WeRead Powered by ReaderPub
Secrets of scene painting and stage effects cover

Secrets of scene painting and stage effects

Chapter 24: RIPPLING WAVES
Open in WeRead

Explore more books like this:

About This Book

The book surveys the history and principles of theatrical scenery and provides practical instruction for creating stage backgrounds and effects. It explains perspective and painting techniques, paint mixing and application suited to distant audience viewing, and offers designs for typical scenes and appropriate furniture. It addresses stage construction from portable platforms to permanent sets, and details the mechanics of moving scenery, curtains, borders, and the use of power and safety measures. Illustrated, step‑by‑step guidance aims to equip amateurs and professionals with methods for producing convincing, durable scenic effects.

RIPPLING WAVES

The effect of rippling waves is produced by means of a specially prepared back cloth. This has a number of slits cut in it (see illustration). Behind the back cloth is a machine consisting of two uprights, with a roller-blind attachment at the top, but in place of the blind there is a large sheet of American cloth perforated in the way shown in the illustration. Between this American cloth and the back cloth on the stage is a sheet of prepared gauze. This is necessary, because the strong light which is used to produce the effect of rippling waves must be diffused. The light is that of a strong ‘lime’ placed at the back of the American cloth. Now if the American cloth is pulled up and down by means of the roller on the upright, the effect of rippling waves is produced when one looks at the back cloth ‘from the front.’