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Secrets of scene painting and stage effects

Chapter 6: THE PAINTS
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About This Book

The book surveys the history and principles of theatrical scenery and provides practical instruction for creating stage backgrounds and effects. It explains perspective and painting techniques, paint mixing and application suited to distant audience viewing, and offers designs for typical scenes and appropriate furniture. It addresses stage construction from portable platforms to permanent sets, and details the mechanics of moving scenery, curtains, borders, and the use of power and safety measures. Illustrated, step‑by‑step guidance aims to equip amateurs and professionals with methods for producing convincing, durable scenic effects.

THE PAINTS

The scene painter’s colours are known technically as ‘distemper colours.’ They are bought in the form of powder, and the only preparation they require is the admixture of water. The usual proportion is one pound of colour to a pint of water, but some colours will ‘take’ more water than others; thus, ivory black requires more water than vermilion. The powder is merely stirred up until it dissolves, but each pot of paint will require an occasional stirring while it is being used. The painter will also require a small pail of water for ‘letting down’ his colour and a half pail of dissolved size for mixing in before applying the paint and thus causing it to adhere to the canvas, otherwise the paint on drying would fly off in a powder. The artist will also need some sticks of charcoal.