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Secrets of scene painting and stage effects cover

Secrets of scene painting and stage effects

Chapter 19: HORSES ‘OFF’
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About This Book

The book surveys the history and principles of theatrical scenery and provides practical instruction for creating stage backgrounds and effects. It explains perspective and painting techniques, paint mixing and application suited to distant audience viewing, and offers designs for typical scenes and appropriate furniture. It addresses stage construction from portable platforms to permanent sets, and details the mechanics of moving scenery, curtains, borders, and the use of power and safety measures. Illustrated, step‑by‑step guidance aims to equip amateurs and professionals with methods for producing convincing, durable scenic effects.

HORSES ‘OFF’

The sound of horses trotting up to the imaginary road outside the imaginary house of stage-land is easily produced. The man whose business it is to produce this sound has a couple of wooden blocks, each fitted with a short band of webbing, into which he slips his hands. The blocks are knocked on a board placed on the floor of the stage, and when the horses are supposed to be very near the scene the board is discarded and the wooden blocks are knocked on a slab of slate or marble.

Some men prefer to use cocoanut shells instead of the blocks of wood; the shells, which must be cut or ground flat, give a better ring to the sound. The illustration will show how the blocks or shells are handled.