CHAPTER XII
A pillar of dim silver rain fronted the moon on the hills. Emilia walked hurriedly, with her head bent, like a penitent: now and then peeping up and breathing to the keen scent of the tender ferns. Wilfrid still grasped her hand, and led her across the common, away from the rout.
When the uproar behind them had sunk, he said “You'll get your feet wet. I'm sorry you should have to walk. How did you come here?”
She answered: “I forget.”
“You must have come here in some conveyance. Did you walk?”
Again she answered: “I forget;” a little querulously; perhaps wilfully.
“Well!” he persisted: “You must have got your harp to this place by some means or other?”
“Yes, my harp!” a sob checked her voice.
Wilfrid tried to soothe her. “Never mind the harp. It's easily replaced.”
“Not that one!” she moaned.
“We will get you another.”
“I shall never love any but that.”
“Perhaps we may hear good news of it to-morrow.”
“No; for I felt it die in my hands. The third blow was the one that killed it. It's broken.”
Wilfrid could not reproach her, and he had not any desire to preach. So, as no idea of having done amiss in coming to the booth to sing illumined her, and she yet knew that she was in some way guilty, she accused herself of disregard for that dear harp while it was brilliant and serviceable. “Now I remember what poor music I made of it! I touched it with cold fingers. The sound was thin, as if it had no heart. Tick-tick!—I fancy I touched it with a dead man's finger-nails.”
She crossed her wrists tight at the clasp of her waist, and letting her chin fall on her throat, shook her body fretfully, much as a pettish little girl might do. Wilfrid grimaced. “Tick-tick” was not a pathetic elegy in his ears.
“The only thing is, not to think about it,” said he. “It's only an instrument, after all.”
“It's the second one I've seen killed like a living creature,” replied Emilia.
They walked on silently, till Wilfrid remarked, that he wondered where Gambier was. She gave no heed to the name. The little quiet footing and the bowed head by his side, moved him to entreat her not to be unhappy. Her voice had another tone when she answered that she was not unhappy.
“No tears at all?” Wilfrid stooped to get a close view of her face. “I thought I saw one. If it's about the harp, look!—you shall go into that cottage where the light is, sit there, and wait for me, and I will bring you what remains of it. I dare say we can have it mended.”
Emilia lifted her eyes. “I am not crying for the harp. If you go back I must go with you.”
“That's out of the question. You must never be found in that sort of place again.”
“Let us leave the harp,” she murmured. “You cannot go without me. Let me sit here for a minute. Sit with me.”
She pointed to a place beside herself on the fork of a dry log under flowering hawthorn. A pale shadowy blue centre of light among the clouds told where the moon was. Rain had ceased, and the refreshed earth smelt all of flowers, as if each breeze going by held a nosegay to their nostrils.
Wilfrid was sensible of a sudden marked change in her. His blood was quicker than his brain in feeling it. Her voice now, even in common speaking, had that vibrating richness which in her singing swept his nerves.
“If you cry, there must be a cause, you know,” he said, for the sake of keeping the conversation in a safe channel.
“How brave you are!” was Emilia's sedate exclamation, in reply.
Her cheeks glowed, as if she had just uttered a great confession, but while the colour mounted to her eyes, they kept their affectionate intentness upon him without a quiver of the lids.
“Do you think me a coward?” she relieved him by asking sharply, like one whom the thought had turned into a darker path. “I am not. I hung my head while you were fighting, because, what could I do? I would not have left you. Girls can only say, 'I will perish with him.'”
“But,” Wilfrid tried to laugh, “there was no necessity for that sort of devotion. What are you thinking of? It was half in good-humour, all through. Part of their fun!”
Clearly Emilia's conception of the recent fray was unchangeable.
“And the place for girls is at home; that's certain,” he added.
“I should always like to be where...” Her voice flowed on with singular gravity to that stop.
Wilfrid's hand travelled mechanically to his pricking cheek-bone.
Was it possible that a love-scene was coming on as a pendant to that monstrously ridiculous affair of half-an-hour back? To know that she had sufficient sensibility was gratifying, and flattering that it aimed at him. She was really a darling little woman: only too absurd! Had she been on the point of saying that she would always like to be where he, Wilfrid, was? An odd touch of curiosity, peculiar to the languid emotions, made him ask her this: and to her soft “Yes,” he continued briskly, and in the style of condescending fellowship: “Of course we're not going to part!”
“I wonder,” said Emilia.
There she sat, evidently sounding right through the future with her young brain, to hear what Destiny might have to say.
The 'I wonder' rang sweetly in his head. It was as delicate a way of confessing, “I love you with all my soul,” as could be imagined. Extremely refined young ladies could hardly have improved upon it, saving with the angelic shades of sentiment familiar to them.
Convinced that he had now heard enough for his vanity, Wilfrid returned emphatically to the tone of the world's highroad.
“By the way,” he said, “you mustn't have any exaggerated idea of this night's work. Remember, also, I have to share the honours with Captain Gambier.”
“I did not see him,” said Emilia.
“Are you not cold?” he asked, for a diversion, though he had one of her hands.
She gave him the other.
He could not quit them abruptly: nor could he hold both without being drawn to her.
“What is it you say?” Wilfrid whispered: “men kiss us when we are happy. Is that right? and are you happy?”
She lifted a clear full face, to which he bent his mouth. Over the flowering hawthorn the moon stood like a windblown white rose of the heavens. The kiss was given and taken. Strange to tell, it was he who drew away from it almost bashfully, and with new feelings.
Quite unaware that he played the feminine part, Wilfrid alluded to her flight from Richford, with the instinct to sting his heart by a revival of his jealous sensations previously experienced, and so taste the luxury of present satisfaction.
“Why did you run away from me?” he said, semi-reproachfully.
“I promised.”
“Would you not break a promise to stay with me?”
“Now I would!”
“You promised Captain Gambier?”
“No: those poor people.”
“You are sorry that you went?”
No: she was happy.
“You have lost your harp by it,” said Wilfrid.
“What do you think of me for not guessing—not knowing who sent it?” she returned. “I feel guilty of something all those days that I touched it, not thinking of you. Wicked, filthy little creature that I was! I despise ungrateful girls.”
“I detest anything that has to do with gratitude,” Wilfrid appended, “pray give me none. Why did you go away with Captain Gambier?”
“I was very fond of him,” she replied unhesitatingly, but speaking as it were with numbed lips. “I wanted to tell him, to thank him and hold his hand. I told him of my promise. He spoke to me a moment in the garden, you know. He said he was leaving to go to London early, and would wait for me in the carriage: then we might talk. He did not wish to talk to me in the garden.”
“And you went with him in the carriage, and told him you were so grateful?”
“Yes; but men do not like us to be grateful.”
“So, he said he would do all sorts of things on condition that you were not grateful?”
“He said—yes: I forget: I do forget! How can I tell what he said?” Emilia added piteously. “I feel as if I had been emptied out of a sack!”
Wilfrid was pierced with laughter; and then the plainspoken simile gave him a chilling sensation while he was rising to the jealous pitch.
“Did he talk about taking you to Italy? Put your head into the sack, and think!”
“Yes,” she answered blandly, an affirmative that caused him some astonishment, for he had struck at once to the farthest end of his suspicions.
“He feels as I do about the Italian Schools,” said Emilia. “He wishes me to owe my learning to him. He says it will make him happy, and I thought so too.” She threw in a “then.”
Wilfrid looked moodily into the opposite hedge.
“Did he name the day for your going?” he asked presently, little anticipating another “Yes”: but it came: and her rather faltering manner showed her to be conscious too that the word was getting to be a black one to him.
“Did you say you would go?”
“I did.”
Question and answer crossed like two rapiers.
Wilfrid jumped up.
“The smell of this tree's detestable,” he said, glancing at the shadowing hawthorn.
Emilia rose quietly, plucked a flower off the tree, and put it in her bosom.
Their way was down a green lane and across long meadow-paths dim in the moonlight. A nightingale was heard on this side and on that. Overhead they had a great space of sky with broken cloud full of the glory of the moon. The meadows dipped to a brook, slenderly spanned by a plank. Then there was an ascent through a cornfield to a copse. Rounding this they had sight of Brookfield. But while they were yet at the brook, Wilfrid said, “When is it you're going to Italy?”
In return he had an eager look, so that he was half-ashamed to add, “With Captain Gambier, I mean.” He was suffering, and by being brutal he expected to draw balm on himself; nor was he deceived.
Emilia just then gave him her hand to be led over, and answered, as she neared him, “I am never to leave you.”
“You never shall!” Wilfrid caught her in his arms, quite conquered by her, proud of her. He reflected with a loving rapture that her manner at that moment was equal to any lady's; and the phantom of her with her hand out, and her frank look, and trustful footing, while she spoke those words, kept on advancing to him all the way to Brookfield, at the same time that the sober reality murmured at his elbow.
Love, with his accustomed cunning, managed thus to lift her out of the mire and array her in his golden dress to idealize her, as we say. Reconciled for the hour were the contesting instincts in the nature of this youth the adoration of feminine refinement and the susceptibility to sensuous impressions. But Emilia walked with a hero: the dream of all her days! one, generous and gentle, as well as brave: who had fought for her, had thought of her tenderly, was with her now, having raised her to his level with a touch! How much might they not accomplish together: he with sword, she with harp? Through shadowy alleys in the clouds, Emilia saw the bright Italian plains opening out to her: the cities of marble, such as her imagination had fashioned them, porticos of stately palaces, and towers, and statues white among cypresses; and farther, minutely-radiant in the vista as a shining star, Venice of the sea. Fancy made the flying minutes hours. Now they marched with the regiments of Italy, under the folds of her free banner; now she sang to the victorious army, waving the banner over them; and now she floated in a gondola, and turning to him, the dear home of her heart, yet pale with the bleeding of his wound for Italy, said softly, in the tone that had power with him, “Only let me please you!”
“When? Where? What with?” came the blunt response from England, with electric speed, and Emilia fell from the clouds.
“I meant my singing; I thought of how I sang to you. Oh, happy time!” she exclaimed, to cut through the mist of vision in her mind.
“To me? down at the booth?” muttered Wilfrid, perplexed.
“Oh, no! I mean, just now—” and languid with the burden of so full a heart, she did not attempt to explain herself further, though he said, invitingly, “I thought I heard you humming?”
Then he was seized with a desire to have the force of her spirit upon him, for Brookfield was in view; and with the sight of Brookfield, the natural fascination waxed a shade fainter, and he feared it might be going. This (he was happily as ignorant as any other youth of the working of his machinery) prompted him to bid her sing before they parted. Emilia checked her steps at once to do as he desired. Her throat filled, but the voice quavered down again, like a fainting creature sick unto death. She made another effort and ended with a sorrowful look at his narrowly-watching eyes.
“I can't,” she said; and, in fear of his anger, took his hand to beg forgiveness, while her eyelids drooped.
Wilfrid locked her fingers in a strong pressure, and walked on, silent as a man who has faced one of the veiled mysteries of life. It struck a full human blow on his heart, dragging him out of his sentimental pastures precipitately. He felt her fainting voice to be the intensest love-cry that could be uttered. The sound of it coursed through his blood, striking a rare illumination of sparks in his not commonly brilliant brain. In truth, that little episode showed an image of nature weak with the burden of new love. I do not charge the young cavalry officer with the power of perceiving images. He saw no more than that she could not sing because of what was in her heart toward him; but such a physical revelation was a divine love-confession, coming involuntarily from one whose lips had not formed the name of love; and Wilfrid felt it so deeply, that the exquisite flattery was almost lost, in a certain awed sense of his being in the presence of an absolute fact: a thing real, though it was much talked about, and visible, though it did not wear a hat or a petticoat.
It searched him thoroughly enough to keep him from any further pledges in that direction, propitious as the moment was, while the moon slipped over banks of marble into fields of blue, and all the midnight promised silence. They passed quickly through the laurel shrubs, and round the lawn. Lights were in the sleepless ladies' bed-room windows.
“Do I love her?” thought Wilfrid, as he was about to pull at the bell, and the thought that he should feel pain at being separated from her for half-a-dozen hours, persuaded him that he did. The self-restraint which withheld him from protesting that he did, confirmed it.
“To-morrow morning,” he whispered.
“I shall be down by daylight,” answered Emilia.
“You are in the shade—I cannot see you,” said he.
The door opened as Emilia was moving out of the line of shadow.
CHAPTER XIII
On the morrow Wilfrid was gone. No one had seen him go. Emilia, while she touched the keys of a muted piano softly in the morning quiet of the house, had heard the front-door close. At that hour one attributes every noise to the servants. She played on and waited patiently, till the housemaid expelled her into the dewy air.
The report from his bedchamber, telling the ladies of his absence, added that he had taken linen for a lengthened journey.
This curious retreat of my hero belongs to the order of things that are done 'None know why;' a curtain which drops conveniently upon either the bewilderment of the showman or the infirmities of the puppet.
I must own (though I need not be told what odium frowns on such a pretension to excess of cleverness) that I do know why. I know why, and, unfortunately for me, I have to tell what I know. If I do not tell, this narrative is so constituted that there will be no moral to it.
One who studies man in puppets (in which purpose lies the chief value of this amusing species), must think that we are degenerating rapidly. The puppet hero, for instance, is a changed being. We know what he was; but now he takes shelter in his wits. His organs affect his destiny. Careless of the fact that the hero's achievement is to conquer nature, he seems rather to boast of his subservience to her.
Still, up to this day, the fixture of a nose upon the puppet-hero's frontispiece has not been attempted. Some one does it at last. When the alternative came: “No nose to the hero, no moral to the tale;” could there be hesitation?
And I would warn our sentimentalists to admit the nose among the features proper to heroes, otherwise the race will become extinct. There is already an amount of dropping of the curtain that is positively wearisome, even to extremely refined persons, in order to save him from apparent misconduct. He will have to go altogether, unless we boldly figure him as other men. Manifestly the moment his career as a fairy prince was at end, he was on the high road to a nose. The beneficent Power that discriminated for him having vanished utterly, he was, like a bankrupt gentleman, obliged to do all the work for himself. This is nothing more than the tendency of the generations downward from the ideal.
The springs that moved Wilfrid upon the present occasion were simple. We will strip him of his heroic trappings for one fleeting instant, and show them.
Jumping briskly from a restless bed, his first act was to address his features to the looking-glass: and he saw surely the most glorious sight for a hero of the knightly age that could possibly have been offered. The battle of the previous night was written there in one eloquent big lump, which would have passed him current as hero from end to end of the land in the great days of old. These are the tea-table days. His preference was for the visage of Wilfrid Pole, which he saw not. At the aspect of the fearful mask, this young man stared, and then cursed; and then, by an odd transition, he was reminded, as by the force of a sudden gust, that Emilia's hair was redolent of pipe-smoke.
His remark was, “I can't be seen in this state.” His thought (a dim reminiscence of poetical readings): “Ambrosial locks indeed!” A sad irony, which told that much gold-leaf had peeled away from her image in his heart.
Wilfrid was a gallant fellow, with good stuff in him. But, he was young. Ponder on that pregnant word, for you are about to see him grow. He was less a coxcomb than shamefaced and sentimental; and one may have these qualities, and be a coxcomb to boot, and yet be a gallant fellow. One may also be a gallant fellow, and harsh, exacting, double-dealing, and I know not what besides, in youth. The question asked by nature is, “Has he the heart to take and keep an impression?” For, if he has, circumstances will force him on and carve the figure of a brave man out of that mass of contradictions. In return for such benefits, he pays forfeit commonly of the dearest of the things prized by him in this terrestrial life. Whereat, albeit created man by her, he reproaches nature, and the sculptor, circumstance; forgetting that to make him man is their sole duty, and that what betrayed him was the difficulty thrown in their way by his quondam self—the pleasant boonfellow!
He forgets, in fact, that he was formerly led by his nose, and sacrificed his deeper feeling to a low disgust.
When the youth is called upon to look up, he can adore devoutly and ardently; but when it is his chance to look down on a fair head, he is, if not worse, a sentimental despot.
Wilfrid was young, and under the dominion of his senses; which can be, if the sentimentalists will believe me, as tyrannous and misleading when super-refined as when ultra-bestial. He made a good stout effort to resist the pipe-smoke. Emilia's voice, her growing beauty, her simplicity, her peculiar charms of feature, were all conjured up to combat the dismal images suggested by that fatal, dragging-down smell. It was vain. Horrible pipe-smoke pervaded the memory of her. It seemed to his offended dainty fancy that he could never dissociate her from smoking-booths and abominably bad tobacco; and, let us add (for this was part of the secret), that it never could dwell on her without the companionship of a hideous disfigured countenance, claiming to be Wilfrid Pole. He shuddered to think that he had virtually almost engaged himself to this girl. Or, had he? Was his honour bound? Distance appeared to answer the question favourably. There was safety in being distant from her. She possessed an incomprehensible attractiveness. She was at once powerful and pitiable: so that while he feared her, and was running from her spell, he said, from time to time, “Poor little thing!” and deeply hoped she would not be unhappy.
A showman once (a novice in his art, or ambitious beyond the mark), after a successful exhibition of his dolls, handed them to the company, with the observation, “satisfy yourselves, ladies and gentlemen.” The latter, having satisfied themselves that the capacity of the lower limbs was extraordinary, returned them, disenchanted. That showman did ill. But I am not imitating him. I do not wait till after the performance, when it is too late to revive illusion. To avoid having to drop the curtain, I choose to explain an act on which the story hinges, while it is advancing: which is, in truth, an impulse of character. Instead of his being more of a puppet, this hero is less wooden than he was. Certainly I am much more in awe of him.
CHAPTER XIV
Mr. Pole was one of those men whose characters are read off at a glance. He was neat, insignificant, and nervously cheerful; with the eyes of a bird, that let you into no interior. His friends knew him thoroughly. His daughters were never in doubt about him. At the period of the purchase of Brookfield he had been excitable and feverish, but that was ascribed to the projected change in his habits, and the stern necessity for an occasional family intercommunication on the subject of money. He had a remarkable shyness of this theme, and reversed its general treatment; for he would pay, but would not talk of it. If it had to be discussed with the ladies, he puffed, and blinked, and looked so much like a culprit that, though they rather admired him for what seemed to them the germ of a sense delicate above his condition, they would have said of any man they had not known so perfectly, that he had painful reasons for wishing to avoid it. Now that they spoke to him of Besworth, assuring him that they were serious in their desire to change their residence, the fit of shyness was manifested, first in outrageous praise of Brookfield, which was speedily and inexplicably followed by a sort of implied assent to the proposition to depart from it. For Besworth displayed numerous advantages over Brookfield, and to contest one was to plunge headlong into the money question. He ventured to ask his daughters what good they expected from the change. They replied that it was simply this: that one might live fifty years at Brookfield and not get such a circle as in two might be established at Besworth. They were restricted. They had gathering friends, and no means of bringing them together. And the beauty of the site of Besworth made them enthusiastic.
“Well, but,” said Mr. Pole: “what does it lead to? Is there nothing to come after?”
He explained: “You're girls, you know. You won't always stop with me. You may do just as well at Brookfield for yourselves, as over there.”
The ladies blushed demurely.
“You forecast very kindly for us, papa,” said Cornelia. “Our object is entirely different.”
“I wish I could see it,” he returned.
“But, you do see, papa, you do see,” interposed Adela, “that a select life is preferable to that higgledy-piggledy city-square existence so many poor creatures are condemned to!”
“Select!” said Mr. Pole, thinking that he had hit upon a weakness in their argument; “how can it be select when you want to go to a place where you may have a crowd about you?”
“Selection can only be made from a crowd,” remarked Arabella, with terrible placidity. “It is where we see few that we are at the mercy of kind fortune for our acquaintances.”
“Don't you see, papa, that the difference between the aristocracy and the bourgeoisie is, that the former choose their sets, and the latter are obliged to take what comes to them?” said Adela.
This was the first domestic discussion upon Besworth. The visit to Richford had produced the usual effect on the ladies, who were now looking to other heights from that level. The ladies said: “We have only to press it with papa, and we shall quit this place.” But at the second discussion they found that they had not advanced. The only change was in the emphasis that their father added to the interrogations already uttered. “What does it lead to? What's to come after? I see your object. But, am I to go into a new house for the sake of getting you out of it, and then be left there alone? It's against your interests, too. Never mind how. Leave that to a business man. If your brother had proposed it...but he's too reasonable.”
The ladies, upon this hint, wrote to Wilfrid to obtain his concurrence and assistance. He laughed when he read the simple sentence: “We hope you will not fancy that we have any peculiar personal interest in view;” and replied to them that he was sure they had none: that he looked upon Besworth with favour, “and I may inform you,” he pursued, “that your taste is heartily applauded by Lady Charlotte Chillingworth, she bids me tell you.” The letter was dated from Stornley, the estate of the marquis, Lady Charlotte's father. Her ladyship's brother was a member of Wilfrid's Club. “He calls Besworth the most habitable place in the county, and promises to be there as many months out of the twelve as you like to have him. I agree with him that Stornley can't hold a candle to it. There are three residences in England that might be preferred to it, and, of those, two are ducal.”
The letter was a piece of that easy diplomacy which comes from habit. The “of those, two are ducal,” was masterly. It affected the imagination of Brookfield. “Which two?” And could Besworth be brought to rival them? Ultimately, it might be! The neighbourhood to London, too, gave it noble advantages. Rapid relays of guests, and a metropolitan reputation for country attractions, would distinguish Besworth above most English houses. A house where all the chief celebrities might be encountered: a house under suave feminine rule; a house, a home, to a chosen set, and a refreshing fountain to a widening circle!
“We have a dispute,” they wrote playfully to Wilfrid “a dispute we wish you or Lady Charlotte to settle. I, Arabella, know nothing of trout. I, Cornelia, know nothing of river-beds. I, Adela, know nothing of engineering. But, we are persuaded, the latter, that the river running for a mile through Besworth grounds may be deepened: we are persuaded, the intermediate, that the attempt will damage the channel: we are persuaded, the first, that all the fish will go.”
In reply, Wilfrid appeared to have taken them in earnest. “I rode over yesterday with Lady Charlotte,” he said. “We think something might be done, without at all endangering the fish or spoiling the channel. At all events, the idea of making the mile of broad water serviceable for boats is too good to give up in a hurry. How about the dining-hall? I told Lady Charlotte you were sure to insist upon a balcony for musicians. She laughed. You will like her when you know her.”
Thus the ladies of Brookfield were led on to be more serious concerning Besworth than they had thought of being, and began to feel that their honour was pledged to purchase this surpassing family seat. In a household where every want is supplied, and money as a topic utterly banished, it is not surprising that they should have had imperial views.
Adela was Wilfrid's favoured correspondent. She described to him gaily the struggle with their papa. “But, if you care for Besworth, you may calculate on it.—Or is it only for our sakes, as I sometimes think?—Besworth is won. Nothing but the cost of the place (to be considered you know!) could withhold it from us; and of that papa has not uttered a syllable, though he conjures up every possible objection to a change of abode, and will not (perhaps, poor dear, cannot) see what we intend doing in the world. Now, you know that rich men invariably make the question of the cost their first and loudest outcry. I know that to be the case. They call it their blood. Papa seems indifferent to this part of the affair. He does not even allude to it. Still, we do not progress. It is just possible that the Tinleys have an eye on beautiful Besworth. Their own place is bad enough, but good enough for them. Give them Besworth, and they will sit upon the neighbourhood. We shall be invaded by everything that is mean and low, and a great chance will be gone for us. I think I may say, for the county. The country? Our advice is, that you write to papa one of your cleverest letters. We know, darling, what you can do with the pen as well as the sword. Write word that you have written.”
Wilfrid's reply stated that he considered it unadviseable that he should add his voice to the request, for the present.
The ladies submitted to this quietly until they heard from their father one evening at dinner that he had seen Wilfrid in the city.
“He doesn't waste his time like some young people I know,” said Mr. Pole, with a wink.
“Papa; is it possible?” cried Adela.
“Everything's possible, my dear.”
“Lady Charlotte?”
“There is a Lady Charlotte.”
“Who would be Lady Charlotte still, whatever occurred!”
Mr. Pole laughed. “No, no. You get nothing out of me. All I say is, be practical. The sun isn't always shining.”
He appeared to be elated with some secret good news.
“Have you been over to Besworth, the last two or three days?” he asked.
The ladies smiled radiantly, acknowledging Wilfrid's wonderful persuasive powers, in their hearts.
“No, papa; we have not been,” said Adela. “We are always anxious to go, as I think you know.”
The merchant chirped over his glass. “Well, well! There's a way.”
“Straight?”
“Over a gate; ha, ha!”
His gaiety would have been perplexing, but for the allusion to Lady Charlotte.
The sisters, in their unfailing midnight consultation, persuaded one another that Wilfrid had become engaged to that lady. They wrote forthwith Fine Shades to him on the subject. His answer was Boeotian, and all about Besworth. “Press it now,” he said, “if you really want it. The iron is hot. And above all things, let me beg you not to be inconsiderate to the squire, when he and I are doing all we can for you. I mean, we are bound to consider him, if there should happen to be anything he wishes us to do.”
What could the word 'inconsiderate' imply? The ladies were unable to summon an idea to solve it. They were sure that no daughters could be more perfectly considerate and ready to sacrifice everything to their father. In the end, they deputed the volunteering Adela to sit with him in the library, and put the question of Besworth decisively, in the name of all. They, meantime, who had a contempt for sleep, waited aloft to hold debate over the result of the interview.
An hour after midnight, Adela came to them, looking pale and uncertain: her curls seeming to drip, and her blue eyes wandering about the room, as if she had seen a thing that kept her in a quiver between belief and doubt.
The two ladies drew near to her, expressing no verbal impatience, from which the habit of government and great views naturally saved them, but singularly curious.
Adela's first exclamation: “I wish I had not gone,” alarmed them.
“Has any change come to papa?” breathed Arabella.
Cornelia smiled. “Do you not know him too well?”
An acute glance from Adela made her ask whether Besworth was to be surrendered.
“Oh, no! my dear. We may have Besworth.”
“Then, surely!”
“But, there are conditions?” said Arabella.
“Yes. Wilfrid's enigma is explained. Bella, that woman has seen papa.”
“What woman?”
“Mrs. Chump.”
“She has our permission to see him in town, if that is any consolation to her.”
“She has told him,” continued Adela, “that no explanation, or whatever it may be, was received by her.”
“Certainly not, if it was not sent.”
“Papa,” and Adela's voice trembled, “papa will not think of Besworth,—not a word of it!-until—until we consent to welcome that woman here as our guest.”
Cornelia was the first to break the silence that followed this astounding intelligence. “Then,” she said, “Besworth is not to be thought of. You told him so?”
Adela's head drooped. “Oh!” she cried, “what shall we do? We shall be a laughing-stock to the neighbourhood. The house will have to be locked up. We shall live like hermits worried by a demon. Her brogue! Do you remember it? It is not simply Irish. It's Irish steeped in brine. It's pickled Irish!”
She feigned the bursting into tears of real vexation.
“You speak,” said Cornelia contemptuously, “as if we had very humbly bowed our heads to the infection.”
“Papa making terms with us!” murmured Arabella.
“Pray, repeat his words.”
Adela tossed her curls. “I will, as well as I can. I began by speaking of Besworth cheerfully; saying, that if he really had no strong affection for Brookfield, that would make him regret quitting it, we saw innumerable advantages in the change of residence proposed. Predilection,—not affection—that was what I said. He replied that Besworth was a large place, and I pointed out that therein lay one of its principal merits. I expected what would come. He alluded to the possibility of our changing our condition. You know that idea haunts him. I told him our opinion of the folly of the thing. I noticed that he grew red in the face, and I said that of course marriage was a thing ordained, but that we objected to being submerged in matrimony until we knew who and what we were. I confess he did not make a bad reply, of its kind. 'You're like a youngster playing truant that he may gain knowledge.' What do you think of it?”
“A smart piece of City-speech,” was Arabella's remark: Cornelia placidly observing, “Vulgarity never contains more than a minimum of the truth.”
“I said,” Adela went on, “Think as you will, papa, we know we are right. He looked really angry. He said, that we have the absurdest ideas—you tell me to repeat his words—of any girls that ever existed; and then he put a question: listen: I give it without comment: 'I dare say, you all object to widows marrying again.' I kept myself quiet. 'Marrying again, papa! If they marry once they might as well marry a dozen times.' It was the best way to irritate him. I did not intend it; that is all I can say. He jumped from his chair, rubbed his hair, and almost ran up and down the library floor, telling me that I prevaricated. 'You object to a widow marrying at all—that's my question!' he cried out loud. Of course I contained my voice all the more. 'Distinctly, papa.' When I had spoken, I could scarcely help laughing. He went like a pony that is being broken in, crying, I don't know how many times, 'Why? What's your reason?' You may suppose, darlings, that I decline to enter upon explanation. If a person is dense upon a matter of pure sentiment, there is no ground between us: he has simply a sense wanting. 'What has all this to do with Besworth?' I asked. 'A great deal more than you fancy,' was his answer. He seemed to speak every word at me in capital letters. Then, as if a little ashamed, he sat down, and reached out his hand to mine, and I saw his eyes were moist. I drew my chair nearer to him. Now, whether I did right or wrong in this, I do not know I leave it entirely to your judgement. If you consider how I was placed, you will at all events excuse me. What I did was—you know, the very farthest suspicion one has of an extreme possibility one does not mind mentioning: I said 'Papa, if it should so happen that money is the objection to Besworth, we will not trouble you.' At this, I can only say that he behaved like an insane person. He denounced me as wilfully insulting him that I might avoid one subject.”
“And what on earth can that be?” interposed Arabella.
“You may well ask. Could a genie have guessed that Mrs. Chump was at the bottom of it all? The conclusion of the dreadful discussion is this, that papa offers to take the purchase of Besworth into his consideration, if we, as I said before, will receive Mrs. Chump as our honoured guest. I am bound to say, poor dear old man, he spoke kindly, as he always does, and kissed me, and offered to give me anything I might want. I came from him stupefied. I have hardly got my senses about me yet.”
The ladies caressed her, with grave looks; but neither of them showed a perturbation of spirit like that which distressed Adela.
“Wilfrid's meaning is now explained,” said Cornelia. “He is in league with papa; or has given in his adhesion to papa's demands, at least. He is another example of the constant tendency in men to be what they call 'practical' at the expense of honour and sincerity.”
“I hope not,” said Arabella. “In any case, that need not depress you so seriously, darling.”
She addressed Adela.
“Do you not see?” Adela cried, in response. “What! are you both blind to the real significance of papa's words? I could not have believed it! Or am I this time too acute? I pray to heaven it may be so!”
Both ladies desired her to be explicit; Arabella, eagerly; Cornelia with distrust.
“The question of a widow marrying! What is this woman, whom papa wishes to force on us as our guest? Why should he do that? Why should he evince anxiety with regard to our opinion of the decency of widows contemplating re-union? Remember previous words and hints when we lived in the city!”
“This at least you may spare us,” said Cornelia, ruffling offended.
Adela smiled in tenderness for her beauty.
“But, it is important, if we are following a track, dear. Think over it.”
“No!” cried Arabella. “It cannot be true. We might easily have guessed this, if we ever dreamed of impossibilities.”
“In such cases, when appearances lean in one direction, set principles in the opposite balance,” added Cornelia. “What Adela apprehends may seem to impend, but we know that papa is incapable of doing it. To know that, shuts the gates of suspicion. She has allowed herself to be troubled by a ghastly nightmare.”
Adela believed in her own judgement too completely not to be sure that her sisters were, perhaps unknowingly, disguising a slowness of perception they were ashamed of, by thus partially accusing her of giddiness. She bit her lip.
“Very well; if you have no fears whatever, you need not abandon the idea of Besworth.”
“I abandon nothing,” said Arabella. “If I have to make a choice, I take that which is least objectionable. I am chagrined, most, at the idea that Wilfrid has been treacherous.”
“Practical,” Cornelia suggested. “You are not speaking of one of our sex.”
Questions were then put to Adela, whether Mr. Pole had spoken in the manner of one who was prompted: whether he hesitated as he spoke: whether, in short, Wilfrid was seen behind his tongue. Adela resolved that Wilfrid should have one protectress.
“You are entirely mistaken in ascribing treachery to him,” she said. “It is papa that is changed. You may suppose it to be without any reason, if you please. I would tell you to study him for yourselves, only I am convinced that these special private interviews are anything but good policy, and are strictly to be avoided, unless of course, as in the present instance, we have something directly to do.”
Toward dawn the ladies had decreed that it was policy to be quite passive, and provoke no word of Mrs. Chump by making any allusion to Besworth, and by fencing with the mention of the place.
As they rarely failed to carry out any plan deliberately conceived by them, Mr. Pole was astonished to find that Besworth was altogether dropped. After certain scattered attempts to bring them upon Besworth, he shrugged, and resigned himself, but without looking happy.
Indeed he looked so dismal that the ladies began to think he had a great longing for Besworth. And yet he did not go there, or even praise it to the discredit of Brookfield! They were perplexed.
“Let me ask you how it is,” said Cornelia to Mr. Barrett, “that a person whom we know—whose actions and motives are as plain to us as though discerned through a glass, should at times produce a completer mystification than any other creature? Or have you not observed it?”
“I have had better opportunities of observing it than most people,” Mr. Barren replied, with one of his saddest amused smiles. “I have come to the conclusion that the person we know best is the one whom we never understand.”
“You answer me with a paradox.”
“Is it not the natural attendant on an assumption?”
“What assumption?”
“That you know a person thoroughly.”
“May we not?”
“Do you, when you acknowledge this 'complete mystification'?”
“Yes.” Cornelia smiled when she had said it. “And no.”
Mr. Barrett, with his eyes on her, laughed softly. “Which is paradox at the fountain-head! But, when we say we know any one, we mean commonly that we are accustomed to his ways and habits of mind; or, that we can reckon on the predominant influence of his appetites. Sometimes we can tell which impulse is likely to be the most active, and which principle the least restraining. The only knowledge to be trusted is a grounded or scientific study of the springs that move him, side by side with his method of moving the springs. If you fail to do this, you have two classes under your eyes: you have sane and madman: and it will seem to you that the ranks of the latter are constantly being swollen in an extraordinary manner. The customary impression, as we get older, is that our friends are the maddest people in the world. You see, we have grown accustomed to them; and now, if they bewilder us, our judgement, in self-defence, is compelled to set them down lunatic.”
Cornelia bowed her stately head with gentle approving laughter.
“They must go, or they despatch us thither,” she said, while her fair face dimpled into serenity. The remark was of a lower nature than an intellectual discussion ordinarily drew from her: but could Mr. Barrett have read in her heart, he might have seen that his words were beginning to rob that organ of its native sobriety. So that when he spoke a cogent phrase, she was silenced, and became aware of a strange exultation in her blood that obscured grave thought. Cornelia attributed this display of mental weakness altogether to Mr. Barrett's mental force. The interposition of a fresh agency was undreamt of by the lady.
Meanwhile, it was evident that Mr. Pole was a victim to one of his fevers of shyness. He would thrum on the table, frowning; and then, as he met the look of one of the ladies, try to disguise the thought in his head with a forced laugh. Occasionally, he would turn toward them, as if he had just caught a lost idea that was peculiarly precious. The ladies drawing up to attend to the communication, had a most trivial matter imparted to them, and away he went. Several times he said to them “You don't make friends, as you ought;” and their repudiation of the charge made him repeat: “You don't make friends—home friends.”
“The house can be as full as we care to have it, papa.”
“Yes, acquaintances! All very well, but I mean friends—rich friends.”
“We will think of it, papa,” said Adela, “when we want money.”
“It isn't that,” he murmured.
Adela had written to Wilfrid a full account of her interview with her father. Wilfrid's reply was laconic. “If you cannot stand a week of the brogue, give up Besworth, by all means.” He made no further allusion to the place. They engaged an opera-box, for the purpose of holding a consultation with him in town. He wrote evasively, but did not appear, and the ladies, with Emilia between them, listened to every foot-fall by the box-door, and were too much preoccupied to marvel that Emilia was just as inattentive to the music as they were. When the curtain dropped they noticed her dejection.
“What ails you?” they asked.
“Let us go out of London to-night,” she whispered, and it was difficult to persuade her that she would see Brookfield again.
“Remember,” said Adela, “it is you that run away from us, not we from you.”
Soft chidings of this description were the only reproaches for her naughty conduct. She seemed contrite very still and timid, since that night of adventure. The ladies were glad to observe it, seeing that it lent her an air of refinement, and proved her sensible to correction.
At last Mr. Pole broke the silence. He had returned from business, humming and rubbing his hands, like one newly primed with a suggestion that was the key of a knotty problem. Observant Adela said: “Have you seen Wilfrid, papa?”
“Saw him in the morning,” Mr. Pole replied carelessly.
Mr. Barrett was at the table.
“By the way, what do you think of our law of primogeniture?” Mr. Pole addressed him.
He replied with the usual allusion to a basis of aristocracy.
“Well, it's the English system,” said Mr. Pole. “That's always in its favour at starting. I'm Englishman enough to think that. There ought to be an entail of every decent bit of property, eh?”
It was observed that Mr. Barrett reddened as he said, “I certainly think that a young man should not be subject to his father's caprice.”
“Father's caprice! That isn't common. But, if you're founding a family, you must entail.”
“We agree, sir, from my point of view, and from yours.”
“Knits the family bond, don't you think? I mean, makes the trunk of the tree firm. It makes the girls poor, though!”
Mr. Barrett saw that he had some confused legal ideas in his head, and that possibly there were personal considerations in the background; so he let the subject pass.
When the guest had departed, Mr. Pole grew demonstrative in his paternal caresses. He folded Adela in one arm, and framed her chin in his fingers: marks of affection dear to her before she had outgrown them.
“So!” he said, “you've given up Besworth, have you?”
At the name, Arabella and Cornelia drew nearer to his chair.
“Given up Besworth, papa? It is not we who have given it up,” said Adela.
“Yes, you have; and quite right too. You say, 'What's the use of it, for that's a sort of thing that always goes to the son.'”
“You suppose, papa, that we indulge in ulterior calculations?” came from Cornelia.
“Well, you see, my love!—no, I don't suppose it at all. But to buy a place and split it up after two or three years—I dare say they wouldn't insure me for more, that's nonsense. And it seems unfair to you, as you must think—”
“Darling papa! we are not selfish!” it rejoiced Adela to exclaim.
His face expressed a transparent simple-mindedness that won the confidence of the ladies and awakened their ideal of generosity.
“I know what you mean, papa,” said Arabella. “But, we love Besworth; and if we may enjoy the place for the time that we are all together, I shall think it sufficient. I do not look beyond.”
Her sisters echoed the sentiment, and sincerely. They were as little sordid as creatures could be. If deeply questioned, it would have been found that their notion of the position Providence had placed them in (in other words, their father's unmentioned wealth), permitted them to be as lavish as they pleased. Mr. Pole had endowed them with a temperament similar to his own; and he had educated it. In feminine earth it flourished wonderfully. Shy as himself, their shyness took other forms, and developed with warm youth. Not only did it shut them up from others (which is the first effect of this disease), but it tyrannized over them internally: so that there were subjects they had no power to bring their minds to consider. Money was in the list. The Besworth question, as at present considered, involved the money question. All of them felt that; father and children. It is not surprising, therefore, that they hurried over it as speedily as they could, and by a most comical exhibition of implied comprehension of meanings and motives.
“Of course, we're only in the opening stage of the business,” said Mr. Pole. “There's nothing decided, you know. Lots of things got to be considered. You mean what you say, do you? Very well. And you want me to think of it? So I will. And look, my dears, you know that—” (here his voice grew husky, as was the case with it when touching a shy topic even beneath the veil; but they were above suspicion) “you know that—a—that we must all give way a little to the other, now and then. Nothing like being kind.”
“Pray, have no fear, papa dear!” rang the clear voice of Arabella.
“Well, then, you're all for Besworth, even though it isn't exactly for your own interest? All right.”
The ladies kissed him.
“We'll each stretch a point,” he continued. “We shall get on better if we do. Much! You're a little hard on people who're not up to the mark. There's an end to that. Even your old father will like you better.”
These last remarks were unintelligible to the withdrawing ladies.
On the morning that followed, Mr. Pole expressed a hope that his daughters intended to give him a good dinner that day; and he winked humorously and kindly by which they understood him to be addressing a sort of propitiation to them for the respect he paid to his appetite.
“Papa,” said Adela, “I myself will speak to Cook.”
She added, with a smile thrown to her sisters, without looking at them, “I dare say, she will know who I am.”
Mr. Pole went down to his wine-cellar, and was there busy with bottles till the carriage came for him. A bason was fetched that he might wash off the dust and cobwebs in the passage. Having rubbed his hands briskly with soap, he dipped his head likewise, in an oblivious fit, and then turning round to the ladies, said, “What have I forgotten?” looking woebegone with his dripping vacant face. “Oh, ah! I remember now;” and he chuckled gladly.
He had just for one moment forgotten that he was acting, and a pang of apprehension had caught him when the water covered his face, to the effect that he must forfeit the natural artistic sequence of speech and conduct which disguised him so perfectly. Away he drove, nodding and waving his hand.
“Dear, simple, innocent old man!” was the pitiful thought in the bosoms of the ladies; and if it was accompanied by the mute exclamation, “How singular that we should descend from him!” it would not have been for the first time.
They passed one of their delightful quiet days, in which they paved the future with gold, and, if I may use so bold a figure, lifted parasols against the great sun that was to shine on them. Now they listened to Emilia, and now strolled in the garden; conversed on the social skill of Lady Gosstre, who was nevertheless narrow in her range; and on the capacities of mansions, on the secret of mixing people in society, and what to do with the women! A terrible problem, this latter one. Not terrible (to hostesses) at a mere rout or drum, or at a dance pure and simple, but terrible when you want good talk to circulate for then they are not, as a body, amused; and when they are not amused, you know, they are not inclined to be harmless; and in this state they are vipers; and where is society then? And yet you cannot do without them!—which is the revolting mystery. I need not say that I am not responsible for these critical remarks. Such tenderness to the sex comes only from its sisters.
So went a day rich in fair dreams to the ladies; and at the hour of their father's return they walked across the parvenu park, in a state of enthusiasm for Besworth, that threw some portion of its decorative light on the donor of Besworth. When his carriage was heard on the road, they stood fast, and greeted his appearance with a display of pocket-handkerchiefs in the breeze, a proceeding that should have astonished him, being novel; but seemed not to do so, for it was immediately responded to by the vigorous waving of a pair of pocket-handkerchiefs from the carriage-window! The ladies smiled at this piece of simplicity which prompted him to use both his hands, as if one would not have been enough. Complacently they continued waving. Then Adela looked at her sisters; Cornelia's hand dropped and Arabella, the last to wave, was the first to exclaim: “That must be a woman's arm!”
The carriage stopped at the gate, and it was one in the dress of a woman at least, and of the compass of a big woman, who descended by the aid of Mr. Pole. Safely alighted, she waved her pocket-handkerchief afresh. The ladies of Brookfield did not speak to one another; nor did they move their eyes from the object approaching. A simultaneous furtive extinction of three pocket-handkerchiefs might have been noticed. There was no further sign given.