WeRead Powered by ReaderPub
Secrets of scene painting and stage effects cover

Secrets of scene painting and stage effects

Chapter 12: HANDLING SCENERY
Open in WeRead

Explore more books like this:

About This Book

The book surveys the history and principles of theatrical scenery and provides practical instruction for creating stage backgrounds and effects. It explains perspective and painting techniques, paint mixing and application suited to distant audience viewing, and offers designs for typical scenes and appropriate furniture. It addresses stage construction from portable platforms to permanent sets, and details the mechanics of moving scenery, curtains, borders, and the use of power and safety measures. Illustrated, step‑by‑step guidance aims to equip amateurs and professionals with methods for producing convincing, durable scenic effects.

HANDLING SCENERY

This is a side of play production that on no account should be treated as of little moment, or in the frame of mind that feels ‘it will be all right on the night,’ for apart from the possible danger to life and limb from incompetence, there is also that exceedingly irritating business, the long stage wait, which is such a common feature of amateur theatricals.

It is of course best, if possible, to enlist the services of regular scene-shifters to manage the various changes. If there is difficulty in obtaining professional help, volunteer assistance should be properly drilled and rehearsed, and provision must be made for the management and support of each set, or a grievous muddle will be the result.

PROSCENIUM

If a hall is hired where stage plays are often presented, the various appliances and fittings will be found ready for use. Where a rough-and-ready platform is erected, the amateur must fix up his own.

The illustrations we give show how various parts of scenery are dealt with in the large theatres, and we leave the aspirant to play production to adapt them to the necessities of his smaller space.