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Shadows and sunbeams: Being a second series of Fern leaves from Fanny's portfolio cover

Shadows and sunbeams: Being a second series of Fern leaves from Fanny's portfolio

Chapter 106: A CONSCIENTIOUS YOUNG MAN.
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About This Book

A varied collection of short essays, sketches, and soliloquies mixes humor and sentiment to portray domestic and civic life. Vignettes range from rural scenes and bereavement to city routines and boarding-house experience, emphasizing financial dependence, household labor, and the social pressures on women. The pieces alternate pointed satire of fashion, clergy, and public manners with practical reflections on housekeeping, parenting, and charity, using anecdote and direct address to balance wit, moral observation, and sympathetic portraiture.

A CONSCIENTIOUS YOUNG MAN.

“There is no object in nature so beautiful as a conscientious young man.”—Exchange.

Well; I’ve seen the “Sea-Dog,” and Thackeray; and Tom Thumb and Kossuth; the “Bearded Lady,” and Father Matthew; the whistling Canary, and Camille Urso; the “white negro,” and Mrs. Stowe; “Chang and Eng,” and Jenny Lind; and Miss Bremer and Madame Sontag. I have been to the top of the State House, made the tour of the “Public Garden,” and crossed the “Frog Pond.” I’ve seen Theodore Parker, and a locomotive. I’ve ridden in an omnibus, heard a Fourth-of-July oration, and I once saw the sun rise; but I never, never never saw “a conscientious young man.”

If there is such an “organization” on the periphery of this globe, I should like to see him. If he is, where is he? Who owns him? Where did they raise him? What does he feed on? For whom does he vote? On what political platform do his conscientious toes rest? Does he know the difference between a Whig and a Democrat? between a “Hunker” and a “Barn-burner?” between a “hard-shell” and a “soft-shell?” between a “uniform national currency” and a “sound constitutional currency?” Does he have chills or a fever when he sees a bonnet? Does he look at it out of the sides of his eyes, like a bashful, barn-yard bantam, or dare he not look at all? Does he show the “white feather,” or crow defiance? Does he “go to roost” at sun-down? and does he rest on an aristocratic perch? I’m all alive to see the specimen. My opera-glass is poised. Will he be at the World’s Fair? Might I be permitted to shake hands with, and congratulate him? I pause for a reply.