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Secrets of scene painting and stage effects

Chapter 21: HEAVY RAIN
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About This Book

The book surveys the history and principles of theatrical scenery and provides practical instruction for creating stage backgrounds and effects. It explains perspective and painting techniques, paint mixing and application suited to distant audience viewing, and offers designs for typical scenes and appropriate furniture. It addresses stage construction from portable platforms to permanent sets, and details the mechanics of moving scenery, curtains, borders, and the use of power and safety measures. Illustrated, step‑by‑step guidance aims to equip amateurs and professionals with methods for producing convincing, durable scenic effects.

HEAVY RAIN

The sound of rain is produced by means of a rain box, fashioned in the following way. Two uprights are fixed on a common base and a large oblong box is fixed between them by means of a couple of pivots in its sides. This box is filled with small stones and the rain-producer stands at one end of the box and moves it up and down, thus tilting the stones to and fro in the box. Strange as it will appear to anyone not in the secret, this moving of small stones in a box produces the sound of heavy rain to those sitting in the auditorium. Of course, if rain is to be seen on the stage it may be the real thing—so far as the water is concerned—but it is seldom needed, and then only for a few seconds; in any case, a play that needs such an elaborate effect will probably not be looked upon with favour by any company of amateur players.