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Sanctuary: A Bird Masque

Chapter 2: NOTE REGARDING PERFORMANCE AND PUBLIC READING
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About This Book

A poetic dramatic masque written for a sanctuary dedication follows a child's reverie after hearing a hermit thrush and evolves into a staged ritual in which personified birds, a faun, a dryad, a poet, a naturalist, and a predatory plume hunter enact the threats and protections surrounding wild birds. Through songs, pantomime, and symbolic tableaux the piece contrasts reverence for avian life with human exploitation, celebrates sanctuary-building and conservation, and proposes civic theatre as a vehicle for popular natural education and moral appeal.

NOTE
REGARDING PERFORMANCE AND PUBLIC READING

Requests for permission to perform or read publicly this Bird Masque having been received from a great many quarters, the following information is here given for those desiring such permission:

The Masque is copyrighted in the United States and countries of the Copyright Union, and all rights are reserved.

The purpose of the Masque is to be of public use, so that all adequate presentations of it are welcome. To this end the special conditions of performance or public reading should in each case be communicated direct to the author, in care of the publisher.

No performances may be given without such direct communication, and permission thus first obtained.

As the publication of this text is designed to serve the definite cause for which it was written, performances must be, in some degree at least, for the benefit of Wild Bird Conservation.

Music for the lyrics “The Hermit Thrush” and the three songs of Quercus has been composed by Frederick S. Converse, and is published by the H. W. Gray Company, 2 West 45th Street, New York.

A bird bath, specially designed for use in bird sanctuaries and gardens, with plastic groupings of characters in the original cast of this Masque, has been executed by Mrs. Louis Saint-Gaudens, Cornish, New Hampshire, post office Windsor, Vermont.

The four photographs in color, as well as those in black and white, which illustrate this volume were taken by Dr. Arnold Genthe of enactors in the Masque, as first performed by members of the Cornish Colony and the Meriden Bird Club at Meriden, New Hampshire, September 12, 1913.