting along, laughing and jesting under their burden, all with an odd, swinging movement of the arms.

One of one's earliest impressions of the Indians is that their hands are inadequate. They suggest no power.

Not only is there always some one walking, but there is always some one resting. They repose at full length wherever the need for sleep takes them; or they sit with pointed knees. Coming from England one is struck by so much inertness; for though the English labourer can be lazy enough he usually rests on his feet, leaning against walls: if he is a land labourer, leaning with his back to the support; if he follows the sea, leaning on his stomach.

It was interesting to pass on from India and its prostrate philosophers with their infinite capacity for taking naps, to Japan, where there seems to be neither time nor space for idlers. Whereas in India one has continually to turn aside in order not to step upon a sleeping figure—the footpath being a favourite dormitory—in Japan no one is ever doing nothing, and no one appears to be weary or poor.

India, save for a few native politicians and agitators, strikes one as a land destitute of ambition. In the cities there are infrequent signs of progress; in the country none. The peasants support life on as little as they can, they rest as much as possible and their carts and implements are prehistoric. They may believe in their gods, but fatalism is their true religion. How little they can be affected by civilisation I learned from a tiny settlement of bush-dwellers not twenty miles from Bombay, close to that beautiful lake which has been transformed into a reservoir, where bows and arrows are still the only weapons and rats are a staple food. And in an hour's time, in a car, one could be telephoning one's friends or watching a cinema!








THE SAHIB

I did not have to wait to reach India for that great and exciting moment when one is first called "Sahib." I was addressed as "Sahib," to my mingled pride and confusion, at Marseilles, by an attendant on the steamer which I joined there. Later I grew accustomed to it, although never, I hope, blasé; but to the end my bearer fascinated me by alluding to me as Master—not directly, but obliquely: impersonally, as though it were some other person that I knew, who was always with me, an alter ego who could not answer for himself: "Would Master like this or that?" "At what time did Master wish to be called?"

And then the beautiful "Salaam"!

I was sorry for the English doomed to become so used to Eastern deference that they cease to be thrilled.








THE PASSING SHOW

It is difficult for a stranger to India, especially when paying only a brief visit, to lose the impression that he is at an exhibition—in a section of a World's Fair. How long it takes for this delusion to wear off I cannot say. All I can say is that seven weeks are not enough. And never does one feel it more than in the bazaar, where movement is incessant and humanity is so packed and costumes are so diverse, and where the suggestion of the exhibition is of course heightened by the merchants and the stalls. What one misses is any vantage point—anything resembling a chair at the Café de la Paix in Paris, for instance—where one may sit at ease and watch the wonderful changing spectacle going past. There are in Indian cities no such places. To observe the life of the bazaar closely and be unobserved is almost impossible.

It would be extraordinarily interesting to sit there, beside some well-informed Anglo-Indian or Indo-Anglian, and learn all the minutiæ of caste and be told who and what everybody was: what the different ochre marks signified on the Hindu foreheads; what this man did for a living, and that; and so forth. Even without such an informant I was never tired of drifting about the native quarters in whatever city I found myself and watching the curiously leisurely and detached commercial methods of the dealers—the money lenders reclining on their couches; the pearl merchants with their palms full of the little desirable jewels; the silversmiths hammering; the tailors cross-legged; the whole Arabian Nights pageant. All the shops seem to be overstaffed, unless an element of detached inquisitiveness is essential to business in the East. No transaction is complete without a few watchful spectators, usually youths, who apparently are employed by the establishment for the sole purpose of exhibiting curiosity.

I picked up a few odds and ends of information, by degrees, but only the more obvious: such as that the slight shaving of the Mohammedan's upper lip is to remove any impediment to the utterance of the name of Allah; that the red-dyed beards are a record that their wearers have made the pilgrimage to Mecca; that the respirator often worn by the Jains is to prevent the death of even a fly in inhalation. I was shown a Jain woman carefully emptying a piece of wood with holes in it into the road, each hole containing a louse which had crawled there during the night but must not be killed. The Jains adore every living creature; the Hindus chiefly the cow. As for this divinity, she drifts about the cities as though they were built for her, and one sees the passers-by touching her, hoping for sanctity or a blessing. A certain sex inequality is, however, only too noticeable, and particularly in and about Bombay, where the bullock cart is so common—the bullock receiving little but blows and execration from his drivers.

The sacred pigeon is also happy in Bombay, being fed copiously all day long; and I visited there a Hindu sanctuary, called the Pingheripole, for every kind of animal—a Home of Rest or Asylum—where even pariah dogs are fed and protected.

I was told early of certain things one must not do: such as saluting with the left hand, which is the dishonourable one of the pair, and refraining carefully, when in a temple or mosque, from touching anything at all, because for an unbeliever to touch is to desecrate. I was told also that a Mohammedan grave always gives one the points of the compass, because the body is buried north and south with the head at the north, turned towards Mecca. The Hindus have no graves.

In India the Occidental, especially if coming from France as I did, is struck by the absence of any out-of-door communion between men and women. In the street men are with men, women with women. Most women lower their eyes as a man approaches, although when the woman is a Mohammedan and young one is often conscious of a bright black glance through the veil. There is no public fondling, nothing like the familiar demonstrations of affection that we are accustomed to in Paris and London (more so during the War and since) and in New York. Nothing so offends and surprises the Indian as this want of restraint and shame on our part, and in Japan I learned that the Japanese share the Indian view.

It seemed to me that the chewing of the betel-nut is more prevalent in Bombay than elsewhere. One sees it all over India; everywhere are moving jaws with red juice trickling; but in Bombay there are more vendors of the rolled-up leaves and more crimson splashes on pavement and wall. It is an unpleasant habit, but there is no doubt that teeth are ultimately the whiter for it. Even though I was instructed in the art of betel-nut chewing by an Indian gentleman of world-wide fame in the cricket field, from whom I would willingly learn anything, I could not endure the experience.

Most nations, I suppose, look upon the dances of other nations with a certain perplexity. Such glimpses, for example, as I had in America of the movement known as the Shimmie Shake filled me with alarm, while Orientals have been known to display boredom at the Russian Ballet. Personally I adore the Russian Ballet, but I found the Nautch very fatiguing. It is at once too long and too monotonous, but I dare say that if one could follow the words of the accompanying songs, or cantillations, the result might be more entertaining. That would not, however, improve the actual dancing, in which I was disappointed. In Japan, on the other hand, I succumbed completely to the odd, hypnotic mechanism of the Geisha, the accompaniments to which are more varied, or more acceptable to my ear, than the Indian music. But I shall always remember the sounds of the distant, approaching or receding, snake-charmers' piping, heard through the heat, as it so often is on Sundays in Calcutta. To my inward ear that is India's typical melody; and it has relationship to the Punch and Judy allurement of our childhood.

It was in Bombay that I saw my first fakir, and in Harrison Road, Calcutta, my last. There had been so long a series in between that I was able to confirm my first impression. I can now, therefore, generalise safely when saying that all these strange creatures resemble a blend of Tolstoi and Mr. Bernard Shaw. Imagine such a hybrid, naked save for a loin cloth, and smeared all over with dust, and you have a holy man in the East. The Harrison Road fakir, who passed on his way along the crowded pavement unconcerned and practically unobserved, was white with ashes and was beating a piece of iron as a wayward child might be doing. He was followed by a boy, but no effort was made to collect alms. It is true philosophy to be prepared to live in such a state of simplicity. Most of the problems of life would dissolve and vanish if one could reduce one's needs to the frugality of a fakir. I have thought often of him since I returned, in London, to all the arrears of work and duty and the liabilities that accumulate during a long holiday; but never more so than when confronted by a Peace-time tailor's bill.








INDIA'S BIRDS

One of the first peculiarities of Bombay that I noticed and never lost sight of was the kites. The city by day is never without these spies, these sentries. From dawn to dusk the great unresting birds are sailing over it, silent and vigilant. Whenever you look up, there they are, criss-crossing in the sky, swooping and swerving and watching. After a while one begins to be nervous: it is disquieting to be so continually under inspection. Now and then they quarrel and even fight: now and then one will descend with a rush and rise carrying a rat or other delicacy in its claws; but these interruptions of the pattern are only momentary. For the rest of the time they swirl and circle and never cease to watch. Bombay also has its predatory crows, who are so bold that it is unsafe to leave any bright article on the veranda table. Spectacles, for example, set up a longing in their hearts which they make no effort to control. But these birds are everywhere. At a wayside station just outside Calcutta, in the early morning, the passengers all had tea, and when it was finished and the trays were laid on the platform, I watched the crows, who were perfectly aware of this custom and had been approaching nearer and nearer as we drank, dart swiftly to the sugar basins and carry off the lumps that remained. The crow, however, is, comparatively speaking, a human being; the kite is something alien and a cause of fear, and the traveller in India never loses him. His eye is as coldly attentive to Calcutta as to Bombay.

It is, of course, the indigenous birds of a country that emphasise its foreignness far more than its people. People can travel. Turbaned heads are, for example, not unknown in England; but to have green parrots with long tails flitting among the trees, as they used to flit in my host's garden in Bombay, is to be in India beyond question. At Raisina we had mynahs and the babblers, or "Seven Sisters," in great profusion, and also the King Crow with his imposing tail; while the little striped squirrels were everywhere. These merry restless little rodents do more than run and scamper and leap: they seem to be positively lifted into space by their tails. Their stripes (as every one knows) came directly from the hand of God, recording for ever how, on the day of creation, He stroked them by way of approval.

No Indian bird gave me so much pleasure to watch as the speckled kingfishers, which I saw at their best on the Jumna at Okhla. They poise in the air above the water with their long bills pointed downwards at a right-angle to their fluttering bodies, searching the depths for their prey; and then they drop with the quickness of thought into the stream. The other kingfisher—coloured like ours but bigger—who waits on an overhanging branch, I saw too, but the evolutions of the hovering variety were more absorbing.

When one is travelling by road, the birds that most attract the notice are the peacocks and the giant cranes; while wherever there are cattle in any numbers there are the white paddy birds, feeding on their backs—the birds from which the osprey plumes are obtained. One sees, too, many kinds of eagle and hawk. In fact, the ornithologist can never be dull in this country.

Wild animals I had few opportunities to observe, although a mongoose at Raisina gave me a very amusing ten minutes. At Raisina, also, the jackals came close to the house at night; and on an early morning ride in a motorcar to Agra we passed a wolf, and a little later were most impudently raced and outdistanced by a blackbuck, who, instead of bolting into security at the sight or sound of man, ran, or rather, advanced—for his progress is mysterious and magical—beside us for some forty yards and then,—with a laugh, put on extra speed (we were doing perhaps thirty miles an hour) and disappeared ahead. All about Muttra we dispersed monkeys up the trees and into the bushes as we approached. Next to the parrots it is the monkeys that most convince the traveller that he is in a strange tropical land. And the flying foxes. Nothing is more strange than a tree full of these creatures sleeping pendant by day, or their silent swift black movements by night.

I saw no snakes wild, but in the Bacteriological Laboratory at Parel in Bombay, which Lt.-Col. Glen Liston controls with so much zeal and resourcefulness, I was shown the process by which the antidotes to snake poisoning are prepared, for dispersion through the country. A cobra or black snake is released from his cage and fixed by the attendant with a stick pressed on his neck a little below the head. The snake is then firmly and safely held just above this point between the finger and thumb, and a tumbler, with a piece of flannel round its edge, is proffered to it to bite. As the snake bites, a clear yellow fluid, like strained honey in colour and thickness, flows into the glass from the poison fangs. This poison is later injected in small doses into the veins of horses kept carefully for the purpose, and then, in due course, the blood of the horses is tapped in order to make the anti-toxin. Wonderful are the ways of science! The Laboratory is also the headquarters of the Government's constant campaign against malaria and guinea worm, typhoid and cholera, and, in a smaller degree, hydrophobia. But nothing, I should guess, would ever get sanitary sense into India, except in almost negligible patches.








THE TOWERS OF SILENCE

The Parsees have made Bombay their own, more surely even than the Scotch possess Calcutta. Numerically very weak, they are long-headed and far-sighted beyond any Indian and are better qualified to traffick and to control. All the cotton mills are theirs, and theirs the finest houses in the most beautiful sites. When that conflict begins between the Hindus and the Mohammedans which will render India a waste and a shambles, it is the Parsees who will occupy the high places—until a more powerful conqueror arrives.

Bombay has no more curious sight than the Towers of Silence, the Parsee cemetery; and one of the first questions that one is asked is if one has visited them. But when the time came for me to ascend those sinister steps on Malabar Hill I need hardly say that my companion was a many years' resident of Bombay who, although he had long intended to go there, had hitherto neglected his opportunities. Throughout my travels I was, it is pleasant to think, in this way the cause of more sightseeing in others than they might ever have suffered. To give but one other instance typical of many—I saw Faneuil Hall in Boston in the company of a Bostonian some thirty years of age, whose office was within a few yards of this historic and very interesting building, and whose business is more intimately associated with culture than any other, but who had never before crossed the threshold.

The Towers of Silence, which are situated in a very beautiful park, with little temples among the trees and flowers, consist of five circular buildings, a model of one of which is displayed to visitors. Inside the tower is an iron grating on which the naked corpses are laid, and no sooner are they there than the awaiting vultures descend and consume the flesh. I saw these grisly birds sitting expectantly in rows on the coping of the towers, and the sight was almost too gruesome. Such is their voracity that the body is a skeleton in an hour or so. The Parsees choose this method of dissolution because since they worship fire they must not ask it to demean itself with the dead; and both earth and water they hold also too sacred to use for burial. Hence this strange and—at the first blush—repellant compromise. The sight of the cemetery that awaits us in England is rarely cheering, but if to that cemetery were attached a regiment of cruel and hideous birds of prey we should shudder indeed. Whether the Parsees shudder I cannot say, but they give no sign of it. They build their palaces in full view of these terrible Towers, pass, on their way to dinner parties, luxuriously in Rolls-Royces beside the trees where the vultures roost, and generally behave themselves as if this were the best possible of worlds and the only one. And I think they are wise.

Oriental apathy, or, at any rate, unruffled receptiveness, may carry its owner very far, and yet if these vultures cause no misgivings, no chills at the heart, I shall be surprised. As for those olive-skinned Parsee girls, with the long oval faces and the lustrous eyes—how must it strike them?

It was not till I went to the caves of Elephanta that I saw vultures in their marvellous flight. It is here that they breed, and the sky was full of them at an incredible distance up, resting on their great wings against the wind, circling and deploying. At this height they are magnificent. But seen at close quarters they are horrible, revolting. On a day's hunting which I shall describe later I was in at the death of a gond, or swamp-deer, at about noon, and we returned for the carcase about three hours later, only to find it surrounded by some hundreds of these birds tearing at it in a kind of frenzy of gluttony. They were not in the least disconcerted by our approach, and not until the bearers had taken sticks to them would they leave. The heavy half-gorged flapping of a vulture's wings as it settles itself to a new aspect of its repast is the most disgusting sight I have seen.

To revert to the Towers of Silence, one is brought very near to death everywhere in the East. We have our funeral corteges at home, with sufficient frequency, but they do not emphasize the thought of the necessary end of all things as do the swathed corpses that one meets so often being carried through the streets, on their way to this or that burning place. In Bombay I met several every day, with their bearers and followers all in white, and all moving with the curious trot that seems to be reserved for such obsequies. There were always, also, during my stay, new supplies of fire-wood outside the great Hindu burning ground in Queen's Road; and yet no epidemic was raging; the city was normal save for a strike of mill-hands. It is true that I met wedding parties almost equally often; but in India a wedding party is not, as with us, a suggestion of new life to replace the dead, for the brides so often are infants.

One of the differences between the poor of London and the poor of India may be noticed here. In the East-End a funeral is considered to be a failure unless its cost is out of all proportion to the survivors' means, while a wedding is a matter of a few shillings; whereas in India a funeral is a simple ceremony, to be hurried over, while the wedding festivities last for weeks and often plunge the family into debts from which they never recover.








THE GARLANDS

The selective processes of the memory are very curious. It has been decreed that one of my most vivid recollections of Bombay should be that of the embarrassment and half-amused self-consciousness of an American business man on the platform of the railway station for Delhi. Having completed his negotiatory visit he was being speeded on his way by the native staff of the firm, who had hung him with garlands like a sacrificial bull. In the Crawford Market I had watched the florists at work tearing the blossoms from a kind of frangipani known as the Temple Flower, in order to string them tightly into chains; and now and again in the streets one came upon people wearing them; but to find a shrewd and portly commercial American thus bedecked was a shock. As it happened, he was to share my compartment, and on entering, just before the train started, he apologised very heartily for importing so much heavy perfume into the atmosphere, but begged to be excused because it was the custom of the country and he didn't like to hurt anyone's feelings. He then stood at the door, waving farewells, and directly the line took a bend flung the wreaths out of the window. I was glad of his company, for in addition to these floral offerings his Bombay associates had provided him with a barrel of the best oranges that ever were grown—sufficient for a battalion—and these we consumed at brief intervals all the way to Delhi.








DELHI

"If you can be in India only so short a time as seven weeks," said an artist friend of mine—and among his pictures is a sombre representation of the big sacred bull that grazes under the walls of Delhi Fort—"why not stay in Delhi all the while? You will then learn far more of India than by rushing about." I think he was right, although it was not feasible to accept the advice. For Delhi has so much; it has, first and foremost, the Fort; it has the Jama Masjid, that immense mosque where on Fridays at one o'clock may be seen Mohammedans of every age wearing every hue, thousands worshipping as one; it has the ancient capitals scattered about the country around it; it has signs and memories of the Mutiny; it has delectable English residences; and it has the Chadni Chauk, the long main street with all its curious buildings and crowds and countless tributary alleys, every one of which is the East crystallised, every one of which has its white walls, its decorative doorways, its loiterers, its beggars, its artificers, and its defiance of the bogey, Progress.

Another thing: in January, Delhi, before the sun is high and after he has sunk, is cool and bracing.

But, most of all, Delhi is interesting because it was the very centre of the Mogul dominance, and when one has become immersed in the story of the great rulers, from Babar to Aurungzebe, one thinks of most other history as insipid. Of Babar, who reigned from 1526 to 1530, I saw no trace in India; but his son Humayun (1530-1556) built Indrapat, which is just outside the walls of Delhi, and he lies close by in the beautiful mausoleum that bears his name. Humayun's son, Akbar (1556-1605), preferred Agra to Delhi; nor was Jahangir (1605-1627), who succeeded Akbar, a great builder hereabout; but with Shah Jahan (1627-1658), Jahangir's son, came the present Delhi's golden age. He it was who built the Jama Masjid, the great mosque set commandingly on a mound and gained by magnificent flights of steps. To the traveller approaching the city from any direction the two graceful minarets of the mosque stand for Delhi. It was Shah Jahan, price of Mogul builders, who decreed also the palace in the Fort, to say nothing (at the moment) of the Taj Mahal at Agra; while two of his daughters, Jahanara, and Roshanara, that naughty Begam, enriched Delhi too, the little pavilion in the Gardens that bear Roshanara's name being a gem. Wandering among these architectural delights, now empty and under alien protection, it is difficult to believe that their period was as recent as Cromwell and Milton. But in India the sense of chronology vanishes.

After Shah Jahan came his crafty son, Aurungzebe, who succeeded in keeping his empire together until 1707, and with him the grandeur of the Grand Moguls waned and after him ceased to be, although not until the Mutiny was their rule extinguished. As I have just said, in India the sense of chronology vanishes, or goes astray, and it is with a start that one is confronted, in the Museum in Delhi Fort, by a photograph of the last Mogul!

In Bombay, during my wakeful moments in the hottest part of the day, I had passed the time and imbibed instruction by reading the three delightful books of the late E. H. Aitken, who called himself "Eha"—"Behind the Bungalow," "The Tribes on My Frontier" and "A Naturalist on the Prowl." No more amusing and kindly studies of the fauna, flora and human inhabitants of a country can have ever been written than these; and I can suggest, to the domestically curious mind, no better preparation for a visit to India. But at Raisina, when the cool evenings set in and it was pleasant to get near the wood fire, I took to history and revelled in the story of the Moguls as told by many authorities, but most entertainingly perhaps by Tavernier, the French adventurer who took service under Aurungzebe. If any one wants to know what Delhi was like in the seventeenth century during Aurungzebe's long reign, and how the daily life in the Palace went, and would learn more of the power and autocracy and splendour and cruelty of the Grand Moguls, let him get Tavernier's record. If once I began to quote from it I should never stop; and therefore I pass on, merely remarking that when you have finished the travels of M. Tavernier, the travels of M. Bernier, another contemporary French observer, await you. And I hold you to be envied.

The Palace in the Fort is now but a fraction of what it was in the time of Aurungzebe and his father, but enough remains to enable the imaginative mind to reconstruct the past, especially if one has read my two annalists. One of Bernier's most vivid passages describes the Diwan-i-Am, or Hall of Public Audience, the building to which, after leaving the modern military part of the Fort, one first comes, where the Moguls sat in state during a durbar, and painted and gilded elephants, richly draped, took part in the obeisances. Next comes the Hall of Private Audiences, where the Peacock Throne once stood. It has now vanished, but in its day it was one of the wonders of the world, the tails of the two guardian peacocks being composed of precious stones and the throne itself being of jewelled gold. It was for this that one of Shah Jahan's poets wrote an inscription in which we find such lines as—

  By the order of the Emperor the azure of Heaven
    was exhausted on its decoration....

  The world had become so short of gold on account of
    its use in the throne that the purse of the Earth
    was empty of treasure....

  On a dark night, by the lustre of its rubies and pearls
    it can lend stars to a hundred skies....

That was right enough, no doubt, but when our poet went on to say,

  As long as a trace remains of existence and space
    Shah Jahan shall continue to sit on this throne,

we feel that he was unwise. Such pronouncements can be tested. As it happened, Shah Jahan was destined, very shortly after the poem was written, to be removed into captivity by his son, and the rest of his unhappy life was spent in a prison at Agra. On each end wall of the Hall of Private Audience is the famous couplet,—

  If there is a Paradise on the face of the earth,
  It is this, Oh! it is this, Oh! it is this.

I think of the garden and palace of Delhi Fort as the loveliest spot in India. Not the most beautiful, not the most impressive; but the loveliest. The Taj Mahal has a greater beauty; the ruined city of Fatehpur-Sikri has a greater dignity; but for the perfection of domestic regality in design and material and workmanship, this marble home and mosque and accompanying garden and terrace could not be excelled. After the Halls of Audience we come to the seraglio and accompanying buildings, where everything is perfect and nothing is on the grand scale. The Pearl Mosque could hardly be smaller; and it is as pure and fresh as a lotus. There is a series of apartments all in white marble (with inlayings of gold and the most delicately pierced marble gratings) through which a stream of water used to run (and it ran again at the Coronation Durbar in 1911, when the Royal Baths were again made to "function") that must be one of the most magical of the works of man. Every inch is charming and distinguished. All these rooms are built along the high wall which in the time of Shah Jahan and his many lady loves was washed by the Jumna. But to-day the river has receded and a broad strip of grass intervenes.